Currently 3 active curatorial grants, fellowships and residencies open to applicants in the UK. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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Tate, in collaboration with Delfina Foundation, invites applications for the thirteenth Brooks International Fellowship Programme: two 6-month fellowships in 2027 for international researchers based outside the UK, hosted in the Tate Britain Curatorial Division and complemented by activities and residency life at Delfina Foundation. FELLOWSHIP 1, Leonora Carrington: Art and the Theatre of Life: foundational research into the British-Mexican artist's interest in theatre, performance and performativity, locating, analysing and contextualising theatrical materials across archives, manuscripts, correspondence, photographs and ephemera, and situating them within Carrington's transnational career; a Fellow with knowledge of the Mexican social-political context, culture and performance histories of the second half of the twentieth century is particularly well placed. FELLOWSHIP 2, Artist Supported Studios: contributing to research and development of the 2028 Tate Britain Commission through the lens of artists who work with supported studios (organisations enabling disabled and neurodivergent artists to develop sustained professional practices), exploring how galleries, commissioned artists and supported studios can develop different forms of communication and ways of working through the commissioning process, how collaborative practices can be documented and interpreted while remaining attentive to artistic agency, and how the research can shape future institutional practice. Fellows live at Delfina Foundation with a desk in their room plus hot-desking, work at Tate Britain, collaborate across Tate sites, get access to Tate's collection, archive, staff and networks, and present their practice at Tate and Delfina events. APPLICATION: download and return the Word application form from the Tate jobs page (only returned Word forms are accepted; nothing is filled in online). DEADLINE: Wednesday 21 October 2026, 17:00 GMT.
Asymmetry Art Foundation and Nottingham Contemporary offer a fully funded two-year Assistant Curator Fellowship embedded in the curatorial team of one of Europe's leading contemporary art institutions. The fellowship is geared towards an early-career curator who, to any extent, identifies with Chinese or Sinophone cultures or backgrounds, continuing Asymmetry's programme of curatorial fellowships at UK institutions (previous placements include Chisenhale Gallery and Whitechapel Gallery). WHAT YOU DO: contribute to exhibitions, artist commissions, live programmes, research, writing and institutional development, working across all stages of projects while developing independent curatorial work and joining Asymmetry's international network of scholars and practitioners. WHAT YOU GET: an annual salary of GBP 27,556 plus pension and National Insurance contributions, annual leave plus UK bank holidays, visa and legal fee assistance where required, and a travel and relocation allowance. ELIGIBILITY: early-career curators with roughly 1 to 3 years of experience, an educational background in art history, cultural studies or related fields, familiarity with contemporary artistic practices, direct experience collaborating with artists, and proficiency in English. Applications must be in English; accessibility support is available via fellowship@asymmetryart.org. APPLICATION: via the Asymmetry application portal. DEADLINE: 25 October 2026. The fellowship runs 6 April 2027 to 5 April 2029.
Whose Archive is it Anyway? is the first in a three-part series of events at The Photographers' Gallery exploring the future of archives and archiving. This one-day event on Friday 16 April 2027 kickstarts the conversation with commissioned talks addressing what it means to make an archive today, who decides what an archive consists of, who creates an archive, who an archive is for, and who has access. The gallery welcomes submissions of real-life experiences rather than academic papers that challenge or answer these or other points related to the future of archives. SUGGESTED TOPICS: artist and photographers' legacies; institutional archives; memory (forgotten or lost histories made visible again); truth within archives (who is telling the stories and how); ownership (who has the authority to tell stories, who owns the images and their stories); relationships between those who create archives and those who use them; radical, non-traditional archives that redesign how stories are gathered and held to safeguard living memories; family archives; reclaimed photographic archives; counter archives that question dominant historical narratives; grassroots archives; technologies that reduce barriers to archives while safeguarding material; digital preservation and digitisation; and dialogic archives. ELIGIBILITY: open to all, especially those with experience of working with archives and the stories within them; applicants must be 18 or older and available to attend The Photographers' Gallery in London on 16 April 2027 to speak at the event. Selected speakers receive a fee of GBP 200 and will be notified by 18 January 2027. Questions to archive@tpg.org.uk. Deadline 1 November 2026, 11:59pm GMT.