Currently 25 active research and journalism grants, fellowships and residencies open to applicants in the EU. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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GLINA3 is an Amsterdam clay 3D printing and digital design studio, and it is looking for one collaborator to join a new research project at the intersection of typography, language, technology and material culture. They want an artist, writer, poet, anthropologist or artistic researcher whose existing practice already engages with type design, typography, writing systems, visual language, fonts and letterforms, language technologies, or the tools that shape how language is produced, read or translated. This is an unusually good fit for anyone working on the machine-readable side of language: the brief explicitly names language technologies and translation tooling alongside classical type design. ELIGIBILITY: individual practitioners with demonstrable work in one or more of the listed areas. HOW TO APPLY: the studio asks for relevant work, research, publications or projects connected to type, fonts, writing systems, visual language or the tools that shape them, and nothing else. Because the deadline is tight they say Instagram DM is the fastest route; you can also email a short introduction and one relevant project to office@glina3.nl. NOTE: the fee is confirmed only if the project's own funding comes through, so clarify terms before committing time.
K3 in Hamburg is one of the better-funded choreography residencies in Europe, and it is aimed squarely at people who want research time rather than a production deadline. Three choreographers are selected for eight months at Kampnagel with a monthly scholarship, studio access, a production budget, and dramaturgical, technical and PR support, plus outreach work and a public presentation at the end. Selection runs in two stages. ELIGIBILITY: individual choreographers at an emerging to early mid-career stage who have already produced independent choreographic work outside an educational context. Open internationally; formal dance training is not required. Teams and ensembles are not eligible, only individuals. Applications close 12 August 2026 at 16:00 CEST.
Fully funded four-year PhD position within 'The Sound of Disagreement: Embodied Histories of Political Speech 1800-present', an interdisciplinary project on how political groups have argued in public and how disagreement sounds. This sub-project covers Nordic labour movements and the articulation of protest from roughly 1930 to 1970, explicitly working on the sonic practices of political debate and the mediatization of protest, so it suits researchers with a sound studies, media studies or oral history angle as much as historians. REQUIREMENTS: a master's degree in History, European Studies, Media Studies, Nordic Studies or a related discipline; fluency in Danish, Finnish, Norwegian or Swedish depending on the chosen case study; professional English; archival research skills; and a collaborative disposition. Apply via the AcademicTransfer posting (vacancy number 15290) with a motivation letter, CV and research statement. Deadline 20 August 2026.
The annual DARC PhD/Research Workshop, organised by the Digital Aesthetics Research Center at Aarhus University with transmediale, responds to transmediale's 2027 thematic framework. THEME: 'Interstices: Research (in) the gaps'. An interstice is the small space between objects set closely together, the cords in a rope or the atoms in a crystal lattice: an emptiness produced by the structure it belongs to, and without which that structure could not be what it is. In crystallography, interstitial sites are the spaces a lattice and its basis generate but do not fill, and interstitial diffusion, the movement of small atoms through the gaps of a host lattice, is the mechanism by which materials transform. The call asks what the equivalent sites are in social, cultural and computational structures: where are the gaps these combinations generate but do not fill, what moves through them, and do they carry transformative power? It works through Yancey Strickler's dark forest theory of the internet (the withdrawal of meaningful exchange from the open, surveilled, indexed web into private channels), the Dark Forest Collective's anthology and its 'cozyweb' of small sheltered spaces, dark nets, miniverses and moving castles as interstitial spaces produced by and defined against the dominant web, and Bogna Konior's extension of the dark forest metaphor to the opacity of AI systems, where silence is refusal rather than absence and the forest is increasingly inhabited by other-than-human intelligences that opt out of engagement with people. Where big tech pursues efficiency through the automation of human perception, cognition, identification and aesthetics, artists and researchers explore the non/more-than-human, glitchy, noisy, machinic, datafied and dark to build new expression and critique of data-ism and what is marketed as artificial intelligence, including the dangers and potentials inside badly curated data models, between polluting data centres, and in skeuomorphic interfaces. WHAT THEY WANT: proposals from artists, researchers and practitioners for work that occupies and moves through gaps that are social as well as structural, ontological and material. The gaps are physical too: the heat of data centres and their thirst for water, latency in the cables, unindexed nodes. The call invites speculations, practical interventions and inferences that fill the gaps and expand the diversity of possible communications and communities that can inhabit dark forests, including those built on, against and beneath the infrastructures underlying them, and welcomes work on the (dis-)continuous histories of technological exploration of computational infrastructures over the last 30 years or longer, and on how current artistic, theoretical and technical explorations repeat or break from them. WHO: PhD candidates and early-career researchers, with submissions welcome from researchers inside and outside the academy, including artists, designers and curators. PARTICIPANT EXPECTATIONS: participants write a paper and present it at the workshop, and on the basis of that peer review shorten the research into a newspaper-length article for distribution at the transmediale festival. The workshop is led by scholars from DARC at Aarhus University. DEADLINE: 28 August 2026, 23:59 CEST, via the application link on the call page. Queries to Pablo Velasco, pvelasco[at]cc.au.dk.
European Lab and the Sphera Network are opening submissions for the discourse programme of the next Sphera Media Lab, the annual forum for people defending independent media in Europe. THEMES: technological independence (sovereignty, tools, mutualisation); economic independence (cooperative models); editorial independence (press freedom, resisting the far right). FORMATS SOUGHT: masterclasses, led by an expert sharing advanced knowledge, technique and hands-on insight; and keynotes, inspiring talks grounded in a specific case study. WHO CAN PROPOSE: media outlets, associations, researchers and professionals. The organisers state they pay particular attention to parity and diversity across their programmes and ask that proposals take those criteria into account. WHAT IS COVERED: selected contributors travel to Brussels with transport, accommodation and a fee covered. THE EVENT: Sphera Media Lab 2026 runs on 3 December 2026 at LaVallee in Brussels, a full day of conferences, masterclasses and workshops for independent media professionals from across Europe, alongside the premiere of a documentary on threats facing European journalists. APPLICATION: submit your masterclass or keynote proposal via the Typeform at arty-farty.typeform.com/to/xnDikGGM before 31 August 2026.
DRIFT (Dance and Research In The Future Time) is a four-year Creative Europe cooperation between ten European organisations, led by Theatre de Liege and Maison de la danse. The distinguishing feature is that it funds artistic research rather than production: you are expected to arrive with questions, not a finished piece you already intend to make, and reviewers read every section of the application through that lens. STRUCTURE: each of the ten partner organisations selects one choreographer from its own country, forming a cohort of ten. Over the programme you get an Onboarding Lab, two weeks of residency with your national partner, three collaborative Online Labs, a Festival Lab in Tunis, individual artistic and curatorial mentoring, and a work-in-progress showcase at the Biennale de la danse in Lyon, all backed by a EUR 20,000 research budget that covers your fees, travel, accommodation and any collaborators. SECOND PHASE: after a further evaluation, five of the ten artists may receive co-production support and touring across the DRIFT network. That phase is separate from this application and is not guaranteed. ELIGIBILITY: professional choreographers in contemporary dance or performance, at a mid-career stage, meaning an established national practice but not yet fully established internationally. You must be based in Belgium, France, Germany (Berlin region only), Greece, Norway, Italy, Spain, Ukraine, Tunisia or Portugal, and you apply through the partner organisation representing your country of residence, not centrally. Good English and availability for all programme dates are required. The country list is strict, so check it before you start. TIMELINE: applications opened 1 July 2026 and close 31 August 2026; selection through September; results 9 October 2026; programme runs November 2026 to September 2027.
The Digital Democracy Centre (DDC) at the University of Southern Denmark, with support from TrygFonden, is calling for applications for its 2027 fellowship cohort. The program fosters collaboration between researchers, journalists, and policymakers exploring the impact of digital technology and AI on media, politics, and democracy. Fellows collaborate with a self-selected DDC mentor to generate new knowledge, contribute to public debate, develop networks, and produce tangible outreach outputs such as policy briefs, educational packages, and talks. THREE FELLOWSHIP TYPES: (1) academic fellows researching digital technologies and democracy; (2) journalist fellows covering digital technology and democracy; (3) policy fellows contributing to the regulatory debate. Target group: researchers, journalism graduates, and policymakers in research/educational institutions, media organizations, ministries, NGOs, etc. PRIORITIES: projects with clear relevance to Denmark or Danish society (including comparative/international projects yielding insights relevant to a Danish context); in 2027, projects related to DDC's Hybrid Warfare Initiative (societal resilience to new forms of international conflict, with a focus on digital technologies and AI) are also prioritized. EXPECTATIONS: applicants must secure confirmation of mentorship from their desired DDC mentor BEFORE applying (applications without a confirmed mentor are automatically rejected; PhD students and research assistants are generally not eligible as mentors, and Sten Schaumburg-Muller is unavailable as a mentor for the 2027 call); applicants must also coordinate support from their current supervisors/managers. Fellows engage in DDC activities, seminars/workshops, and public outreach, and submit a short report within two months of finishing. APPLICATION (in English): preliminary project title, fellowship type, brief project description (max 1000 chars), detailed description and timeline (max 2400 chars, including duration, confirmed mentor, and remote/in-office work plan), description of activities and collaboration with external practice partners (max 1000 chars), expected product/impact/output (max 500 chars), a CV (max 5 pages), and an overview of the posts for which financial support is sought. Submit the application form (PDF or Word) plus CV as PDFs to ddc@sdu.dk with subject line 'DDC / TrygFonden Fellowship application'. Deadline 1 September 2026; decisions communicated no later than 1 October 2026.
Scuola Piccola Zattere is an independent non-profit centre for continuous education and research in the expanded field of contemporary arts, running exhibitions, commissions, fellowships, workshops, seminars, performances and public discussions as one connected research ecosystem rather than separate strands. Two international fellowships are offered. The support is unusually solid for a research fellowship: EUR 5,000 as a grant, EUR 2,000 as a research budget, accommodation, travel and a study space for three months. SEASON THEME: the 2026-2027 cycle is titled Living Document, investigating archives, regulatory documents, collective rituals, games, performative instructions, and the relationship between bodies, architecture and social organisation. Fellows join that shared inquiry while continuing their own work, and are expected to keep an active presence in the institution and contribute to public events through workshops, seminars, presentations, screenings or performances. The fellowship overlaps with the run-up to and opening of the 2027 Architecture Biennale, which is a real advantage if your research benefits from that traffic. ELIGIBILITY: artists, curators, researchers, architects, choreographers, performers and writers of any nationality, as individuals, collectives or duos. Good English is required, and non-EU applicants need a valid passport for international travel. No age limit, but the organisers say it is especially intended for practitioners in the post-academic stage of their career, typically under 40. You must be prepared to spend the full period in Venice, so this is not a remote or partial-attendance fellowship. WHAT THEY WANT: an active research process that can develop through discussion and experimentation, tied to the Living Document theme, not a finished stand-alone project proposal. The motivation letter, portfolio and public programming proposal are read as one integrated application. Deadline 4 September 2026 at 10:00 CEST.
Fully funded PhD position in the NWO-funded Vidi project 'Democracy and the (de-)regulation of the media in Europe since the 1970s', which reads the contestation and transformation of democracy in the last quarter of the twentieth century through media governance. This sub-project examines how social movements, pirate broadcasters and alternative media initiatives challenged the public broadcasting monopoly across Western Europe during the long 1970s, drawing on archival research. REQUIREMENTS: a master's degree in history or a related field, a demonstrated interest in the history of democracy and media governance, professional English plus at least one other European language, archival research experience and a collaborative approach. Apply through the AcademicTransfer posting (vacancy number 5535). Project leader Dr Pepijn Corduwener (p.corduwener@uu.nl). Deadline 6 September 2026.
MSCA Postdoctoral Fellowships support researchers holding a PhD who wish to carry out research abroad, acquire new skills, develop their careers and have international mobility. Open to excellent researchers of any nationality. The 2026 call opened 9 April 2026 and closes 9 September 2026 at 17:00 CEST; notification of call results expected February 2027; grant agreement signature April 2027. Two strands: European Postdoctoral Fellowships (12 to 24 months in Europe) and Global Postdoctoral Fellowships (12 to 24 months outside Europe + 12-month return phase in Europe). The project must take place in a country different from where the researcher has worked or studied. Approximately 1,600 projects funded. Apply via the EU Funding & Tenders Opportunities Portal; submission is by the fellow plus host institution. Eligibility: researcher must have a PhD at the call deadline (or have submitted thesis with all requirements met), maximum 8 years full-time-equivalent research experience post-PhD, must comply with the mobility rule (no more than 12 months in the host country in the 36 months before the deadline).
This scheme funds cultural heritage institutions in the Netherlands and the Caribbean part of the Kingdom that want to collaborate with foreign heritage institutions on research projects in shared collection areas, including art historical and provenance research. A development phase can also be funded, covering travel, accommodation and presentation costs while the collaboration is being shaped. CONDITIONS: the applicant institution must be publicly accessible and manage nationally significant cultural heritage; it must partner with comparable institutions abroad; the research must be presented by both the Dutch and the international partners; the applicant must contribute significantly to financing the project; and the international partners' share of costs must be proportional to the Mondriaan Fund grant. AMOUNTS: up to 40% of variable project costs for the main project, or up to 70% of variable costs capped at EUR 15,000 for development research. APPLY through the Mondriaan Fund online application system after registering an account. Deadline 10 September 2026 before 16:00 Dutch time / 10:00 Caribbean time (an earlier 28 May 2026 round has passed).
The Dossiersubsidie is the Fonds BJP scheme for freelance regional and local journalists in the Netherlands who want to follow one subject properly rather than chase daily news, funding up to EUR 19,200 for six months of sustained reporting on a single dossier. It is aimed at the gap left by shrinking regional newsrooms, where structural coverage of local government, housing, care or industry rarely gets paid time. ELIGIBILITY: freelance journalists working in Dutch regional and local media only (staff journalists and national-only reporters are directed to the fund's other schemes). The fund also runs a year-round Vooronderzoekssubsidie of up to EUR 8,800 for preliminary research and a year-round Uitvoeringssubsidie of up to EUR 38,600 for carrying out projects, both open to all journalists. APPLICATION WINDOW: 17 August to 14 September 2026, via the Fonds BJP subsidy portal. Online office hours on 8 September 2026; questions on 020 63 86 295.
Small curiosity-driven research grants in the social sciences and humanities, awarded by the Dutch Research Council (NWO). Round 3 of the 2026 SSH Open Competition XS closes 15 September 2026, 14:00 CEST. Up to EUR 50,000 per project to enable researchers to pursue novel, exploratory and high-risk ideas without the constraints of larger themed calls. ELIGIBILITY: academic researchers with an institutional affiliation at a Dutch university or recognised Dutch knowledge institute. Proposals are assessed on scientific quality and the potential for renewal of social-sciences and humanities research. Round 3 details and the dedicated application page will be published by NWO closer to the deadline; the linked page is the most recent SSH XS round, which is the same scheme.
Heritage Innovation funds projects and research tracks that contribute to substantive innovation in the heritage sector. Examples given by the fund include developing new narratives about cultural heritage, strengthening regional collaboration across the sector, redesigning how a collection is presented, and feasibility studies on technological applications such as AI or gamification, which makes this one of the more tech-adjacent Mondriaan schemes. WHO CAN APPLY: museums and collection-holding cultural heritage institutions, including archives, in the Netherlands and the Caribbean part of the Kingdom. Cultural organisations in the heritage sector may also apply if they collaborate with one or more collection-holding institutions. All applicants must be non-profit, not-for-profit entities. NOT FUNDED: fixed costs, restoration, building museums, or regular operations. CONDITIONS: institutions must subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code, and must pay visual artists fairly where artists are involved. AMOUNTS: projects get up to 40% of variable project-related costs on a minimum project budget of EUR 25,000; research tracks get up to 70% of costs capped at EUR 15,000 with no minimum budget. APPLY through the Mondriaan Fund online system after registering an account. Deadline 17 September 2026 before 16:00 Dutch time / 10:00 Caribbean time.
The Royal Conservatoire Antwerp (AP University of the Arts) invites applications for artistic research projects starting 20 September 2027, in three types: start projects, one-year projects, and two-year research projects. Applications are embedded in one or more of the Conservatoire's four research groups, supervised by a supervisor, and must align with the Conservatoire's mission and vision. FOCAL POINTS across disciplines: research into improvisation and intuitive creation and performance practices; new dramaturgical and scenographic approaches in cross-over projects; methodologies for interdisciplinary creation processes; sustainable relationships between artists and urban communities; the possibilities and limitations of inclusion in education and/or on stage; and well-being and resilience in music and performing arts. FUNDING (salaried research position): start projects, 20% employment for 12 months plus EUR 1,000 operating resources; one-year projects, 55% employment for 12 months plus EUR 1,000; two-year projects, 55% employment for 24 months plus EUR 2,000. PRECONDITIONS: the applicant holds a relevant master's degree and conducts research situated in or arising from their own artistic practice with the capacity for discursivity; the proposal must align with the Conservatoire's mission/vision; the applicant must be able to enter contractual employment with the Royal Conservatoire Antwerp/AP University of the Arts for the duration of the project (international applicants must hold a valid Belgian work permit); proposals may be submitted only in Dutch or English. PROCEDURE (two steps): STEP 1, submit an expression of interest by 21 September 2026, 12:00 noon (applicants informed by the week of 5 October whether they may develop a full proposal with a research group); STEP 2, submit the full project dossier by 1 December 2026, 12:00 noon. Evaluation by an independent reading committee aims to conclude in March 2027. Contact: Kevin Voets, Head of Research, kevin.voets@ap.be.
Horizon Europe Cluster 2 funds research on culture, creativity, and inclusive society. The 2026 call (HORIZON-CL2-2026-01-HERITAGE, launched May 12, 2026) covers 7 topics with an indicative budget of €85.5 million. Topic HERITAGE-04 is explicitly titled 'Towards a fair and transparent market for cultural and creative content in the era of generative AI,' covering: impacts of generative AI on creative industries employment; upskilling needs for creative workers; policy and regulatory frameworks; fair remuneration and transparency. Highly relevant for research into AI and cultural/creative industries, artists' rights in the AI era, and sociotechnical studies of AI and culture. ELIGIBILITY: consortium-based applications (minimum 3 organisations from 3 different EU/associated countries are typical for Horizon RIA grants; check call conditions on the Funding & Tenders portal for specific requirements). Deadline: 23 September 2026. Apply via the EU Funding & Tenders portal (ec.europa.eu/info/funding-tenders).
PAUSE is the French national programme for the emergency hosting of scientists and artists in exile, created in 2017 and run from the College de France. It co-funds a stay at a French higher education or research establishment or at a cultural institution so that a researcher, doctoral candidate or artist at risk can keep working, and it also supports their family. ELIGIBILITY: applicants must be able to prove status as a doctoral student (with a thesis in progress interrupted by the emergency), researcher, teacher-researcher or artist-teacher in their country of origin; must be in a crisis situation because of the security situation in that country or because of persecution or fear of persecution on grounds of ethnicity, religion, political convictions, opinions or sexual orientation, or the content of their research or teaching; and must be forced into exile or have been in France for less than three years. HOST REQUIREMENT: a French host institution is mandatory and submits the application; eligible hosts are institutions under the French higher education and research ministry, EESPIG private institutions, and structures supported by the Ministry of Culture. PAUSE publishes a list of at-risk candidates looking for a host, which institutions can use to find a match. The call opens at the end of August 2026 with a deadline of 24 September 2026.
The American Academy in Berlin is an independent, nonprofit institute for advanced study in the arts, humanities, social sciences, law, journalism and public policy, whose primary mission is to strengthen the cultural and intellectual ties between the United States and Germany. Each year, after a rigorous selection process, the Academy awards roughly two dozen semester-long Berlin Prize fellowships to individuals who demonstrate excellence in their fields. DISCIPLINES: applications are welcome across the humanities, social sciences, law, journalism and various areas of public policy. The Academy generally encourages projects addressing pressing issues of the day, specifically naming democracy, security, technology and society (especially AI), energy including climate, and global order. Dedicated fellowships also support projects in Jewish studies, German studies, and public health and biotechnology. Project proposals need not focus on Germany, but candidates should explain how a residency in Berlin would enhance their work. NOT ACCEPTED: proposals in mathematics or the natural sciences. NOTE FOR ARTISTS: visual artists and composers are invited through separate, nomination-based competitions, so there is no open application route for them here. ELIGIBILITY: fellowships are restricted to citizens and permanent residents of the United States. Both emerging and established figures are eligible. PhD holders qualify as emerging scholars with a strong record of peer-reviewed work beyond the dissertation; candidates in non-academic fields such as journalism, filmmaking and policy need a significant record of publication or production; fiction and nonfiction writers must have published at least one book with a reputable press. WHAT FELLOWS DO: fellows present their work to audiences in and around Berlin through lectures, readings, public discussions, performances and film screenings, and should be willing to engage with relevant German institutions, organizations and the media; these activities are integral to the Academy's mission of fostering transatlantic dialogue. APPLICATION MATERIALS: a project proposal of 1,500 to 1,750 words plus a one-page bibliography; a curriculum vitae of up to 10 pages; two writing samples totalling no more than 60 pages; and three letters of recommendation, which are due 2 October 2026. DEADLINE: Friday 25 September 2026 at 12:00 noon Eastern Time (18:00 Central European Time). TIMELINE: all candidates are notified of the competition outcome by email in late March 2027; the 2027-28 Berlin Prize recipients are announced in May 2027.
ELIGIBILITY: two Researcher-in-Residence positions in 2027. Open to early-career researchers of any discipline (data science, social science, computer science, humanities) who are currently working on a PhD or within 5 years of their PhD end date. You must have, or be able to secure, an affiliation with a Dutch university or research institute willing to second you; external PhD students may use the funding to obtain such a contract. Your project must make use of one or more of the KB digital collections and you must be able to work with primarily Dutch data. You must be available at 0.5 FTE over 6 months and able to spend two days a week on-site at the KB in The Hague. COLLECTIONS: over 130 million digitized pages of newspapers, magazines, radio bulletins and books from 1470 onward (via Delpher and DBNL), a born-digital web collection of more than 23,000 websites, ground-truth and derived datasets on the KB Lab, and metadata including Linked Data. APPLY: use the official proposal template and submit a single PDF by 27 September 2026 to dh@kb.nl, after reading the call's terms and conditions; questions to dh@kb.nl. TIMELINE: deadline 27 September 2026; internal eligibility review followed by an external committee review; outcome notified November 2026; residencies start Q1 and Q3 2027. DISCIPLINES: digital humanities / data science / computational research with cultural-heritage collections. NOTE: the output is usually a dataset or tool prototype hosted on the KB Lab; you agree to share results via blog posts on the KB Lab and to publish resulting tools or data under an open license within 6 months of the residency. Proposals should align with the KB Research Agenda or the Cultural AI Lab.
A fully funded art-science residency from Ars Electronica and Ceske Budejovice, European Capital of Culture 2028, exploring how art and science can collaborate on urgent environmental challenges: climate emergence, sustainable agriculture, geoengineering, permaculture, water resource management, and the broader ecological impacts on local communities. Selected residents work in direct collaboration with local scientists in Ceske Budejovice. WHO CAN APPLY: artists, designers, creatives and artist collectives with more than 5 years of professional creative practice and documented interdisciplinary work; experience in community engagement and science collaborations is essential; applicants must be 18+, of any nationality, and legally eligible to work and travel in the EU. WHAT YOU GET: a EUR 24,000 package (EUR 6,000 artist fee, up to EUR 15,000 production, up to EUR 3,000 travel and subsistence) plus one month of housing covered separately; two winners are selected. STRUCTURE: the residency runs January 2027 to April 2028, with a required on-site stay of up to one month in February/March 2027, an optional stay in August/September 2027, and a March 2028 stay for festival installation, exhibition and deinstallation. HOW TO APPLY: online form with project title, a written proposal of max 250 words, a scientific direction statement (max 100 words), artistic vision (max 100 words), community connection plan (max 100 words), a super short pitch (3 to 30 words), 3 to 7 images, an optional 1-minute video, a portfolio link and contact information. Two-round selection (online application then interview); winners notified by November 2026. Deadline 28 September 2026 at midnight CET.
The European Cultural Foundation invites artists to research its historical archives, held at the Historical Archives of the European Union in Florence, through a new Artistic Research Fellowship with a EUR 10,000 grant covering travel, accommodation, and living costs; the artistic output is delivered within two years. A strong fit for archive-driven, research-based, and critical data practices. Deadline 30 September 2026, 17:00 CET.
The Research Networking Day (RND) is an exchange platform for graduate or postgraduate students and independent artists conducting self-guided research traversing audio, arts, media, design, and related theoretical disciplines. The RND 2027 open call seeks innovative and critical submissions from all areas of study addressing the CTM 2027 festival theme 'Process...ing'. Nine selected candidates give short ten-minute presentations within different modules, linked by discussion rounds at the end of each module, offering an international platform to exchange with colleagues and researchers working on related ideas; research is also shared via audio/video after the festival on CTM's YouTube and SoundCloud channels. This edition takes place in collaboration with the Design Academy Eindhoven, Universitat der Kunste Berlin (UdK), and Leuphana University Luneburg. CONDITIONS: presentations take place on-site within the festival's Discourse programme, in English; applications are for individual (solo) presentations only (no duos or groups). As in previous years, no funding is available for travel and accommodation; participants receive a CTM 2027 festival pass, a catered lunch on the day, and a group dinner. Entrance to the event is free. KEY DATES: application deadline 25 October 2026 at 23:59 CET; programme announced mid to late November 2026; RND 2027 event Sunday 24 January 2027; CTM 2027 runs 22 to 31 January 2027.
The Royal Academy of Fine Arts Antwerp (AP University of Applied Sciences and Arts) invites applications for two-year artistic research projects starting 20 September 2027. Two-year research projects provide 55% employment for the research assignment over 24 months (as a contractual project staff member) plus EUR 2,000 in operating funds (EUR 1,000 per project year). Proposals are developed in collaboration with the Academy's research groups and must align with, endorse, and further develop the mission and vision of the Royal Academy of Fine Arts Antwerp. PRECONDITIONS: the proposal must be in line with the Academy's mission/vision; the applicant must be legally employable by the Royal Academy of Fine Arts Antwerp/AP Hogeschool on a contractual basis; and, at the time of application, the applicant must hold a Master's degree in Visual Arts awarded by a Belgian higher education institution (a non-Belgian degree is possible only if validated or recognised through the NARIC procedure, with proof included or a declared willingness to undergo it). PROCEDURE (two steps): STEP 1, apply via the Expression of Interest form sent to research_royalacademyantwerp@ap.be before 3 November 2026, 12:00 noon (applicants informed no later than end November 2026 whether they may develop a full dossier); STEP 2, submit the full dossier via the two-year project application form before 1 February 2027, 12:00 noon. Evaluation by an independent reading committee aims to conclude in May 2027. Contact: research_royalacademyantwerp@ap.be.
Residency programme run by the Art Explora Foundation with the Cite internationale des arts at its Montmartre site, supporting work that engages scientific and technological exploration and the major social and environmental issues of the present. Residents receive a studio-apartment of around 50 sqm, a monthly living grant of EUR 1,000, a production grant of up to EUR 3,000, and a round-trip travel grant, plus access to production facilities and local networks. Two tracks are offered: a SOLO programme for artists and writers across visual arts, performance, digital practices, literary and other experimental disciplines, and a COLLECTIVE programme for duos or collectives working collaboratively on interdisciplinary, experimental or research-based projects, for which a single studio-apartment designed for collaborative work hosts two residents sharing a bed, and only one member should submit the application. Eligible artistic disciplines are visual arts, performance and live arts, digital arts, curatorial practices, and writing and literary practices; eligible research fields are humanities, social sciences, cultural studies and history, technological innovation, and ecology. No output is required at the end of the residency, but participation in the Open Studios is mandatory. ELIGIBILITY: artists, artist collectives, researchers, curators and writers of all nationalities, no age restriction, with a minimum of five years of professional activity and works or research exhibited at national or international level. The Cite lists 20 to 22 residencies per year on this programme. Deadline 6 November 2026, 23:59 Europe/Paris. Questions: residences@artexplora.org. FLAG: the grant figures above come from the open-call text supplied to the desk; neither the Cite nor Art Explora publishes amounts on the programme page, so confirm them, along with the exact deadline, before applying.
OSIP is the European Space Agency's standing front door for unsolicited novel ideas, launched in 2019 and now the main entry point for new concepts into ESA, both in response to specific problems and through open calls. HOW IT WORKS: ideas are submitted through two mechanisms. Campaigns are targeted calls responding to specific questions with defined timelines (recent examples include Future Navigation Demonstrators and elements for the EOCognitiveLab mission); Channels are permanently open, open-ended calls on broader topics with no deadline. Submissions can go through an optional community discussion phase, with voting and comments, before expert evaluation by ESA. WHO CAN SUBMIT: individuals, businesses, universities and organisations anywhere in the world. The catch for funding: to implement a funded idea yourself, you must be eligible to do business with ESA under Article 18 of its procurement regulations, which in practice means affiliation with an entity in an ESA member state. WHAT FUNDING LOOKS LIKE: successful ideas are typically supported as co-funded PhD or postdoctoral research (ESA plus a university), early technology development activities, or system studies; amounts vary by route and campaign. WHY IT IS ON THE DESK: this is the one genuinely public, always-open route into ESA for independent researchers, technologists and artists working with space data or space technology concepts; new campaigns appear regularly, so checking the platform periodically is worthwhile. Submit via ideas.esa.int.