Currently 71 active open calls, across AI, arts, film, journalism, research, tech and cross-disciplinary practice. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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The Schaufler Lab at TUD Dresden University of Technology, a joint project with The Schaufler Foundation, invites applications for its six-month artist-in-residence at the interface of art and science for 2027. The theme of the Lab's third funding phase (2027 to 2030) is Energy Cultures in Transition: how forms of energy and energy transitions shape and are shaped by cultural practices, value systems, power relations, environmental relationships and imaginaries of the future. Residents work with the researchers of the Schaufler Kolleg graduate college and the wider university, with access to humanities, natural-science and engineering labs, and give lectures, talks and workshops, including a collaboration with the Dresden University of Fine Arts. Past residents include Quadrature, Mario Pfeifer, Rosa Barba and Esmeralda Conde Ruiz. ELIGIBILITY: internationally active artists or artist groups in media art, conceptual art, performance and related fields with completed international projects and exhibitions, an interest in exchange between artistic and scientific research, and proficient German or English; presence on site in Dresden is required by arrangement. Apply with a form, CV, portfolio, project proposal (up to 10,000 characters), project plan with potential TUD collaborators, a three-minute video and a recent letter of recommendation, as one PDF by email. The call is subject to final funding approval. Residency starts April 2027. DEADLINE: 9 November 2026.
Leitrim Sculpture Centre (LSC), with Leitrim County Council, offers up to four Exhibition Residencies for visual artists in 2027. Each residency lasts up to eight weeks, between mid-February and mid-November 2027, and ends with a one-person exhibition at the Centre. ALLOCATION: up to one residency for an artist based in Leitrim; up to three for artists from elsewhere in Ireland or internationally, including artists from minority ethnic and migrant backgrounds. SUPPORT: EUR 4,000 artist fee (inclusive); a private studio apartment with broadband; access to all of the Centre's facilities; free specialist technical support from LSC staff for up to 20 hours a month; free exhibition installation support; and curatorial support. Deadline 9 November 2026; see the guidelines page for how to apply.
The Athens Digital Arts Festival, Greece's long-running digital arts festival, has opened its call for the 23rd edition in spring 2027 under the theme "It's Alive..." (Dr. Frankenstein's line, reread for an age when we feel the same relief when the Wi-Fi comes back). CATEGORIES: Video Art, Installations, Performances, Animation, Games, Web Art, AR/VR/XR, Music, Talks, Workshops and ADAF Kids. Up to 4 entries per category, one form per work; digital-image collections of up to 5 works can share one application. Videos max 30 minutes (online file up to 2 GB in .avi, .mpeg or .mov, or a Vimeo link). Unrealised works with a complete concept and design are eligible if they can be ready about two months before the festival. Curators share applications across categories, so a work may be accepted in a different one. Shortlisted artists are contacted by email; others are not notified. NO ENTRY FEE. No artist fee or prize is published. DEADLINE: 10 November 2026, via the forms at 2027.adaf.gr. Questions: info@adaf.gr.
Realities in Transition (RiT2), a Creative Europe XR cooperation project, and Beta Festival in Ireland invite artists, technologists, storytellers, engineers, hackers and designers to develop XR, interactive, multi-user work that explores technology through relationships between human, artificial and more-than-human intelligence, with a focus on decolonial thinking and interdependence. Three artists are selected, each paired with a creative technologist and working as a group. WHAT YOU GET: a EUR 15,000 grant per artist for a six-month hybrid residency from March to August 2027, with an in-person period at Beta in May to June 2027, a Test Lab in June 2027 and a showcase at Beta Festival in November 2027. APPLICATION: online form linked from the call page; see the RiT residencies page for eligibility. DEADLINE: 10 November 2026, 23:59 CEST.
Kintai Arts, a contemporary art centre and gallery in the village of Kintai near the Curonian Lagoon in western Lithuania, invites proposals for three exhibitions in its 2027 programme. New and already-existing exhibitions in contemporary art practices are both eligible, from solo artists, groups or curators. Each selected exhibition receives a EUR 700 artist fee, up to EUR 300 towards transport, accommodation for the duration of the show, and exhibition documentation and communication. Exact dates and openings are agreed individually within the three slots (1 April to 15 May, 18 June to 30 July, 1 October to 15 November 2027). ELIGIBILITY: no nationality or residence requirement; because of financial limits, exhibitions previously shown in Lithuania are prioritised, and applicants from abroad should account for that. APPLICATION: send the completed application form (English or Lithuanian .doc, linked on the call page) with a one-page exhibition concept, artist CV, curator CV if any, portfolio and visual material for the exhibition (photos, sketches, visualisations or documentation), as a single PDF of no more than 10 MB, to info@kintaiarts.lt. Incomplete applications are not considered. A gallery floor plan is available on the call page. DEADLINE: 12 November 2026 (00:00 EET). Results by 11 December 2026.
ART4MENTAL is a Creative Europe project (partners in Ukraine, Poland, Czechia, Estonia, Sweden and Austria) selecting 20 artists to create immersive VR content and scenarios used in art-therapy and mental-health support sessions across Ukraine and the EU. Selected artists get professional training in VR technology and trauma-informed design, local bootcamps, a residency in Ukraine's Carpathian Mountains, study visits to rehabilitation centres, ongoing collaboration with mental-health professionals, and present their work at European exhibitions and conferences, including an international exhibition in Poland. ELIGIBILITY: the official page says residents of EU countries and Ukraine with a proven artistic practice and full availability for all mandatory activities; the On the Move listing adds that at least 10 of the 20 places go to artists from Ukraine and at least one each to Czechia, Estonia, Sweden and Austria, so applicants from other EU countries are eligible but not prioritised. Two stages: online form with supporting documents, then an online interview; selected artists announced January 2027. DEADLINE: 11 November 2026 per On the Move (the official page only says November 2026; no time zone stated).
SAHA Studio is SAHA Association's research and production residency in Istanbul. The 13th term selects five professionally practising visual artists (duos and collectives allowed; no medium or age requirement) for six months of studio work with a budget, curatorial feedback, mid-term gatherings and a closing 'SAHA Studio Open' presentation. Projects must not be preparation for a commercial gallery show. SELECTION: a preliminary jury of seven former residents, then a Selection and Advisory Board interviews a shortlist of ten; evaluation runs 15 November to 22 December 2026. APPLICATION: one merged PDF (max 7 MB) emailed to sahastudio@saha.org.tr with the subject 'SAHA Studio 13 - Application', containing the application form, a proposal (max 500 words), a draft budget, a CV (max 2 pages), a 10 to 20 page portfolio, and optional press and a reference letter. DEADLINE: 14 November 2026, 18:00 Istanbul time (GMT+3).
The Sixi International Artist-in-Residence Project, run by Sixi Museum in Nanjing since 2024, selects 4 artists across two three-month sessions in 2027 (Spring, March to May, and Autumn, September to November). The program is built as an open network across the city, connecting residents with local scholars, artists, historic neighborhoods and natural landscapes, with Open Studios and workshops along the way. Proposals must respond to one of two themes: Flux and Imprints, Contemporary Echoes of Migration History (cross-regional mobility, cultural reconstruction and memory, including family histories of overseas Chinese, the legacy of colonialism in Asia, and identity within global geopolitics), or Folds of Text, Cross-Media Intertextuality and Intervention (text as a fluid medium, with interdisciplinary work across literature, linguistics, music and sound, and visual arts). SUPPORT: round-trip flights, visa fees, insurance, private apartment or loft studio, material allowance, technical assistance, airport pickup and translation; no separate artist fee or stipend is mentioned. ELIGIBILITY: artists of all disciplines, aged 18 or older, proficient in spoken and written Mandarin or English. HOW TO APPLY: email a CV with profile photo, portfolio and residency proposal as a single PDF or ZIP with the subject line Residency Application. Final responses by mid-February 2027; allow 2 to 3 months for visa processing. DEADLINE: 15 November 2026 (GMT+8).
Data Through Design, the annual exhibition of artworks that creatively analyze, interpret and interrogate data from New York City's Open Data portal, opens its 10th anniversary call, held in conjunction with NYC Open Data Week. THEME: reflections, reverberations and the arc of data over time; the evidence of time (footprints, traces, scars, markers of change), temporal mirrors and kaleidoscopes, messages from the past and future, fractals of time and visuals of scale. Artists may also respond to a previous DxD theme in light of time, and alumni artists are particularly encouraged to apply, including by revisiting past projects. FORMATS: digital, analog, physical, performance, sound works, walks, installations, creative coding, participatory mapping, drawings and more; the organizers highlight participatory data collection, radical and cognitive mapping, and data experienced through time, sound and the senses. REQUIREMENT: projects must reference or use at least one NYC Open Data dataset; other data, including novel and experimental collection systems, is welcome alongside it. WHAT YOU GET: USD 900 stipend, half before and half after the exhibition, plus inclusion in the multi-media group show in New York City, tentatively 26 March to 11 April 2027. Work must be installation-ready by 19 March 2027 and delivered to the venue 22 to 24 March. ELIGIBILITY: open to artists, civic technologists, data enthusiasts, city dwellers and creative practitioners; applicants must be approved to work in the US to be paid the stipend. The submission process has been revamped for this edition, with a new rubric and submission materials to review. APPLICATION: free, via the submission form on the DxD website. DEADLINE: 15 November 2026 at 23:59 EST.
Witte Rook (Breda) and the Ukrainian platform IZOLYATSIA run Digital Explorers (Across Borders), a fully online residency program exploring the artist-in-residence of the future through cross-border collaboration. Each of three phases pairs one artist from the Netherlands with one from Ukraine, working together for about three months on the common.garden platform. WHAT YOU GET: EUR 1,800 fee plus EUR 1,000 material budget per artist (both excluding VAT), expert discussions, technical support, a physical and online exhibition (final exhibitions planned for spring 2028) and a published article about the creative process. ELIGIBILITY: artists and makers working in digital culture and interested in new technology who live and work in the Netherlands or Ukraine; proficiency in English required. APPLICATION: in English via the IZOLYATSIA platform; motivation letter (max 1,000 words), CV (max 3 A4 pages) and portfolio (max 10 A4 pages, 20 MB); applicants indicate a first and second priority phase. PHASES: 'Form' (January to March 2027), 'Content' (May to July 2027), 'Analysis' (September to December 2027). DEADLINE: 15 November 2026, 23:59 CET.
The Korean Cultural Centre UK's annual open call for emerging Korean or Korean-heritage artists, particularly UK art school graduates, leading to a group exhibition from February to April 2027 (exact dates to be confirmed). Open theme; all fine art genres welcome, including video, sound and performance (submit a video link of max. 5 minutes plus stills). Selection by a panel of external curators and art professionals; results announced on the KCCUK website in early December 2026. ELIGIBILITY (all required): Korean nationality or Korean heritage; graduated from a UK-based art school (BA, MA or PhD) or currently living and working in the UK; aged 18+; at least one previous solo or group exhibition; works made within the past 5 years and not previously shown at KCCUK. SUPPORT: exhibition space and invigilation, opening event, certificate of participation, promotion via KCCUK channels (Korean and English press release, social media) and a GBP 250 participant support fee per artist; all other costs (production, transport, equipment, install) are borne by the artist, and support may change depending on KCCUK's circumstances. APPLY: one PDF (max. 7MB, in English) with artist bio (max. 200 words), portfolio of up to 5 works (max. 3 images each, with title, materials, dimensions, year, technical requirements) and artwork statements (150 words per work, max. 700 total), emailed to kccuk.opencall@gmail.com. Enquiries: Jaemin Cha, Curator, jaemin.cha@kccuk.org.uk. DEADLINE: Sunday 15 November 2026, midnight GMT.
International interdisciplinary residency run by the Democracy Foundation in Kuldiga, Latvia, as part of the Liepaja 2027 European Capital of Culture programme. Six participants from different fields and European countries explore new ways not only to talk about democracy but to experience it, developing activities for the Kuldiga Democracy Festival, engaging the local community and experimenting with formats that make audiences active participants. WHO: artists, cultural practitioners, designers, educators, researchers, civic activists and people from other professional backgrounds; applicants must be residents of European countries. DATES: 3-23 August 2027. SUPPORT: accommodation in Kuldiga's Old Town; a EUR 1,000 stipend per participant to cover expenses including travel; and a separate budget of up to EUR 1,000 per participant for developing and implementing their activity. Deadline 15 November 2026.
Code:ART is the City of Palo Alto's digital art festival celebrating creative technology in public space, returning 13 to 16 October 2027. This call commissions one artist or team to create a signature interactive installation for Lytton Plaza with a USD 20,000 budget. ELIGIBILITY: open to individual artists and teams based in the US or internationally; individuals must be over 18, and for teams at least one member must be over 18 and able to contract with the City; applicants in Santa Clara and San Mateo counties are particularly encouraged. You may also apply to the parallel Interactive Media Installations call, but can receive only one commission across both. APPLICATION: via SlideRoom. DEADLINE: Monday 16 November 2026, 23:59 Pacific Time.
Code:ART is the City of Palo Alto's digital art festival celebrating creative technology in public space, returning 13 to 16 October 2027. This call selects up to five interactive media installations for the festival, each with a budget of up to USD 9,000. ELIGIBILITY: open to artists nationally and internationally, individuals and teams. You may also apply to the parallel Lytton Plaza Installation call (USD 20,000), but can receive only one commission across both. APPLICATION: via SlideRoom. DEADLINE: Monday 16 November 2026, 23:59 Pacific Time.
The Kennedy Center's Access/VSA Emerging Young Artists Program (2027 theme: Thrive) awards 15 young disabled visual artists a USD 3,000 stipend, an all-expenses-paid career development week in Washington DC (14 to 18 June 2027) and exhibition of one work. ELIGIBILITY: aged 16 to 25 on the deadline date; US-based with the right to work in the US; have a disability as defined by the ADA and be willing to disclose it publicly; submitted work made in the last three years and after the onset of disability; no generative-AI work; previous winners ineligible. OBLIGATIONS: attend three virtual workshops (April to June 2027) and the DC week to receive the stipend. APPLICATION: free, via CaFE (artist.callforentry.org); accommodation and alternative-format requests by 30 October 2026. Winners notified by 13 January 2027. Questions: vsainfo@kennedy-center.org. DEADLINE: 19 November 2026, 23:59 ET.
Cryptic Nights supports emerging Scotland-based artists making work that combines original sound or music with performance, screen or technology, to develop an existing piece and present it in Cryptic's programme. Selected artists receive a fee, residency time, mentoring and travel and access support. No application fee.
FOTODOKS, the Munich festival for contemporary documentary photography, invites existing lens-based, documentary-driven projects on the theme of care and its connections to politics, emotions and intimate relationships for its 13th edition in October 2027. Selected works are shown in a group exhibition and included in the festival catalogue and on the FOTODOKS website; the curatorial team also invites some artists directly. WHO: individuals, collectives and groups of all backgrounds, ages and genders; submissions in English or German. WHAT YOU GET: an artist fee of EUR 500 for a single artist, EUR 800 for a duo or up to EUR 1,200 for a collective depending on size; travel support of up to EUR 150 within Germany, EUR 300 within Europe or EUR 500 from outside Europe; accommodation during the 4-day opening week; and production of the work for the exhibition in agreement with FOTODOKS. APPLICATION: free, via the Picter submission page; questions to opencall@fotodoks.de. Results are announced in March 2027. DEADLINE: 20 November 2026.
One residency for a freelance audio practitioner (composer, sound designer, audio maker, artist or researcher) registered in the Netherlands, to develop an existing project into a spatial, story-led sound work. STRUCTURE: a two-day introductory course in immersive audio, then three days of studio work in IAN's mobile Immersive Audio Lab (a dome with 25 Genelec loudspeakers and 3 subwoofers, Dolby Atmos 9.1.6 and Ambisonics up to fourth order; own computer and software welcome), ending with a public work-in-progress at the IAN Festival at Arnolfini, Bristol. RESEARCH FOCUS: sound-first storytelling, sonic stories for and by multiple audiences including the non-human, and the whole body in space as the site of immersive experience. Mentoring by Prof. Kate Pullinger (NET Lab, Bath Spa University) and Dr Angela McArthur (UCL). The resident also writes an editorial piece for The Writing Platform, published March 2027. ELIGIBILITY: KvK registration required (the fee is paid on invoice); working DAW skills (editing, montage, mixing); no prior spatial audio experience needed and emerging artists are encouraged; available to travel 22 to 30 January 2027. Applications in English. Deadline 21 November 2026, 23:59 CET.
23rd edition of Festival Opera Prima in Rovigo, Italy, selecting performances for 9-13 June 2027. Open to single artists and emerging or independent professional companies in contemporary theatre, dance and performing arts, from Italy and abroad, in any legal form able to handle the administration of a performance. FOCUS: experimental theatre, meaning work that experiments with dramaturgy (as scenic composition), the actor, the spectator and the scenic space. Amateur work, drama theatre and entertainment shows are not selected. WORKS: original works not yet performed, or works debuting in the 2026/2027 season; maximum 60 minutes. Selected artists may not perform the work within 80 km of Rovigo from 60 days before to 30 days after the festival, and may be asked to give several performances on the same day. SUBMIT (one proposal per group or artist) via the online form: artistic CV, artistic presentation and technical rider, and a link to a full video of the performance (or of rehearsals for a debut) viewable online, not as a download. SUPPORT: an agreed fee paid on invoice, lodging for performers and technicians, and one dinner; the festival covers organisation, communication and promotion. Deadline 21 November 2026.
Busan Metropolitan City invites individuals and teams from around the world to propose a site-responsive work of land and ecological art for Eulsukdo, an estuarine island at the mouth of the Nakdong River, South Korea's longest river. The island sits in a brackish estuary where river meets sea and is an important stopover for migratory birds on the East Asian-Australasian Flyway; once heavily altered by agriculture, landfill and urban development, it has been restored as wetlands and bird habitat, a layered history the call frames as an invitation to reflect on coexistence between human and more-than-human life. Proposals must respond to Eulsukdo's ecology, landscape, history and changing environment while minimising ecological disturbance and demonstrating environmental responsibility across the work's whole lifecycle. ELIGIBILITY: individuals or teams professionally active in art, landscape architecture, architecture, design or related fields; interdisciplinary teams welcome. SELECTION: one proposal, with artwork support of KRW 380,000,000 and an artist fee of KRW 20,000,000. SUBMISSION WINDOW: 2 November 00:00 to 22 November 2026 24:00 KST (UTC+9). Provisional opening of the realised work May to June 2027. Full guidelines via the official website (eulsukdo-ecoart.com); inquiries to eulsukdo.ecoart@gmail.com.
Refugee Festival Scotland (run by the Scottish Refugee Council, festival 11 to 20 June 2027) and Opening Shot invite four first-time filmmakers with lived experience of seeking safety to make a short film of about five minutes. WHAT YOU GET: a GBP 1,500 participation fee, a GBP 3,000 production budget, six in-person workshop days in Glasgow (December 2026 to March 2027), a 14-week supported production period with mentoring, and a premiere screening at the festival in June 2027. ELIGIBILITY: aged 18 and over; you consider yourself a refugee or asylum seeker, or your family has lived experience of seeking safety; you live in Scotland; you are not currently enrolled in full-time formal education; you can travel to Glasgow for all six workshop days. Beginners welcome, no previous experience or script needed. DEADLINE: Sunday 22 November 2026 at midnight. OTHER 2027 FESTIVAL STRANDS: the Artists Professional Development Programme (GBP 1,000 grants) closed on 8 October 2026; the Small Grants round for refugee-led and refugee-focused groups in Scotland (up to GBP 750 in 2026) runs from early December 2026 to mid-February 2027; event registration for organisers opens early December 2026 and closes late March 2027. Contact: festival@scottishrefugeecouncil.org.uk.
A development lab for XR and new media projects at the Thessaloniki International Documentary Festival's industry section AGORA, for emerging storytellers working across film, digital media, new technologies and performing arts. Lead mentor: Vassiliki Khonsari (co-founder, iNK Stories). Up to five projects are selected. FORMAT: online preparation and project-enhancement workshop in mid-January 2027, then the lab in Thessaloniki on 6-11 March 2027 with industry meetings scheduled from professionals' requests and the AGORA team, plus online meetings on 12 March. ELIGIBILITY: teams of at least two creative members (creator-creator or creator-producer), any development stage; one lead can submit up to two projects; previously rejected projects only with substantial changes. Both core members must attend the January workshop and at least one must attend the full lab. Completed projects must credit the lab. APPLICATION: English online form (not editable after submission) plus one English PDF with logline, synopsis (max 2 pages), format and audience thoughts, team bios, financing plan if available, visual material and past work. Notification early January 2027. DEADLINE: 25 November 2026. Contact: Rafaela Karagianni.
The UNESCO City of Media Arts Office of Karlsruhe's Department of Cultural Affairs awards the dm-Award connecting worlds, with dm-drogerie markt as awarding partner, ZKM | Center for Art and Media Karlsruhe as curatorial partner and KME as organiser of the SCHLOSSLICHTSPIELE Light Festival. Under the motto PLAYGROUND, the call seeks projects that connect the digital space of the projection mappings on Karlsruhe Palace's facade with the analogue space of the Market Square, playfully activating public space. FORMAT: every project must have two elements: a projection mapping on the palace facade (2 to 5 minutes) and at least one satellite on the Market Square that also works independently of the projection and is publicly and freely accessible. Examples include interactive projections and game elements with audience participation, installations or media artworks relating to the projection, combinations of performance, concerts or actions with projection mapping, sculptural, 3D or immersive formats, new technologies, and collaborations between local and international players. The winner is realised in 2027 during the SCHLOSSLICHTSPIELE and the exhibition Media art is here, running four weeks between mid-August and mid-September 2027. WHO: artists worldwide, individually or as a collective. WHAT YOU GET: a EUR 10,000 prize, up to EUR 20,000 net production funding (which must cover all production costs, including fees, equipment and the winners' travel), plus curatorial and technical support; technical requirements are set out in the Production Guidelines. APPLICATION: via the call page; questions to cityofmediaarts@kultur.karlsruhe.de. Application period 9 October to 25 November 2026, closing at 13:00 CET.
Open call for a 7-minute projection mapping on the Karlsruhe palace facade, on the 2027 festival theme Playground (The Art of Playing). For artists, designers, studios and collectives working in projection mapping; ZKM provides curatorial and technical coaching. APPLICATION (German or English, via the ZKM web form https://webform.zkm.de/form/bbbank-award-2027): concept or storyboard description (max 2,000 characters), a 5-second media check file following the technical guidelines, a short bio (max 1,000 characters) and a portrait photo. CONDITIONS: concepts must not have won other prizes or been submitted to comparable competitions (this is a separate call from the dm-Award connecting worlds at the same festival); finalists perform the work exclusively at SCHLOSSLICHTSPIELE; winners must attend the award ceremony. Deadline 25 November 2026, 1 pm CET.
Ljudmila Art and Science Laboratory invites artists to present and sell existing works at Parameter, a generative arts fair held during the Adela Festival 2027 at Kino Siska in Ljubljana. The call seeks work connected to a broader community engaging art, open-source technologies, creative coding, media archaeology, permacomputing and experimental electronics, broadening current concepts and implementations of generativity. SELECTION: up to 11 artists, who present their works at the fair on Saturday 6 March 2027 and are included in the print and web catalogue. SUPPORT: accommodation provided, travel costs reimbursed up to EUR 150; apply with existing works, as there is no production budget or artist fee. No application fees, no participation fees and no commission on sold works. AWARDS: the jury awards one prize, a solo exhibition at Kino Siska in 2028 with a EUR 700 gross artist fee, plus two honorary mentions of EUR 350 gross each. APPLICATION: via the online application form; the full open call is on the Ljudmila website. DEADLINE: Thursday 26 November 2026.
The 17th Open City Documentary Festival takes place at venues across London in April 2027, presenting international contemporary and retrospective non-fiction film, audio and cross-media work alongside filmmaker Q&As, panels, talks and workshops. The festival nurtures experimentation within the expanded field of non-fiction cinema, from artists' moving image to documentary, the essay film, audio and cross-media works; recent artists screened include Sky Hopinka, Onyeka Igwe, Luke Fowler, Ana Vaz, Jessica Sarah Rinland and Morgan Quaintance. ELIGIBILITY: non-fiction film and video, cross-platform projects and audio works completed after 1 January 2026; no strict premiere requirement, but works not yet publicly screened in London are prioritized. All selected filmmakers receive screening fees: GBP 275 for works over 60 minutes, GBP 140 for works over 40 minutes, GBP 70 for works under 40 minutes, GBP 100 for cross-platform projects (all incl. VAT). Submissions via FilmFreeway with tiered entry fees (lower before the early deadline). EARLY DEADLINE: 25 September 2026. FINAL DEADLINE: 27 November 2026; all entrants notified by 22 February 2027.
First edition of an international competition for short live performances of around fifteen minutes in dance and physical theatre, run by Music & Movie ETS within the InterAgendo project. Works must carry an ethical, civic or social theme. Six companies are selected to perform in Sassari on 6-8 May 2027 in front of a National Jury, a Schools and Community Jury and a Territorial Jury. MONEY: each selected company receives a guaranteed gross fee of EUR 500 (solo), EUR 700 (duo) or EUR 900 (three or more performers) plus three nights' accommodation; the Best Work Award is EUR 1,000 and the Reflections Award EUR 400. Application is free; only the six selected companies pay a EUR 50 security deposit, refunded in full at the end of the festival. Similar in format to Teatri Riflessi in Sicily. DEADLINE: 30 November 2026, 23:59 CET.
Annual design commission for an ambitious, technically challenging large-scale public artwork or structure, built over summer 2027 by more than 100 young people working with Beam staff. The selected designer collaborates through bi-weekly remote planning meetings and may visit the build with travel reimbursed, making this genuinely remote-friendly for a physical commission. A strong fit for creative-technology and installation practices. AWARD: USD 5,000 to the proposer plus roughly USD 15,000 in fabrication budget. ELIGIBILITY: open worldwide, any age, individuals or teams. DEADLINE: 30 November 2026, 11:59pm EST.
The 21st edition of Horizons Arts-Nature en Sancy, an open-air art exhibition in the Massif du Sancy (Auvergne, France) running 19 June to 26 September 2027. The Sancy Tourist Office commissions 10 ephemeral, site-specific plastic artworks made for the landscape, installed across the towns and villages of the Sancy community; each proposal must be an in situ installation in which work and site interact. Sites are chosen for their aesthetic and artistic qualities, diversity of locations and proximity to visitor access and facilities. Open to individual artists and groups or collectives. FEE: EUR 8,000 including all taxes per selected artist or group (EUR 6,500 artistic costs and EUR 1,500 royalties, recommended proportion), which includes travel costs; no separate production or accommodation budget is stated in the public listing, so check the regulations in the application portal. APPLY online only via the wiin/eMundus portal (the dossier can be saved and completed over several sessions). Contact: horizons@sancy.com, +33 4 73 65 20 21. DEADLINE: 30 November 2026, 09:00 Paris time (08:00 UTC).
The 30th Roze Filmdagen, Amsterdam's LGBTQ+ film festival, is accepting short films, feature films, documentaries and animations with a clear connection to LGBTQ+ themes and sexual, gender and cultural diversity, for its edition of 10-21 March 2027. AWARDS: Jury and Audience Awards with cash prizes in three categories (best feature, best documentary, best short) and the Hivos-initiated Free to be Me Award, also with a cash prize; the festival nominates for the Iris Prize in Cardiff. Submit via FilmFreeway. DEADLINE: 1 December 2026.
make-a-thek, a Horizon Europe project (grant No. 101177660) coordinated by Fab Lab Barcelona at IAAC, connects creative spaces, public libraries and makers across Europe and beyond to share skills in circular fashion, traditional crafts and technology. Its open call runs two tracks. MOBILITY SCHEME (Track A): experienced practitioners (make-a-thek Experts) travel to an EU pilot location (Antwerp, Barcelona, Berlin, Budapest, Helsinki, Kranj, Milan, Opole, Reykjavik, Kyiv or Zaporizhzhia) to deliver a workshop, talk or hands-on training, with a EUR 1,000 stipend to support expenses. KNOWLEDGE EXCHANGE PROGRAMME (Track B): learners, practitioners, makers, craftspeople and librarians travel to a 2-day in-person group meet-up (Cohort 1 in Barcelona between end of November and start of December 2026; Cohort 2 in Berlin in May 2027), then organise a local knowledge-sharing activity, with a EUR 850 stipend. Up to 12 participants per track annually. ELIGIBILITY: legal residents of EU member states, Horizon Europe associated countries, or the international pilot countries Ghana, South Africa, Indonesia, the Philippines and Chile; proposals must align with at least one focus area: Circular Fashion, Digitising Traditional Crafts, or Open Technologies. HOW TO APPLY: via the Typeform linked from the open call page. The early-bird round closed 15 September 2026; late applications are accepted until 1 December 2026, and the next call runs 1 February to 31 March 2027. DEADLINE: 1 December 2026.
The Jan van Eyck Academie's general open call for its 2028 residency year: 30 to 32 artists, curators, designers, writers, architects and other artistic researchers spend 11 months (15 January to 15 December 2028) in Maastricht, across material-based and research-driven practices, with access to the academy's labs and community. Individuals, duos, collectives and candidates with children can apply; duos and collectives submit one application and pay one fee. SUPPORT: monthly stipend of EUR 1,500 (EUR 2,000 with children; duos EUR 1,500 each or EUR 2,500 combined for life partners; collectives up to EUR 4,500 combined), with rent including service costs deducted; EUR 2,000 annual working budget; newly built furnished private studio apartments (families get a spacious private apartment; collectives up to three studio apartments, possibly on rotation). ELIGIBILITY: no nationality or age restriction; sufficient English required (Dutch and English are the working languages); full-time alumni of the Rijksakademie or De Ateliers are not eligible; the academy is not an educational institute and provides no degrees or ECTS. FEES: application fee EUR 65 excl. VAT (EUR 78.65 incl. VAT), waived for applicants from and living in OECD DAC-list ODA recipient countries; enrolment fee EUR 2,750 excl. VAT for accepted participants. APPLY via the Dapple platform with an artist statement (250 words), motivation (500 words) and project proposal (500 words) in English (or one video/audio/link covering all three), plus one PDF (max 10 MB) with recent work from the last five years (max 25 pages) and a CV (max 2 pages); applications cannot be changed after submission. TIMELINE: call opened 5 October 2026; selection outcome mid-May 2027. DEADLINE: 1 December 2026, 23:59 CET.
Hidden Door is a volunteer-run, multi-arts festival that reopens disused and overlooked buildings in Edinburgh. Its 2027 edition (venue still secret, anticipated early June 2027) runs on the theme "Afterlives of Use", and this open call invites visual artists to propose existing work or work in progress that can be shown in the festival's site-specific spaces. The call does not fund the production of entirely new work. ELIGIBILITY: practising artists who either hold an art-related degree or are self-taught with at least five years of sustained practice, and who are based wholly or partly in Scotland or graduated from a Scottish art school in the last three years. Current undergraduates are not eligible; postgraduates are. SUPPORT: up to GBP 1,500 per artwork/application including all artist fees and expenses, in line with Scottish Artists' Union rates; most awards will be lower. Parallel open calls for dance and spoken word close on the same date, and calls for film, theatre and music are to follow. APPLY via the online form linked from the call page. Notification by 11 January 2027. DEADLINE: Thursday 3 December 2026.
BFI Flare, the UK's longest-running LGBTQIA+ film festival, is open for submissions to its 40th edition at BFI Southbank in March 2027. CATEGORIES (new length bands this year): short films of 35 minutes or less, mid-length films of 36 to 60 minutes and feature-length films over 61 minutes, each open to UK and international work. Check eligibility against the 2027 guidelines and regulations PDF on the BFI page, then submit through the online form. DEADLINE: online forms and screeners by 4 December 2026, 17:00 GMT.
Amsterdam Light Festival invites light art concepts for its 16th edition (2027-2028), presented along and on the canals of Amsterdam. WHO: creatives from all over the world, individually or as a team; multiple submissions are allowed and existing work may be considered. A second strand, Open Call X Amarte (supported by the Amarte Fonds), is for makers based in the Netherlands who are new to the medium of light art and seeks concepts for walking visitors. WHAT YOU GET: an artist fee of EUR 4,000, with the costs of producing the artwork and travel covered, plus technical support from the festival; Amarte selections receive an EUR 4,000 fee and a EUR 20,000 production budget. APPLICATION: read the Artist Briefing, fill in the submission template and submit via the portal linked from the briefing; see the FAQ at amsterdamlightfestival.com/en/faq-open-call. DEADLINE: 7 December 2026, 23:59 CET.
CURRENTS presents one of the leading art and technology festivals in the United States, held every summer in Santa Fe, New Mexico since 2010, bringing together established and emerging new media artists from the USA and worldwide. The 2027 edition (11-20 June 2027) accepts submissions in: installations (interactive and non-interactive); audio experiences; virtual, augmented and mixed reality environments; robotics, kinetic and electro-mechanical objects and installations; multimedia performance; fabrication, 2D/3D printing and wearables; and experimental single channel video, documentary and animation. The festival is a collaboration between the non-profit Parallel Studios, partners throughout the city, and interns and volunteers. SUPPORT: selected artists may be eligible for travel, lodging and shipping support, though the festival warns it may not be able to cover international shipping given costs and risks, and may instead be able to supply needed equipment; no artist fee is published. SUBMISSION FEE: USD 30 single, USD 25 each for multiple. DEADLINE: 8 December 2026; participating artists announced March 2027. Questions to connect@currentsnewmedia.org.
Welcome to the Fringe Palestine is an 8-day festival of Palestinian performance inside the 2027 Edinburgh Festival Fringe, run with Independent Arts Projects and the Workers Theatre Co-operative. WHO: Palestinian performance artists in any discipline, based anywhere in the world. Work must be live (visual art or film needs a live element), small-scale (a team of no more than two, simple tech, everything in reasonable hand luggage), in 60-minute slots (shows of 30 minutes or less may share a slot), and finished or a presentable work in progress; no development or residency support is offered. Non-English shows need a finished translation and surtitles. Past participants may apply, but artists not previously programmed get priority. WHAT YOU GET: a GBP 2,000 fee per artist or company, plus travel and visa costs, accommodation, per diem and bus passes, Fringe registration, marketing and PR, a dedicated venue with simple tech, documentation, and networking events. APPLICATION: Google Form linked from the call page, in English or Arabic; contact sara@i-a-p.net. Results by February 2027. DEADLINE: Wednesday 9 December 2026, 23:59.
Open Call #3 of IN SITU PLATFORM 2025-2028, the Creative Europe-funded network of 27 programmers supporting artistic creation in public space, for emerging artists with a project in development (beyond the idea stage, not yet premiered or toured) intended for public space or non-conventional venues, with potential to be presented around summer 2028. WHAT YOU GET: an online preparation and training programme (March to June 2027: peer-to-peer sessions with experienced IN SITU artists, learning videos, three support sessions with On the Move), a page and video pitch in the IN SITU online catalogue, and one six-day immersive lab at a partner festival (labs on 10-15 May, 31 May-6 June, 28 June-3 July, 26-31 July and 6-12 September 2027; about 15 artists each) with workshops, performances and a pitch to international programmers. The lab includes a EUR 1,500 writing aid fee, travel up to EUR 300 and accommodation and meals. About 10 projects then get production residencies, culminating in a FOCUS event at La Strada Graz in summer 2028. ELIGIBILITY: emerging artists meeting two of three dimensions (aesthetic, geographical or generational emergence; no age limit), legally resident in a Creative Europe country, with basic conversational English; duos apply together, at most two artists per collective in a lab. Online info sessions on 17 and 26 November 2026. Alternative formats (audio, video, large print) available via insitu@lieuxpublics.com. APPLY via the online form (opened 30 October 2026). Results end of February 2027. DEADLINE: 9 December 2026, midnight CET.
Annual award from the Lillias Mitchell Trust recognising craft and visual artists connected to Ireland. AWARDS: EUR 10,000 each to two winners, one in Visual Art and one in Craft + Applied Art (total fund usually around EUR 30,000); shortlisted artists also receive a smaller financial award, amount to be confirmed. ELIGIBILITY: craft and visual artists living and working on the island of Ireland, and Irish-born artists working overseas; any career stage with demonstrated artistic merit; full-time students are normally not considered; previous main-award winners cannot reapply. APPLICATION: online, no fee. TIMELINE: applications open 12:00 noon on 16 October 2026. DEADLINE: 11 December 2026, 17:00.
Akbank Sanat's long-running Istanbul short film festival is accepting films for its 23rd edition, across all themes and genres: fiction, documentary, experimental and animation. Films must run 1 to 30 minutes and be completed after 1 January 2026. The National Competition is limited to Republic of Turkiye citizens; the International Competition is open to filmmakers from all countries. Akbank employees cannot apply. SUBMISSION: complete the online form, then email a wet-signed scan of it to AkbankKisaFilmFestivali@akbank.com with the subject Name_Surname_FilmTitle, plus a password-protected screening link with English subtitles that stays live for at least 6 months. DEADLINE: 11 December 2026, 23:59.
Go Short, the international short film festival in Nijmegen, is open for entries for its 19th edition (6 to 11 April 2027). A small, approachable Dutch festival that programmes fiction, documentary, animation and experimental shorts. COMPETITIONS: the European Competition (fiction, documentary, animation, experimental), the Dutch Competition, and the New Arrivals Competition for European film school projects, plus a Music Video Competition and a separate strand for video games, VR/XR, performances and installations, which makes it a natural target for expanded-media and installation-based video work. DEADLINES AND FEES: early bird 15 September 2026 (EUR 12.50 per film; EUR 8 per installation/VR/game project), regular 15 November (EUR 15 / EUR 10), late 15 December 2026 (EUR 20 / EUR 12); music videos EUR 7.50 flat. Awards include Best European Short, Best Dutch Short, the New Arrivals Award and an Audience Award. Read the festival regulations for length and completion date requirements before submitting.
The European Media Art Festival (EMAF) in Osnabrueck invites submissions for its 2027 edition in three sections: Film (experimental films of all lengths and any theme), Installation (installative, interactive, spatial or sculptural media art works) and Expanded (performances, live events or workshops). WHAT YOU GET: all films selected for the International Selection are equal winners of the EMAF Award with EUR 400 prize money each; films in the Features section (over 60 minutes) receive a EUR 250 screening fee; curated programmes pay EUR 80-250 depending on length; installations and expanded projects receive a EUR 500 fee with production costs paid by the festival. Selected artists are invited to the festival with free accreditation, three hotel nights (potentially longer if setting up is required) and a contribution to travel costs. RULES: maximum 2 works per artist; only works completed in 2026 or 2027 are eligible; no premiere status required; works entered at previous editions will not be reconsidered. Films up to 60 minutes are viewed for the International Selection, films over 60 minutes for Features. Installation entries should relate to the 2027 festival theme of the archive (as an instrument of knowledge production, a site of critical intervention and a space for alternative visions of the future); Installation and Expanded entries must include a comprehensive description, tech rider, cost calculation and visual materials. Non-English-language works must have English subtitles for the selection screening. Submit digitally via the EMAF registration portal (no DVDs or physical media). Selection decisions are emailed from mid-March 2027. DEADLINE: the call closes as soon as 2,200 entries have been received, or at the latest on 15 December 2026, so submit early. No entry fee.
Open call for dance and movement-image films up to 20 minutes for the 2027 Jumping Frames festival. The 2027 theme, Copy Right Copy Left, explicitly invites AI and digital tools and asks about authorship in the AI era. Entries via FilmFreeway (https://filmfreeway.com/CCDC_JumpingFrames2027); earlier tiers closed 6 and 26 November, final deadline 16 December 2026. Entry fees apply on most tiers.
Open call (Open Oproep Cultuureducatie en Digitale Technologie) for cultural education projects in which children and young people work creatively with digital technology. Run by the Fonds voor Cultuurparticipatie with LKCA and DEN. WHO: cultural institutions or cultural professionals based in Amsterdam, Friesland, Noord-Brabant or the Caribbean Netherlands, who are not themselves the regional Cultuureducatie met Kwaliteit (CmK) lead. PARTNERS: you must always work with one or more schools (primary, secondary or special education) and with the regional CmK lead (MOCCA in Amsterdam, Keunstwurk in Friesland, Kunstloc in Noord-Brabant, and named foundations on Bonaire, Saba and Sint Eustatius). FUNDED: developing, preparing, running, monitoring and evaluating the project, plus teacher or partner training needed for it. NOT FUNDED: building a new app, tool or digital platform; projects that have already started. PROCESS: window 19 October to 16 December 2026, 15:00 Dutch time; applications are handled first come, first served (three eligible applications per region are honoured first), and the window may close early if demand far exceeds the budget. Decision within 13 weeks of the window closing.
VisArts, a nonprofit arts center in Rockville, Maryland, pairs one emerging curator with mentoring curator Fabiola R. Delgado for a year-long program culminating in an exhibition at the Kaplan Gallery. WHAT YOU GET: a USD 10,000 budget covering exhibition costs and curatorial fees, year-long mentorship, and staff support for printing, promotions and exhibition programming. The mentoring curator's exhibition runs 27 August to 10 October 2027; the Emerging Curator's exhibition runs 15 October 2027 to 9 January 2028. ELIGIBILITY: emerging curators or artists with an interest in exhibition-making or curating; international applicants must be eligible to work in the United States (VisArts cannot provide or assist with visas). APPLICATION: free, via Submittable; application form, CV, evidence of past curatorial projects (up to 10 images, up to 5 minutes of video/audio, image list and supporting PDFs) and a statement on goals, curatorial interests, audience enrichment and community engagement. TIMELINE: finalists notified 8 January 2027, interviews 13 to 15 January, selection announced 20 January 2027. DEADLINE: 18 December 2026, midnight.
NewImages Festival, the Paris festival for XR and immersive creation, opens three competitions for its 2027 edition. XR COMPETITION: works completed in 2026 or 2027 in VR, AR, mixed reality, narrative video games and hybrid performances; Grand Prize EUR 6,000, Impact Award EUR 3,000; fee EUR 75 Early Bird / EUR 100 Last Call (individual talents EUR 45 / EUR 60). FULLDOME COMPETITION: native fulldome (360-degree projection) works completed after 2023; Dome Award EUR 3,000; same fees as the XR Competition. VIRTUAL WORLDS COMPETITION: social VR platforms, independent worlds, multiplayer art spaces and interactive installations in virtual environments; Virtual Worlds Award EUR 3,000; free to enter. No premiere status required for any competition. Selected works receive festival presentation, two accreditations and industry visibility. Separate Industry Days calls (XR Development Market with a EUR 1,000 Best Project Award, Immersive Art Fair, XR Partners, Industry Sessions) run on the same dates. DEADLINES: Early Bird 10 December 2026, Last Call 22 December 2026.
The Hong Kong International Film Festival, one of Asia's oldest film festivals, is taking submissions for its 51st edition (16-29 March 2027). Categories: feature films (60 minutes plus), short films (20-60 minutes), documentary features and documentary shorts, and the Short Film Competition (any genre, including fiction, documentary, animation and experimental, under 20 minutes). The Young Cinema Competition (first, second or third features, with Chinese-language and World sections) and the Documentary Competition draw on the feature submissions. ELIGIBILITY: completed after 1 January 2026; except Hong Kong productions, not shown in Hong Kong before the festival; English subtitles required for non-English films; films submitted before and not selected are not reconsidered. FEES (late window, 4 November to 31 December 2026): Short Film Competition USD 50 / HKD 390, all other categories USD 80 / HKD 624; documentaries by Hong Kong Permanent Identity Card holders can be waived. Submit online via the HKIFF site or FilmFreeway, or by post with the entry form; screeners by Vimeo link or DVD. Notification by 5 March 2027 (unsuccessful entries are not notified). Contact entries@hkiff.org.hk.
Vietnamese multimedia artist and poet Nguyen Hoang Gia Bao (text, sound, moving image, performance) is collecting 100 scream recordings and 100 inscriptions from participants anywhere in the world for 100 Screams. The recordings will be collaged and composed into a 100-hour sound work, alongside a spatial installation developed from the inscriptions, framed by the prompt 'So long I was __________ that I forgot my own scream.' ELIGIBILITY: anyone, anywhere; no professional recording equipment required. NOTE: this is a participatory contribution call with no fee and no cash award, listed for the joy of it. APPLICATION: submit via the Google Form. DEADLINE: 31 December 2026.
YAO Residency #02 centres on the translation between culture and material: through living, research and exchange in Taiwan, artists engage with different cultural contexts, local ways of living, materials and craft practices, with emphasis on process rather than finished works. ONE artist/practitioner is selected for a two-phase program. PHASE ONE (research residency, 21 August to 21 November 2027): field research, material exploration and local engagement, closing with an Open Studio (27 October to 16 November 2027) presenting research in progress. PHASE TWO (2028): the artist returns to Taiwan for a formal exhibition or other public presentation at YAO, expected to run at least six weeks. WHAT YOU GET: per phase, travel support (international applicants up to NTD 20,000 round-trip against receipts), a living stipend of NTD 10,000 and accommodation; Phase One adds a production budget of up to NTD 20,000, an Open Studio venue and help connecting with craftspeople, communities and cultural practitioners; Phase Two adds the exhibition venue, installation assistance and documentation; both phases include text editing, translation and promotional support. ELIGIBILITY: artists, makers, researchers and interdisciplinary practitioners aged 18 or over with an ongoing creative practice, any nationality; suited to self-directed researchers who transform research into artistic practice. APPLICATION: via Google Form as a single PDF with CV, artist statement, portfolio and a residency proposal covering methodology, research themes, areas of Taiwan engagement (materials, crafts, environments, cultural contexts), planned activities and possible creative directions; in Mandarin or English. FEE: NTD 300 (Taiwan-based, bank transfer) or USD 10 (international, PayPal), non-refundable; upload proof of payment. TIMELINE: interview invitations 10 January 2027, online interviews 16 January, selection announced 29 January 2027. DEADLINE: 31 December 2026.
Part of Mophradat's Art Time residencies: a three-week residency at BUDA in Kortrijk, Belgium, for a performing artist from the Arab world finalising a new production, culminating in its premiere at NEXT Festival. Fields: performance, dance and interdisciplinary contemporary performance; unconventional projects with experimental forms or progressive discourses are encouraged. Concert proposals are not eligible. ELIGIBILITY: Mophradat's general criteria (artists from the Arab world) plus: must have developed and presented previous works; must be working on a new, original project in contemporary performance; must be in the final development phase by September 2027 with confirmed co-producers and/or a financing plan, since the residency only partially covers production costs. Previous unsuccessful applicants may reapply. SUPPORT: an overall EUR 10,000, all included, covering travel and visa costs, residency per diems, coproduction costs and a presentation fee for the NEXT Festival performance, plus accommodation; partners help with visa applications and compensate the project if travel is impossible due to visa refusal. NOTE: the online application form cannot be saved, so prepare answers in advance. DEADLINE: 4 January 2027, 22:00 UTC.
BIG Festival, the indie games competition inside gamescom latam in Sao Paulo, has opened free submissions for its 2027 edition. The 2026 edition drew a record 966 submissions from 75 countries. WHO: independent developers and studios anywhere in the world, with a playable game or demo; see the official rules for category requirements (BIG Starter, BIG Highlight and the WINGS Award for teams where women and marginalised groups hold prominent roles). WHAT YOU GET: selected titles are exhibited at no cost on the show floor, playtested by visitors, and compete for the BIG Festival awards; past editions paid cash to winners (BRL 5,000 for Best Game 2025, EUR 2,000 for the 2026 WINGS Award). A separate free call for conference speakers closes 18 January 2027. APPLICATION: via the gamescom latam website. DEADLINE: 15 January 2027 at 21:59 Eastern time.
The 73rd International Short Film Festival Oberhausen (27 April to 2 May 2027), one of the oldest and most influential short film festivals, opens its call for films across five competitions: International (max 35 minutes, produced outside Germany, German festival premiere required), German (max 45 minutes, produced in Germany, no premiere requirement), NRW (max 45 minutes, produced or co-produced in North Rhine-Westphalia), International Children's and Youth Film, and the MuVi Award for music videos produced in Germany (max 15 minutes). ELIGIBILITY: works produced after 1 January 2026; screening formats 35mm, 16mm, Super 8 and DCP (MuVi: DCP). PRIZES: from the EUR 8,000 Grand Prize of the City of Oberhausen and EUR 4,000 Principal Prize through German, NRW, children's/youth, FIPRESCI, Ecumenical and audience prizes, awarded to the directors, plus European Film Awards and ECFA nominations. FEES: the first five submissions per submitter are free of charge; from the sixth, a EUR 20 handling fee per film applies. HOW TO SUBMIT: online entry form with preview link via kurzfilmtage.filmchief.com; selection results announced mid-March 2027. DEADLINE: 18 January 2027 for all competitions (17:00 UTC per the listing), except the MuVi Award: 22 February 2027. No extensions.
Winter round of Germany's flagship open, non-thematic federal project line, one of the largest European funders that will back a festival, exhibition programme or multi-partner convening run by an organisation rather than an individual artist. It funds large innovative projects across all artistic fields, explicitly including New Media alongside visual and performing arts, music, film, photography and architecture. There is no published maximum, but the EUR 50,000 minimum total project cost sets the scale, and at least 20 percent co-financing is mandatory. This round closes 31 January 2027 at 12:00 CET, with decisions at the external jury meeting in May 2027; no project may start before its jury date, so plan four to six months of lead time. Non-German organisations are genuinely eligible, which is unusual at this scale, provided the project is visible in Germany and has an international dimension. Two practical barriers: the application form must be completed in German, and project communications must include a German-language version.
The Netherland-America Foundation funds professional artistic and cultural projects that show a clear exchange between Dutch and American artists, institutions or audiences, such as exhibitions, performances and other cultural initiatives that promote dialogue and collaboration. Both emerging artists and established organisations may apply. NOT FUNDED: applicants who are not working cultural professionals, seminar attendance, degree tuition, residencies, research, projects without a Dutch-American connection (these are not forwarded to the committee), and projects already underway or finished at the time of review. TIMING: apply at least 6 months before the money is needed; a letter of intent is optional and encouraged for projects 9 or more months out, after which the committee may invite a full application. Recent grantees must wait three years before reapplying. Letter and budget in English, addressed to the NAF Cultural Committee; include visuals where relevant. QUARTERLY CUT-OFFS: 1 February (window 2 Nov-1 Feb, results mid-March), 1 May (results mid-June), 1 August (results mid-September) and 1 November (window 2 Aug-1 Nov, results mid-December). This listing covers the 1 February 2027 cut-off (window 2 November 2026 to 1 February 2027, results mid-March 2027). Submit via Submittable.
Sheffield DocFest, the UK's leading documentary festival, is open for film entries to its June 2027 edition, for feature, mid-length and short documentaries and non-fiction series. ELIGIBILITY: world premiere after 1 April 2026; at minimum a UK premiere; not available on any online platform accessible to UK audiences; previously submitted films only if significantly changed; English dialogue or English subtitles; series up to 120 minutes; one form and fee per film. DEADLINES AND FEES (12:00 noon GMT): early 20 November 2026 (features GBP 40, shorts GBP 30), standard 29 January 2027 (GBP 48 / GBP 38), final late deadline 19 February 2027 (GBP 58 / GBP 48), plus VAT as listed. Notification late April 2027. NOTE: the festival's Alternate Realities strand (immersive, interactive and digital non-fiction) had not announced a 2027 call as of 2 November 2026; past AR calls closed in January or February. Rules PDF linked from the entries page; contact films@sheffdocfest.com.
The Daiwa Foundation Small Grants support projects that promote interaction between the UK and Japan in any field, including arts exchanges, exhibitions, conferences, grassroots and educational exchanges and research travel, with travel between the two countries as the main focus. New initiatives are encouraged, and gender equality and SDG themes are welcome; continuing or regular events (such as an annual festival edition) are unlikely to be funded without a strong reason or special occasion. NOT ELIGIBLE: commissions of artworks, capital costs, consumables, salaries or professional fees, tuition and commercial activity. WHAT YOU GET: GBP 2,000 to 9,000 (most awards GBP 3,000-4,000), with flights funded up to GBP 1,200 each and subsistence up to GBP 100 per person per day, plus GBP 50 extra per flight for environmental projects in Japan. APPLICATION: read the Application Notes, then apply via the Foundation's online portal (separate forms for UK- and Japan-based applicants); advice from grants@dajf.org.uk. Decisions by late May or early June 2027. DEADLINE: 31 March 2027 (the following round closes 30 September).
Artist's Fee reimburses part of the compensation an institution pays an artist for work on an exhibition: producing new work, production-related labour, event activities, and providing artwork for presentation. It does not cover expenses such as materials or transport. WHO CAN APPLY: visual arts institutions in the Netherlands or the Caribbean part of the Kingdom that publicly exhibit contemporary visual art and/or heritage without a sales objective, and that subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code. CONDITIONS: the artist must hold a bachelor's degree in visual arts or have at least three years of professional experience; the fee must comply with the Fair Pay Rate Table 2023; the application must be submitted at least two months before the exhibition opens; the exhibition must open within 12 months of application; artist invoices must be paid within one month; and institutions already receiving other fair pay funding for 2025-2028 are not eligible. AMOUNT: up to 50% of the standard amount excluding VAT where the fee meets at least 100% of the guideline, with a minimum application of EUR 100. APPLY through the online system after creating an account, with a signed artist contract, the exhibition budget, artist CVs and a recent Chamber of Commerce registration. Note for artists: this is applied for by the institution, not by you, but it is worth pointing an exhibiting venue towards.
Art Heritage Festival supports festivals, biennales, triennales and similar events dedicated to the presentation of visual art and/or heritage, held in physical spaces and occurring no more than once a year. The scheme backs activities that reach diverse audiences or create meaningful public engagement with art and heritage. WHO CAN APPLY: non-profit organisations based in the Netherlands or the Caribbean part of the Kingdom; institutions for art education and post-academic institutions are excluded. NOT FUNDED: journals, publications, documentaries, symposia, conferences or online-only festivals. CONDITIONS: events must be publicly accessible and held no more than once a year; the project cannot receive simultaneous funding from other Mondriaan Fund grants or specified national cultural programmes; the organisation must subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code; and fair artist compensation is mandatory where artists are involved. AMOUNT: up to 40% of eligible project costs, on a project budget above EUR 25,000. APPLY through the Mondriaan Fund online system after registering an account. Allow three months for processing; activities that have already happened cannot be funded.
Art Heritage Presentation funds presentations that are innovative and non-standard, rather than business-as-usual programming: exhibitions featuring internationally renowned artists, engaging shows offering fresh perspectives, public co-creation projects, and presentations built around special loans or commissioned work. WHO CAN APPLY: cultural institutions in the Netherlands and the Caribbean part of the Kingdom that focus on presenting cultural heritage and/or visual art, including museums, art centres and archives; art education and post-academic institutions are excluded, and the institution must be a non-profit legal entity established in the eligible territory. CONDITIONS: presentations must be open to the public; festivals, biennales and other events recurring annually or less often are handled by the separate Art Heritage Festival scheme, not this one; the organisation must subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code; and artist fees must be realistic and included in the budget. AMOUNT: up to 40% of variable project costs, on a project budget above EUR 25,000. APPLY online after registering an account, with an institutional profile, project plan, presentation plan, itemised budget and, where applicable, artist information with visual documentation.
The British Council's standing Travel Grant Fund helps early to mid-career UK filmmakers and XR creatives represent their work abroad, build networks, reach new audiences and raise the international profile of new and emerging UK film and immersive talent. Supported by BFI National Lottery funding in partnership with BFI NETWORK and the BFI International Fund. WHAT IT FUNDS: travel to attend international film festivals, showcases, training and development labs, and co-production forums, across five strands: short film festival grants, feature film festival grants, interactive/XR grants (including VR, immersive storytelling experiences and installations), lab grants and co-production forum grants. AMOUNTS: short and feature festival grants GBP 150 to 1,500 (typically up to GBP 750); XR travel-only grants GBP 150 to 1,500; large XR grants GBP 1,500 to 5,000; lab grants up to GBP 6,000; co-production forum grants up to GBP 2,000. WHO CAN APPLY: UK residents or citizens aged 18+; applicants can be directors, producers or writers attached to the selected project. KEY CONDITIONS: the festival, lab or forum must appear on the British Council's Key Lists of eligible events, and the project must be registered on the British Council's UK Project Database. DEADLINE: rolling, no fixed deadlines; submit at least two weeks before the event starts (retrospective applications for past events are not accepted). Free to apply.
NO PUBLISHED CLOSING DATE: the call gives no application deadline, so the operative cutoff is the gathering itself on 2-5 November 2026; apply early. The European Sex Workers' Rights Alliance (ESWA) brings back its Digital Rights Gathering in 2026 as The (W)horrors Edition, in Barcelona just after Halloween. It is a capacity and community-building space by and for sex workers, convened to confront the surveillance, censorship and digital violence they face online and to imagine and build more resilient digital futures. A limited number of spaces is reserved for allies working in adjacent digital rights and harm reduction spaces to host sessions. TWO CALLS ARE OPEN. (1) CALL FOR PARTICIPANTS, for sex workers who want to deepen their knowledge of digital rights, online safety and community resilience. Requirements: be a current or former sex worker who is also a member of an organisation in ESWA's network; be available for three days of interactive sessions, skill-sharing and collective learning on 2, 3 and 4 November, and free from 1 November (travel out) through 5 November (travel home), even though some final-day sessions are optional. Selected participants receive full funding covering travel, accommodation and food. (2) CALL FOR TRAINERS AND SESSION PROPOSALS, for facilitators, trainers and educators experienced in digital rights, online safety or sex worker-led organising, who want to deliver an interactive workshop, skill-share or creative session. Sessions run 90 minutes and are compensated at EUR 300 per session, with travel, accommodation and meals covered. Open to current or former sex workers, and to allies with experience in digital rights, digital discrimination, digital security and related fields. SESSION STRANDS: Digital (W)horrors, naming the threats faced online and unpacking how surveillance, censorship and platform policy work against sex workers, including shadowbanning and algorithmic censorship, over-zealous content moderation, law enforcement and third-party surveillance, deplatforming, non-consensual data scraping and retention, and the platforms and policies that enable them; Building Resilience, practical hands-on skills covering open source and privacy-respecting software, how and why to divest from Big Tech platforms, alternative and encrypted communication tools, digital security basics such as protecting data, devices and identity, and other harm-reduction strategies for working and organising online; Imagining Better Futures, creative forward-looking sessions on what a sex worker friendly internet would look like, including prototyping inclusive digital tools, platforms and spaces built by and for sex workers, new apps, alternative social platforms, community-owned tech, and speculative design exercises; Resourcing the Group, sessions focused on care and resilience, including writing and reflection, grounding and somatic exercises, tools for self-care and sustainability in activism, and space for radical rest. The organisers welcome grounded, political and creative contributions from anyone who would like to lead a session. Separate application forms for participants and for session proposals are linked from the call page. Questions: ana@eswalliance.org.
The Audience Projects Fund distributes GBP 19.7 million of National Lottery money over three years to widen UK audiences for film and immersive work, covering exhibition, distribution, festivals, touring programmes and sector-support initiatives. It reopened in November 2025 and runs continuously with no closing date, which makes it one of the more accessible large BFI pots for organisations working on the audience-facing rather than production side. AWARDS are tiered: small pilot projects receive GBP 10,000 to GBP 20,000, while full projects can receive GBP 20,000 to GBP 500,000 per year, with immersive projects permitted to include up to GBP 150,000 of production cost inside that envelope. ELIGIBILITY is strictly institutional. Applicants must be legally constituted organisations centrally managed in the UK and not more than 50% foreign-owned. Eligible types include limited companies (not classed as 'large' under the Companies Act 2006), community interest companies, LLPs, UK local or statutory authorities, and registered UK charities or trusts. Individual practitioners cannot apply. Applicants must evidence experience in marketing, festivals, distribution, immersive installations, cultural programming, touring or sector support. TIMING: there are no deadlines but lead times are enforced. Single-film distribution projects must apply at least 10 weeks before release; all other projects at least 16 weeks before the project starts.
Contemporary art magazine commissioning paid art writing and criticism, with pitches accepted on an ongoing basis (online reviews/pitches continuous; themed print issues have set deadlines, e.g. the Spring issue around 15 September 2026). A direct paid outlet for criticism on digital, new-media and AI art. ELIGIBILITY: writers at all experience levels are invited; not restricted to Canada. Mostly pitch-based, with short online reviews accepted unsolicited.
apexart's Open Calls turn a curatorial idea into a funded apexart exhibition, selected by a crowdsourced international jury of more than 600 people in 70 countries. WHO CAN SUBMIT: anyone, from anywhere, with no fees at any level: trained and student curators, artists, writers and creative people regardless of experience, background or location. HOW: a 500-word proposal for a focused, idea-driven, original group exhibition, submitted through the online form during the proposal window. TWO ANNUAL WINDOWS: every October for exhibitions in apexart's NYC space, and every February (to early March) for exhibitions taking place anywhere in the world except NYC; for the international call you must propose a location you have actually visited, with the specific venue settled after selection. SELECTION: jurors vote anonymously online (each proposal gets an equal number of views, submitter names hidden); proposals are judged on the strength of the idea and how well it is communicated, not on connections or CV. WHAT WINNERS GET: a USD 10,000 budget (USD 8,000 for expenses, up to USD 2,000 curator honorarium, plus up to USD 1,000 venue-rental match outside NYC), with apexart covering insurance, publicity, the printed brochure, the opening reception and most logistics including loan agreements and shipping, and staff working closely with the guest curator. Winning proposals become part of apexart's next exhibition season. Check the site for the current window's exact dates; submission forms only go live during the proposal periods.
The Roger Tory Peterson Institute's artist-in-residence program nurtures nature artists with a week in Jamestown, New York, and facilitated access to the Peterson Collection, inclusive of Roger Tory Peterson's original field guide art, fine art, films, slides, and personal papers. WHAT YOU GET: a USD 1,000 honorarium, with housing, per diem, and travel reimbursement for out-of-town artists. AFTERWARDS: residents create a body of work inspired by their time at RTPI, featured in a solo exhibition at the institute the following year. APPLICATION: rolling; applications are always accepted but residency slots are limited. Email the curator (rkosinski@rtpi.org) a statement of interest in Roger Tory Peterson, birds, or nature, a project proposal detailing research themes and planned artworks, and portfolio images representing your practice. DEADLINE: rolling.
Run by Seattle's Northwest Film Forum as part of the Warhol Foundation's Regional Regranting Program, the Collective Power Fund supports visionary new arts projects that incite public dialogue, push boundaries, explore genre fluidity, and are often non-traditional, anti-institutional, socially responsible or disruptive of existing structures. AWARDS: one USD 10,000 grant for an artist team or artist-run collective and ten USD 5,000 grants for individual artists, USD 60,000 in total. ELIGIBILITY: artists aged 21 or older living in incorporated or unincorporated King County, Washington (proof of residency at finalist status); work grounded in the visual arts or with a strong visual context; applicant must be the primary creator, able to receive income in the US, and hold creative control and rights; projects must include a publicly accessible component and be completed by 31 December 2027; one project per cycle. APPLICATION: via Submittable (nwfilmforum.submittable.com). DEADLINE: the 2026 application is open but the closing date was not published at the time of listing; the 2025 cycle closed mid-November, so apply early and confirm the deadline with grants manager jade@nwfilmforum.org.
The Mondriaan Fund's International Art Presentation grant helps art institutions and festivals abroad present current work by living visual artists from the Netherlands or the Caribbean part of the Kingdom, covering costs that raise the work's visibility and fall outside the host's regular budget. WHO: internationally recognised institutions outside the Kingdom whose main purpose is showing contemporary art (not sales); commercial galleries are excluded (they use Art Fair International). Dutch and Caribbean-Kingdom artists with at least one year of professional practice can apply for their own personal costs. WHAT IS FUNDED: return travel for the artist and guest curator (one production trip and one opening visit), up to EUR 1,000 per person for lodging, transport and insurance of the work, up to 50 percent of production costs for new site-specific commissions (the host must pay the artist a realistic fee), up to 25 percent of publication costs and up to 50 percent of film subtitling. Artists may not be asked to pay to take part. Guest curators from the Netherlands need at least two years of curatorial experience. APPLICATION: via the Mondriaan Fund's My Fund system with a plan, presentation plan, CVs, consent declaration, itemised budget excluding VAT, quotes above EUR 1,000 and visual documentation; processing takes about three months. DEADLINE: rolling.
Pro Helvetia supports presentations outside Switzerland of contemporary artists, photographers and architects from Switzerland, with applications generally made by the host institution or festival. WHO: established cultural institutions and organisers with international reach based outside Switzerland; exhibitions normally run at least four weeks, which does not apply to festivals and similar events. WHAT IS FUNDED: transport and insurance, equipment rental, materials for temporary artworks, fees for the participating artists, photographers and architects from Switzerland, and their economy-class travel (no accommodation). TIMELINE: requests up to CHF 25,000 can be submitted year-round with a decision within eight weeks; CHF 25,001 to 50,000 year-round with a decision within four months; over CHF 50,000 by 1 March, 1 June, 1 September or 1 December. Projects need a clear connection to Switzerland, and only complete, on-time applications are considered. APPLICATION: via the Pro Helvetia online portal. DEADLINE: rolling (fixed dates for requests over CHF 50,000).
Pro Helvetia funds thematic group exhibitions of design from Switzerland and knowledge exchange at public specialist events abroad, such as symposia and round tables, organised by institutions outside Switzerland. WHO: recognised design institutions and established festivals or design weeks outside Switzerland. WHAT YOU GET: up to CHF 10,000 for transport and insurance costs and economy-class return travel for participants from Switzerland (accommodation not covered). APPLICATION: year-round via the Pro Helvetia online portal; the project can start eight weeks after submission and decisions come within eight weeks. DEADLINE: rolling.
Caza d'Oro is an international contemporary art centre and residency in Le Mas d'Azil, Ariège, that invites artists to research and make work in the area, with public activities, outreach and an exhibition of the work made during the stay. It offers three three-month residencies for visual artists each year, selected by committee. TO APPLY: applications are accepted all year by email (cazadoro@cazadoro.org) or post, using the application form on the candidatures page. Artists selected for the following year are notified in July. No application fee is stated, and the published pages give no nationality, age or career-stage limits.
OSIP is the European Space Agency's standing front door for unsolicited novel ideas, launched in 2019 and now the main entry point for new concepts into ESA, both in response to specific problems and through open calls. HOW IT WORKS: ideas are submitted through two mechanisms. Campaigns are targeted calls responding to specific questions with defined timelines (recent examples include Future Navigation Demonstrators and elements for the EOCognitiveLab mission); Channels are permanently open, open-ended calls on broader topics with no deadline. Submissions can go through an optional community discussion phase, with voting and comments, before expert evaluation by ESA. WHO CAN SUBMIT: individuals, businesses, universities and organisations anywhere in the world. The catch for funding: to implement a funded idea yourself, you must be eligible to do business with ESA under Article 18 of its procurement regulations, which in practice means affiliation with an entity in an ESA member state. WHAT FUNDING LOOKS LIKE: successful ideas are typically supported as co-funded PhD or postdoctoral research (ESA plus a university), early technology development activities, or system studies; amounts vary by route and campaign. WHY IT IS ON THE DESK: this is the one genuinely public, always-open route into ESA for independent researchers, technologists and artists working with space data or space technology concepts; new campaigns appear regularly, so checking the platform periodically is worthwhile. Submit via ideas.esa.int.