An online, interactive archive of synthetic media artifacts, organized as a network graph. The editorial spine is intent at creation, not technique. Twelve rooms: propaganda, activism?, everyone is catfishing, entertainment and artworks, Hollywood deepfakes, AI sex workers, scam and fraud and social engineering, identity protection and pseudonymity, image-based abuse and harassment, blackface and whitewashing, awareness and self-reference, everyone is a commercial.
Each artifact carries a curatorial panel that names the toolchain, the consent status, and the concrete consequence to the people involved, in a register that is allergic to both AI-hype credulity and moral-panic credulity. The room that handles image-based abuse exhibits no media; its panels link to journalism and court documents instead.