Currently 70 active paid visual and media arts grants, fellowships and residencies. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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A Mondriaan Fund voucher sending visual artists to Mexico Art Week 2027 in Mexico City, built around the Zona Maco art fair. The voucher covers admission to the Zona Maco preview days, a curated programme during the week, a networking event with the Dutch Embassy and hotel accommodation from 2 to 7 February 2027, plus a EUR 1,300 contribution to travel costs. Fifteen vouchers are available. ELIGIBILITY: visual artists from the Netherlands or the Caribbean part of the Kingdom with at least one year of professional practice. Applicants may not be enrolled in a bachelor's, master's or PhD programme, with an exception for part-time programmes under 20 hours per week. CONDITIONS: the artist must be available to stay in Mexico City from 2 to 7 February 2027 and take part in all scheduled activities, and must submit a written evaluation after the visit. APPLY through the Mondriaan Fund online system with a CV (maximum three pages), a motivation statement addressing your international ambitions, the relevance of Mexico Art Week to your practice and your networking strategy, bank details and, if applicable, a BRP extract. Deadline 10 September 2026 before 16:00 Dutch time / 10:00 Caribbean time.
This scheme funds cultural heritage institutions in the Netherlands and the Caribbean part of the Kingdom that want to collaborate with foreign heritage institutions on research projects in shared collection areas, including art historical and provenance research. A development phase can also be funded, covering travel, accommodation and presentation costs while the collaboration is being shaped. CONDITIONS: the applicant institution must be publicly accessible and manage nationally significant cultural heritage; it must partner with comparable institutions abroad; the research must be presented by both the Dutch and the international partners; the applicant must contribute significantly to financing the project; and the international partners' share of costs must be proportional to the Mondriaan Fund grant. AMOUNTS: up to 40% of variable project costs for the main project, or up to 70% of variable costs capped at EUR 15,000 for development research. APPLY through the Mondriaan Fund online application system after registering an account. Deadline 10 September 2026 before 16:00 Dutch time / 10:00 Caribbean time (an earlier 28 May 2026 round has passed).
The Fondazione Prada Film Fund is an annual initiative supporting independent cinema, with an annual endowment of EUR 1.5 million backing up to 14 feature film projects across development, production, and post-production. The Fund imposes NO restrictions on geography, theme, genre, or language and does not participate as a co-producer, guaranteeing complete artistic freedom to filmmakers. It supports both established authors and new talents, as well as research projects. WHICH TRACKS ARE STILL OPEN: the 2026 call opened 30 June 2026 and runs on two separate deadlines. The projects-in-production track has already CLOSED (6 August 2026). Development and post-production remain open to 10 September 2026, which is the deadline this card now tracks. Post-production applicants can keep working after submitting: a rough cut may be supplied up to 20 November 2026. SELECTION is based exclusively on quality, originality, vision, and the strength and reliability of the applicant structure; projects are evaluated by independent readers and external consultants, with final selection and grant amounts determined by a committee appointed by Fondazione Prada and composed of prominent figures from cinema and culture. No fixed per-stage grant bands are published, so the committee sets each award. ELIGIBILITY: applications may be submitted only by a production company involved in the project, and that company remains solely responsible for meeting all requirements and conditions; obligations of selected beneficiaries are governed by a contract with Fondazione Prada. Open worldwide, with no geographic restriction at all. PHISHING WARNING FROM THE FUNDER: all official communications about the Film Fund come only from addresses in the fondazioneprada.org domain. Treat anything from another domain as a probable fraud or phishing attempt and verify before responding. The second edition's selected projects are announced February 2027. Application documents are on the Fondazione Prada Film Fund page; questions to filmfund@fondazioneprada.org.
Residency for artists across seven disciplines (architecture, film/video, interdisciplinary, literature, music composition, theatre, visual arts). Sole selection criterion is artistic excellence. Applications open 15 August 2026. February deadline of the following year covers the Fall/Winter cycle.
Stichting Stokroos funds a three-month reflective residency at Fundaziun Nairs in Scuol, Switzerland, for one selected visual artist, designer or craft practitioner (overlap possible). Both emerging and established makers may apply. Stokroos covers full accommodation and meals directly with Fundaziun Nairs and provides a discretionary EUR 7,000 budget for living, travel and production. The application should include a proposal that engages specifically with the residency, its Alpine surroundings and/or its historical and cultural context. Eligibility: you completed your first subject-specific (vocational or higher) programme in 2022 or earlier, or have an equivalent established practice, or started without formal training (first presentation marks the start of your practice); at least 21 years old; living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; not currently enrolled in a study or post-academic programme. Applications are individual only; duos and collectives cannot apply. Makers already selected by Fundaziun Nairs may still apply if they meet the criteria. You may submit only one application per year across all Stokroos grants, and must not have received a Seed Grant rejection in the previous calendar year. Apply via the online form (Dutch or English) with a portfolio PDF up to 20 pages, optional video up to 10 minutes total, CV up to 2 pages, and work/plan descriptions up to 2,500 characters each. Selection includes an introductory interview with up to three candidates; Stokroos aims to respond within 8 weeks. No appeal is possible. Application window: 1 to 11 September 2026. More information at nairs.ch.
Counterstructures is Mozilla Foundation's cultural R&D residency, in which creative technologists prototype alternatives to dominant tech systems: cultural artifacts, installations and tools that question and reframe them. Each edition operationalises the findings of a regional participatory assembly into thematic tracks; the Delhi edition, hosted by Khoj International Artists' Association, works from Mozilla's assemblies with G5A in Delhi and Mumbai and runs on two tracks. RETAINING CULTURAL AUTHORITY asks what happens when oral, embodied or community-held knowledge is converted into datasets and machine-readable forms, which cultural materials become visible to AI systems and which do not, and how communities can retain authority over what is digitised, interpreted, reused or deliberately kept private. REMEMBERING AND THINKING WITH MACHINES asks where thought resides when people think with machines, at what stage human judgment enters the system, and what cultural or professional knowledge is lost when judgment is standardised through automation. Proposals may respond to one or both tracks and can take many forms, but must critically counter the questions the tracks raise rather than simply illustrate them. WHAT RESIDENTS DO: prototype an artifact, installation, system, artwork or tool for public exhibition; take part in listening, reading, workshops and facilitated critique, testing ideas with peers and community members; write a 750-word report on the project's development and insights for the Counterstructures report and online archive; and present the work publicly. WHO IT IS FOR: creative technologists and multidisciplinary artists using technology as a medium for cultural inquiry, bringing critical perspectives and research-driven practice. Experience with AI can be early-stage or advanced, but SOME PROFICIENCY WITH CODING IS REQUIRED. ELIGIBILITY: this Delhi edition is open to Indian nationals only. Earlier editions ran with tiat in San Francisco (responding to Hollywood's 8 Rules for AI) and with Rhizome in New York, whose residents showed at the New Museum. APPLY through the Mozilla Foundation form at https://mozillafoundation.tfaforms.net/f/khojresidency; the guiding principles for the call are set out in the form. Deadline 13 September 2026.
Cittadellarte is recruiting a Visiting Research Curator to shape the research arc of the UNIDEE Residency Modules for 2027-2028, the role most recently held by Nina Fiocco and Gaia Martino. Founded by Michelangelo Pistoletto in 1999, the residency has hosted thousands of artists and cultural professionals from 52 countries. WHAT THEY WANT: rather than a fixed theme set in advance, they want a curator who brings their own line of inquiry and develops it collectively through the modules. Suggested thematic areas are the evolving landscape of socially engaged art practices, research-driven and process-oriented practice, and the conditions of cultural work and cultural workers, aligned with UNIDEE's focus on artistic research in response to ecological, geopolitical and technological challenges. They also flag a specific interest in how contemporary art practices are archived, drawing on the UNIDEE archive, which documents over two decades of socially engaged art initiatives. THIS IS A JOB, NOT A GRANT: the duties list is long and operational. It covers proposing the overarching curatorial theme, designing and delivering a minimum of 8 weekly residential modules per year, writing the curatorial statement and resident open call, recruiting mentors and guests, selecting residents, hosting and facilitating every module in person, communications and website texts, a dissemination strategy, and conceiving and editing publications. There is also teaching-adjacent work with the Unidee Academy of Contemporary Arts, including public lectures and studio visits. Budget the time before applying. PROFILE: experience curating art in the public sphere and socially engaged art, specialised knowledge of international contemporary art, experience designing experimental and collaborative educational activities, and experience with artistic research and dissemination standards. Excellent English required; Italian welcome but not essential. APPLYING: online form with a project proposal of maximum 5000 characters stating your vision for the modules programme and a development strategy including possible mentors and guests, plus a CV, a portfolio of maximum three relevant projects, and TWO LETTERS OF RECOMMENDATION, so line up your referees early. A jury of the UNIDEE Advisory Board, the Director of Cittadellarte and invited experts decides. They do not give feedback on unsuccessful proposals.
White Rabbit Gallery in Sydney commissions an emerging artist or designer to create a short digital animation responding to its Generation Xi exhibition, which looks at China's youth amid the AI, robotics and EV revolution, and to the New Ugly digital design aesthetic. The commissioned work (up to 20 seconds, minimum 1280x720 at 16:9, max 150MB, including the exhibition title in English and Mandarin) is displayed for five months on the gallery's website landing page and enters the permanent WRG Digital Archive. SUPPORT: AUD 2,000 artist fee (split equally if a collaborative group) plus mentorship from creative agency Spring in Alaska during the development period (28 September - 2 November 2026). ELIGIBILITY: open internationally to applicants 18+ within the first 10 years of their artistic or design practice who are not represented by a commercial gallery or design agency and not employed by a design company; students and collectives welcome. Free to enter. Deadline: 14 September 2026, 5pm AEST.
MoTA (Museum of Transitory Art) in Ljubljana runs an annual open call for production residencies for media, sound and visual artists, curators and researchers. Production residencies offer full support including accommodation, technical support, production costs and an artist fee; the exact artist-fee amount is not published on the official or aggregator pages, so applicants should confirm the figure directly by email. Residencies run up to one month. Open internationally: artists of all nationalities and at all professional levels are encouraged to apply, as individuals or collectives. No application fee. The annual deadline is 15 September (for residencies the following year). Apply by email to mota.artists@gmail.com with the subject line Application for production residency. Note: the official motamuseum.com SSL certificate is currently expired, which may briefly affect link reliability.
THE ONE International Digital Art Biennial, organized by Pinata Group in Torun and Wloclawek, Poland, accepts digital art internationally with free entry; prizes are PLN 3,000, 2,000, and 1,000, plus exhibition and an ISBN catalog. IMPORTANT CAVEAT: submitted works may not be AI-generated. NOTE: the 15 September 2026 deadline is from a listing site and is not stated on the organizer page; verify before submitting.
The Embassy of Foreign Artists, in partnership with the Centre for Digital Humanities and Multilateralism at the Geneva Graduate Institute, invites artists worldwide to a three-month artistic research residency in Geneva during 2027. The programme centres on archival research in the archives of Geneva-based international intergovernmental and non-governmental organisations (UN, Red Cross and others): uncovering untold stories, examining international decision-making, reflecting on multilateral successes and failures, and imagining new possibilities for international cooperation. Selected artists receive a CHF 1,400 monthly residency grant, accommodation in a private room with shared common areas, artistic guidance from EOFA, connections with archive personnel, and access to participating archives as primary research resource; travel and production costs are the artist's own. ELIGIBILITY: professional artistic practice with a demonstrable body of work (creations, publications and/or performances), over 28 years old, fluent in French or English, not enrolled in basic art training; individuals, duos or groups may apply (same stipend). APPLY via the online form plus a single PDF (cover letter, project description, portfolio, CV) emailed to application@eofa.ch. No application fee. Deadline: 15 September 2026.
Heritage Innovation funds projects and research tracks that contribute to substantive innovation in the heritage sector. Examples given by the fund include developing new narratives about cultural heritage, strengthening regional collaboration across the sector, redesigning how a collection is presented, and feasibility studies on technological applications such as AI or gamification, which makes this one of the more tech-adjacent Mondriaan schemes. WHO CAN APPLY: museums and collection-holding cultural heritage institutions, including archives, in the Netherlands and the Caribbean part of the Kingdom. Cultural organisations in the heritage sector may also apply if they collaborate with one or more collection-holding institutions. All applicants must be non-profit, not-for-profit entities. NOT FUNDED: fixed costs, restoration, building museums, or regular operations. CONDITIONS: institutions must subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code, and must pay visual artists fairly where artists are involved. AMOUNTS: projects get up to 40% of variable project-related costs on a minimum project budget of EUR 25,000; research tracks get up to 70% of costs capped at EUR 15,000 with no minimum budget. APPLY through the Mondriaan Fund online system after registering an account. Deadline 17 September 2026 before 16:00 Dutch time / 10:00 Caribbean time.
Subsidy supporting in-depth activities or innovative impulses within the artistic practice of Rotterdam-based visual artists, with a clearly defined artistic question or objective. Applicants must be registered with Art Office (artoffice.info) with an up-to-date artist page. The 2026 Round 2 deadline is 21 September 2026, 11:00 (form opens 10 August 2026); results by 16 November 2026. Round 1 (deadline 2 March 2026) has already closed. Decisions made by the director of CBK Rotterdam on advice from an expert committee.
This is Gender, the photography and visual culture platform run by Global 50/50, is launching its inaugural Regional Curatorial Fellows Programme for early-career curators and cultural practitioners working across photography, visual culture and gender justice. The premise: images shape how gender, power and social realities are understood, feeding public debate, cultural memory, research, advocacy and policy, yet the communities and visual practices that should inform those narratives stay underrepresented in the institutions that circulate them. The programme's argument is that diversifying who makes images is not enough, and that it also matters who selects, contextualises, writes about, commissions and circulates them. For the first time, This is Gender is embedding regional curators directly inside its global photography competition, which has run six cycles and receives thousands of submissions a year. WHAT THE FELLOWSHIP INVOLVES: working inside the competition and seeing first-hand how a major platform discovers, reviews and champions new work; shaping curatorial decisions by bringing regional knowledge and cultural insight into the selection and interpretation of work; contributing to public-facing projects including exhibitions, editorial outputs and digital storytelling while developing your own writing, framing and curatorial voice; direct engagement with international judges, curators, artists, editors and cultural practitioners; and building a network across an international cohort of peers. WHO SHOULD APPLY: curators, critics, writers, researchers, artistic directors, photographers, organisers and cultural practitioners from global majority countries and historically underrepresented communities. Early-career practitioners and recent graduates are strongly encouraged, and a formal curatorial title is not required. HOW TO APPLY: read the full role description and FAQs on the fellowship page and submit the online application form; the organisers offer the application in alternative formats and are open to a conversation before applying. Applications close 22 September 2026.
Fonds Podiumkunsten's route for Dutch festivals and venues bringing in exceptional foreign performing arts and concerts that Dutch audiences would otherwise not see. The applicant must be a Netherlands-registered legal entity running a venue or festival and carrying artistic and financial responsibility for its own programme, so individuals and sole traders cannot apply. Grants are calculated from travel and transport costs of the incoming artists, at a maximum of EUR 25,000 per production and EUR 75,000 per applicant across several productions. The core test is that the foreign work is rarely or never seen in the Netherlands and substantially enriches the existing Dutch offer, which favours experimental, non-canonical and cross-disciplinary programming over mainstream touring. Experimental music and sound-art programming is not excluded; the selection criterion is rarity and added value, not genre. Applications go through the Mijn Fonds portal and there is no fee. Four rounds run each year. TIMING: because the scheme competes against a shared EUR 267,500 per-round pot and assessment takes several weeks after the deadline, organisers should apply at least one full round ahead of the performance date and must not have the activity already underway. Success rate in 2025 was 60 percent of 33 applications.
Utrecht's main project fund for cultural activity with a public presentation in the city, covering all art forms including experimental and cross-disciplinary work. Individuals, foundations, associations and companies are all eligible. Two bands apply: Category A of EUR 1,000 to 5,000 assessed on artistic importance and entrepreneurship, and Category B of EUR 5,000 to 20,000 which adds meaning for the city as a third criterion. The activity must be exceptional or innovative, or otherwise of value to the city, its residents or the Utrecht cultural sector; professional projects and amateur, education or participation projects both qualify. Three rounds run each year and the next closes 25 September 2026 at 17:00 CET. TIMING RULE, which catches applicants out: for professional arts applications the presentation may not take place earlier than 13 weeks after the round's closing date, and for participatory applications the project may not start earlier than 13 weeks after that date, so a 25 September 2026 application supports activity from late December 2026 onward. Decisions are issued no later than 13 weeks after the closing date, following review by an independent Adviescommissie Projectsubsidies. Documentation is capped at 15 pages, or 5 pages if a video is included. Applications go through mijnsubsidie.utrecht.nl with DigiD or eHerkenning. Utrecht also runs a rolling Impulssubsidie Cultuur of up to EUR 2,500 for first-time applicants only, open through 31 December 2026.
The Grey Space in the Middle in The Hague invites young transdisciplinary makers based in the Netherlands whose practices engage with the intersections of art, technology and society to submit an existing artwork for State of States, a thematic exhibition diptych unfolding across two group shows (27 November - 6 December 2026 and 7 - 17 January 2027). The exhibition explores how artists locate themselves within a state, political or holistic, informed by digital culture: statehood, belonging, digitalism, inclusion/exclusion, space-claiming and network-systems are the guiding keywords. Selected artists are divided into groups of five per exhibition; each receives a EUR 375 fee, and can earn up to EUR 725 more for co-organising and participating in a context programme developed collectively between selection and build-up. APPLY with a description of the artwork (max 500 words), up to 10 images, recordings for moving image or sound work, a portfolio and a link to socials/website. Deadline: 25 September 2026, midnight.
BNG Cultuurfonds funds arts and culture projects that add value for Dutch municipalities and their inhabitants, explicitly including temporary exhibitions, public programmes and festivals developed by professional makers. Media art, digital culture and cross-disciplinary work qualify as long as a professional maker's artistic vision leads the project. Only stichtingen (foundations) may apply: no sole traders, associations, individuals, or foundations in formation. Applications go by email to aanvraag.cultuurfonds@bngbank.nl with a signed form, a project plan of at most 3,500 words, a specified budget and coverage plan, current statutes and a recent KvK extract. The grant is EUR 5,000 to 15,000 and can cover no more than 35 percent of the budget. TIMING IS THE MAIN TRAP: for the 27 September 2026 deadline, feedback comes at the end of December 2026 and the project may not start before 1 January 2027, with applications for earlier-starting projects rejected outright with no exceptions. Missing documents are flagged up to one week before the deadline, so anything submitted in the final week cannot be corrected. Plan for roughly four months of lead time. Excluded: amateur art, talent development, education-focused projects, semi-permanent public art, publications, building or renovation, and regular operating costs. Further rounds: 3 January 2027, 28 March 2027, 27 June 2027, 3 October 2027 and 2 January 2028.
Resynthesising the Traditional is CTM Festival's long-term initiative co-curated by Stas Sharifulla, taking resynthesis (the computer-music method of analysing a sound to extract its components) as a metaphor for critically engaging with tradition and heritage, against conservative views of culture as frozen and untouchable. The artistic lab at its heart is an open toolbox for artists connecting to the traditional outside exoticisation, cultural essentialism and uneven power dynamics. THEME, AT THE EXTREME: this edition invites artists and practice-based researchers whose work examines the ethical, aesthetic and political implications of traditions entangled with extremity: intensity, transgression, transformation, marginality, outsiderness, endurance, conflict and excess. The call explicitly looks past the usual noise, violence and loud-popular-music tropes and past masculine codings of the extreme, toward current queer and feminist reframings, treating extremity as a relational condition, chosen or imposed, produced between majoritarian centres and their minoritarian outsides. Guiding questions include what it means to follow a tradition to its extreme consequences, who is allowed to push tradition to its limits and whose practices get framed as inauthentic or dangerous, what it means to practise tradition under war, displacement, repression or ecological crisis, and how traditions might offer ways of inhabiting extreme times. Preference goes to work engaging technological, bodily, aesthetic and theoretical forms at that intersection, especially in unexpected or rarely recognised ways. WHAT HAPPENS: theory and practice workshops from the co-hosts with individual and group exercises, closed 15 to 20 minute oral presentations by each participant, a solo public performance or presentation (15 to 20 minutes) at a free-entry event, inputs from specialists such as artists, researchers and technologists, guided individual and group sonic improvisations, field trips and site visits, and feedback sessions with the co-hosts and curators. AFTERWARDS: participants may propose new artistic work or research, solo or in collaborations formed at the lab, to the artistic team; selected works are shortlisted, and up to two are commissioned and presented at CTM in January/February 2028. ELIGIBILITY: an existing practice tied to (re)connecting with traditional ideas and sounds through a contemporary lens and how that overlaps with the extreme, plus clear ideas or questions about the next step you want to take. Approaches may be technological, instrument-focused, compositional, aesthetic, research-oriented or otherwise. Working knowledge of English is recommended, and any concerns about that can be flagged in the form. Up to six participants are selected by co-hosts Karina Utomo (extreme metal vocalist, composer and collaborative artist) and Luigi Monteanni (sound researcher and ethnomusicologist completing a PhD at SOAS on extreme metal in Bandung). The lab is a time-intensive full-day commitment and participants must agree to give the short public performance. APPLY through the form with a portfolio link (PDF, max 10 pages, public access, works from the last five years, text kept minimal) and a link to a specific audio track or section (max five minutes) that best represents your current practice. CTM asks that AI support rather than replace your own voice in the application. TIMELINE: deadline 28 September 2026; participants announced mid to late October 2026. Questions to resynth@ctm-festival.de.
A fully funded art-science residency from Ars Electronica and Ceske Budejovice, European Capital of Culture 2028, exploring how art and science can collaborate on urgent environmental challenges: climate emergence, sustainable agriculture, geoengineering, permaculture, water resource management, and the broader ecological impacts on local communities. Selected residents work in direct collaboration with local scientists in Ceske Budejovice. WHO CAN APPLY: artists, designers, creatives and artist collectives with more than 5 years of professional creative practice and documented interdisciplinary work; experience in community engagement and science collaborations is essential; applicants must be 18+, of any nationality, and legally eligible to work and travel in the EU. WHAT YOU GET: a EUR 24,000 package (EUR 6,000 artist fee, up to EUR 15,000 production, up to EUR 3,000 travel and subsistence) plus one month of housing covered separately; two winners are selected. STRUCTURE: the residency runs January 2027 to April 2028, with a required on-site stay of up to one month in February/March 2027, an optional stay in August/September 2027, and a March 2028 stay for festival installation, exhibition and deinstallation. HOW TO APPLY: online form with project title, a written proposal of max 250 words, a scientific direction statement (max 100 words), artistic vision (max 100 words), community connection plan (max 100 words), a super short pitch (3 to 30 words), 3 to 7 images, an optional 1-minute video, a portfolio link and contact information. Two-round selection (online application then interview); winners notified by November 2026. Deadline 28 September 2026 at midnight CET.
UNPAID COMMUNITY CALL. Algorave Istanbul, the local node of the international algorave scene (live-coded music and visuals performed for an audience), is looking for new artists to create, experiment and perform with. The call names live coding, sound, visuals, audiovisual performance, and generative or reactive systems, and says explicitly that it is open to formats the organisers have not thought of yet. WHO CAN APPLY: artists based in Istanbul. There is no stated experience requirement and no selection process described. Applications close 30 September 2026. WHAT IS OFFERED: performance opportunities and collaboration within the collective. No fee, stipend or expenses are mentioned anywhere in the call, so treat this as unpaid unless the organisers say otherwise. APPLY through the Google Form, or email algoraveistanbul@gmail.com. The call is published in Turkish and English.
The mid-size project strand of Stichting Cultuur Eindhoven, the arm's-length body that distributes the city's culture budget, and the main municipal route for an Eindhoven organisation to fund a festival, exhibition or public programme. Awards go up to EUR 35,000 and cover a maximum of 80 percent of eligible costs, so at least a fifth of the budget must come from elsewhere. Unlike the Snelgeld strand this route is closed to individuals: only private-law legal entities established in Eindhoven may apply. Rounds run three times a year in fixed windows; the next opens 1 September and closes at 17:00 on 30 September 2026, which is round 1 of the 2027 cycle. TIMING: the decision lag is long by municipal standards at up to 13 weeks after the submission window closes, so a September 2026 application is decided around the end of December 2026 and activity should be planned for 2027. Given Eindhoven's design and technology profile, media-art, design and creative-technology programming fits the remit particularly well. The parallel Snelgeld strand offers up to EUR 5,000 on rolling intake, reopening 1 September 2026 and running until 31 December 2026 or until the tranche budget is exhausted, whichever comes first.
Waag Futurelab invites artists, theatre makers, choreographers, dancers, game designers and other creative practitioners to engage directly with seven experimental generative AI Enablers being co-created with technologists and dance, theatre and gaming professionals. The call is an invitation into the development process: selected artists get access to the technologies, datasets, interfaces and assumptions that shape these systems while they are still being built. Rather than testing whether the systems work, artists are asked to interrogate why they work the way they do, who they are designed for, what forms of creativity they enable or constrain, and what assumptions about culture, intelligence, authorship, labour, bodies, audiences and society are embedded in them. Waag is looking for individuals and collectives willing to move beyond adoption into investigation, and welcomes proposals that are speculative, critical, poetic, provocative, humorous, performative, constructive or disruptive, including work that challenges, misuses, reimagines, hacks, subverts or plays with the tools, exposes hidden biases, questions environmental costs, or imagines alternative technological futures. THE SEVEN AI ENABLERS, each requiring an on-site visit to its technology partner: the Generic Procedural Content Generation Enabler (text-to-3D assets and avatars, CERTH, Greece); the Data-Driven Cultural Content Adaptation Enabler (audience-aware creative content ideation with ranked candidate ideas, CERTH, Greece); the Cross-Domain Audience Engagement Analytics Enabler (turning heterogeneous cultural participation data into interpretable engagement signals, The Audience Agency, Warrington, UK); the Dance Style Analysis and Generation Enabler (dance video into virtual 3D choreography, dissected into body, effort, shape and space components, Centre of Excellence for Research & Innovation, Cyprus); the Immersive Design Integration Enabler for Dance & Theatre (NLP-driven XR environments with speech-to-3D scene editing, Cyprus); the Music-to-Movement Translation Enabler (audio into a time-aligned feature set spanning genre classification, emotional valence-arousal analysis, rhythm extraction and latent-space projection, feeding motion generation, spatial audio and visual choreography, Aristotle University of Thessaloniki, Greece); and the Adaptive Narrative Enabler for Games & Theatre (an evolutionary AI trained on creator-written story elements that generates infinite story variations, explicitly rejecting LLMs because of their dependence on copyrighted or public-domain corpora that encode 19th and early 20th century sexism, racism and imperialism, CAUSA Creation, Austria). ELIGIBILITY: artists, designers, creative technologists, theatre makers, dancers, choreographers and game designers, as individuals or collectives; applicants must hold a European VAT number. An info session with live demonstrations of the AI Enablers runs 31 July 2026, 10:00 to 11:30 CEST (meeting ID 995 7016 2341). Applications go through Homerun using the official Application Template, uploaded as a PDF; read the Guide for Applicants, which contains the full Enabler descriptions, before applying. Questions: zoenie at waag dot org. The AI Enablers and this call are part of the Horizon Europe project HAMLET, which aims to make generative AI accessible to cultural organisations of all sizes. Closes 30 September 2026, 23:59 CEST. Free to apply.
d/p is an independent alternative exhibition space in the Nakwon Arcade, the historic mixed-use commercial and residential complex in Jongno-gu, Seoul built in 1968. Its Curator Support programme, sponsored by NakwonSangga, has selected two to three independent curators every year since 2018, giving each an exhibition venue, curatorial collaboration with the d/p team, and a modest curatorial grant to develop and realise their curatorial practice. ELIGIBILITY: individual curators or teams with at least one curating experience within the past three years. The applying curator or team cannot participate in the exhibition as an artist; curators and artists must be clearly distinguished. SELECTION: approximately two individuals or teams. WHAT IS PROVIDED: a curatorial grant of KRW 4,000,000 including tax; use of the d/p exhibition space of approximately 187 square metres; and a five-week exhibition slot somewhere between March and December 2027, with installation and deinstallation time counted separately from the five weeks. PROCESS: first round is a document review of the APPLICATION and PROPOSAL submitted in the provided format; second round is individual interviews followed by final selection. Interviews are conducted offline in principle, but may be held online if the applicant is abroad or in other exceptional circumstances. HOW TO APPLY: submit the APPLICATION via the Google Form and the PROPOSAL by email to dslashp@gmail.com between 3 August and 30 September 2026. The proposal template is downloadable from the link in the @dslashp Instagram bio. File name format: '2027 d/p Curator Support Application_Applicant Name'. Submit as PDF; if the proposal includes video, provide a link rather than a file. KEY DATES: submissions 3 August to 30 September 2026; first round results announced in the first week of October 2026 by individual contact; second round interviews in the second week of October 2026; final selection announced in the third week of October 2026 by individual contact and on the @dslashp account. Inquiries: Minji Lee, Curator, dslashp@gmail.com.
NEXT ART AI is an open AI art competition run by the HOBAN Cultural Foundation, welcoming participants of all backgrounds regardless of career, nationality or age, and framed as a way to reflect on the future of AI art through new modes of expression and artistic experimentation. TWO CATEGORIES: AI IMAGE ART, for works in a single-image format at 150dpi or higher, submitted as JPG, JPEG, PNG or BMP up to 10MB; and AI VIDEO ART, open to a wide range of video formats including animation, motion graphics and live-action footage enhanced or transformed using AI, at 1080p or higher, under one minute, 30 or 60fps recommended, stereo 48kHz audio recommended, as mp4 (h.264) or mov. Video entries are submitted as a URL via YouTube, Vimeo, Dropbox or OneDrive, or an alternative platform if those are restricted in your region; links that are inaccessible due to privacy settings may be excluded from judging. WHO CAN ENTER: individuals or teams of up to three including the representative, though you may not submit both as an individual and as part of a team. Team representatives create the account in their own name and all members submit a consent form for personal data. Applicants under 19 need a guardian's signed consent. One work may be submitted per category. RULES ON AI AND ASSETS: work must be original and created by the applicant or team, and must be image or video art created using generative AI platforms. Works that have previously won an award in another competition are not eligible. Free or paid external assets, game engines, AI frameworks, open-source tools and editing software may be used freely, but applicants must hold licences permitting commercial use for every element, and work infringing third-party rights is excluded. Even where external assets and editing software are used, the creative process must involve AI, whether AI-assisted direction, transformation, generation or other AI-based processes, and the choice of AI tools, the scope and method of their use, and the prompts themselves are all weighed in evaluating the creative use of AI. TIMELINE: applications open 1 September 2026 and close 30 September 2026 at 11:59pm KST, preliminary round early October, final round late October, announcement and ceremony early November, exhibition late November 2026. Organised and hosted by the HOBAN Cultural Foundation, sponsored by HOBAN Group, with Seoul Shinmun and EBN as media partners. Details and schedule are subject to change at the organiser's discretion.
Cultural Horizons strengthens the cultural sector in Ukraine by promoting joint EU-Ukrainian cultural initiatives and expanding access for Ukrainians affected by the war to European cultural and artistic networks. The Residencies strand provides subgrants for EU-based institutions to implement (a) residency placements and/or (b) education projects organised on the basis of residencies, for and with Ukrainian artistic and cultural professionals in 2027. WHO CAN APPLY: artistic and cultural organisations and initiatives registered within the EU; consortia designate one lead organisation to submit and manage funding. Applicants must demonstrate the ability to host Ukrainian artistic and cultural professionals in 2027 and complete projects between January and August 2027, confirm the absence of ties with the Russian Federation (no working partnerships with Russia or Russian organisations, no visits to Russian-occupied territories after 2014), commit to refraining from glorification of Russian imperialism, comply with the EU sanctions regime, and demonstrate a commitment to diversity, equity and inclusion. NGOs and public sector institutions working with displaced and vulnerable groups are prioritised. WHO IT SUPPORTS: Ukrainian artists and cultural practitioners (independent and employed professionals, early-career specialists, debut artists, cultural managers, researchers, analysts, conservators), vulnerable groups from Ukraine including internally displaced persons, young artists and communities in frontline and conflict-affected areas, and Ukrainian cultural organisations with a focus on small communities, local initiatives, independent cultural spaces and NGOs. TIMELINE: applications 29 June to 30 September 2026; evaluation October to November 2026; implementation 1 January to 30 July 2027. The programme runs 2026-2027 and also builds a Europe-wide network of cultural expert mentors. Queries: culturalhorizons[at]culturalvistas.eu.
Ses12naus, a non-profit founded in 2016 to strengthen the cultural and artistic fabric of Ibiza and develop the island as an international reference for contemporary artistic creation, is launching a two-phase residency for visual artists and curators at any career stage. Four projects are selected for the 2026-2027 edition: two by artists or curators based in the Balearic Islands, one from the rest of Spain and one from another European country. STRUCTURE: Phase 1 (21 November to 13 December 2026) is dedicated to research and exploration of the territory and an in-depth understanding of the local context, with a required public activity linked to the process; between phases the Foundation's team actively follows up on the conceptualisation and formalisation of the proposal; in Phase 2 (17 May to 7 June 2027) residents return to produce and present: artists produce their works, curators continue their research, and both present results. The format supports developing a new project or giving continuity to an ongoing one, in dialogue with Ibiza and its communities. FUNDING: EUR 1,800 honorarium plus EUR 300 public-activity fee per resident; travel up to EUR 330 (Spain) or EUR 770 (Europe) booked by the Foundation (no travel between phases is financed); production up to EUR 3,000 for artists plus EUR 500 installation and EUR 200 public-activity costs (curators: EUR 500 plus EUR 200). RESOURCES: private bedroom and bathroom with shared kitchen and living room, a workspace at La Carpinteria sized to the project with projectors, speakers, machinery and tools (specific materials not in the inventory come from the production budget), production assistance, a shared car for the duration (valid driving licence required) and airport transfers. APPLICATION: online form, deadline 30 September 2026, 23:59 CET.
The Embassy of the Kingdom of the Netherlands in China, in partnership with artist-run space Making Space in Guangzhou, invites Netherlands-based artists, makers, curators, writers, researchers and other cultural practitioners to a six-week residency in spring 2027. Making Space (est. 2017) focuses on art and social practice with an emphasis on long-term research, local knowledge and care-driven collaboration. The residency is process-oriented with no obligation to produce finished work; the resident takes part in at least one public exchange (talk, workshop, reading group, screening, performance or open studio). SUPPORT: EUR 2,700 travel and artist fee subsidy (fixed per application; duos or collectives share the amount), accommodation in Guangzhou, shared studio space, curatorial and research support with access to local networks, and logistical support for public programming (extra funding may be considered for public programmes). The resident arranges their own China visa; Making Space provides an invitation letter. LOOKING FOR: practitioners engaging with alternative education, ecological justice, migration and labour, social practice, intergenerational narratives, diaspora and transdisciplinary collaboration; English communication required. APPLY by email (makingspace2017@gmail.com) with a 200-word bio, CV, 2-page project proposal and portfolio (max 20 pages) in a single PDF, in English. Result expected late November 2026. Deadline: 3 October 2026, 23:59 CST / 17:59 CEST.
With Braunschweig Projects, HBK Braunschweig (one of Germany's largest art academies, with fine arts, art education, performing arts, design, visual communication, art history and media studies) offers 7 artistic fellowships on behalf of the State of Lower Saxony for 2027/28: 5 in fine arts and 2 in sound art. The programme promotes young artists and internationalisation, and is aimed at artists who want to work on a project in the immediate vicinity of HBK; proposals should make a significant contribution to the further development of forms of artistic practice. Each fellow is assigned a self-chosen mentor from the fine arts professors, all professors of the fine arts department are available for artistic discourse, and fellows can present their project's progress within the university. Fellows are expected to participate in the Welcome Weeks (19 to 30 April 2027) and a joint final presentation in January/February 2028, and must reside at HBK for at least 8 months during the summer and winter semester lecture periods. FUNDING: EUR 1,600 per month for 12 months from 1 April 2027, a rent-free one-person studio apartment (EUR 250 per month contribution to incidental costs), and an allowance for project and travel costs; a short final report (about 1 page) is due at the end. ELIGIBILITY: a successfully completed art degree, with the most recent studies completed after 31 March 2016 and before 1 April 2023; proof of extensive artistic practice and exhibition participation; no regular third-party benefits (salary, work scholarships or state subsidy) during the funding period. APPLICATION: in German or English by email to application-bsprojects[at]hbk-bs.de, addressed to President Prof. Dr. Ana Dimke, with the completed and signed application form, an artistic profile (one file, max 15MB: name, website and social media, artist statement max 350 words, project description max 350 words, portfolio of 10 to 15 works, short CV, links to 3 password-free video/audio files) and the diploma of the most recent degree (PDF, max 1MB). DEADLINE: 4 October 2026. A separate Braunschweig Projects curatorial fellowship for 2027/28 runs in parallel.
Long-running post-production grant from Frameline, the San Francisco organisation behind the world's longest-running LGBTQ+ film festival, for films that represent and reflect LGBTQ+ life in all its complexity and richness. Grants run up to USD 5,000, typically USD 1,000 to 5,000, and the jury may recommend more or less than that range. WHAT IT COVERS: any post-production cost, explicitly including editing, special effects and graphics, music licensing, photo licensing, and, notably, closed captioning and audio description, so accessibility work is fundable rather than an afterthought. STAGE GATE, the thing that disqualifies most applicants: your project must be at least 90 percent complete with a rough cut available, and in or about to enter post-production. Work still in development or mid-production is not eligible. WHO AND WHAT: all formats, lengths, genres and nationalities are welcome, spanning documentary, narrative, experimental, animated and episodic work, so long as the film is about LGBTQ+ people and their communities. Directors must have creative and financial control of the project. NO APPLICATION FEE, which is worth flagging given how many completion funds charge one. TIMING: the submission window opens 31 August 2026 and closes 9 October 2026, with decisions in January 2027. The 2026 cycle's grantees have already been announced ahead of Frameline's 50th festival, so this is the next round.
The larger of The Hague's two municipal project bands and the appropriate route for an organisation running a festival or substantial public programme in the city. Awards range from EUR 10,000 to 30,000 against an annual ceiling of EUR 600,000 for the whole strand. THE CO-FINANCING REQUIREMENT IS SEVERE and is the single most important planning constraint: the municipal culture budget may fund at most 30 percent of the total project budget, so an applicant seeking EUR 30,000 must already have roughly EUR 70,000 secured or plausibly projected elsewhere. Only legal entities may apply; individuals and informal collectives must use Category A instead (EUR 2,000 to 10,000, 70 percent coverage ceiling, next window 1 to 15 September 2026). Professional arts and culture organisations running public projects in music, theatre, dance, film, literature, visual arts or combinations are eligible. The next window opens 1 October and closes at 17:00 on 15 October 2026. TIMING: the decision term is 12 weeks after the window closes, so an October 2026 application is decided around early January 2027 and activity should be scheduled from 2027 onward. Applications are handled through the municipality's subsidy system, which migrated to Easyfunders in April 2026. This scheme is independent of Stroom Den Haag. The underlying regulation runs to 31 December 2028.
Mondriaan Fund grant for written and/or spoken-word publications about contemporary visual art: article series, long reads, podcasts, video essays, social-content series, and similar formats published across magazines, newspapers, online platforms, public media or social media. Aimed at strengthening reflection on, criticism of, and journalism around visual art practice in the Netherlands and the Caribbean part of the Kingdom. Eligible applicants: existing or new platforms (online magazines, public media, podcast outlets, etc.) AND individuals working as curators, critics, social-content creators or journalists. New initiatives and collaborations may apply. Two cycles per year; the next deadline is 15 October 2026, 16:00 Dutch time / 10:00 Caribbean time (an earlier 2 April 2026 round has already closed). Grant covers up to 70% of eligible expenses, with two pricing structures: fixed €2,480/month for short 1-6 month work periods, or a flexible grant of up to 12 months for larger project plans (amount determined by submitted plan and budget). Round budget €229,000. Good fit for science-communicator / critical-tech / art-and-AI long-form writing, podcast series, or video essay projects. Applications submitted via the Mondriaan Fund online portal after creating an account; documents cannot be uploaded after the deadline. Free to apply.
Project funding from the Toronto Arts Council for professional media artists to create or complete independent film, video, audio, digital, VR/AR and multimedia works, with grants up to $15,000. ELIGIBILITY: Canadian citizens, permanent residents or Protected Persons who have lived in Toronto for at least one year, are professional media artists retaining full creative control, and are not students.
An open call for at least 10 short performances of maximum 15 minutes for the 12th edition of Teatri Riflessi in Zafferana Etnea, Sicily. THE FORMAT: the competition champions the short performance in its own right, not as a reduction of a longer work nor as a sketch for a full-evening adaptation; its strength is the artistic immediacy and urgency it carries. The framing connects ancient Greek theatre, conceived as an outdoor competition for a large audience, to the more provocative tendencies of happenings and performance art that lean on the beholder's desire to participate. STRUCTURE: semi-finalists perform on the evenings of Thursday 15 and Friday 16 July 2027; the Programmers' Panel and the Scholars' & Critics' Panel determine the finalists, who perform again in the final on Sunday 18 July. The panels bring together around 30 Italian and international artistic directors, curators, festival and theatre programmers, journalists, critics and performing arts scholars, many from the Teatri Riflessi Network and Anticorpi XL Network; the full list is published in June 2027. Past partner organisations include Antistatic Festival (Sofia), ATER Fondazione, BIG Festival, Cantieri Danza, Circuito CLAPS, COORPI, Dance ICONS (Washington DC), Danza Urbana, Derida Dance Centre, EN-KNAP and Spanski Borci (Ljubljana), Fabbrica Europa, Festival Ammutinamenti, Cluny Danse (France), Danza Canarias dentro y fuera (Tenerife), FIND Festival, Fondazione Armunia and Festival Inequilibrio, Fondazione Claudia Lombardi per il teatro (Lugano), Fondazione Sipario Toscana, Fondazione Toscana Spettacolo, Galway Dance (Ireland), Interplay Festival (Turin), L'Arboreto Teatro Dimora, La Piccionaia, Movimento Danza, New Dance For Asia International Festival (Daegu), Puglia Culture, Toplocentrala (Sofia) and Umbria Danza Festival. MONEY: each selected performance receives a gross fee of EUR 500 to EUR 1,100 depending on cast size, plus a possible travel contribution of up to EUR 250. Awards are Best Performance EUR 1,200 (from the combined weighted scores of both panels, the Jury of the Final, the Youth Jury and the Citizens' Jury), Best Dramaturgy EUR 500 and the Scholars' and Critics' Award EUR 500 (both from the Scholars' & Critics' Panel), Best Direction EUR 500 and Best Performer EUR 500 (both from the Programmers' Panel), the 'Valentina Nicosia' Fund of EUR 500 (joint decision of both panels), the 'Sandra Bressan' research fund of EUR 1,800 (awarded by the Citizens' Jury to reinvite a company to Sicily to work with the community), and the Youth Jury Award of EUR 300 to a semi-finalist, alongside the Audience Special Mention, the Companies' Choice Award and the Technical Crew Award. Fees, reimbursements and prizes are paid after the festival, provided all regulations and deadlines are met. FEES TO APPLY: none. Only selected companies pay a EUR 50 deposit on selection, fully refunded after the festival. RULES: performances should aim for 15 minutes, with total stage occupancy including set-up and dismantling capped at 20 minutes. Multiple entries are allowed but need a separate form each. No major changes are permitted after selection; minor adjustments, especially cast substitutions, must be communicated in advance and authorised by IterCulture APS. Works in languages other than Italian are welcome and are presented with Italian and English surtitles prepared by IterCulture APS. APPLICATION: a digital form linked in Article 5 of the open call regulations, with Annex A for dramaturgy (the complete script where one exists, or for dance, physical theatre and non-text work a short document on the dramaturgical research and choreographic structure) and a full video recording of the complete work; excerpts and teasers are not accepted, and for rehearsed readings, directorial notes on costumes, lighting and set design are mandatory. COMMITMENT: rehearsal attendance is compulsory, with the day assigned by the Competition Manager after selection; companies must arrive in Zafferana Etnea by their rehearsal day (rehearsals run 13 and 14 July 2027) and stay until the festival closes at 23:30 on Sunday 18 July. Rehearsals and public events run mainly in afternoons and evenings; the only compulsory morning commitment is the panel feedback session on Sunday 18 July. Online information sessions are held on Google Meet on Tuesday 22 September 2026, with the English session at 19:30 CEST. Deadline 15 October 2026 at 5pm CET.
Welcome to my Homepage is an international online residency hosted by The Museum of Human Achievement in Austin, Texas, offering artists a low-stakes opportunity to experiment, explore the web as a site for creative production, and reach new audiences with net art (artwork created on and experienced exclusively through the internet). Founded in 2014, it has hosted over 150 artists. THIS ROUND (Oulu Edition) is open only to applicants in the Oulu, Finland area, as a collaboration between the UNESCO Cities of Media Arts Oulu and Austin, and especially seeks proposals that consider digital culture from a northern perspective, bring an Arctic point of view, or take inspiration from the edges rather than the center. Selected residents (3 per cycle) receive a EUR 500 stipend, the mmm.page drag-and-drop web builder (no coding needed; hosting on your own domain is also fine), virtual studio visits, mentor conversations and promotion. Projects are shown online at welcometomyhomepage.net and in person at pop-up exhibitions alongside 3 Austin artists at the Frozen People Festival in Oulu and at MoHA in Austin. WHO IT IS FOR: all types of creative folks, no coding necessary and no need to be a net or digital artist (past residents include performers, poets, puppeteers, filmmakers, healthcare workers and musicians); the programme especially welcomes people who have not had an opportunity like this before, would benefit from a flexible online residency, or want time to experiment. Collectives can apply via a primary contact. NOT ELIGIBLE: applicants outside the Oulu area (this round only), under-18s, undergrad or grad students enrolled in an art, design or media programme during the residency, and full-time university faculty in such programmes. Jurors look for thoughtful, interesting, fun or challenging proposals achievable within the 3-week online residency; proposals for existing creative projects, promotional pages (portfolio or band sites) or projects relying heavily on visitor submissions are less successful, and the work should be experienceable fully from the browser. APPLICATION: statement of interest or residency proposal (max 300 words), artist statement (max 200 words), bio (max 200 words), and work samples (up to 4 links and/or a PDF of up to 10 images); brief and honest is preferred over fancy and academic. Selection is by a jury of Oulu Urban Culture staff, an Oulu artist, MoHA staff and a past resident, led by Residency Director Rachel Stuckey. Applicant info session online on 1 October 2026, 5pm EEST. Notification by late October 2026. Deadline 15 October 2026, 23:59 EEST. The next call open to applicants from anywhere is expected in early 2027.
The Societe des arts technologiques (SAT) in Montreal runs a research-creation residency program in arts and technologies for artists and collectives working in the performing arts and/or media arts. The residency funds a research-creation stage of a project in technological arts rather than the finalisation of a finished work, so the call weighs the exploration process and the innovation in it above a polished outcome. Each selected project receives a CAD 10,000 grant, whether the applicant is an individual artist or a collective, plus access to SAT spaces and equipment, technical and creative support from the SAT teams, mentoring and training activities, and documentation and archiving. Access to spaces and equipment is assessed against the project's needs and granted subject to availability. Travel, meal and accommodation costs beyond the grant are not covered. Open to professional artists and artistic collectives worldwide, at any level of experience and from any primary discipline, provided the profile and project suit immersive technologies; collectives must submit a joint portfolio showing they can carry out the project independently, particularly the visual and sound creation inside a dome. Each application must include a form and supporting documents setting out the concept, the technical solutions considered, and what will be explored during the residency. One application per project and per person; incomplete applications are not evaluated; use permanent, downloadable links rather than WeTransfer or similar temporary services. Accommodations and alternative support documents (large print and so on) are available on request at residences@sat.qc.ca. Deadline 18 October 2026. Apply through the Google Form linked from the SAT open-call page.
Humanity AI, an initiative of ten leading philanthropies, opens a USD 10 million call for community-led initiatives that shape how AI affects people's lives. ISSUE AREAS: Education (student and educator-centered work shaping AI's educational impact); Labor and Economy (worker-led efforts to ensure AI enhances rather than replaces employment); and Humanities, Arts, and Culture (artist and creator-focused work protecting cultural contributions). ELIGIBLE APPROACHES: shaping the rules for AI governance and deployment; building AI controlled by communities rather than corporations; and challenging misaligned AI deployments. Community-led means the affected community defines the goals and shapes the approach. Priority goes to open-weight and open-source AI models over proprietary ones. OUT OF SCOPE: AI literacy training, AI adoption promotion, and research-only work. GRANTS: three tiers from USD 75,000 to 1,000,000, up to three years. ELIGIBILITY: US-based 501(c)(3) organizations as lead applicants; individuals via fiscal sponsors or collaborations; Tribal governments treated as States under IRC Section 7871; for-profit entities only as collaborators, not leads; all proposals must serve US-based communities. TIMELINE: launched 10 September 2026; applicant webinar 14 September 2026; initial applications due 21 October 2026 at 4:59pm PT; finalists notified December 2026; awards announced early spring 2027. Apply via Submittable; an organizational readiness tool on the site helps assess eligibility first.
Stroom Den Haag's PRO Art Projects scheme contributes to the costs of realising a contemporary art project. WHO CAN APPLY: artists, curators, critics, publicists, partnerships and organisations. Applicants do not have to live in The Hague: Hague artists apply via their Stroom database registration (Mijn Stroom), while applicants from outside the city apply with a CV, provided the project takes place in The Hague or otherwise benefits art and artists in The Hague. ASSESSMENT: quality and distinctiveness of the project, whether it represents a step in a new direction, an experiment or a departure, its contribution to The Hague's art climate, and proportionality between budget and scope. APPLICATION: via the Stroom portal with a plan of max 2,500 words (artistic rationale, target audience, evaluation), an itemised budget using Stroom's model, and image documentation. NOT ELIGIBLE: applications connected to formal (art) education programmes or from current students (Bachelor, Master, postdoc, PhD). DEADLINE: the last 2026 round closes 25 October 2026 (rounds recur roughly every six weeks through the year). The grant is valid for up to two years after the decision, with 80 percent paid upfront.
The NORMA Fonds redistributes copyright remuneration collected by Stichting NORMA into cultural, social and professional projects involving performing artists, and is one of the few Dutch schemes with four intakes a year and a genuinely short cycle. Both arts-sector organisations and individual arts professionals may apply, though the applicant needs a bank account and legal footing and cannot be a BIS-funded institution. The project must centre on performing artists in the copyright sense, meaning people who perform a copyright-protected work: musicians, dancers, actors, voice actors. This fits live experimental music, sound performance and performative media-art work, but not object-based exhibitions or non-performative installation programmes. The maximum grant is EUR 10,000, the total project budget must stay under EUR 150,000, the applicant's annual budget under EUR 500,000, and at least a quarter of the project budget must be earned from audience income, so this is a top-up rather than a primary funding source. Budgets must honour NORMA's 2026 performer wage norms. Applications are submitted online during a one-month window each quarter; the next round runs 1 to 30 October 2026, closing at 23:59. TIMING RULE: decisions arrive no later than eight weeks after the deadline, and the premiere date must fall at least eight weeks after the application deadline. Organisations that already received a NORMA Fonds grant in 2024 or 2025 are excluded, and supporting staff may not exceed 2 FTE.
Whose Archive is it Anyway? is the first in a three-part series of events at The Photographers' Gallery exploring the future of archives and archiving. This one-day event on Friday 16 April 2027 kickstarts the conversation with commissioned talks addressing what it means to make an archive today, who decides what an archive consists of, who creates an archive, who an archive is for, and who has access. The gallery welcomes submissions of real-life experiences rather than academic papers that challenge or answer these or other points related to the future of archives. SUGGESTED TOPICS: artist and photographers' legacies; institutional archives; memory (forgotten or lost histories made visible again); truth within archives (who is telling the stories and how); ownership (who has the authority to tell stories, who owns the images and their stories); relationships between those who create archives and those who use them; radical, non-traditional archives that redesign how stories are gathered and held to safeguard living memories; family archives; reclaimed photographic archives; counter archives that question dominant historical narratives; grassroots archives; technologies that reduce barriers to archives while safeguarding material; digital preservation and digitisation; and dialogic archives. ELIGIBILITY: open to all, especially those with experience of working with archives and the stories within them; applicants must be 18 or older and available to attend The Photographers' Gallery in London on 16 April 2027 to speak at the event. Selected speakers receive a fee of GBP 200 and will be notified by 18 January 2027. Questions to archive@tpg.org.uk. Deadline 1 November 2026, 11:59pm GMT.
The American-Scandinavian Foundation's award program for study and research abroad is its longest-standing commitment to educational exchange: over the past 100 years, more than 4,000 fellowships and grants have gone to Americans working in the Nordic region and Scandinavians in the US engaged in study, research, or creative arts projects. Fellowships for Americans in the Nordic Countries support projects in Denmark, the Faroe Islands, Greenland, Iceland, Finland, Norway, Sweden, and Sapmi. AMOUNTS: long-term fellowships of up to USD 23,000 for 4 to 12 months, and short-term grants of up to USD 5,000 for 1 to 3 months; awards are given in all fields, with graduate students (preferably dissertation-related), academic professionals, and creative artists eligible. In 2026, 31 American Fellows were granted over USD 277,390 in total. REPORTING: fellows abroad more than six months submit an interim report mid-project, and all fellows submit a final narrative report within 60 days of the fellowship period's end. DEADLINE: 1 November 2026 for the 2027-28 cycle. See ASF's Program Guidelines for full requirements and apply via the ASF application portal.
The MIT Museum seeks proposals for compelling digital content exploring humanity's relationship with the BRAIN, the museum's thematic focus from April to September 2027 bringing together art, science, technology and design on cognition, neurotechnology, brain-computer interfaces, mental health and the boundaries of ability. Selected proposals run as ambient content on the two-story digital screen (3840x3024, 80:63 aspect ratio, 20'3" x 16'2") in the museum's central Exchange amphitheater. The museum wants immersive, non-linear, experimental, non-didactic work, such as artful visualizations of data or scientific phenomena; interactivity (touchscreens, QR codes) is out of scope and content-critical audio is discouraged. Content must run on the museum's existing hardware (Windows PC with RTX 3090, NEC LED wall with Analog Way 4K system). WHO CAN APPLY: artists, scientists, engineers, designers and other creative practitioners, from MIT or the broader community. SUPPORT: flat honorarium of USD 2,500-5,000 per selected proposal; no additional development funding. Applications reviewed from 2 November, accepted list finalized January 2027. Deadline: 1 November 2026.
The European Media Art Platform (EMAP/EMARE) is a network of leading European media-art organisations offering fully funded two-month production residencies for artists working with digital media, including media art, bio art and robotic art. Each residency provides a EUR 4,000 grant to the applying artist (including subsistence), a EUR 4,000 project budget, host-provided accommodation, travel covered according to EU ceilings, and access to technical facilities and media labs; a collaborating artist receives an additional EUR 2,000 (EUR 6,000 total for a duo). Residencies take place at one of 15 host institutions across Austria, France, Slovakia, Portugal, Belgium, the Netherlands, Slovenia, Croatia, Spain, Italy, Cyprus, Greece, Latvia, Germany and Poland. ELIGIBILITY: applicants must be EU residents or taxpayers in an EU member state, or residents/taxpayers of one of the eligible non-EU countries (Netherlands-based artists qualify). Undergraduate and Master's students are not eligible; PhD candidates and emerging artists of any age and academic background may apply. IMPORTANT: applicants must apply as a duo or collective, or propose a collaborative project, rather than as a purely solo applicant. The 2027 open call runs from 3 September 2026 to 6 November 2026 at 14:00 CET. Apply online at call.emare.eu. No application fee.
Async Museum is an independent digital space dedicated to web art with a distinctive point of view, existing to discover artists who use the web as their primary medium and to recognise their work as a new aesthetic. Its core philosophy is that the web browser is a twenty-first century canvas. Async Museum is officially seeking submissions of web-based artworks, welcoming both established practitioners and emerging voices who are pushing the boundaries of what the next generation of art can be. NOTE: this is an exhibition opportunity for web-based art rather than a paid grant; no artist fee is stated. To share your practice and submit your work, visit https://asyncmuseum.com/submit. Deadline: 1 December 2026.
The Acquisitions scheme helps Dutch museums and other cultural heritage institutions buy objects that enrich the Dutch National Cultural Heritage Collection, across everything from contemporary art to natural history collections. Acquired objects must be displayed to the public on a (semi-)permanent basis. CONDITIONS: the estimated value of the object must exceed EUR 50,000; complete provenance research is required; the applicant must contribute significantly to the acquisition costs; where multiple items are involved they must form an inseparable ensemble; the institution must follow the lending guidelines and remain the permanent owner. NOT FUNDED: artists' estates, constructional provisions, or passive conservation. APPLY online through the Mondriaan Fund digital system after registering an account, with valuation reports, condition assessments, provenance research, a presentation plan and an itemised budget. Rolling deadline, but allow about three months for processing.
Art Fair International covers stand rental for galleries taking visual art from the Netherlands and/or the Caribbean part of the Kingdom to an art fair, and stand rental plus travel and transport costs for art book publishers at art book fairs. WHO CAN APPLY: Dutch and non-Dutch galleries that have signed and actively apply the Gallery Fair Practice Code, and art book publishers. CONDITIONS: an invitation from the fair is required; the artists presented must be artistically and substantively active in professional visual arts; a maximum of one application per fair per calendar year; no more than three awards annually. AMOUNTS scale with how much of the stand is given to artists from the Netherlands and the Caribbean part of the Kingdom, as set out in the funding notes. APPLY through the Mondriaan Fund digital application system after creating an account, at least six weeks before a fair on the fund's established list, or three months before a fair that is not listed.
Artist's Fee reimburses part of the compensation an institution pays an artist for work on an exhibition: producing new work, production-related labour, event activities, and providing artwork for presentation. It does not cover expenses such as materials or transport. WHO CAN APPLY: visual arts institutions in the Netherlands or the Caribbean part of the Kingdom that publicly exhibit contemporary visual art and/or heritage without a sales objective, and that subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code. CONDITIONS: the artist must hold a bachelor's degree in visual arts or have at least three years of professional experience; the fee must comply with the Fair Pay Rate Table 2023; the application must be submitted at least two months before the exhibition opens; the exhibition must open within 12 months of application; artist invoices must be paid within one month; and institutions already receiving other fair pay funding for 2025-2028 are not eligible. AMOUNT: up to 50% of the standard amount excluding VAT where the fee meets at least 100% of the guideline, with a minimum application of EUR 100. APPLY through the online system after creating an account, with a signed artist contract, the exhibition budget, artist CVs and a recent Chamber of Commerce registration. Note for artists: this is applied for by the institution, not by you, but it is worth pointing an exhibiting venue towards.
Art Heritage Festival supports festivals, biennales, triennales and similar events dedicated to the presentation of visual art and/or heritage, held in physical spaces and occurring no more than once a year. The scheme backs activities that reach diverse audiences or create meaningful public engagement with art and heritage. WHO CAN APPLY: non-profit organisations based in the Netherlands or the Caribbean part of the Kingdom; institutions for art education and post-academic institutions are excluded. NOT FUNDED: journals, publications, documentaries, symposia, conferences or online-only festivals. CONDITIONS: events must be publicly accessible and held no more than once a year; the project cannot receive simultaneous funding from other Mondriaan Fund grants or specified national cultural programmes; the organisation must subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code; and fair artist compensation is mandatory where artists are involved. AMOUNT: up to 40% of eligible project costs, on a project budget above EUR 25,000. APPLY through the Mondriaan Fund online system after registering an account. Allow three months for processing; activities that have already happened cannot be funded.
Art Heritage Presentation funds presentations that are innovative and non-standard, rather than business-as-usual programming: exhibitions featuring internationally renowned artists, engaging shows offering fresh perspectives, public co-creation projects, and presentations built around special loans or commissioned work. WHO CAN APPLY: cultural institutions in the Netherlands and the Caribbean part of the Kingdom that focus on presenting cultural heritage and/or visual art, including museums, art centres and archives; art education and post-academic institutions are excluded, and the institution must be a non-profit legal entity established in the eligible territory. CONDITIONS: presentations must be open to the public; festivals, biennales and other events recurring annually or less often are handled by the separate Art Heritage Festival scheme, not this one; the organisation must subscribe to the Fair Practice Code, the Culture Governance Code and the Diversity and Inclusion Code; and artist fees must be realistic and included in the budget. AMOUNT: up to 40% of variable project costs, on a project budget above EUR 25,000. APPLY online after registering an account, with an institutional profile, project plan, presentation plan, itemised budget and, where applicable, artist information with visual documentation.
Collection Mobility supports the revaluation of a collection and, where applicable, the selection, disposal and/or relocation of parts of a collection. NOT FUNDED: construction work, building preservation, archaeological excavation, passive conservation or documentation. WHO CAN APPLY: Dutch museums and other cultural heritage institutions that are publicly accessible, manage nationally or internationally significant collections, and are registered with the Dutch Museum Register. Joint applications are encouraged and, where relevant, institutions must apply together. CONDITIONS: applicants must follow the Basic Principles for Smarter Loan Transactions in the Netherlands; collections must be disposed of in line with the Guideline for the Disposal of Museum Objects; and the applicant must contribute significant funding itself. AMOUNT: up to 40% of eligible costs, determined per application. APPLY through the online system at mondriaanfonds.nl after creating an account, with organisational information, collection details, a project plan, a budget and supporting documents.
The closest thing the Netherlands has to a dedicated regional art-and-technology fund, being a public-private scheme co-financed by ASML and sited in the country's main technology region. It funds professional cultural projects of high quality with national or international reach, which in practice covers festivals, exhibitions and public programmes including media art and creative technology work. Private-law legal entities only (stichting, vereniging or BV); both new and existing cultural organisations qualify. Projects are assessed on societal impact (must address at least two of accessibility, inclusivity, diversity, social cohesion), cultural entrepreneurship and sustainability, alongside professional artistic quality. Applications are accepted all year round via a two-stage route: an intake where Brabant C scouts give an initial assessment, followed by a full application, pitch session and decision. TIMING RULES ARE STRICT and are the main planning constraint: the full application must be submitted a minimum of 12 weeks before the project starts, and the project may not begin until at least 12 weeks after a complete application has been approved. The internal clock runs roughly two weeks for a completeness check, about six weeks to the pitch session, and about four weeks from pitch to decision. Brabant C never covers more than half the budget, so a matched partner is required from the outset. A separate Brabant C matching scheme for impactful culture projects is open year-round through 31 December 2026 for Brabant-based organisations outside the Brainport region.
Since 2025 Het Cultuurfonds runs a dedicated application route for individual makers and collectives, separate from its project grants for foundations and associations. The ontwikkelbijdrage awards up to EUR 5,000 for research, workshops, masterclasses, courses and training, experiments and equipment, and for the pre-phase of a project, giving makers room to test and develop an idea before it has to be fully executed. It is open to all disciplines: visual artists, theatre makers, spoken word artists, photographers, musicians, ceramicists, restorers and more. A separate matchfundingbijdrage of EUR 250 to EUR 1,500 supports crowdfunding campaigns for public-facing projects such as exhibitions or performances. The route is run with voordekunst. Applying is a two-step process: a short vooraanvraag (pre-application) answered within one week, then a full application answered within four weeks, with development funds paid out within two weeks of approval. Rolling intake, no application fee.
Amarte Fonds is a private Dutch foundation that supports the arts, with rolling (continuous) contributions for visual artists and independent curators. There are two contribution types: a development contribution of up to EUR 2,750 and a project contribution of up to EUR 5,500. Up to 80 percent is paid in advance, with the remainder after the final report is approved. Applicants must be based in the Netherlands or the Caribbean part of the Kingdom (the ABC and SSS islands). The fund also supports work across theatre, film, music, literature and interdisciplinary projects through specific programmes. There is no fixed deadline and no application fee; decisions are relatively fast. Apply year-round via the online portal.
Commission artists to create new work in publicly accessible spaces such as hospitals or museums. Open to individuals and organisations. Continuous deadline.
Support for visual artists with 4+ years of experience to expand their portfolio, increase visibility or conduct research. Continuous deadline.
Rolling project funding from the Mondriaan Fund for visual artists who want to carry out a concrete artistic plan, research project or working period in the Netherlands or abroad. The fund's definition of visual art is broad and explicitly includes installation art, conceptual art, performance, artistic research, photography, audiovisual, digital, sound and (new) media art, and art in public space. AMOUNTS: a fixed contribution of EUR 2,785 per month for up to 6 months, or a flexible contribution for up to 12 months sized to the project budget; hired expertise, materials and equipment can be part of the budget. The fixed contribution cannot be awarded within 1 year of receiving an Artist Start grant. ELIGIBILITY: visual artists from the Netherlands or the Caribbean part of the Kingdom, professionally active for at least 1 year. CONDITIONS: applicants must contribute at least 10 percent of the sum requested; this own contribution may be personal investment, third-party support, an interest-free loan from Fonds Kwadraat or crowdfunding. APPLY at any time through the Mondriaan Fund online application system; allow around 3 months processing once the application is complete.
Support for visual artists at the beginning of their careers with plans for new work. Continuous deadline.
Support for owners and managers of objects registered as protected heritage. Continuous deadline.
Voucher to assist hiring artisans for artistic research or work production. Continuous deadline.
Voucher covering childcare costs for visual artists with dependents under compulsory school age. Continuous deadline.
Funding for developing and deepening artistic practice. Continuous deadline.
Quick-response voucher for visual artists, curators, art critics and art observers based in the Netherlands or the Caribbean part of the Kingdom who have been invited to take part in a public programme abroad. Eligible activities include giving a lecture, performance, book presentation or taking part in a panel at a contemporary visual art institution, venue, festival or symposium outside the Netherlands. Participation in an exhibition and commercial gallery or art fair contexts are not eligible. Visual artists need at least one year of professional practice; curators, critics and art observers need at least two years. Applicants cannot be enrolled full-time in a Bachelor's, Master's or postdoctoral programme. The voucher covers travel and accommodation up to EUR 2,500. Rolling intake, but the timing window is strict: applications are accepted a maximum of 4 months and a minimum of 5 weeks before the activity starts. No application fee.
Rolling general project funding for smaller media-art works, events and research. Covers interdisciplinary projects across music, theatre, dance, visual arts, literature, film, architecture, socioculture, intercultural and interreligious dialogue, and children's and youth culture. For artists, professionals, initiatives and institutions based in Karlsruhe (group applications must include at least one person/institution with first residence or registered office in Karlsruhe). Applied for via the City of Karlsruhe online application; selected by UCCoMA Office staff.
The BFI Doc Society Features Production Fund (delivered via BFI with Doc Society as delegate partner) supports UK filmmakers producing non-fiction feature films intended for theatrical release. Two strands: Directions (first- or second-time directors) and Momentum (established talent). AMOUNT: up to £150,000 non-recoupable grant (the total Doc Society contribution per project cannot exceed £150,000). ELIGIBILITY: UK-based filmmakers, both emerging and established directors; experienced and debut producers eligible; projects must meet at least three of six stated priorities: equity/diversity, audience impact, talent development, creative risk, UK-wide access, and environmental sustainability. PROCESS: two-stage — submit an Expression of Interest, then a Full Application if invited. Rolling intake year-round. Opened May 2026. APPLY via BFI Doc Society website. Contact: hellobfi@docsociety.org.
Fonds 21 supports professional, high-quality art and culture projects by Dutch non-profit organizations (foundations, associations and non-profit BVs/NVs), across performing arts, visual arts, film, literature and interdisciplinary work, with additional pillars for arts education and youth & society. The minimum request is EUR 10,000 with no stated maximum, and roughly EUR 11.5 million is available annually. Applications are accepted year-round via the online portal (after a short eligibility snelcheck) and must be submitted at least four months before the project start date. Free-of-charge events are generally not supported; the fund expects most programming to be paid-access. No application fee.
Het Cultuurfonds (formerly Prins Bernhard Cultuurfonds) invests over EUR 40 million per year in culture and nature in the Netherlands. Foundations and associations can apply year-round for project grants (typically EUR 15,000 to EUR 50,000 at national level), and since 2025 individual makers and collectives can apply for up to EUR 5,000. Provincial chapters run their own quarterly rounds for regional projects, and numerous themed funds (EUR 5,000 to EUR 25,000) cover specific disciplines. Rolling intake via the online application portal. No application fee.
VSBfonds supports cultural initiatives that make it possible for everyone in the Netherlands to take part in art and culture, spanning ten programme lines from professional performances to community arts. Applications are accepted year-round with no deadlines from foundations, associations and applicants without a formal legal form, and must be submitted at least four months before the initiative starts (two months for amateur arts). A two-minute online quickscan checks eligibility before the formal application. No fixed minimum or maximum amount; the request should be proportionate to other funding. No application fee.
The Fonds voor Cultuurparticipatie, one of the Dutch national cultural funds (annual budget around EUR 30 million), currently has several schemes open for applications: cultural education in vocational education (mbo, EUR 5,000-55,000), cultural education in vmbo/vso/pro (EUR 10,000-65,000), cultural education for the Caribbean parts of the Kingdom (EUR 5,000-50,000), an open call for design-based learning platforms (up to EUR 75,000) and an interdisciplinary scheme for professional makers (EUR 12,500-50,000). Most schemes target cultural institutions, in some cases in partnership with schools. See the subsidies overview for per-scheme conditions. No application fee.
AFK is the City of Amsterdam's arts fund and the main route to project money for artists and organisations working in the city, and it was the significant gap in this desk's Dutch coverage. The Projectsubsidies 2026-2028 scheme funds art and culture projects across disciplines, split into four categories by scale and applicant type; requests up to EUR 7,500 in categories 1 and 2 are assigned to an assessment round by monthly draw, with published loting and gesprek dates. ELIGIBILITY: you must live or work in the municipality of Amsterdam or in Zaanstad, Oostzaan, Landsmeer, Waterland, Haarlemmermeer, Amstelveen, Ouder-Amstel or Diemen. Both individual makers and organisations can apply depending on category. NOTE: AFK periodically closes individual categories when demand outruns budget (categories 3 and 4 for professional art were temporarily shut in May 2026 and reopened on 1 July 2026), so check which categories are open before you start. Applications are in Dutch through the AFK portal. Phone 020 520 0520, weekdays 09:30-12:30 and 13:30-16:00.
apexart's Open Calls turn a curatorial idea into a funded apexart exhibition, selected by a crowdsourced international jury of more than 600 people in 70 countries. WHO CAN SUBMIT: anyone, from anywhere, with no fees at any level: trained and student curators, artists, writers and creative people regardless of experience, background or location. HOW: a 500-word proposal for a focused, idea-driven, original group exhibition, submitted through the online form during the proposal window. TWO ANNUAL WINDOWS: every October for exhibitions in apexart's NYC space, and every February (to early March) for exhibitions taking place anywhere in the world except NYC; for the international call you must propose a location you have actually visited, with the specific venue settled after selection. SELECTION: jurors vote anonymously online (each proposal gets an equal number of views, submitter names hidden); proposals are judged on the strength of the idea and how well it is communicated, not on connections or CV. WHAT WINNERS GET: a USD 10,000 budget (USD 8,000 for expenses, up to USD 2,000 curator honorarium, plus up to USD 1,000 venue-rental match outside NYC), with apexart covering insurance, publicity, the printed brochure, the opening reception and most logistics including loan agreements and shipping, and staff working closely with the guest curator. Winning proposals become part of apexart's next exhibition season. Check the site for the current window's exact dates; submission forms only go live during the proposal periods.