BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Grant Desk//Calendar//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
NAME:The Grant Desk - Audio\, Sound & Music
X-WR-CALNAME:The Grant Desk - Audio\, Sound & Music deadlines
X-WR-CALDESC:Paid open calls\, fellowships and residencies in AI\, tech\, r
 esearch\, and digital and mixed-media arts\, sorted into the right pile. U
 pdated as new calls land on the desk. Filtered to: Audio\, Sound & Music.
REFRESH-INTERVAL;VALUE=DURATION:PT12H
X-PUBLISHED-TTL:PT12H
BEGIN:VEVENT
UID:musikfonds-stip-6-ai-scholarship-2027@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260630
DTEND;VALUE=DATE:20260701
SUMMARY:Deadline: Musikfonds: STIP-6 AI Scholarship Programme 2027 (Germany
 )
DESCRIPTION:STIP-6 is a Musikfonds scholarship programme supporting profess
 ional musicians who work on AI-based composition and who reflect criticall
 y and societally on the role of artificial intelligence in music. Ten scho
 larships of EUR 30\,000 each are awarded for the 2027 working year. Open t
 o Germany-based professional freelance musicians across genres\; no comput
 er-science or technical background is required. Deadline 30 June 2026\, 18
 :00 CET. Details and application via the Musikfonds funding programmes pag
 e (apply at musikfonds-antrag.de). NOTE: this entry was sourced from resea
 rch and the funder's pages may update\; confirm current figures and deadli
 ne before applying.\n\nOrganisation: musikfonds e.V.\nLocation: Germany. O
 pen to Germany-based professional freelance musicians\; no computer-scienc
 e background required.\nAward: EUR 30\,000 lump sum per scholarship\, paid
  in twelve monthly installments across January to December 2027. Ten schol
 arships available. No application fee.\nDuration: Twelve months (January t
 o December 2027).\n\nMore: https://www.musikfonds.de/foerderprogramme
URL:https://www.musikfonds.de/foerderprogramme
LOCATION:Germany. Open to Germany-based professional freelance musicians\; 
 no computer-science background required.
END:VEVENT
BEGIN:VEVENT
UID:musikfonds-small-project-funding-2026@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260831
DTEND;VALUE=DATE:20260901
SUMMARY:Deadline: Musikfonds: Small Project Funding (New and Experimental M
 usic) 2026 (Germany)
DESCRIPTION:Musikfonds Small Project Funding supports new\, experimental an
 d contemporary music projects with grants of up to EUR 3\,000\, prioritisi
 ng projects in rural and structurally weaker regions of Germany. A minimum
  10 percent co-financing is required and the artist fee must be at least E
 UR 350 per concert. Applicants and projects must be based in Germany. Appl
 ication windows close 31 August 2026 and 30 November 2026. NOTE: research-
 sourced\; confirm current figures and window dates on the Musikfonds site 
 before applying.\n\nOrganisation: musikfonds e.V.\nLocation: Germany. Appl
 icants and projects based in Germany\; priority to rural and structurally 
 weaker regions.\nAward: Up to EUR 3\,000 per project (minimum 10 percent c
 o-financing\; artist fee at least EUR 350 per concert). No application fee
 .\nDuration: Project-based.\n\nMore: https://www.musikfonds.de/foerderprog
 ramme
URL:https://www.musikfonds.de/foerderprogramme
LOCATION:Germany. Applicants and projects based in Germany\; priority to ru
 ral and structurally weaker regions.
END:VEVENT
BEGIN:VEVENT
UID:musikfonds-large-project-funding-2026@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260930
DTEND;VALUE=DATE:20261001
SUMMARY:Deadline: Musikfonds: Large Project Funding (New and Experimental M
 usic) 2026 (Germany)
DESCRIPTION:Musikfonds Large Project Funding supports new\, experimental an
 d contemporary music projects with grants of up to EUR 50\,000. A minimum 
 10 percent co-financing is required and the artist fee must be at least EU
 R 300 per concert. Applicants and projects must be based in Germany\; pure
  audio or video productions\, university projects and amateur-only project
 s are excluded. The application window runs 1 to 30 September 2026. NOTE: 
 research-sourced\; confirm current figures and window dates on the Musikfo
 nds site before applying.\n\nOrganisation: musikfonds e.V.\nLocation: Germ
 any. Applicants and projects based in Germany\; excludes pure audio/video 
 productions\, university and amateur-only projects.\nAward: Up to EUR 50\,
 000 per project (minimum 10 percent co-financing\; artist fee at least EUR
  300 per concert). No application fee.\nDuration: Project-based.\n\nMore: 
 https://www.musikfonds.de/foerderprogramme
URL:https://www.musikfonds.de/foerderprogramme
LOCATION:Germany. Applicants and projects based in Germany\; excludes pure 
 audio/video productions\, university and amateur-only projects.
END:VEVENT
BEGIN:VEVENT
UID:music-worx-incubator-hamburg-2026@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260617
DTEND;VALUE=DATE:20260618
SUMMARY:Deadline: Music WorX: Music-Tech Incubator 2026 (Hamburg)
DESCRIPTION:Music WorX is the music-technology incubator run by Hamburg Kre
 ativ Gesellschaft for early-stage teams building products at the intersect
 ion of music and technology (creation tools\, interactive media\, streamin
 g and monetisation\, AI for music\, instruments and audio gear). Selected 
 teams receive a EUR 3\,200 development budget for support services plus a 
 EUR 1\,500 per month living allowance over the 3-month programme\, mentori
 ng from a European music-tech network\, and the chance to win a EUR 1\,000
  audience prize and a EUR 2\,500 jury prize at demo day. The incubator tak
 es no equity. Open to European founders and founding teams (teams of at le
 ast two recommended\, solo founders welcome)\; no formal company formation
  is required to apply. The programme runs roughly September to December 20
 26. Application deadline: 17 June 2026. Apply via the Airtable form linked
  from the official programme page.\n\nOrganisation: Hamburg Kreativ Gesell
 schaft (Kreativ Gesellschaft)\nLocation: Hamburg\, Germany. Open to Europe
 an founders and founding teams\; Hamburg-anchored program with a European 
 mentor network.\nAward: EUR 3\,200 development budget per team plus a EUR 
 1\,500 per month living allowance across the 3-month programme. End-of-pro
 gramme prizes: EUR 1\,000 audience award and EUR 2\,500 jury award. No equ
 ity is taken. No application fee.\nDuration: 3-month programme\, roughly e
 arly September to early December 2026.\n\nMore: https://kreativgesellschaf
 t.org/en/innovation-inkubatoren/inkubatoren/music-worx/
URL:https://kreativgesellschaft.org/en/innovation-inkubatoren/inkubatoren/m
 usic-worx/
LOCATION:Hamburg\, Germany. Open to European founders and founding teams\; 
 Hamburg-anchored program with a European mentor network.
END:VEVENT
BEGIN:VEVENT
UID:ess-florasonic-multichannel-sound-installation-2026@artificialnouveau.g
 ithub.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260614
DTEND;VALUE=DATE:20260615
SUMMARY:Deadline: Experimental Sound Studio: Florasonic Multichannel Sound 
 Installation 2026
DESCRIPTION:Experimental Sound Studio (ESS) seeks proposals for four-channe
 l sound compositions for installation in the Lincoln Park Conservatory Fer
 n Room in Chicago\, as part of its Florasonic series. One of the only ongo
 ing sound-installation programs in the U.S.\, Florasonic has commissioned 
 47 original works since 2001\, and in celebration of its 25th anniversary 
 is launching the first open call in the series' history. Proposed projects
  should showcase the unique potential of multichannel sound in this highly
  public context and consider the location\, which serves as a sanctuary an
 d space of meditative calm for visitors of all ages\; the strongest propos
 als support and enhance the atmosphere of the Fern Room (both plants and p
 eople). The selected work(s) play throughout open hours at the Conservator
 y. SUPPORT: a USD 1\,500 artist fee per artist/team\; the call is open to 
 anyone in the world\, but ESS can only support domestic (US) travel\; ther
 e may be additional paid opportunities for live performance or activations
  during the run. ESS can provide up to 8 hours of technical support with m
 astering\, spatialization and speaker distribution for artists with a clea
 r vision who need help realizing it\, but will NOT assist with production 
 (recording\, mixing\, editing\, arrangement). TECHNICAL: works 10 to 60 mi
 nutes long (with a period of silence between playback)\, using the full 4-
 channel system\; selected artists submit a 4-channel interleaved audio fil
 e or 4 mono .wav files. TIMELINE: proposals due 14 June 2026\; results 1 J
 uly\; sound works due 10 August\; soundcheck 10-15 August\; opening 23 Aug
 ust\; closing 11 October 2026. Supported by the Paul M. Angell Foundation.
 \n\nOrganisation: Experimental Sound Studio (ESS)\, in partnership with th
 e Lincoln Park Conservatory\nLocation: Lincoln Park Conservatory Fern Room
 \, Chicago\, USA\; open to anyone in the world\, but ESS can support domes
 tic (US) travel only.\nAward: USD 1\,500 artist fee per artist/team. Open 
 worldwide\, but ESS can support domestic (US) travel only. Up to 8 hours o
 f technical support (mastering\, spatialization\, speaker distribution) fo
 r artists who need it. Possible additional paid live performance/activatio
 n opportunities. No application fee.\nDuration: Installation runs 23 Augus
 t to 11 October 2026\n\nMore: https://ess.org/open-call-florasonic-2026/
URL:https://ess.org/open-call-florasonic-2026/
LOCATION:Lincoln Park Conservatory Fern Room\, Chicago\, USA\; open to anyo
 ne in the world\, but ESS can support domestic (US) travel only.
END:VEVENT
BEGIN:VEVENT
UID:ess-sonic-pavilion-festival-2026@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260614
DTEND;VALUE=DATE:20260615
SUMMARY:Deadline: Experimental Sound Studio: Sonic Pavilion 2026 (24-Channe
 l Festival)
DESCRIPTION:Experimental Sound Studio (ESS) seeks proposals for multichanne
 l sound compositions for the overhead trellis loudspeaker array at the Fra
 nk Gehry-designed Jay Pritzker Pavilion in downtown Chicago\, presented as
  part of its annual Sonic Pavilion Festival (the ninth series of works on 
 the pavilion's latticed 24-zone\, 60-loudspeaker 'canopy of sound'). Sonic
  Pavilion is part of this year's America250 programs marking the 250th bir
 thday of the United States\, supported by the National Endowment for the A
 rts. PROPOSALS SHOULD: showcase the potential of multichannel sound in thi
 s public context using all 24 channels\; consider the location and archite
 cture of the system\; and address the theme of community sound portraits\,
  broadly reflecting or interpreting life in a U.S. community today or over
  the past 250 years (from musical compositions to field recordings). Narra
 tive/voice works are tricky in this space\, so ESS seeks more experimental
 \, abstract interpretations with minimal spoken word. The 2026 Festival fe
 atures 4-6 artists\, each work played multiple times\; each artist/team re
 ceives a USD 2\,000 fee. ELIGIBILITY: artists living and working in the Un
 ited States and its territories\; artists travel to Chicago to work on the
  piece and participate in at least one engagement activation (live perform
 ance\, workshop\, artist talk\, etc.)\, with additional funds for activati
 on partners. ESS provides limited technical support for a small number of 
 artists with a clear vision\, but will NOT assist with production (recordi
 ng\, mixing\, editing\, arrangement). TECHNICAL: works around 14 minutes u
 sing the full 24-channel system\; submit a 24-channel interleaved file or 
 24 mono .wav files. TIMELINE: proposals due 14 June 2026\; results 19 June
 \; sound works due 24 August\; public soundcheck 30 August\; final works 7
  September\; public showcase 12-14 September\; 8-channel gallery iteration
  in December 2026. Presented with the City of Chicago DCASE and supported 
 by the Richard H. Driehaus Foundation and the NEA.\n\nOrganisation: Experi
 mental Sound Studio (ESS)\, presented by the City of Chicago DCASE\nLocati
 on: Jay Pritzker Pavilion\, Millennium Park\, downtown Chicago\, USA\; ope
 n to artists living and working in the United States and its territories.\
 nAward: USD 2\,000 artist fee per artist/team. Artists travel to Chicago t
 o work on the piece\; additional funds available for engagement activation
  partners. Limited technical support (mastering\, spatialization\, speaker
  distribution) for a small number of artists who need it. No application f
 ee.\nDuration: Public showcase 12-14 September 2026 (plus an 8-channel gal
 lery iteration in December 2026)\n\nMore: https://ess.org/sonic-pavilion-2
 026-open-call/
URL:https://ess.org/sonic-pavilion-2026-open-call/
LOCATION:Jay Pritzker Pavilion\, Millennium Park\, downtown Chicago\, USA\;
  open to artists living and working in the United States and its territori
 es.
END:VEVENT
BEGIN:VEVENT
UID:q-o2-residency-2027@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260915
DTEND;VALUE=DATE:20260916
SUMMARY:Deadline: Q-O2: Residency Programme 2027 (Experimental Music & Soun
 d Art)
DESCRIPTION:The residencies at Q-O2 offer time and space for artistic resea
 rch\, reflection and creation in the field of experimental music and sound
  art. In 2027\, Q-O2 will host 20 residencies\, 10 for international artis
 ts and 10 for local artists living in Belgium\, working with\, on or aroun
 d sound. The programme is open to artists\, art workers and theorists who 
 wish to pursue a research-oriented project\; note that Q-O2 does not organ
 ise production-directed residencies and is not a rehearsal space. Duos are
  possible\, and exceptionally small groups too. SUPPORT: a work studio and
  materials\, a creative and communicative environment\, and the possibilit
 y to present work to a public and/or propose a workshop\; for internationa
 l residents\, accommodation in a shared apartment and a contribution to tr
 avel expenses of up to EUR 200\; and a small subsistence budget reserved f
 or artists who do not come with other funding. There is no artist fee. A f
 inal public presentation can be arranged if the artist wishes but is not e
 xpected\; what Q-O2 requires are some traces of the residency in word\, im
 age and/or audio form. APPLY by 15 September 2026: email a concise project
  proposal of no more than one page plus a permanent link to your website o
 r other secondary information (no temporary links) to info@q-o2.be with th
 e subject 'Residency27 - your name'. State where you would travel from\, h
 ow long you would like to stay (4 to 6 weeks)\, and your interest in Q-O2 
 as a working environment\, and make sure you receive an email confirmation
  of receipt.\n\nOrganisation: Q-O2 (workspace for experimental music and s
 ound art)\nLocation: Brussels\, Belgium\; 10 residencies for international
  artists and 10 for artists living in Belgium.\nAward: NO artist fee. Inte
 rnational residents: shared accommodation in the Q-O2 apartment plus a tra
 vel contribution up to EUR 200. A small subsistence budget is reserved for
  artists who do not come with other funding. Work studio\, materials and t
 echnical equipment provided. No application fee.\nDuration: Usually 3 to 6
  weeks (international applicants: 4 to 6 weeks\; stays over 4 weeks not gu
 aranteed)\n\nMore: https://www.q-o2.be/en/in-residency/
URL:https://www.q-o2.be/en/in-residency/
LOCATION:Brussels\, Belgium\; 10 residencies for international artists and 
 10 for artists living in Belgium.
END:VEVENT
BEGIN:VEVENT
UID:icst-artists-in-residence-2027@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260901
DTEND;VALUE=DATE:20260902
SUMMARY:Deadline: ICST: Artists in Residence 2027 Open Call (ZHdK\, Zurich)
DESCRIPTION:The Institute for Computer Music and Sound Technology (ICST) at
  the Zurich University of the Arts (ZHdK) invites applications for its 202
 7 Artists in Residence program\, fostering artistic exchange in key areas 
 of current research. Residencies are available in five themes: Spatial Aud
 io\; Klavierautomat (algorithmic composition)\; Moving Loudspeakers\; Danc
 e and Generative AI\; and Object Performance. The program offers access to
  ICST's facilities and technical infrastructure\, professional support fro
 m researchers\, and per diems for meals and accommodation. Artists and mus
 icians working with sound and sound media\, whose practice reflects a stro
 ng interest in one of the listed research areas\, are encouraged to apply.
  One selected project from the Spatial Audio Residency will be featured at
  the SONIC MATTER Festival 2028 as part of an ongoing partnership. PRACTIC
 AL: residencies include use of facilities and technical infrastructure as 
 specified in the thematic descriptions\, plus technical support by ICST re
 search staff. Participants receive a contribution toward travel to Zurich 
 (up to CHF 300 for persons living in Europe\, up to CHF 500 for persons li
 ving outside Europe) and a per diem to cover meals and accommodation in Zu
 rich\; participants organise their own travel and accommodation\, with ICS
 T assistance if required. Residency dates are defined individually. APPLIC
 ATION: submitted via the online form\, uploading a concept sketch\, compos
 ition idea or project draft (PDF\, 2 pages\, 10 MB max)\; a portfolio of t
 hree selected works relevant to the residency topic including links to ext
 ernal audio and video (PDF\, 2 pages\, 10 MB max)\; and a tabular CV cover
 ing education and career (PDF\, 1 page\, 10 MB max). The residencies are a
 warded by a jury of ICST researchers and project leaders. TIMELINE: deadli
 ne 1 September 2026 at 24:00 CET\; candidates notified mid-October 2026. S
 elected candidates receive forms required for an invitation to Switzerland
  and must confirm participation and return completed forms within 10 days 
 or the invitation may be withdrawn.\n\nOrganisation: Institute for Compute
 r Music and Sound Technology (ICST)\, Zurich University of the Arts (ZHdK)
 \nLocation: Zurich\, Switzerland (in-person residency at ICST)\nAward: Use
  of ICST facilities and technical infrastructure plus technical support by
  research staff\; per diems for meals and accommodation during the residen
 cy\; travel contribution toward travel to Zurich (up to CHF 300 for person
 s living in Europe\, up to CHF 500 for those outside Europe). Participants
  organise their own travel and accommodation (ICST assists if required). N
 o application fee.\nDuration: Residency dates defined individually with se
 lected candidates\n\nMore: https://www.zhdk.ch/en/research/icst/icst-air/c
 onditions-selection-process-20736
URL:https://www.zhdk.ch/en/research/icst/icst-air/conditions-selection-proc
 ess-20736
LOCATION:Zurich\, Switzerland (in-person residency at ICST)
END:VEVENT
BEGIN:VEVENT
UID:zkm-hertzlab-sonic-experiments-2026@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260628
DTEND;VALUE=DATE:20260629
SUMMARY:Deadline: ZKM | Hertzlab: Sonic Experiments 2026 - Resonating Futur
 es (Artist Residency)
DESCRIPTION:ZKM | Hertzlab's Sonic Experiments artist-in-residence programm
 e awards four scholarships to composers and sound artists specialising in 
 electronic music: three to international artists and one to a composer wit
 h a local connection to Karlsruhe (current/former address\, school\, unive
 rsity\, etc.). The 2026 edition\, 'Resonating Futures'\, seeks artists exp
 loring science fiction and space travel through composition and conceptual
  work\; thematic areas may include utopian and/or dystopian approaches\, t
 he global climate crisis\, decolonial perspectives\, health and wellbeing\
 , and the post-human world. The call is open to composers and sound artist
 s of all ages and backgrounds. PROJECT AREAS: composition for live electro
 nics\; mixed music (acoustic instruments combined with electronics)\; expe
 rimental performance with a prominent electronic-music or sound component\
 ; live coding\; and fixed media. Works may be produced in audiovisual form
 at\, and there is the opportunity to work with spatial sound (including fo
 r applicants new to it). FINANCIAL: EUR 1\,500 for the entire residency (c
 overs production\, living and travel)\, plus free ZKM accommodation near S
 chlosspark for non-local grantees. TO APPLY: submit application materials 
 to image@zkm.de by 28 June 2026\, 11:59pm CEST\; include the keywords 'Kar
 lsruhe local connection' in the subject line if applying for the local sch
 olarship. Incomplete or non-compliant applications will not be considered.
  Results announced July 2026.\n\nOrganisation: ZKM | Center for Art and Me
 dia Karlsruhe (Hertzlab)\nLocation: Karlsruhe\, Germany (free accommodatio
 n provided near Schlosspark)\nAward: EUR 1\,500 scholarship for the full r
 esidency\, from which grantees cover all production\, living and travel co
 sts. ZKM provides free accommodation near Karlsruhe Schlosspark (not provi
 ded for applicants already resident in Karlsruhe). No application fee.\nDu
 ration: Residency in 2026\n\nMore: https://zkm.de/en/open-call-sonic-exper
 iments-2026
URL:https://zkm.de/en/open-call-sonic-experiments-2026
LOCATION:Karlsruhe\, Germany (free accommodation provided near Schlosspark)
END:VEVENT
BEGIN:VEVENT
UID:art-zoyd-studios-residency-2026-27@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260529
DTEND;VALUE=DATE:20260530
SUMMARY:Deadline: Art Zoyd Studios: Electroacoustic & Electronic Music Resi
 dency 2026/2027
DESCRIPTION:Production residency at Art Zoyd Studios in Valenciennes for co
 mposers\, musicians and sound artists working in electroacoustic and elect
 ronic music\, with technical support from a computer-music designer to dev
 elop new work. ELIGIBILITY: composers\, musicians and artists practising i
 n electroacoustic or electronic music\; open worldwide. Apply via the Art 
 Zoyd Studios residency request page.\n\nOrganisation: Art Zoyd Studios\nLo
 cation: Valenciennes\, France (in-person residency)\nAward: Funded residen
 cy: accommodation and meals covered during the residency\, travel reimburs
 ed up to EUR 400\, and support from a computer-music designer\; a copyrigh
 t bonus is possible. No artist fee or stipend. No application fee.\nDurati
 on: Residency across the 2026/2027 season\n\nMore: https://artzoydstudios.
 com/en/demande-residence/
URL:https://artzoydstudios.com/en/demande-residence/
LOCATION:Valenciennes\, France (in-person residency)
END:VEVENT
BEGIN:VEVENT
UID:sound-art-lab-sounds-of-the-future-2026@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260501
DTEND;VALUE=DATE:20260502
SUMMARY:Deadline: Sound Art Lab: Sounds of the Future Residency 2026 (Round
  4)
DESCRIPTION:Three-week residency for sound artists with a DKK 30\,000 work 
 grant\, private atelier\, accommodation in Sound Art Lab's artist apartmen
 t\, full access to professional sound studios\, sound equipment and worksh
 ops\, plus knowledge-sharing and networking with the Danish sound art comm
 unity. Eligibility: artists living in Denmark or with strong ties to the D
 anish sound art scene. Partners: SPOR festival\, Sound Art Lab\, and the D
 anish Composers' Society (Dansk Komponistforening). Funded by Koda Kultur 
 and Region Midtjylland's Culture Development Pool\, as part of the 'Sounds
  of the Future' project.\n\nOrganisation: Sound Art Lab (with SPOR festiva
 l\, Danish Composers' Society / Dansk Komponistforening\, and Koda Kultur)
 \nLocation: Struer\, Denmark\nAward: DKK 30\,000 work grant (~EUR 4\,000) 
 + private studio + accommodation in Sound Art Lab's artist apartment + ful
 l access to sound studios\, equipment and workshops + knowledge-sharing an
 d networking\nDuration: 3-week residency\n\nMore: https://soundartlab.org/
 open-call-sounds-of-the-future-residency-4/
URL:https://soundartlab.org/open-call-sounds-of-the-future-residency-4/
LOCATION:Struer\, Denmark
END:VEVENT
BEGIN:VEVENT
UID:grund1535-peripheral-grounds-2026@artificialnouveau.github.io
DTSTAMP:20260614T175844Z
DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20260501
SUMMARY:Deadline: Open Call: Peripheral Grounds\, Resonant Centers (Sound a
 nd Performative Residency)
DESCRIPTION:Short-term residency for one sound or performative artist explo
 ring how sound\, voice\, language and body operate across and beyond perce
 ived boundaries. Develop an individual project\, present a live performanc
 e at Positive Futures Festival 2026\, and host a public workshop\, lecture
  or artist talk. Apply with portfolio\, motivation letter and a 2-page pro
 ject proposal to home@grund1535.com (subject: 'Peripheral Grounds'). Selec
 tion results by end of May 2026. Supported by State of Tyrol and City of I
 nnsbruck.\n\nOrganisation: GRUND1535 and Positive Futures Festival\nLocati
 on: Rietz\, Tyrol\, Austria (with festival across Innsbruck)\nAward: €1\
 ,000 artist fee + accommodation + up to €600 travel + Tyrol public trans
 port ticket\nDuration: 1 to 26 October 2026\n\nMore: https://grund1535.com
 /open-call-peripheral-grounds-resonant-centers/
URL:https://grund1535.com/open-call-peripheral-grounds-resonant-centers/
LOCATION:Rietz\, Tyrol\, Austria (with festival across Innsbruck)
END:VEVENT
END:VCALENDAR
