Currently 169 active paid visual and media arts grants, fellowships and residencies. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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Open call for ZAMEK Culture Centre's 2027 Artist-in-Residence programme in Poznan. Supports artists working across visual arts, performance, choreography, dance, music, sound art, architecture and filmmaking (literature is excluded). Two formats: a Conceptual Residency (creative stay, no requirement to complete or present a final work, with public meetings at least every two weeks) and an Operational Residency (concluding with an artistic event such as an exhibition, concert or screening, plus regular public meetings). Selected artists receive accommodation in the former imperial residence, a studio, a fee of PLN 6,000 gross per month, a production budget of PLN 5,000 to 15,000 gross, curatorial support and publicity. Residencies run 4 to 8 weeks in 2027. ZAMEK is particularly interested in projects that engage changing realities, the current moment and the future (climate and migration crises, the war in Ukraine, social and political issues) or the context, history and architecture of the Castle; project scale must fit the programme budget, and projects should not rely on external co-financing. Download the Terms & Conditions on the ZAMEK site to apply. Deadline: 27 July 2026.
Calgary Arts Development (CADA) is seeking an artist or artist team to join The City of Calgary's Walden Fire Station and Library project team to create permanent public artwork(s) for a combined fire station and library planned for the community of Walden. One artist/artist team will be selected with a total project budget of CAD 275,000 (exclusive of all applicable taxes); the opportunity is open to local and national professional artists/artist teams working in various media. ELIGIBILITY: local and national mid-career to late-career professional public artists and artist teams with a minimum of five years' previous experience creating artwork in the public realm; they must have at least three outdoor permanent public art installations, each with a lifespan of over 10 years and a minimum project budget of CAD 150,000 (see the Canada Council for the Arts definition of a professional artist). Walden does not currently have an active community association, so the project requires experience in artist-led community engagement and a strong understanding of alternative outreach. Artists must be available to meet the project timelines from September 2026 to the end of concept and design by July 2027; fabrication and installation take place in Phase 2, starting in the second half of 2027 and continuing into 2028. REWARD: total project budget CAD 275,000 (artist fee CAD 68,750 + GST); CADA is open to adapting the budget breakdown to the artist's approach, following CARFAC's recommendation of a minimum 20% to the artist's fee, though the total budget will not be increased. TIMELINE: applications open 16 June 2026 (9am MT); pre-recorded information session posted early July; application deadline 28 July 2026 (no applications accepted after 1pm MT); shortlisted interviews mid-September; results late September 2026. Eligibility questions: walden@calgaryartsdevelopment.com.
Festivals is one of the new National Lottery programmes Arts Council of Wales launched on 13 April 2026, and it is the clearest organisation-facing route for funding a public festival in Wales. It supports focused, time-limited festivals delivering high-quality arts programmes to broad audiences, in a single artform or mixed artforms, with preference given to festivals that commission, create and present new artistic work. Grants run GBP 500 to 100,000 across four tiers, with the tier ceiling tied to how long the festival has been established. Match funding is mandatory: the Council covers at most 75 percent of eligible costs and in-kind support is capped at 10 percent. There are two deadlines in 2026, both at 1pm: Wednesday 29 July 2026 and Wednesday 16 December 2026. TIMING RULE: a minimum of twelve working weeks must fall between the deadline and the project start date, so activity applied for in the July round cannot begin before roughly late October 2026. Retrospective costs are ineligible. Individual artists cannot apply.
Create and Engage is Arts Council of Wales's general-purpose National Lottery programme for making and presenting arts work, launched alongside Festivals in April 2026, and is the natural fit for exhibitions, public programmes, touring and participatory events that are not structured as a festival. It funds creation, presentation, programming, touring, community participation and, for organisations only, professional development. Small awards go up to GBP 10,000 and large awards run GBP 10,001 to 60,000, with up to GBP 100,000 possible in exceptional cases with advance manager approval. At least 10 percent of project costs must come from non-Council, non-Lottery sources, a notably lighter co-financing burden than the Festivals fund's 25 percent. TIMING RULES: Small Create and Engage is rolling with no set deadlines but requires a minimum of 10 working weeks between submission and project start; Large Create and Engage has fixed 1pm deadlines on 29 July 2026, 30 September 2026 and 16 December 2026, with a minimum of 12 working weeks between deadline and project start. Non-UK organisations can participate as partners but cannot lead. Applicants cannot have an application in to more than one Arts Council fund at the same time.
The Artists' International Development Fund (Organisations) is Arts Council of Northern Ireland's route for NI-based arts organisations to take a first substantive step into international working. It is the organisations counterpart to the individual-artist AIDF under the Support for the Individual Artist Programme, which is a separate scheme with its own amount band. Grants run GBP 1,000 to 7,000 and cover art materials, residency costs, travel including airfare and mileage, artistic and technical fees for production or post-production, venue hire, and equipment capped at 50 percent of the request value. The deadline is Thursday 30 July 2026 at 12:00 noon, and the online system closes precisely at noon. Applicants must be NI-based, must have received recognition for their work there, and must not already have extensive international experience. The application must evidence genuine interest from an overseas partner or host, so a confirmed international invitation, residency offer or presentation opportunity is effectively a precondition.
The Mondriaan Fund's Publication grant supports the production of special publications about living visual artists from the Netherlands or the Caribbean part of the Kingdom. It funds books and other publications that give substantial, high-quality attention to an artist's work and practice. WHO CAN APPLY: visual artists and publishers, individually or jointly; the featured artist(s) must be professional and have been active for at least one year, based in the Netherlands or the Caribbean part of the Kingdom. AMOUNT: the Mondriaan Fund contributes a maximum of 35% of the eligible expenses; the available budget for this round is EUR 205,000. APPLYING: submitted through the Mondriaan Fund's online application portal, which requires a pre-created account (allow several working days to set up). DEADLINE: 30 July 2026, 16:00 Dutch time (10:00 Caribbean time).
Germany's flagship open, non-thematic federal project line, and one of the largest European funders that will back a festival, exhibition programme or multi-partner convening run by an organisation rather than an individual artist. It funds large innovative projects across all artistic fields, explicitly including New Media alongside visual and performing arts, music, film, photography and architecture. There is no published maximum, but the EUR 50,000 minimum total project cost sets the scale, and at least 20 percent co-financing is mandatory. Deadlines are twice yearly at 12:00 CET: 31 July 2026 and 31 January 2027. TIMING RULE: decisions are made by an external jury meeting in May and November, and no project may start before its jury date, so plan four to six months of lead time. Non-German organisations are genuinely eligible, which is unusual at this scale, provided the project is visible in Germany and has an international dimension. Two practical barriers: the application form must be completed in German, and project communications must include a German-language version.
TED (the global platform for ideas and storytelling) and POSCA (a creative brand by uni Brands Corporation) are launching a new kind of artist residency: a globally distributed cohort of artists working across different geographies, cultures, and communities, united by a shared drive to shape public life through art. Fine Acts, the external curatorial partner selected by TED & POSCA, leads the curation, creative direction, and coordination. There is no single location and no central studio: selected artists work within their own communities, following a shared creative constraint (a unifying conceptual framework around repair, hope, and beauty), with projects unfolding in public space, community participation as a key part of the work, and process mattering as much as outcome. 2026 THEME, VISIBLE MENDING: inspired in part by Kintsugi (the Japanese practice of repairing broken ceramics with gold), the theme explores repair as a creative and civic act, inviting artists to consider how wounds, ruptures, and imperfections can become sites of transformation, and to make processes of repair visible through public interventions that spark reflection, dialogue, and collective imagination. In 2026, four artists will be selected to develop community-rooted public interventions to be implemented in 2027. AWARD: each selected artist receives a total of USD 15,000 to cover artist fees, production costs/community activation, and documentation, plus a production budget and tools from POSCA, creative direction and storytelling support, and visibility through TED and Fine Acts' global platforms. While the residency term is one year, the initiative will run for multiple years (2027, 2028, 2029), expanding the cohort year by year and building an evolving global archive of civic artistic interventions. Apply by 31 July 2026.
Project grants from the Hugo Burge Foundation, a major UK arts funder that distributed GBP 400,000 in its first full year (2025) across three funds: Creative Education (0-29 year olds), Creative Communities (organisations, festivals, community groups), and Creative Individuals. The Creative Individuals Fund (GBP 50,000 available in 2026) is open to individuals seeking support for the development of artistic projects or practice; it awards up to GBP 5,000 and can fund the entire project. Practitioners in all creative disciplines across the UK may apply. The Foundation also runs a GBP 7,000 access support fund (first-come, first-served) that pays access support workers up to GBP 300 for a day's services for applicants facing barriers to applying, including those who are Deaf, disabled, or neurodivergent (no proof required). ELIGIBILITY: practitioners in all creative disciplines based across the UK. Applications are submitted via Submittable and close 31 July 2026.
Stichting Stokroos Maker Initiatives supports established visual artists, designers and craft practitioners (overlap possible), including duos and collectives, in developing and realising a multivocal artistic project or programme centred on a common concern, in collaboration with other makers or communities. There is one application round per year and Stokroos can support 4 to 6 proposals; a maximum of 40 eligible applications are considered per period. Eligibility: you completed your first subject-specific (vocational or higher) programme in 2020 or earlier, or have an equivalent established track record, or started without formal training (first presentation marks the start of your practice); at least 21 years old; living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; not currently enrolled in a study or post-academic programme. You must apply together with an artistic or creative partner (from professional makers to communities); duos and collectives must also have an external partner. You may submit only one application per year across all Stokroos grants, and must not have received a Seed Grant rejection in the previous calendar year. The grant is a fixed contribution of EUR 25,000 or EUR 40,000 depending on need. Plans can take place anywhere, start in the next calendar year and last a maximum of two years. Applications are submitted via the online form in Dutch or English (portfolio PDF up to 20 pages/person, optional video up to 10 minutes total, CV up to 2 pages/person, budget up to 3 pages, work/plan/collaboration descriptions up to 2,500 characters each). Stokroos aims to respond within 10 weeks; no appeal is possible. Application window: 20 to 31 July 2026. Questions: mail@stokroos.nl.
Annual artist-in-residence award funded by Dr. Michele Larose, hosted by the Osler Library of the History of Medicine at McGill University, supporting visual artists who use McGill collections to create works addressing contemporary and/or historical subjects in medicine and the health sciences. Possible projects include painting, photography, performance, sculpture, and digital, video or installation art. Most work is anticipated to be inspired by Osler Library collections; sources may also include other McGill Libraries, the Maude Abbott Medical Museum, and McGill faculties and hospitals. NO STUDIO SPACE provided; the library offers research support, research space, and exhibition space. RESIDENCY DUTIES: work on the project; give a public presentation; exhibit or perform the work; submit a report suitable for the Osler Library Newsletter; complete the work by 30 April 2027. The artist retains ownership of the work but must credit Dr. Larose and the Osler Library. Applicants are encouraged to propose a project engaging one of the Faculty of Medicine and Health Sciences Strategic Research Plan themes: Infection (as a threat); Cancer (as a complex global challenge); The Brain; or Personalized/ing medicine. ELIGIBILITY: degree in Studio Arts or a related field and/or a history of exhibiting work in professional venues; open to non-Canadians, but preference typically given to Montreal-based or easily-traveling artists. APPLY by emailing ONE PDF (filename: lastname.LaroseOsler2026.pdf) to awards.oslerlibrary@mcgill.ca containing a 1-page project description, proposed timeline, CV, one letter of recommendation (addressed to Head Librarian Dr. Mary Hague-Yearl), and work samples (typically 5-15 images). Reference letters may also be sent separately by the referee before the deadline. Results announced in August or September. Deadline: 31 July 2026.
The Simone Veil Prize, administered by the European Commission, recognises outstanding projects preserving and promoting European Jewish cultural heritage. It is awarded across five categories: Shared Histories, Heritage for Dialogue, Living Heritage, Cross-border Cooperation and Shared Narratives, and Next Generation/Youth Engagement and Education. AWARD: €10,000 per Grand Prix winner (one per category, five in total); up to 25 finalists receive recognition. ELIGIBILITY: legal or natural persons (individuals or organisations) registered in EU Member States or third countries associated to the Creative Europe programme; projects must have been completed between January 2023 and January 2026. DEADLINE: 31 July 2026 at 23:59 CET. APPLY by submitting the completed application form by email to applications@simoneveilprize.eu.
The Prix Art & Environnement (4th edition), awarded by Lee Ufan Arles and Maison Guerlain, supports an artist working at the intersection of art and the natural environment. The prize winner receives a funded 6–8 week production residency in Arles in early 2027, including production space, accommodation, and mentorship from Lee Ufan Arles staff, culminating in a solo summer 2027 exhibition. ELIGIBILITY: open to all artists of any discipline and nationality, with no age or degree requirements; candidates must demonstrate at least one solo exhibition and one or more group exhibitions. DEADLINE: 31 July 2026. APPLY via the Google Form linked from the Lee Ufan Arles website.
The Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at the University of Cambridge marks its 25th anniversary with an open-call exhibition on the theme Knowledge in a Fractured World: how knowledge is produced, contested, and shared in a fragmented age. Accepts 2D, 3D, video, film, and sound work; a strong thematic fit for critical data and research-based practices. Open worldwide, free to enter, no commission on sales. Deadline 31 July 2026.
The Krzyzowa Foundation's Konrad and Pawel Jarodzki Artist-in-Residence Programme hosts an artist for six weeks (21 September to 31 October 2026) at the historic Krzyzowa estate in Lower Silesia, providing accommodation, financial support, and a production budget (amounts not published on the call page). ELIGIBILITY: residents of Creative Europe countries other than Poland. Deadline 31 July 2026.
The Fundacion Camila Caneque, with BAR project, hosts a six-week international residency (8 October to 20 November 2026) titled In the meantime nothing happens, in the Emporda region of Catalonia. Open to artists, curators, researchers, and interdisciplinary practitioners; the residency covers a EUR 2,000 gross stipend, accommodation, meals, utilities, round-trip travel, insurance, and curatorial support. Individuals only. Deadline 31 July 2026.
Inaugural Adrianna Newell Fellowship, a live/work studio residency in Stamford, NY (Western Catskills) for October 2026, with possible extension into November. Named for board member Adrianna Newell, it invites queer lens-based artists working in photography and moving image with an active, research-driven or conceptually rich practice, especially work engaging queer perspectives on land, rurality and regional space, or queer identity, memory, intimacy, community and embodiment. Open to artists from everywhere. Fellows receive a 1000 sq ft studio with attached apartment, a $1,500 combined materials stipend and per diem, and introductions to the local creative community; an open-studio presentation, artist talk or public exhibition at the end is required. Travel, especially international, is not funded (residents are encouraged to seek travel support elsewhere). Apply by emailing a single PDF (one-page description of your work and planned project, 10 to 20 work samples with short descriptions, and a current CV) to programs@artsrec.org. Deadline: 31 July 2026; notices by end of August.
AVISTAVULCÃO opens a call for a one-month artist-in-residence programme focused on research and creation, taking place in March 2027 and intended for an artist or artistic duo. Located on the island of Faial near the Capelinhos Volcano (Azores, Portugal), the residency offers immersion in a territory shaped by geology, insularity, and the interplay between nature and human presence, with the Azores treated as living material for creation. Artists are invited to develop projects engaging with landscape, memory, local history, and the contemporary challenges facing peripheral regions; suggested starting points include geological time, transformation, resilience, isolation, mobility, and the relationships between communities and the environment. Context-sensitive proposals that prioritise observation, listening and a relationship with the place are valued. Residents meet local stakeholders and share moments with the community, culminating in a public presentation of the process or results. SUPPORT (in-person mobility): EUR 1,350 allowance per resident, travel allowance of EUR 400 to 800, green mobility top-up of EUR 400, visa top-up of EUR 120 per resident, outermost regions top-up of EUR 175 per resident, family top-up of EUR 200 per child, and accessibility support. ELIGIBILITY: individual artists and duos (cross-disciplinary welcome) from countries eligible for the Creative Europe programme. DEADLINE: 1 August 2026.
Accent Sisters offers a work-study fellowship for individuals passionate about literature, visual arts, and community engagement. The fellowship provides hands-on experience in a bookstore and a hybrid event space where exhibitions, book launches, film screenings, educational programs, and other public programming take place. It is ideal for someone looking to build a career in cultural institutions, independent bookstores, or art galleries. Fellows work closely with both the bookstore and gallery teams, gaining skills in book curation, exhibit planning, marketing, and community outreach, while developing a personal project that merges these disciplines. WHAT YOU GET: opportunities to work with writers, artists, and creators; a chance to pitch projects, events, and programs for a diverse community; free passes to all in-person events and classes; fellow discounts; a showcase of your personal project toward the end of the fellowship; one-on-one mentorship with the Accent team; and a USD 600 stipend. Open to upcoming seniors, upcoming second-year graduate students, and recent graduates of undergraduate/graduate programs. Four tracks are offered and applicants generally choose one: Program Coordination & Community Engagement; Curation & Administration; Graphic Design & Digital Asset Management; or Marketing & Business Development. The fellowship runs 20 August to 20 December 2026 (part-time, 3 days per week, on-site required). Applications are reviewed from 15 July to 1 August 2026.
The Sarabande Foundation, founded by Lee Alexander McQueen, offers subsidised London studio residencies for creatives across disciplines (fine art, fashion, design, digital), with structured mentoring and pro bono expert support. ELIGIBILITY: applicants must have a UK address and the right to work in the UK; the foundation cannot sponsor visas. Deadline 1 August 2026.
Funds organisations to reinstall permanent collections or mount temporary exhibitions drawn primarily from their own holdings, on condition the project broadens understandings of American art and pursues inclusive, expansive curatorial practice. Planning grants of USD 25,000 to 75,000 cover research, advisory committees and conservation; implementation grants up to USD 100,000 cover interpretation, exhibition design, conservation, public programmes and dissemination of research, so the public-programming layer of an exhibition is fundable here. TIMING: the 2026 cycle is two-stage, with a grant inquiry due 3 August 2026, a full proposal for shortlisted applicants due 13 October 2026, external panel review, decisions in April 2027 and projects starting after 1 May 2027. That is a nine-month decision lag, so this is planning-horizon money. International applicants are explicitly welcomed and need US 501(c)(3) status or the international equivalent. The Foundation will not fund acquisitions, equipment, exclusively online projects, or projects consisting primarily of loans. The American-art subject requirement is the main constraint for media-arts organisations.
The New Emergence Art Prize 2026 is an international open call for emerging artists, presented by New Emergence Art. There is no set theme and work may be submitted in any medium. AWARDS: a prize fund worth over GBP 5,000 across nine awards supporting artists through cash prizes, artist materials, mentoring, and a residency, including a GBP 1,000 Grand Prize, a two-week NG Art Creative Residency in Provence, France (worth EUR 2,000), a GBP 300 Founder's Prize cash award, and materials or subscription awards from Staedtler UK, Rosemary & Co, GreatArt, Michael Harding, and The Art Ladder. ELIGIBILITY: open internationally to emerging artists; entrants may submit up to three original artworks that represent the quality, originality and direction of their practice. Final selections are made by an independent judging panel considering concept, execution, originality and impact. Shortlisted artists are featured in an online exhibition running 11 August to 7 September 2026. NOTE: there is a paid entry fee (amount set at the entry step). DEADLINE: 3 August 2026, 23:59 BST. Apply via https://www.newemergenceart.com/apply.
The Eamonn McCabe Bursary, launched in 2024, commemorates the life of photojournalist Eamonn McCabe (1948-2022), who made his name as a sports photographer before moving to wider editorial work, mainly for The Observer and The Guardian, and who supported a generation of photographers from the 1980s to the 2020s. Run by the RPS in partnership with McCabe's family and The Guardian, this international bursary continues that legacy. AWARD: GBP 3,000 to a photographer aged 30 years or under to deliver a photography project responding to the theme of 'sporting endeavour', which can be interpreted as widely as the applicant wishes, though the general approach should be suitable for publication. The project should normally be new, not previously exhibited or published. As well as professional sports, the call particularly encourages projects covering grassroots and community activities (for example, addressing issues such as mental health or supporting displaced communities), and welcomes creative interpretations of the theme. The completed project will be published by The Guardian and the RPS. ELIGIBILITY: applicants must be aged 30 years or under on the closing date. PROCESS: interviews via Zoom in September; recipient announced by the end of September; project completed within one year of award. Apply via the RPS application portal using RPS Account credentials. Closing date 3 August 2026.
The Cafe Royal Cultural Foundation NYC Performance Grant supports individual artists producing theatre, dance and performance art (which may be accompanied by music) moving toward a public performance. The Summer 2026 cycle offers up to $10,000 for eligible production costs: actors, dancers and guest performers, director/choreographer/composer and creative-team fees, costumes, lighting, sound, scenic, props and set, rehearsal and venue rental, and production and technical staff. Funds do not cover the creation or composition of new work; if the performance is a play it must be a full production (readings do not qualify). ELIGIBILITY: individual performers only (not groups or organizations) who are US citizens or resident aliens, current NYC residents who have lived in the city at least one year and will remain through project completion. This cycle accepts only 40 applications and closes early if that cap is reached. Applicants may submit up to 5 video links. Apply via the foundation's performance page. Deadline: 3 August 2026, 9:00 am ET (or earlier if 40 applications are received).
The Railyard Art Project (RAP) facilitates temporary public art installations by established and emerging artists and arts collectives in Santa Fe's Railyard Park + Plaza. RAP is accepting proposals for temporary public art installations and creative projects; thanks to funding from Santa Fe's Arts and Culture Commission, two projects will be hosted between October 2026 and June 2027, each receiving a USD 3,500 honorarium plus marketing support and liability insurance. THEMES: the RAP Committee encourages collaboration across disciplines (art, science, history) and welcomes thoughtful, challenging, playful, and edifying art in the context of social and cultural expression and environmental sustainability. Proposed projects must physically withstand outdoor public display and engage the community by responding to the natural and social landscape of the park. SELECTION CRITERIA: overall artistic merit; context and familiarity with the proposed site; practical viability; and potential for community engagement and cultural/educational enrichment. Artists should select an eligible area of the park's open space and describe the project in detail; photos or renderings may be uploaded with the application (a map of Railyard Art Locations is linked from the program page). The RAP Committee, made up of community members and Park + Plaza stakeholders, selects and schedules the exhibitions; a formal in-person presentation may be requested depending on complexity. CONDITIONS: the park operates under a Conservation Easement, so installations cannot be located on planted areas, no staking of any kind is permitted (including during install/de-install), and nothing may be hung from trees. Artists lend artwork at their own risk (no protection against vandalism or weather damage, and artists are responsible for repairs). Installs and de-installs must be coordinated in advance with the RAP Committee or Railyard Park Conservancy staff, with a Committee or staff member on site throughout. Application deadline 5 August 2026.
Flickr and Black Women Photographers award a USD 10,000 grant to a Black female or non-binary photographer to invest in their practice. The 2026 edition centers on the theme Traces of Connection, chosen by 2025 recipient and guest judge Eleonore Menga. TO APPLY: be a member of the Black Women Photographers organization (free), join the BWP Flickr Community, submit one photograph inspired by the theme to the community, and share a brief description of how the image connects to it. The winner also receives a two-year Flickr Pro and a one-year SmugMug Pro membership, and is announced live at the first MODE by Flickr festival in Minneapolis (18-20 September 2026); ten additional recipients receive Flickr Pro and SmugMug Pro memberships. DEADLINE: 6 August 2026. No entry fee.
Web Residencies No. 22, 'Ignore All Previous Instructions,' is curated by !Mediengruppe Bitnik as part of Akademie Schloss Solitude's Web Residencies program, which since 2016 has supported young talents from the international digital scene as well as artists of all disciplines engaging with web-based practices. For the tenth anniversary of the program, this edition invites artists to create works that challenge extractive digital platforms and AI systems, exploring how to interrupt dominant technological logics, from ad-tech surveillance to prompt injection vulnerabilities, and imagine alternative structures and communication methods. The open call seeks proposals that hijack, glitch, and disrupt rather than comply with existing systems, drawing on strategies like Situationist detournement to map routes through and around the grids we are trapped within. Four to six proposals will be selected. BENEFITS: a four-week online residency; a grant of EUR 1,200; a web space (microsite) on which the project can be developed and published online; support from a web/UX designer and a programmer (in a supportive capacity only, not to build an entire website); and participation in individual and group online events with the curators and Solitude fellows. Offline or hybrid formats (a reading session, panel, exhibition, or curated program) may follow. ELIGIBILITY: artists of all disciplines may apply, with no age limit; submission is free of charge. The residency takes place exclusively online, and selected fellows agree to be available online during the four weeks. TIMELINE: the open call runs from July 7 to August 7, 2026.
The Black Arts Centre is calling for proposals from artists for exhibitions and public programming. Exhibition proposals are considered for Spring 2027 and beyond, while programming proposals are considered for projects taking place from September 2026 onward. The submission portal is open from 1 June to 8 August 2026. Proposals are reviewed by the Black Arts Centre team and a revolving committee of external community members, evaluated using an internal rubric; applicants begin to hear back in September. SUPPORT: successful proposals receive financial, budgeting, and curatorial support from the Black Arts Centre, including project execution, production, logistics, and marketing. ELIGIBILITY AND PRIORITY: applicants do not need to identify as Black to submit, but priority is given to Black artists, curators, and art organizers, and to artists and projects that align with the gallery's mandate (BIPOC, Disabled, Queer, Immigrant/Refugee/Newcomer perspectives). Submission does not guarantee approval for this cycle, but all proposals are kept on file for future consideration, and updated or alternate proposals are accepted. Questions and PDF proposals/portfolios: info@theblackartscentre.ca. Deadline 8 August 2026.
The Gwangju Media Art Platform (G.MAP), an institution of Gwangju, UNESCO Creative City of Media Arts, invites artists and teams working in digital art to the 2026 Digital Art Culture Lab: Project Lab, a five-month creation support program (August to December 2026) covering the entire creative process from idea development through production, showcase and archiving. WHO CAN APPLY: artists and groups in digital art wishing to create interdisciplinary projects using digital technology (all members aged 19+; international applicants welcome). Focus areas: digital art, media art, generative art, AI, interactive art, XR, AR, VR, interdisciplinary, art and technology. SELECTION: 14 teams total across two tracks: Track 1 Digital Transformation (7 artists/teams) and Track 2 Interdisciplinary Creation (7 teams). INTERNATIONAL ARTISTS CAN APPLY FOR TRACK 2 ONLY. SUPPORT: creation and production grant up to KRW 30,000,000 per team for Track 2, two online mentoring sessions, and a showcase in G.MAP exhibition spaces and on large-scale public media platforms including the G.MAP LED Wall and city media facades. KEY DATES: application period 21 July to 9 August 2026, 6 PM KST; results announced 14 August 2026; program period 20 August to 31 December 2026. Overseas participants (Track 2) must attend two in-person meetings in Jeonnam-Gwangju. HOW TO APPLY: submit the application form and portfolio (PDF) by email to uartlabseoul@gmail.com. More info at urbanartlab.org/opencall. Free to apply.
The Alabama Historical Commission, working with public-art consultancy Forecast Public Art, seeks proposals for a major memorial artwork honoring the survivors of the Clotilda, the last known ship to illegally traffic enslaved Africans to the United States (1860). The memorial will convey the survivors' lives and legacies and be developed through collaborative community engagement with historic Africatown, the community founded by Clotilda survivors, and the broader diaspora. ELIGIBILITY: open to artists of all disciplines, including time-based and media artists; individuals and teams; open internationally. BUDGET: USD 2,000,000 total project budget. DEADLINE: 9 August 2026, 11:59pm CST. Applications are handled through the CODAworx RFQ platform; find the Clotilda Memorial listing in the CODAworx opportunities index. Verify the listing details on CODAworx before applying.
Club Nothing is a global events series and USD 40,000 fund from the tech brand Nothing, supporting organisers, artists, and collectives creating new music experiences. The fund will award four individuals or collectives USD 10,000 each to throw a club event, series, or festival later this year, backing disruptors bringing new sounds and experiences to their communities through nightlife anywhere in the world. Applications are judged by a panel including DJ and producer Manuka Honey (Marissa Malik), Nothing Global Senior Community Manager and Madruga Festival co-founder Erica Travis, Nothing Global Head of Communications Shavone Charles, Dazed Music Editor Solomon Pace-McCarrick, A&R and music-publishing founder James Supreme, and music-industry professional Layla Mustafa Rock. Applications close 9 August 2026; winners announced late August 2026. Learn more and apply at nothing.tech/club-nothing (details also posted at https://nothing.community/d/59214-want-10000-to-throw-a-party). See full terms at nothing.tech/club-nothing/terms-and-conditions.
The NEIU Art + Design Studio Art Residency strives to create visible connections between Northeastern Illinois University's diverse population of art and design students and working artists who embody these identities, providing insights and inspiration through a dynamic exchange of ideas and techniques. Visiting Artists should demonstrate a commitment to their artistic practice and an interest in engaging with NEIU's students and creative community. Each Visiting Artist is awarded an honorarium and has full access for a semester to the NEIU Art + Design facilities specific to their project; over the residency they showcase their work in a public academic forum, lead a hands-on workshop, and participate in a Portfolio Review Day for NEIU's Art + Design students. FACILITIES (in the Salme Harju Steinberg Fine Arts Center) include a Design Studio with the largest collection of Riso drums at any Chicago university, a Fab Lab (FDM and resin 3D printers, large-format CNC router, vinyl cutters, laser cutters), a Ceramic Studio (throwing wheels, glaze room, electric and gas kilns, raku area), a Letterpress Studio (two Vandercook presses, metal and wood type), a Sculpture Studio (wood shop, clay modeling and spray painting areas), a Photography Studio (analog and digital, plus a lighting studio), and fully equipped Painting, Drawing, and Printmaking studios. BENEFITS: USD 800 honorarium; facility access based on project focus (Art + Tech, Ceramics, Drawing, Painting, Photography, Printmaking, Sculpture), with supplies requestable subject to approval; and the opportunity to exhibit in a group exhibition in the NEIU Fine Arts Center Gallery. PARTICIPATION: lead a 2-hour hands-on workshop for 15-20 students on a topic relevant to the project; give an hour-long artist talk with Q&A; and serve as a guest panelist for a day-long portfolio review. KEY DATES: open call 2 June - 9 August; emailed acceptances in October; Residency Session 1 runs 25 January - 14 May and Session 2 runs 30 August - 11 December. Apply via the JotForm application. Deadline 9 August 2026.
Wave Hill, in partnership with AnkhLave Arts Alliance, invites NYC-based artists who identify as BIPOC to apply for the 2027 Van Lier Fellowship as part of the 9th Annual AnkhLave Garden Project at Wave Hill Public Garden and Cultural Center in the Bronx. The project supports artists who draw on research, scholarship and lived knowledge to present site-responsive work at the intersection of nature, culture and place, engaging with Wave Hill's plant collections, history, design and architecture. The Van Lier Fellowship (funded by the Edward and Sally Van Lier Fund through the New York Community Trust) will be awarded to two NYC-based visual artists aged 30 or younger. FELLOWSHIP: participation in the Winter Workspace residency (23 February - 18 April 2027); a $10,435 stipend including an $8,000 honorarium and transportation stipend; a solo exhibition in the Sunroom or Sun Porch (15 May - 4 July 2027); public engagement through Winter Workspace programming and a Meet the Artist program; mentorship with Wave Hill curatorial staff, working artists and arts professionals; and AnkhLave Alumni Network benefits. ELIGIBILITY: emerging artists 30 or younger (born 1997 or after) from historically underrepresented communities; live in one of the five NYC boroughs; demonstrate financial need; have completed college and not be enrolled in a degree-granting program during the residency; not represented by a commercial gallery; available for both programs; cannot have been a Van Lier Fellow elsewhere or have previously done a Winter Workspace residency or exhibited at Wave Hill or with AnkhLave. Works may not include nudity, depictions of violence or profanity. Artists may apply to only one of the two 2027 AnkhLave Garden Project opportunities. Questions: visualarts@wavehill.org with '2027 Van Lier-Ankhlave' in the subject. DEADLINE: 10 August 2026. Apply via SlideRoom.
The Wassaic Project is holding its annual Open Call for the 2027 Summer Exhibition, for artists of all mediums, including 2D work, sculpture, video, new media, site-specific installation, performance, text, poems, essays, and publication-specific work. Selected work is showcased alongside a diverse range of pieces and performances in and around historic Wassaic and Maxon Mills; the 2027 Summer Exhibition will be free and open to the public every weekend from 1 May to 12 September 2027. In an effort toward W.A.G.E. certification, all accepted artists receive a modest honorarium to participate. Artists interested in creating a site-specific installation are also eligible for an Exhibitions Fellowship to help realize their work; Fellows are offered a no-fee residency for 1-4 weeks in April or May 2027 (artists interested in making site-specific work should still apply regardless of whether they are interested in or able to be in residence). The Wassaic Project cultivates and supports community for emerging and professional contemporary artists, writers, and other creatives, with a residency program housed in historic landmark buildings that hosts 10 artists each month in the heart of a rural community. APPLICATION: requires application forms, a CV, and an artwork/portfolio; submitted via SlideRoom. Application fee: USD 25 (no participation fee or additional fees). Deadline 10 August 2026.
Residency for Minnesota-based BIPOC artists (Native American/American Indian/Native Alaskan, Asian, Black/African American, Hispanic/Latino/Chicano/Latinx, Middle Eastern/North African, Native Hawaiian/Pacific Islander, SWANA) and their families, run by Lanesboro Arts in rural southeastern MN. NO OUTPUT OR PRODUCT REQUIRED: the residency provides whatever the artist needs (restoration, family getaway, connection to nature, access to rural community, artistic practice) within the context of the community; only one community share-back event is required (workshop, school visit, small gathering, or blog post; arranged with Lanesboro Arts staff after selection). HOUSING: private bedroom + bath in either the St. Mane Theatre Artist Residency Center (sleeps 1-4) or the Art Loft above the Gallery (sleeps 1-5); kitchenette/full kitchen, studio space, laundry, Wi-Fi; neither space is currently ADA-accessible. COHORT OPTION: solo, OR apply with a specific BIPOC artist collaborator, OR apply open to being matched with another BIPOC resident at the same time (both receive the stipend; lodging split between St. Mane and the Art Loft). Spouses/partners only get a stipend if they themselves are applying as artists in the cohort model. SELECTION: lottery process (no traditional artistic-merit gatekeeping); 6-12 residents chosen depending on session lengths; lottery is recorded and shared with applicants for transparency. ELIGIBILITY: BIPOC artists currently based in Minnesota. APPLY via the Lanesboro Arts website. TIMELINE: initial deadline 11:59pm Monday 10 August 2026; lottery the week of 10 August 2026; rolling applications thereafter if slots remain, until 1 April 2027 or until full. Lanesboro Liaison (staff or vetted community member) optionally available for tours, grocery delivery, and outdoor recreation (biking, kayaking, hiking, state parks, etc.).
Pee Workshop is looking for 16 performers to take part in a two-day research practice led by Nica Roses and Eris Kyriakides as part of the dance and performance event Matter Out of Place. The workshop uses drinking, holding, and releasing liquid as a starting point for choreographic research, paying attention to the body's internal timing: what we consume, how liquid moves through the body, what the bladder signals, and how the organs produce movements that often go unnoticed. This cycle becomes the structure of the research, opening into dance, somatic exercises, choreographic tasks, group compositions, and experiments with collective energy. The material develops through urination but also through the shared experience of moving, waiting, responding, and performing together. Performers, dancers, movement practitioners, and artists interested in somatic research, experimental choreography, and collective performance-making are welcome; professional dance training is not required, but applicants should feel comfortable working physically and collaboratively. All exercises are approached through clear consent, respect for personal boundaries, and collective care. The workshop takes place Monday 17 and Tuesday 18 August 2026 from 10:00 to 17:00 at The Dirty Art Foundation, culminating in an optional 60-minute public showing on Wednesday 19 August. Each performer receives a fee of EUR 200. To apply, send a short introduction about yourself, your movement or performance experience, and why you are interested in the workshop to nicaxroses@gmail.com by 10 August 2026.
The MAK Center for Art and Architecture awards Artists and Architects in Residence scholarships (the MAK Schindler Scholarship) to independent projects exploring the relation between art and architecture. Projects are chosen for their ability to critically examine current trends in art, architecture and society; to make a compelling connection with Los Angeles as the place of implementing or continuing the applicant's own work; and to demonstrate a conceptual and experimental approach. Emphasis is placed on the L.A. location, and residents' projects often reflect, incorporate and address specific facets of the city and its social fabric. Recipients are encouraged to take part in the MAK Center's activities and to attend meetings, workshops and project discussions with other artists and students. ELIGIBILITY: freelance artists; fine arts or architecture students at a university who have completed the '2. Studienabschnitt'; or architects or artists who have recently graduated. Teams of up to three are eligible if all members practice together as an artist group or collective of architects, are all present in L.A. for the six months, and name a contact responsible for the team. HOUSING: the Mackey Apartments are made available to scholarship holders only; family members, relatives and friends may be accommodated for a maximum of two weeks during the term, permitted in advance by Beth Stryker, Director of the MAK Center. Eligibility is excluded if the applicant has been or will be granted another scholarship in the USA immediately before or after the MAK scholarship, or if the data form is incomplete or the required portfolio is missing. Residency terms run October to March and April to September. Deadline 12 August 2026. Apply: https://www.makcenter.org/apply-mackey
A one-year award enabling an emerging Indian visual artist to pursue independent practice, with a stipulation to attend a recognised art residency programme in India for four weeks during the year. ELIGIBILITY IS RESTRICTED: Indian citizens currently living in India, born on or after 1 January 1996, who are either recent graduates, postgraduates or final-year students of a leading Indian visual arts institute, or artists without those formal credentials but with a record of exhibition participation. First-year MA students are not eligible. Awardees submit progress reports at six months and on completion, plus documentation of the residency. Applications close 15 August 2026 at 23:59 IST via Submittable. Shortlisting is expected in late October 2026 with interviews in early November.
A skill-enhancement award for emerging Indian theatre practitioners, supporting participation in recognised training workshops, residencies and similar programmes rather than the production of a specific work. ELIGIBILITY IS RESTRICTED: Indian citizens born after 1 January 1991, with preference given to holders of a theatre degree from a leading Indian institution. Recipients report at the six-month mark and on completion. Applications close 15 August 2026 at 23:59 IST via Submittable. The foundation runs several other awards on adjacent deadlines, including the Inlaks-Attakkalari Dance Studentship (30 August 2026) and a two-month Inlaks Residency at the International Center of Photography in the USA for emerging Indian photographic practitioners (31 August 2026).
Open call to participate in LPM (Live Performers Meeting), described as the biggest worldwide event dedicated to audiovisual performing arts, returning to Rome for its 27th edition. Artists can take part with AV performances, VJ sets and live mapping (a 30-minute slot to perform); workshops, lectures and project showcases; interactive AV installations; and the Live Immersive Contest (competing for prizes from technical partners). NOTE: this is a participation call rather than a funding opportunity - it requires a paid subscription (EUR 20 as artist or guest) which includes a festival pass, a 30-minute slot, a T-shirt and a daily drink, plus a 20% discount on workshops; there is also a volunteer option. Deadline to submit a proposal is 16 August 2026. Enquiries: subscriptions@liveperformersmeeting.net.
Prospect Art invites visual artists worldwide to apply for the 2027 NEW WORK commission, a USD 1,500 project grant supporting the creation of a new, conceptually driven work responding to the curatorial theme "We Come in Pieces," developed by 2026-2027 Curatorial Fellow Alma Sammel. Through a single application, artists are also considered for ONE WORK (an online series featuring an in-depth conversation centered on a single completed artwork) and BROADCAST (a curated online program of screenings, artist talks, and discussions). THEME: "We Come in Pieces" proposes the Alien as a method for shifting perspective, approaching alienness as a practice of estrangement to encounter the world beyond familiar human-centered narratives. It explores relationships between human and more-than-human worlds, speculative cosmologies, ecological systems, technologies, landscapes, histories, infrastructures, and nonhuman forms of intelligence (satellites and orbital debris, fungal networks, oceans, atmospheric systems, algorithmic intelligences), inviting works that displace the point of listening, seeing, sensing, or knowing. Research-based and conceptually driven practices are especially encouraged. WHAT'S OFFERED: NEW WORK, USD 1,500 to one artist plus a featured website section and social promotion (project completed within 12 months); ONE WORK, a published article and social promotion; BROADCAST, a USD 125 screening or speaking fee and inclusion in a themed program. ELIGIBILITY: professional visual artists working in any medium at any career stage, except those currently enrolled in undergraduate or graduate studio art programs; collectives may apply. Media welcomed include moving image, installation, sculpture, photography, performance, sound, digital media, social practice, and interdisciplinary forms. APPLICATION: submit via the official Google Form with contact information, a project description (250 words), a sketch/visualization (1-3 images), up to 3 links to completed work samples, a statement relating the project to the theme (200 words), a short bio and exhibition history (500 words), and a budget breakdown of the USD 1,500. A USD 10 administrative fee is paid via PayPal (include PayPal name and transaction ID); a fee waiver is available with no explanation by emailing submissions@prospectart.org before the deadline. Writers may email gioj@prospectart.org with samples. DEADLINE: 16 August 2026; results for the NEW WORK grant notified by end of September. INFO SESSION: 5 August 2026 at noon PST.
Fucina Futura is an artist residency in Marostica, a small town about an hour from Venice, offering a peaceful setting to develop research in close contact with nature and the local community. The project spans two locations: the home designed by internationally renowned illustrator Elena Xausa near the historic centre, and the atelier Fucina Ai Gorghi by beloved local painter Daniele Marcon, ideal for large-scale installations. Led by visual artist Lavinia and curator Sofia (Futura Association), the program invites residents to develop projects that engage with the community and the working location, and encourages artists of any discipline to make full use of the large atelier. The central goal is the 'restitution' to citizens, fostering cultural exchange and community inclusion: this final phase is tailored to each artist and can take the form of an exhibition, performance, workshop, screening, talk or informal sharing session, prioritising direct dialogue with the public and the contemporary renewal of local tradition. THREE residents are hosted together from 12 April to 12 May 2027 and share a spacious house; they receive a daily fee to cover living expenses, and travel expenses are also covered. Made possible by Culture Moves Europe. ELIGIBILITY: only artists residing in one of the Creative Europe countries EXCEPT ITALY may apply. Creative Europe covers the 27 EU member states (other than Italy), plus Albania, Armenia, Bosnia and Herzegovina, Georgia, Iceland, Kosovo, Liechtenstein, Moldova, Montenegro, North Macedonia, Norway, Serbia, Tunisia and Ukraine, and includes the EU's Overseas Countries and Territories and Outermost Regions (Greenland; French Guiana, French Polynesia, French Southern and Antarctic Territories, Guadeloupe, Martinique, Mayotte, New Caledonia, Reunion, Saint Barthelemy, Saint-Martin, St. Pierre and Miquelon, Wallis and Futuna; Azores, Madeira; Canary Islands; Aruba, Bonaire, Curacao, Saba, Sint Maarten, Sint Eustatius). TIMELINE: apply via the Google Form by 20 August 2026; selected artists informed by 30 August and must confirm participation by 8 September 2026.
The Fondation Francois Schneider's Contemporary Talents competition, themed The Earth for this edition, awards EUR 15,000 per laureate (including acquisition of the work; EUR 8,000 for editioned works) plus an exhibition at the foundation's centre in Wattwiller. ELIGIBILITY: professional artists internationally, in SCULPTURE AND INSTALLATION only (video or digital work alone does not qualify). NOTE: the 23 August 2026 deadline is from a listing site; the organizer page only states the call runs June to August, so verify the exact date before applying.
Mondriaan Fund-supported working period at London's Delfina Foundation, one of the UK's best known artist-in-residence programmes, housed at 29-31 Catherine Place near Buckingham Palace with space for 6 to 8 international residents (own room, shared kitchen and facilities). Delfina promotes artistic exchange and experiment, offering visual artists and curators a platform to carry out research, develop ideas and position their practice within the global discourse, with introductions to the London art scene and Delfina's international network. The programme includes visits to museums, galleries and non-profit platforms, discussions with London-based artists, portfolio reviews with curators and regular networking lunches; residents are expected to take part. Applicants are not asked for a concrete project proposal but must submit a clear motivation: why they wish to take part, what research they want to conduct, and how it can contribute to Delfina's ongoing programme. WHO: visual artists and curators based in the Netherlands or the Caribbean part of the Kingdom; duo applications not possible; application must be in English. One work period available: 27 September to 17 December 2027. Selection by an advisory committee with a Delfina representative; processing may exceed three months. DEADLINE: Thursday 27 August 2026, before 16:00 Dutch time / 11:00 Caribbean time.
The Mondriaan Fund's Residency grant supports professional visual artists, curators, and art observers who want to deepen their practice through a residency in the Netherlands or abroad. It contributes to the costs of a self-arranged residency that offers meaningful development for the applicant's work. WHO CAN APPLY: visual artists, curators, and art observers who have been professionally active for at least one year and are based in the Netherlands or the Caribbean part of the Kingdom. AMOUNT: the grant amount varies depending on the residency's location and duration; applicants must contribute at least 10% of the costs themselves, through personal investment, third-party contributions, an interest-free loan, or crowdfunding. APPLYING: submitted through the Mondriaan Fund's online application portal, which requires a pre-created account (allow several working days). DEADLINE: 27 August 2026, 16:00 Dutch time (11:00 Caribbean time).
Brazil's longest-running artist residency, on the island of Itaparica across the bay from Salvador, hosting six to eight artists per session for roughly eight weeks. Open to all creative disciplines and, unusually for this region, to all nationalities, which makes it one of the few genuinely international residencies in Latin America. Sacatar provides full hosting (private room, three meals daily, individual studio, laundry, local logistics and connections) but explicitly does NOT provide a stipend, airfare to Salvador, art materials or discretionary local expenses, so applicants must fund their own travel. Individual artists only; group proposals are not accepted and former Sacatar Fellows may not reapply. COVID vaccination is required. NOTE: there is a USD 25 application fee. Apply through SlideRoom by 28 August 2026. Contact info@sacatar.org.
The James Castle House in Boise, Idaho (the preserved home of self-taught artist James Castle) opens applications for its 2027 residency terms from 16 July to 28 August 2026. TWO-MONTH RESIDENCY: an immersive focus on a project or body of work responding to the history and legacy of James Castle or the site; open to artists, scholars, creators and professionals in any field; $4,000 stipend; residents share their practice through public events (workshops, open studios, presentations) and donate a selected piece to the City of Boise collection. Terms: 1 March - 30 April, 1 June - 31 July, or 1 September - 31 October 2027. TWO-WEEK RESIDENCY: time and space for a single site-responsive project; $1,000 stipend; one public event. Terms: 11-25 January or 1-15 December 2027. A rolling PROJECT RESIDENCY also considers proposals case by case (email jamescastlehouse@cityofboise.org). ELIGIBILITY: 18+, legally able to work in the United States, able to pass a background check; emerging and mid-career practitioners in any field, though the property cannot accommodate loud or especially messy processes. Residents live alone on site. Selection by committee on strength of proposal, application, work samples and references. Virtual information session 21 July 2026, 1pm MT. Applicants notified September 2026. DEADLINE: 28 August 2026.
CALI Futures supports artists and cultural workers across California, individually and in teams, who are meaningfully contributing to alternative efforts outside of conventional nonprofit and for-profit arts and culture systems. The Fund encourages work focused on income, ownership, and care, and uplifts the role of artists and cultural workers in shaping and sustaining alternative efforts that provide greater financial stability, strengthen creative ownership, and deepen mutual support across the broader arts ecosystem. Project-restricted grants of USD 5,000 are awarded through a competitive process. Competitive applicants present (a) a clear project request; (b) proof of an active, current artistic or cultural practice; (c) a description of their contribution to an alternative effort that improves financial sustainability, creative ownership, or mutual support and addresses challenges not sufficiently solved by conventional nonprofit or for-profit sectors; and (d) framing that ambitiously describes the larger implications of this work for transforming artists' lives and future cultural possibilities. The Fund supports individuals and teams at every stage, from initial ideas to research, implementation, experimentation, and reflection. ELIGIBILITY: applicants must be individual artists or cultural workers (cultural producers, culture bearers, creatives, cultural practitioners); must reside full-time in California; must be contributing to an alternative effort improving financial sustainability, creative ownership, or mutualistic social support within the arts and culture sector; and that contribution must have occurred or begun on or after 1 January 2020. Teams are eligible, but all team members must meet the criteria and only one application is accepted per team (one member applies and is responsible for grant requirements). INELIGIBLE: individuals without an active practice; organizations seeking operating or program support; arts administrators; individuals living or working outside California; past CALI Catalyst grantees describing the same project funded in 2021-2025; incomplete applications; and those with a conflict of interest with CCI or Hewlett Foundation board, staff, or directors. The Fund is administered by the Center for Cultural Innovation (CCI) with funding from the William and Flora Hewlett Foundation. TIMELINE: applications open 9 June 2026 at 9:00 a.m. PT; deadline 28 August 2026 at 11:59 a.m. PT; review September to November 2026; notifications by 17 November 2026. Submitted via Submittable. Questions: grants@cciarts.org (include CALI FUTURES in the subject line) or 415.288.0530.
The Liu Shiming Art Foundation's annual Artist Grants (fourth edition) award up to five grants of USD 5,000 each to early-career visual artists to create new work exploring connections between traditional, cultural, or historical influences and contemporary artistic practice. ELIGIBILITY: visual artists in the first decade of their career (two to ten years practicing professionally); applicants must have received a studio-arts degree between 2016 and 2024, or had their debut gallery or juried-exhibition show between 2016 and 2026. Open to artists of any country; the application and all supporting materials must be in English. TIMELINE: applications open 1 June 2026; close 31 August 2026; recipients notified by 2 December 2026. Apply via the Foundation's grants page.
The Societe des arts technologiques (SAT) and LAB7 (the research-creation lab of 7 Fingers / Les 7 Doigts) offer research-creation residencies at the intersection of performing arts and technology, on the theme of human movement. Each selected project receives a CAD 10,000 grant, roughly two weeks (about 10 days) of studio workspace at the 7 Fingers Creation Centre in Montreal, and personalised coaching from the SAT and LAB7 teams. Open to non-profit organisations, collectives and independent artists working between performing arts and technological arts; the call is effectively open internationally, with no nationality restriction stated. No application fee. Results are announced in early October 2026. Application deadline: 31 August 2026, 17:00. Apply via the official open-call page.
The OIF Support for Artist Mobility and Circulation of Cultural Goods programme provides grants of up to EUR 5,000 for mobility (travel, accommodation, visa fees, logistics) and up to EUR 2,500 for circulation of cultural goods (excess baggage, freight, customs) within the Francophone zone; both can be combined. ELIGIBILITY: professional artists and established artistic collectives with a demonstrated connection to the Francophone space (by nationality, working language, or artistic collaborations), residing in an OIF member state, with minimum 2 years of experience in the cultural or artistic sector; must directly manage the project (not act as intermediaries); one application per individual per call. ELIGIBLE DISCIPLINES: live performance (music, theatre, dance, comedy, storytelling), cinema/audiovisual, literature/publishing, and visual arts. PRIORITY given to projects promoting gender equality, women artists, creators under 35, and South-South mobility. Projects must take place between 25 March and 30 November 2026. Multiple selection sessions throughout the year; call open until 31 August 2026. Information webinars: 11 March, 13 May, and 8 July 2026 at 3 PM Paris time. Contact: culture.dlc@francophonie.org. Apply at https://appelsaprojets.francophonie.org/fr/applications/soutien-a-la-circulation-des-biens-et-mobilite-des-artistes.
Stiftung Künstler*dorf Schöppingen offers residency fellowships for professional visual artists, authors and composers; since 2023 applications from collectives are also accepted. The call is open to people of all nationalities and ages, and accommodation for partners, family members or assistance can be arranged upon agreement and availability (for physical, cognitive or sensory disabilities, contact the foundation to explain any barriers). Fellows reside and work at the Künstler*dorf for a period of their choosing between two and six months, using the premises and infrastructure on-site. The stipend is EUR 1,500 per month, minus roughly EUR 100-200 for rent and operating expenses; for collectives it is EUR 1,000 per person up to a maximum of EUR 3,000 per month, minus rent and operating costs. Travel, insurance or material costs are covered only in exceptional cases on request. The fellowship is not designed as a production residency and there is no obligation to present results, though exhibition and presentation facilities are available and the voluntary co-organization of events (lectures, readings, workshops or similar) is welcomed. A willingness to participate in events and to engage in exchange with other fellows is a prerequisite. Selection is made by expert juries on the quality of previous work, the quality and plausibility of the project for Schöppingen, and program contributions (interaction / community building). Applications for 2027 can be submitted from 27 June to 31 August 2026 (midnight CET) via the online application portal.
The Gallery at Penn College (Pennsylvania College of Technology, Williamsport, PA) invites artists to apply for solo, two-person, or group exhibitions for its 2027-28 season. All entries are juried through a blind selection process by a gallery committee of faculty, staff, K-12 art educators, and community artists; review takes place during the Fall semester and artists receive notification in January. PROVIDED: housing, meals, a solo exhibition honorarium, and a shipping and travel stipend. Promotional support includes an annual gallery catalog, postcards, press releases, and web and social media. THE SPACE: the Gallery is 3,000 square feet with 82-250 running feet of linear wall space and an 11'4" ceiling. All exhibitions are installed by Gallery staff; site-specific installations requiring artist installation need a planning document approved before scheduling. Artists must have enough work for a solo exhibition unless applying for a two-person show. ENGAGEMENT: campus visits are an important part of programming (some exhibitions are scheduled without a visit). Penn College offers a B.S. in Graphic Design with foundation courses in drawing, 2D and 3D design, visual literacy, painting, ceramics, wood sculpture, printmaking, and computer graphics; artists are encouraged to propose class-specific programs and optional community workshops. Visiting artists give a 20-30 minute gallery talk during the public reception (held Tuesdays through Thursdays). TO APPLY: 10-15 digital images of work (JPG/JPEG only, max 4 MB each), an image list with dimensions and medium, a CV, and an artist statement. For two-person or group proposals, provide details in the comments; for video work, upload a PDF with video links and details. Deadline 31 August 2026 for the 2027-28 season.
The Gallery at Penn College is accepting proposals for solo, two-person and group exhibitions in its 2027-28 season. All entries are juried through a blind selection process by a gallery committee of faculty, staff, K-12 art educators and community artists. The space is 3,000 square feet with 82 to 250 running feet of linear wall depending on configuration and a ceiling height of 11 feet 4 inches, and all exhibitions are installed by gallery staff. Site-specific installations requiring artist installation need an approved planning document first. Campus visits are a valued part of programming though some exhibitions are scheduled without one; visiting artists give a 20 to 30 minute gallery talk at the public reception, and are encouraged to propose class-specific programmes or community workshops. Promotional support includes an annual gallery catalogue, postcards, press releases and web and social coverage. Applications require 10 to 15 digital images (JPG only, max 4 MB each), an image list with dimensions and medium, a CV and an artist statement.
The LATITUDE Artist in Residence program (started in 2013) is a one-month production residency where 8-10 artists are granted full access to LATITUDE's facilities and community to develop their practice. Its focus is supporting artists who want to use LATITUDE's printing and scanning services to expand their practice, regardless of medium or experience; past residents include photographers, painters, performance artists, new media artists, and sculptors. WHAT RESIDENTS RECEIVE: a $1,000 printing stipend, unlimited scanning, a personal studio with a calibrated workstation and 24/7 access, training and guidance on tech from staff, an organised public event to present new work, and lifetime free lab access. LATITUDE does not offer a housing stipend but will help schedule studio visits during the month. PUBLIC PROGRAMMING: during the residency each artist puts on one community programming event (past examples include panel discussions, artist talks, performances, workshops, and critiques; a gallery space is available for curation) and is asked to act as a mentor to the community, sharing insights and creative methods. WHO SHOULD APPLY: artists interested in production, education, and tech experimentation; no prior printing experience, art education, or media specificity is required, though professionalism and communication are expected. 2027 PANEL COMMITTEE: Yechen Zhao, B. Ingrid Olson, Teri Carson. TIMELINE: applications open 1 August 2026 (free before 16 August, a $20 donation thereafter) and close 1 September 2026 at 12pm (noon) CST; the selection committee reviews in September, meets to decide finalists in October, and acceptances are sent early November 2026. Apply at latitudechicago.org/artist-in-residence.
Rotterdam's standing project fund for one-off artistic and cultural activity, and the most accessible municipal route for festivals, exhibitions and public programmes in the city. The discipline list names e-culture outright alongside moving image and artistic film, design and fashion, visual arts and photography, architecture, spoken word and all hybrid forms, so media-art and creative-technology programming is squarely in scope. Both non-profit legal entities and natural persons may apply, so individual artists are eligible. There is no published maximum per application; the real constraint is the EUR 272,000 available per round against roughly 130 competing applications. Six rounds run every year with fixed closing dates on the first of January, March, May, July, September and November. TIMING RULE: the activity may not start until eight weeks after the closing date of the round applied in, so a 1 September 2026 application supports activity from late October 2026 onward. Decisions normally arrive within eight weeks of the round deadline, extendable to 20 weeks. Associations and foundations apply via eHerkenning, individuals via DigiD. Organisations already receiving Rotterdamse Culturele Basis, Cultuurplan, Impulsregeling, national BIS, Lokale Culturele Programmering or a CBK Rotterdam practice contribution are excluded.
This is the Groningen scheme that actually funds festivals, and the correct counterpart to the Kunstraad's Projectenregeling, which explicitly excludes festivals and recurring programmes and redirects them here. It supports coherent, continuous public activity across 2027 and 2028 in all arts and heritage disciplines, naming recurring production series, festivals and programme lines as eligible, with no exclusion of media art, digital culture or experimental sound work. Annually recurring festivals with a year-round paid organisation are explicitly named as eligible applicants. Awards run from EUR 5,000 to 40,000 per year against an annual pot of EUR 325,000, capped at one third of total project costs, so two thirds must come from municipal funds, national funds, box office or own contribution. Unusually, the money may also be used to strengthen the organisation itself on the business side, not only to pay for programme content. The application window is 1 July to 1 September 2026, closing at 23:59, and only applications received on time are processed. Applications must be submitted in Dutch via the Mijn Kunstraad portal with fair-pay standards applied in the budget. Funding covers nothing before 1 January 2027. Professional non-profit organisations only; amateur associations and individual artists are directed elsewhere. Material investments, equipment purchases and housing costs are excluded.
Supports solo, two-person and thematic group exhibitions of contemporary visual art. The Foundation explicitly prioritises artists whose work is under-recognised and whose practices are experimental or hard to categorise, which makes it a genuine route for media arts, digital culture and art-and-science exhibitions rather than a blue-chip-only fund. Grants of USD 60,000 to 100,000 cover direct exhibition costs including artist fees, new commissions, catalogue production and artist-designed public programming, but not staff salaries. Applicants may request no more than 25 percent of total direct costs. The proposal is a roughly three-page curatorial letter plus detailed direct-cost budget, organisational budget and IRS documentation. Deadlines are 1 March and 1 September annually, with notifications 1 July and 1 January. IMPORTANT: this is a postmark or email-timestamp deadline, not a portal deadline. Fiscal sponsors are explicitly not accepted; the applicant must hold its own IRS ruling letter. The six-month-to-two-year timing rule is strict, so a September 2026 application suits exhibitions programmed from mid-2027 onward.
This is the closest thing in US foundation philanthropy to core support for an organisation running an ongoing public programme, as opposed to a single exhibition. It funds a two-year slate of exhibitions, residencies, public art, screenings, performances, lectures and publications, which means a recurring festival or convening series can be underwritten here. Grants are USD 60,000 to 100,000 over two years and may not exceed 25 percent of annual operating budget. The Foundation states a preference for organisations supporting artists with experimental, hard-to-categorise practices, putting digital culture, sound art and art-and-science programmers squarely in scope. Applications require a forward programme schedule covering at least the twelve months after the award, a three-page narrative focused specifically on how artists benefit (the stated central evaluation criterion), a full one-year organisational budget and 501(c)(3) documentation. Deadlines are 1 March and 1 September, notifications 1 July and 1 January. Fiscal sponsors are not accepted. Organisations that received a Multi-year grant within the past year are ineligible, and proposals centred on anniversaries, relocations or major renovations are explicitly discouraged.
Launched in February 2026 as an expansion of the Foundation's programme to reach organisations too small for the Exhibition Support and Multi-year strands, and it is the single most relevant new US scheme for small media-arts festivals. It funds visual arts projects with a public component, explicitly naming film festivals, exhibitions, installations, residencies and interdisciplinary collaborations. Grants are USD 20,000 to 30,000 toward direct costs. The hard gate is the USD 200,000 annual operating budget ceiling plus US 501(c)(3) status held directly by the applicant, not via a fiscal sponsor. The Foundation states it assesses creative risk-taking and the growth of participating artists rather than community impact metrics, which suits experimental sound and digital culture programming. Proposals are a maximum of three pages plus a one-year operating budget, a project budget and IRS documentation. Deadlines are 1 March (projects begin 1 July or later) and 1 September (projects begin 1 January or later). Youth-focused projects are ineligible. One project per round, and grantees must wait a year after project completion and final reporting before reapplying.
Creative Australia's principal open-round project grant for arts organisations and the most directly relevant Australian scheme for mounting festivals, exhibitions and public programmes. The guidelines explicitly list festivals, productions, exhibitions, performances, touring, publishing, recording, collaborations, research and community engagement as supported activity. Organisations may propose either a single project or an entire programme of projects, which can extend to a full artistic programme for a given calendar year or longer, so this can function as de facto annual programme funding. The category is artform-agnostic and routinely supports media arts, digital culture, experimental sound and art-and-science work; activity delivered online is explicitly permitted. NOTABLE: international organisations are eligible where the project demonstrably benefits practising Australian artists, their work, or Australian audiences, so a non-Australian festival can apply if it is programming Australian artists. The applicant must be a legally constituted entity: incorporated association, company limited by guarantee, or government statutory authority. Registration in the Application Management System must be completed at least one business day before the closing date. The round closes 1 September 2026 at 3pm AEST.
Fast Forward is a two-year Pro Helvetia programme offering mentoring, management support, and content-creation funding to help mid-career musicians build international careers, spanning pop, rock, jazz, electronic, experimental, global sounds, and hip-hop. Applicants must be mid-career music professionals established in Switzerland's music scene with regular presence across language regions. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: CHF 25,000 per year (maximum CHF 5,000 for mentoring and CHF 10,000 for musician fees). Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Feat. is a Pro Helvetia grant supporting first-time collaborative projects between hip-hop and/or clubbing artists to produce a joint release. Open to DJs, beatmakers, rappers, and producers with at least one prior EP or album on a recognized label. Applicants must have a verifiable connection to Switzerland (citizenship, permanent residency, or an institutional base with regular artistic activity). AMOUNT: up to CHF 10,000. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's creation and production grant for pop, jazz, and global music supports the creation and production of new musical works (repertoire, recordings, performances) by established artists working in pop, rock, jazz, electronic, experimental, global, and hip-hop styles. Applicants must be nationally established music professionals or bands. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's new production grant funds new performing arts productions, including digital and hybrid formats, by Switzerland-based artists and companies with confirmed venue bookings and co-financing in place. Open to Swiss citizens, permanent residents active in Switzerland, or independent groups and cultural institutions based in Switzerland. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. The grant amount is not specified on the call page and depends on the project. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Focus Photo is a Pro Helvetia grant supporting new artistic, documentary, or applied photography projects, whether analogue, digital, or post-photographic. Open to Swiss citizens, permanent residents active in Switzerland, or Swiss-based groups and institutions. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's visual arts production grant supports the creation of new works by established visual artists, photographers, and architects with a cross-regional exhibition track record beyond their own language region. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's grant for production with presentation funds newly created visual artworks that are being presented publicly for the first time. Open to cross-regionally established artists, photographers, and architects (and collectives) with institutional experience and exhibition activity beyond their own language region. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
The Kimmel Harding Nelson Center for the Arts (KHN) in Nebraska City supports established and emerging writers, visual artists, and composers/musicians by providing living and studio space that allows uninterrupted time for work, reflection, and creative growth. Residencies run 2 to 8 weeks and include free living and studio space plus a USD 175/week stipend. KHN awards approximately 30-38 residencies per session, of which roughly 8-12 go to visual artists working in various media. Categories: Writers & Poets, Visual Artists, Composers & Musicians, and Interdisciplinary Artists. Visual artists work in one of three studios (two approximately 425 sq ft and one 258 sq ft) outfitted with work tables, running water, and storage shelves; donated hand tools, a bandsaw, miter saw, and painting easels are available. Upon request, artists with previous printing experience may access the onsite Harry Duncan Letterpress Studio (SP15 Vandercook Proof Press, a 16x12 inch boxcar base for adhesive plates, furniture, fonts, and a small inventory of printmaking tools). Open internationally. Applications are reviewed twice a year (deadlines 1 March and 1 September); the 2027 1st Session (deadline 1 September 2026) is for awards scheduled 4 January to 25 June 2027. All applications must be submitted online via SlideRoom; mailed or emailed applications are not considered. A $35 application fee is collected through the portal.
The Berlin Senate's work stipends for visual artists fund 8 or 12 months of artistic work during 2027 at EUR 2,000 per month. The program explicitly covers digital art and media art, sound art, artistic film and video (shown in a visual-arts exhibition context) and installation, alongside classical visual-arts disciplines. ELIGIBILITY: professional visual artists who live, work and are registered in Berlin; not open to applicants based elsewhere. The application window runs 6 July to 2 September 2026, 11:00 CEST, via the Senate's online portal.
The Premio Klemm is one of Argentina's longest-running visual arts prizes, now in its 29th edition, awarded by the Fundacion Federico Jorge Klemm in Buenos Aires. It is notable for a genuinely open definition of medium: the entry categories explicitly include arte digital, robotica, video, videoinstalacion, audio and fotografia alongside painting, drawing and sculpture, so technology-based practice is squarely in scope. Entrants submit one work dated 2021 or later, which must be durable rather than ephemeral. The top prizes are acquisition prizes, so winning work enters the foundation's collection. ELIGIBILITY IS RESTRICTED: Argentine nationals (native or naturalised) or foreigners holding at least two years of legal residence in Argentina, aged 18 or over. Submissions close 4 September 2026 at 23:59. Prize amounts and the closing date are stated in the bases y condiciones PDF linked from the entry site.
Supports organisations building new cross-border professional networks, funding joint meetings, workshops, staff exchanges and collaborative platforms among artists and cultural practitioners. It is designed for the convening and infrastructure-building side of festival work rather than artistic production, and it explicitly excludes artistic productions and public events, so it is used to assemble festival partners rather than to stage the festival itself. Grants run up to EUR 20,000 for networks of a year or less, with Nordic Culture Point covering at most 70 percent of the budget and a hard 85 percent ceiling on combined pan-Nordic public funding. The autumn 2026 window is 10 August to 4 September 2026, closing 15:59 UTC+3. TIMING RULE: activity may not begin until at least eight weeks after the deadline. IMPORTANT ELIGIBILITY DIFFERENCE from the Culture and Art Programme: the applicant must be resident in a Nordic or Baltic country and must be a professional with documented training or experience in art and culture, so non-Nordic and non-Baltic lead applicants are not eligible. A strong fit for a media-arts or sound-art organisation assembling a regional partner consortium ahead of a larger application.
The City of Moorhead is seeking proposals for an inspirational, movable public artwork to be installed at rotating locations across the city. Interactive elements are explicitly encouraged, with kinetic sculpture, digital installation and tactile elements named as examples. Strong proposals invite public participation, promote creativity and youth engagement, are safe for all members of the public, are durable enough for year-round outdoor conditions, and draw people to gather. Submissions are reviewed and ranked by the Artist Review Team, whose recommendation passes to the Art and Culture Commission and then to City Council for the final decision. Questions go to art@moorheadmn.gov. Proposals are due by 10:00am on Friday 4 September 2026.
Located in the heart of Savannah's Starland District at ARTS Southeast, the fully-funded ON::View Artist Residency provides a free, high-visibility studio space, lodging, and a $500 stipend for an artist or curator to complete a new project, continue an in-progress endeavour, or conduct research. The studio's large east-facing street-level windows look onto Bull Street, allowing the resident's work to be on view to the community 24/7 as visitors and passersby witness the process from concept to final execution. It is the only residency of its kind in Savannah and welcomes creatives from around the globe working in all media. STUDIO: 12 x 12 feet just off the ARTS Southeast lobby, with 24-hour access; residents must work during public open hours (Thursday to Sunday, 12 to 5PM) a minimum of one day per week, and must be present during the First Friday Program Finale. Restrictions: no aerosol or toxic/high-VOC materials, no ongoing or repetitive loud noise (occasional hand and power tool use is allowed); accepted applicants provide their own materials and supplies. LODGING: the 5th Dimension Apartment a few blocks away, a cozy studio with full kitchen and bath, private gated entrance and garden, wifi and TV, queen bed; houses up to 2 people (larger teams should arrange additional housing). No smoking or pets. ENGAGEMENT: residents do an Instagram takeover via @onviewresidency, are encouraged to give a public lecture, workshop, or interactive event, and may participate in an annual group exhibition in February 2028. ELIGIBILITY: creatives in all media; collaborative teams are eligible (one proposal per team); current Studio Members or those who were Studio Members in the last 6 months are not eligible. Creatives may seek additional funding from other organisations, and ARTS Southeast will provide a letter of support to accepted residents seeking grants. KEY DATES: deadline Monday 7 September 2026 by 11:59PM; first-round notifications 18 September 2026; interviews 21 to 25 September 2026; final notifications 12 October 2026. APPLICATION: pay the $50 application fee (waivable at ARTS Southeast's discretion for undue burden), then complete the online application. Supported in part by the Georgia Council for the Arts, the National Endowment for the Arts, and the City of Savannah.
PICE Movilidad is AC/E's collaboration scheme with foreign cultural institutions: a festival, biennial, museum, venue, gallery or platform OUTSIDE Spain applies for AC/E to cover the costs of programming Spanish or Spain-resident artists, collectives and cultural professionals in its own public programme. This is one of the clearest routes for a non-Spanish festival to have a foreign national fund pay for part of its programme. Ten thematic areas are covered including Artes visuales, Musica y creacion sonora, Podcast, Videojuego y animacion and Arquitectura y diseno, so tech-crossover, sound-art and media-art programming is squarely in scope. For visual arts and architecture/design, covered costs include production materials, purchase or rental of technical equipment, hiring of technicians, curators, coordinators and designers, reproduction and exhibition rights, logistics and transport of works, publications, documentation, accommodation, per diems, travel and insurance; for Musica y creacion sonora coverage is narrower (travel, accommodation, per diems, internal transport). Non-EU and UK organisations are fully eligible; there is no EU-membership requirement. Natural persons are barred. TIMING: Phase 3 closes 7 September 2026, provisional list 21 October, definitive award list 30 October, and Phase 3 projects may not begin before 1 November 2026, so this window cannot retro-fund an event already scheduled for autumn 2026.
PICE Visitantes is the inbound mirror of PICE Movilidad: a Spanish festival, biennial, fair, museum or platform applies for AC/E to fund bringing international programmers, curators, producers and cultural professionals to its event in Spain, so that they meet Spanish artists and go on to programme them abroad. It is direct money to an organisation to enrich a festival or public programme it is already hosting. The same ten thematic areas apply as in Movilidad, including Artes visuales, Musica y creacion sonora, Podcast and Videojuego y animacion, giving good coverage for media-arts, sound-art and creative-technology events. Covered costs are travel, accommodation, travel insurance, internal transport, text translation and simultaneous or consecutive interpretation for the invited visitors, with the exact list varying slightly by thematic area. Only entities constituted in Spain may apply; natural persons are barred. Invited guests may come from any country including non-EU and the UK. TIMING: Phase 3 closes 7 September 2026, provisional list 21 October, definitive list 30 October, and visits may not start before 1 November 2026. Applications go through the AC/E PICE online system in Spanish or English with no fee.
The Hodder Fellowship is given to artists and writers of exceptional promise to pursue independent projects at Princeton University during the academic year. Potential Hodder Fellows are composers, choreographers, performance artists, visual artists, writers, translators, or other kinds of artists or humanists who have 'much more than ordinary intellectual and literary gifts'; they are selected more 'for promise than for performance.' Given the strength of the applicant pool, most successful Fellows have published a first book or have similar achievements in their own fields; the Hodder is designed to provide Fellows with the 'studious leisure' to undertake significant new work. Fellows spend an academic year at Princeton with no formal teaching, supported by a USD 93,000 stipend for the 10-month Visiting Fellow appointment. IMPORTANT: for this cycle, applications are accepted only for the Program in Dance, the Program in Theater and Music Theater, the Program in Visual Arts, and the Department of Music. Fellowships are not intended to fund work leading to an advanced degree; one need not be a U.S. citizen to apply; previous recipients of the Princeton Arts Fellowship are not eligible. To apply, submit a resume, a 500-word project proposal, and samples of your work (writing sample, images, video links to performances, etc.). Applicants may apply for the Hodder Fellowship only twice in a lifetime. Applications are submitted via Interfolio. The application cycle closes 8 September 2026 at 11:59 p.m. EDT.
Funds US organisations to present curator-led contemporary visual art exhibitions and projects that originated elsewhere, on condition the presenting institution meaningfully adapts the project to its own context. Teiger's remit covers group exhibitions, single-artist surveys, participatory and community-engaged projects, digital exhibitions, and live and virtual performance, making it one of very few US funders that will directly finance media-art and performance programming at organisational level. Requests are fixed at USD 50,000 or USD 75,000 with up to 30 percent for indirect costs, and there is no minimum organisation budget size, with smaller organisations explicitly favoured for infrastructure support. Hosting deadlines are quarterly: 9 September 2026 and 9 December 2026, both 17:00 ET, each mapped to a defined project-opening window roughly a year out. IMPORTANT: re-presenting a touring project unchanged is explicitly not competitive; the curatorial adaptation is the substance of the application. US 501(c)(3) status is required and the fund is not open to individuals or non-US organisations. Teiger's larger biennial Call for Proposals is not running in 2026 and next opens in autumn 2026 with an early-2027 deadline.
The Fundacion Ama Amoedo Grants provide resources and opportunities to strengthen the visual arts ecosystem and its institutions. Through an open call, ten grants of USD 10,000 are awarded annually across four categories: Artists, Art and Social Engagement, Organizations, and Publications. The program supports the realization of projects by artists, organizations, and institutions with a meaningful connection to Latin America. This is the 4th edition of the grants; the Foundation receives applications via its online platform from 7 July to 9 September 2026. ELIGIBILITY: artists, collectives, art professionals, non-profit organizations, institutions, and foundations with a significant connection to Latin America, whether through nationality, cultural heritage, and/or the location where the project will take place. Refer to the Terms and Conditions document on the website for full details. Inquiries: info@fundacionamaamoedo.org. Application deadline: Wednesday 9 September 2026, 11:59 pm.
Nordic Culture Point's main project line, funding Nordic collaborative arts and culture projects across all phases: preliminary work, production, presentation and dissemination. Eligible activity explicitly includes creative productions, workshops, knowledge development and spaces for artists to meet publics, which covers festivals, public programmes and convenings when framed as new collaborations. The tiered co-financing model is the standout feature: EUR 7,000 with no match at all, rising to EUR 100,000 at a 50 percent match, and in-kind contributions count. NOTABLE: applicants do not need Nordic residency or citizenship provided the three-country and two-Nordic partner structure is met, so a non-Nordic organisation can lead the project. The autumn window runs 10 August to 10 September 2026, closing 15:59 UTC+3. TIMING RULE: decisions arrive ten weeks after the deadline and no project may start before notification, so budget for a roughly three-month lag. The programme will not finance existing tours, institutional running costs, ongoing festival core financing, solo performances, film, TV or gaming production, or book publishing, so a recurring festival must present a distinct new collaborative strand rather than seek operating support.
The Prisma Art Prize is an international award for painting and two-dimensional artistic research based in Rome. The 20th edition selects emerging and established artists working in painting, drawing, illustration, printmaking, and traditional mixed media for a group exhibition at Palazzo Merulana, opening November 5, 2026. Winners share an annual cash fund of EUR 2,000 distributed across quarterly calls and receive inclusion in the collective catalogue plus artist interviews. Additional opportunities include solo exhibition prizes and fully funded placements at partner art residencies. The prize is open internationally to all living artists regardless of age, gender, nationality, or educational background. The submission deadline for this edition is September 10, 2026.
Residency for artists across seven disciplines (architecture, film/video, interdisciplinary, literature, music composition, theatre, visual arts). Sole selection criterion is artistic excellence. Applications open 15 August 2026. February deadline of the following year covers the Fall/Winter cycle.
PhotoVogue's global open call invites photographers and video makers to use image-making as a form of rebellion - to challenge indifference, disrupt conventions and expand visual storytelling. It asks not for a theme but for a position in relation to the world. Open to photography, video and multimedia projects across all genres (fashion, documentary, portraiture, fine art, experimental). Three artists share $12,000 in grants ($6,000 Outstanding Vision, $4,000 Vision, $2,000 Rising Voice for an emerging artist), with festival presentation, potential Vogue publication and portfolio reviews. ELIGIBILITY: open to all artists worldwide aged 18+; submissions are free; previous PhotoVogue applicants may submit a new project. SUBMIT: a series of up to 15 images, or images plus video for multimedia, and/or a 60-second trailer, via Picter. IMPORTANT: AI-generated works are NOT eligible. Open 14 May to 11 September 2026 (11:59 PM CET).
Stichting Stokroos funds a three-month reflective residency at Fundaziun Nairs in Scuol, Switzerland, for one selected visual artist, designer or craft practitioner (overlap possible). Both emerging and established makers may apply. Stokroos covers full accommodation and meals directly with Fundaziun Nairs and provides a discretionary EUR 7,000 budget for living, travel and production. The application should include a proposal that engages specifically with the residency, its Alpine surroundings and/or its historical and cultural context. Eligibility: you completed your first subject-specific (vocational or higher) programme in 2022 or earlier, or have an equivalent established practice, or started without formal training (first presentation marks the start of your practice); at least 21 years old; living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; not currently enrolled in a study or post-academic programme. Applications are individual only; duos and collectives cannot apply. Makers already selected by Fundaziun Nairs may still apply if they meet the criteria. You may submit only one application per year across all Stokroos grants, and must not have received a Seed Grant rejection in the previous calendar year. Apply via the online form (Dutch or English) with a portfolio PDF up to 20 pages, optional video up to 10 minutes total, CV up to 2 pages, and work/plan descriptions up to 2,500 characters each. Selection includes an introductory interview with up to three candidates; Stokroos aims to respond within 8 weeks. No appeal is possible. Application window: 1 to 11 September 2026. More information at nairs.ch.
The Learning Through Making fund supports UK-based visual art organisations to bring opportunities for making and material exploration into their art education work. Freelands Foundation is looking for exploratory projects that embrace openness, collaboration, and iteration -- enabling organisations to work with materials in an expansive way, unpicking preconceptions about making and material literacy without predefined outcomes. ELIGIBLE ACTIVITIES: providing materials, transport, or access to expertise and facilities; action-research trials such as a new series of workshops or events developing material literacy; adding a making-focused element to existing activity. Projects may range from a few days to several months, but must take place between 1 January and 31 December 2027. AMOUNT: up to £25,000; funding provided no earlier than December 2026. ELIGIBILITY: UK-based visual art organisations run with a charitable purpose and for public benefit; eligible types include charities registered in England and Wales, Scotland, or Northern Ireland; exempt charities; galleries, museums, or organisations within a Local Authority or larger charitable body (e.g. universities); and Community Interest Companies or Community Benefit Societies meeting specific criteria (charitable purposes, asset lock, no dividend distribution, ability to segregate restricted funds). Organisations with a prior Freelands Foundation grant relationship are eligible; you may not apply for activity already funded by Freelands Foundation. Individuals are not eligible. HOW TO APPLY: download the Application Form, Application Guidance, and optional Access Form from freelandsfoundation.co.uk; email completed form to grants@freelandsfoundation.co.uk with subject line 'LTM Fund - Application'; one additional page of images or diagrams may be included. APPLICATION SUPPORT SESSIONS (online): 9 July 2026, 10:30am-12pm; 12 August 2026, 10:30am-12pm. KEY DATES: applications open 17 June 2026; close 11 September 2026 at 12pm; outcomes shared 23 November 2026.
Artists, architects, designers, fabricators, and multidisciplinary creatives are invited to submit proposals for a series of site-specific installations at Yonge + St. Clair as part of DesignTO Festival 2027. For more than seven years the Yonge + St. Clair BIA has partnered with DesignTO to transform publicly accessible spaces throughout the neighbourhood into an exhibition of art, design, and placemaking. For the 2027 Festival, SEVEN installation opportunities are available across lobbies, galleries, and window spaces: 2 St. Clair Ave W (Lobby), 2 St. Clair Ave E (Lower Level Window), 30 St. Clair Ave W (Lobby), 40 St. Clair Ave W (Lobby), 55 St. Clair Ave W (Lobby), 95 St. Clair Ave W (Gallery), and 1521 Yonge St (Window). One installation will be commissioned per location. THEME: 'Intersections' - proposals may explore convergence, transformation, movement, identity, exchange, and the evolving relationship between people and place. Artists may submit proposals for multiple locations, but each proposal must be tailored to its site and submitted separately; only one proposal per artist or team may be selected. WHO SHOULD APPLY: emerging and established artists, designers, architects, fabricators, and multidisciplinary creative practitioners working in any medium; preference given to artists based in Toronto and the Greater Toronto Area. BUDGET: selected projects receive $5,000 to $7,500 CAD inclusive of artist fees, materials, fabrication, transportation, installation, and de-installation. Artists are responsible for the fabrication, transportation, installation, and de-installation of their work. KEY DATES: submission deadline 13 September 2026 at 5:00pm ET; selected artists notified late September 2026; final project information due October 2026; installation period 14 to 21 January 2027; DesignTO Festival exhibition 22 to 31 January 2027; de-installation 1 to 2 February 2027. HOW TO APPLY: submit a single PDF (artist information and biography, project description and executive summary, visual materials, detailed line-item budget, and current resume) via email or Dropbox link to info@yongestclair.ca with the subject line 'DesignTO Festival 2027 - Installation Name - Artist Name'. Free to apply.
Orizzonti L.I.V.E. is Fondazione CRT's flagship thematic call for organisations that programme live performance as a driver of territorial transformation. The acronym stands for Luoghi, Impatto, Visioni, Energia, and stated priorities are strengthening organisations rooted in their territory, audience development reaching new publics, social inclusion and access for economically or socially fragile audiences, professional engagement of young musicians, actors and dancers, audience engagement aimed at under-25s, stable networks and strategic partnerships, and environmental sustainability aligned with Agenda 2030. This is festival and season funding at meaningful scale: the maximum request is EUR 100,000 and the overall project budget must itself be at least EUR 100,000, with co-financing covering at least 70 percent of eligible costs, so the applicant must bring roughly EUR 70,000 from other sources. The 2026 call runs in two sessions: the first closed 27 February 2026, and the second closes 15 September 2026 at 15:00 Italian time. Applications go through rol.fondazionecrt.it. SCOPE CAVEAT: this is broad live-performance funding rather than a media-arts line, so it fits experimental performance, sound art and hybrid live work but also covers conventional music and theatre. Non-EU and UK organisations can realistically only participate as project partners, not as lead applicants.
Kulturdirektoratet's main scheme for multi-artistic and cross-disciplinary events, organisers and venues, and the natural Norwegian route for a festival or biennial that does not sit inside a single artform committee. It funds single events, event series, festivals and seminars with cross-disciplinary relevance, plus year-round operation of organisations with a multi-artistic profile, which covers media arts, digital culture and experimental sound programming presented alongside other forms. Art production itself, closed workshops, infrastructure investment and activity already completed before the deadline are not funded. Two application rounds run in 2026: 8 April 2026 (project grants, closed) and 15 September 2026 at 13:00 (project grants plus activity grants for the 2027 operating year). Project grants accept individuals, private and public institutions, and organisations, while activity grants require an organisation number or a named, separately budgeted activity within a larger entity, existing for at least one year and not already receiving permanent annual state funding. The scheme never fully finances a project, so a credible co-financing plan is expected. FLAG: decision dates and foreign-applicant eligibility are not published on the scheme page; award notifications arrive via the application portal.
This scheme gives operating and programme support to visual art organisers in Norway, covering exhibition and event programming, content production, salaries, artist fees, venue costs including rent, utilities and internet, and administrative expenses. Because it funds the organiser rather than a single artwork, it is the relevant route for an artist-run space, biennial organisation or media-arts venue running a recurring public programme. Applicants must demonstrate artistic and cultural expertise, innovation and distinctiveness. Eligibility is limited to bodies with their own registration number, or a separately named and budgeted activity within a larger organisation, existing for at least one year prior to application, and organisations already receiving permanent annual state funding are excluded. The 2026 application deadline is 15 September 2026 at 13:00. Kulturdirektoratet explicitly warns that applicants often receive less than requested or are rejected despite quality proposals, so co-financing is necessary. FLAG: amounts, decision lag and foreign-applicant eligibility are not published on the funder's page; results arrive through the application portal with an acceptance deadline in the decision letter.
MoTA (Museum of Transitory Art) in Ljubljana runs an annual open call for production residencies for media, sound and visual artists, curators and researchers. Production residencies offer full support including accommodation, technical support, production costs and an artist fee; the exact artist-fee amount is not published on the official or aggregator pages, so applicants should confirm the figure directly by email. Residencies run up to one month. Open internationally: artists of all nationalities and at all professional levels are encouraged to apply, as individuals or collectives. No application fee. The annual deadline is 15 September (for residencies the following year). Apply by email to mota.artists@gmail.com with the subject line Application for production residency. Note: the official motamuseum.com SSL certificate is currently expired, which may briefly affect link reliability.
Artadia's open call for Boston, providing unrestricted $15,000 awards to three contemporary visual artists. Finalists not chosen as Awardees receive an honorarium. Two-round jury (curator review + 45-minute virtual studio visits). ELIGIBILITY: living and working in Boston's eligible counties for at least 2 consecutive years prior to deadline; contemporary visual-arts practice; not currently enrolled in an art-related degree programme; no prior Artadia award of $10,000 or more. Open call 15 August - 15 September 2026. Apply via Submittable only.
Monson Arts hosts residencies for artists and writers in Monson, Maine, providing housing, all meals, private studios, and a USD 500 stipend (USD 250 for two-week stays). The application window for Winter 2027 runs 1 August to 15 September 2026.
THE ONE International Digital Art Biennial, organized by Pinata Group in Torun and Wloclawek, Poland, accepts digital art internationally with free entry; prizes are PLN 3,000, 2,000, and 1,000, plus exhibition and an ISBN catalog. IMPORTANT CAVEAT: submitted works may not be AI-generated. NOTE: the 15 September 2026 deadline is from a listing site and is not stated on the organizer page; verify before submitting.
Innovate Grant awards two unrestricted USD 1,800 grants every quarter, one to a visual artist and one to a photographer, along with up to 18 honorable mentions who are featured and promoted on the organization's website. The award is unrestricted, so recipients can apply the funds toward new projects, materials, studio rent, travel, or other needs. Grant cycles run four times a year (Winter, Spring, Summer, and Fall). Visual artists and photographers aged 18 and older from anywhere in the world, both US and international, are eligible to apply. Applications require contact details, a grant category, and 3 to 10 images of work, plus a USD 35 application fee. The Spring 2026 cycle closed on June 18, 2026, and the Summer 2026 cycle follows on the regular quarterly schedule.
$75,000 prize for women figurative realist painters, awarded by a five-member jury. The winner receives $37,500 each year for two years to create a solo exhibition that travels nationally; one finalist additionally receives $10,000. Open to emerging artists who have not yet achieved full professional recognition.
The Xposure International Photography Awards are free to enter and include a dedicated Drone Photography category alongside many others. Category winners receive cash, equipment, and a trip to the Sharjah festival for the ceremony and exhibition. Official deadline 5 September 2026, extended deadline 20 September 2026.
Subsidy supporting in-depth activities or innovative impulses within the artistic practice of Rotterdam-based visual artists, with a clearly defined artistic question or objective. Applicants must be registered with Art Office (artoffice.info) with an up-to-date artist page. The 2026 Round 2 deadline is 21 September 2026, 11:00 (form opens 10 August 2026); results by 16 November 2026. Round 1 (deadline 2 March 2026) has already closed. Decisions made by the director of CBK Rotterdam on advice from an expert committee.
Fonds Podiumkunsten's route for Dutch festivals and venues bringing in exceptional foreign performing arts and concerts that Dutch audiences would otherwise not see. The applicant must be a Netherlands-registered legal entity running a venue or festival and carrying artistic and financial responsibility for its own programme, so individuals and sole traders cannot apply. Grants are calculated from travel and transport costs of the incoming artists, at a maximum of EUR 25,000 per production and EUR 75,000 per applicant across several productions. The core test is that the foreign work is rarely or never seen in the Netherlands and substantially enriches the existing Dutch offer, which favours experimental, non-canonical and cross-disciplinary programming over mainstream touring. Experimental music and sound-art programming is not excluded; the selection criterion is rarity and added value, not genre. Applications go through the Mijn Fonds portal and there is no fee. Four rounds run each year. TIMING: because the scheme competes against a shared EUR 267,500 per-round pot and assessment takes several weeks after the deadline, organisers should apply at least one full round ahead of the performance date and must not have the activity already underway. Success rate in 2025 was 60 percent of 33 applications.
The Danish Arts Foundation's Production and Exhibitions programme funds the production, dissemination and exhibition of contemporary art in Denmark and abroad, and it is one of the few Nordic national schemes a foreign organisation can apply to directly. Eligible costs include creating new works where an exhibition agreement is in place, exhibition costs, exhibition programming featuring Danish or international artists, promotion tied to an exhibition, and honorariums covering artists' work and installation time, which lets a festival or biennial cover commission and artist-fee lines. THE KEY CONDITION for non-Danish applicants is that the exhibition must feature Danish artists; Danish artists and venues face no such restriction. No minimum or maximum grant is published since the committee decides case by case, and previous award levels are visible on the site. Two 2026 deadlines apply: 26 March 2026 (closed) and 24 September 2026 at 14:00, with the application form opening one month before each deadline. TIMING: applicants receive a response no later than twelve weeks after the deadline, so expect a decision by mid-December 2026. Applications must go through the Danish digital subsidy portal; submissions outside it are rejected except in very special circumstances. FLAG: earliest-start-date rules are not specified on the funder's page.
The National Lottery Rural Engagement Arts Programme funds organisations to deliver arts activity in rural Northern Ireland, addressing isolation and social inclusion. It supports either a single one-off project or a multi-event public programme, making it usable for exhibitions, workshops, touring events and community-facing digital or media arts work. Grants range from GBP 500 to 10,000, covering artist fees, transport, materials, venue hire, accessibility support, volunteer expenses, evaluation, and equipment up to 50 percent of the request value. The deadline is Thursday 24 September 2026 at 12:00 noon, and the online system closes precisely at noon with no late or incomplete submissions accepted. TIMING RULE: funded activity must fall between 1 December 2026 and 30 November 2027, setting an effective earliest start date of roughly ten weeks after the deadline. Registered charities, formally constituted non-profit groups, local authorities and arts organisations are eligible, including bodies based outside Northern Ireland where the benefit accrues to rural NI residents. Consortium applications demonstrating partnership working are explicitly prioritised. The rural and community framing means creative-technology work qualifies only where framed for that audience.
Utrecht's main project fund for cultural activity with a public presentation in the city, covering all art forms including experimental and cross-disciplinary work. Individuals, foundations, associations and companies are all eligible. Two bands apply: Category A of EUR 1,000 to 5,000 assessed on artistic importance and entrepreneurship, and Category B of EUR 5,000 to 20,000 which adds meaning for the city as a third criterion. The activity must be exceptional or innovative, or otherwise of value to the city, its residents or the Utrecht cultural sector; professional projects and amateur, education or participation projects both qualify. Three rounds run each year and the next closes 25 September 2026 at 17:00 CET. TIMING RULE, which catches applicants out: for professional arts applications the presentation may not take place earlier than 13 weeks after the round's closing date, and for participatory applications the project may not start earlier than 13 weeks after that date, so a 25 September 2026 application supports activity from late December 2026 onward. Decisions are issued no later than 13 weeks after the closing date, following review by an independent Adviescommissie Projectsubsidies. Documentation is capped at 15 pages, or 5 pages if a video is included. Applications go through mijnsubsidie.utrecht.nl with DigiD or eHerkenning. Utrecht also runs a rolling Impulssubsidie Cultuur of up to EUR 2,500 for first-time applicants only, open through 31 December 2026.
The Foundwork Artist Prize is an annual juried award supporting outstanding artistic practices. The 2026 honoree receives an unrestricted USD 10,000 grant, studio visits with each of the five jurors, and an interview for Foundwork's Dialogues program. In addition, three artists are named to the 2026 Short List, each receiving a USD 1,000 micro-grant in support of their practice. Submissions are made online through Foundwork. Application deadline 25 September 2026.
BNG Cultuurfonds funds arts and culture projects that add value for Dutch municipalities and their inhabitants, explicitly including temporary exhibitions, public programmes and festivals developed by professional makers. Media art, digital culture and cross-disciplinary work qualify as long as a professional maker's artistic vision leads the project. Only stichtingen (foundations) may apply: no sole traders, associations, individuals, or foundations in formation. Applications go by email to aanvraag.cultuurfonds@bngbank.nl with a signed form, a project plan of at most 3,500 words, a specified budget and coverage plan, current statutes and a recent KvK extract. The grant is EUR 5,000 to 15,000 and can cover no more than 35 percent of the budget. TIMING IS THE MAIN TRAP: for the 27 September 2026 deadline, feedback comes at the end of December 2026 and the project may not start before 1 January 2027, with applications for earlier-starting projects rejected outright with no exceptions. Missing documents are flagged up to one week before the deadline, so anything submitted in the final week cannot be corrected. Plan for roughly four months of lead time. Excluded: amateur art, talent development, education-focused projects, semi-permanent public art, publications, building or renovation, and regular operating costs. Further rounds: 3 January 2027, 28 March 2027, 27 June 2027, 3 October 2027 and 2 January 2028.
The most directly relevant Terra line for organisations running convenings rather than exhibitions: conversations, symposia and workshops that stimulate interdisciplinary and intercultural exchange. Covered costs are unusually broad and practical, including professional fees, artist honoraria, travel, AV support, interpretation and translation, catering, research dissemination, marketing, and administrative costs up to 20 percent. Awards run USD 10,000 to 25,000 and are made twice yearly. The process is two-stage: Round 1 has a grant inquiry due 28 September 2026 followed, if invited, by a full proposal due 30 November 2026, for programmes taking place after 1 May 2027. Round 2 has an inquiry due 16 February 2027 and proposal due 20 April 2027 for programmes after 1 November 2027. Invited proposals go to an external panel of curators and arts professionals. International applicants are explicitly eligible and need US 501(c)(3) status or a recognised non-profit equivalent in their own country. The binding constraint is topical rather than geographic: a European or Asian organisation can win this, but the convening must engage American or Indigenous North American visual art, which is a workable frame for art-and-technology or sound-art programming with a US axis.
The QM-Jerome Foundation Fellowship for Emerging Artists selects two emerging visual artists living in New York City for its 2027-2028 cohort. Each fellow receives a $20,000 award, professional development consultations, mentorship from Queens Museum staff and an established New York-based artist, and a solo exhibition at the Queens Museum in 2028, with curatorial support across a full year of project development. Aimed at early-career visual artists (roughly two to ten years of professional practice) who have a consistent practice and developing public profile but have not yet reached major institutional recognition. ELIGIBILITY: must currently reside in one of NYC's five boroughs and maintain residency through the fellowship; artists enrolled in degree-granting programs are not eligible; review the detailed criteria on exhibition history, previous grants and years of practice. Supported by the Jerome Foundation. Apply via the Queens Museum fellowship program page. Deadline: 28 September 2026, 11:59 PM EST.
Annual prize from Gallery 1957 in Accra for women artists connected to Ghana and to Senegal, which joins the prize for the first time in 2026. Two winners are selected, one from each country, and each receives USD 5,000 in cash, a three-month residency exchange in the partner country with flights, artwork transport, accommodation and materials covered, and a resulting exhibition with the gallery. ELIGIBILITY IS GEOGRAPHICALLY RESTRICTED: applicants must be female citizens of Ghana or Senegal, aged 18 or over, living in Ghana, Senegal or the diaspora, and must present a valid national ID or passport. Not open to international applicants without that citizenship. Apply by email to applications@gallery1957.com with an artist bio or statement of no more than 200 words and a portfolio of up to six high-resolution images or videos with captions, both as PDFs. Questions go to awo@gallery1957.com. Deadline 30 September 2026.
The mid-size project strand of Stichting Cultuur Eindhoven, the arm's-length body that distributes the city's culture budget, and the main municipal route for an Eindhoven organisation to fund a festival, exhibition or public programme. Awards go up to EUR 35,000 and cover a maximum of 80 percent of eligible costs, so at least a fifth of the budget must come from elsewhere. Unlike the Snelgeld strand this route is closed to individuals: only private-law legal entities established in Eindhoven may apply. Rounds run three times a year in fixed windows; the next opens 1 September and closes at 17:00 on 30 September 2026, which is round 1 of the 2027 cycle. TIMING: the decision lag is long by municipal standards at up to 13 weeks after the submission window closes, so a September 2026 application is decided around the end of December 2026 and activity should be planned for 2027. Given Eindhoven's design and technology profile, media-art, design and creative-technology programming fits the remit particularly well. The parallel Snelgeld strand offers up to EUR 5,000 on rolling intake, reopening 1 September 2026 and running until 31 December 2026 or until the tranche budget is exhausted, whichever comes first.
The Hayama Artist Residency introduces visual artists from around the world to Japanese culture and offers them their first gallery exhibition in Japan. The four-week residency takes place in Hayama, a coastal town in Kanagawa Prefecture about 1.5 hours from Tokyo. Selected artists receive roundtrip airfare to Tokyo, shared accommodation with one other resident, and USD 800 for meals and local transportation. A core element is a group exhibition during the stay, hosted in partnership with KOKI ARTS, a contemporary gallery in the Bakurocho art district of Tokyo. The program is open to visual artists over 21 working in any medium, based anywhere in the world, and applications are reviewed by the director and an international selection committee. The June 2027 cycle has an application deadline of September 30, 2026, with notification by December 15, 2026.
The eidolon Grant is an international programme, presented annually, for projects that explore, promote and conserve vernacular photography. It is open to artists, academics, professionals, researchers, collectors and vernacular photography enthusiasts whose past work and proposed project is centred around the image heritage of everyday photography. The grant aims to identify phenomena, collections, histories, practices and trends within vernacular photography, offering new interpretations and analyses, and thematising both photographic heritages and contemporary photographic practices. Applications can be made under two categories, with a total of EUR 25,000 to be distributed. Each chosen project will contribute to the enrichment of eidolon's program in the coming year. The deadline for submission is 30 September 2026 at 11:59 p.m. Apply via https://everydayphotography.org/centre/grant-2026.
Created in 2025, the Phenomenon Grant is a yearly program that supports art projects in Greece with grants of EUR 5,000 to EUR 10,000 for individuals, collectives, and non-profit organizations engaged with queer, feminist, anti-colonial, and other emancipatory art practices. The grant aims to support critical phases of artistic development, enabling experimentation, research, collaboration, and the realization of new and ongoing projects. In a context marked by rising authoritarianism, genocidal forces and the dismantling of social justice advancements, the program seeks to support voices that critically and ethically engage with these issues, create spaces of resistance, reimagine futures beyond exclusion, persecution, and domination, and open pathways toward collective liberation. Particular attention is paid to collaborative endeavours rooted in Greece that are built on connections with the Global Majority, promoting networks of translocal solidarity and interconnected struggles. Organized and supported by Kerenidis Pepe, which has pledged a total budget of EUR 60,000 over 2025-2027, the amount awarded is based on the application's actual funding needs. In 2025 the program received 193 applications and awarded three grants of EUR 8,500 each to Athens Museum of Queer Arts (AMOQA), Forensic Architecture Initiative Athens (FAIA) and Theo Panagopoulos. The 2026 selection committee is composed of Athena Athanasiou, Dora Garcia, Christina Li, VASKOS, and chaired by Aggelika Mitsiou. The submission period runs from 1 September to 30 September 2026, with selected projects announced in November 2026.
The digital-space strand of the Fonds Darstellende Kuenste GLOBAL VILLAGE KIDS programme, funding format-open and results-open artistic projects and artist-participatory approaches in digital and hybrid performing arts. Eligible artistic fields explicitly include digital performing arts alongside performance, theatre, dance, musical theatre, puppet theatre and contemporary circus, which makes it usable for hybrid or online public programmes. The applicant must be a coalition of at least three legally constituted organisations spanning arts and culture, education and civil society, all German-based, so this is genuinely institution-facing rather than artist-facing; individual artists cannot apply, and schools and kindergartens may participate as partners but cannot be the applying organisation. Two tiers exist: laboratory projects at EUR 5,000 to 15,000 requiring a minimum 30 hours of work, and process projects at EUR 15,000 to 40,000 requiring a minimum 60 hours, both inclusive of a 7 percent administrative fee. FULL FINANCING is available with no matching requirement, which is unusual and valuable. TIMING: the deadline is 1 October 2026 with the earliest permitted project start on 1 January 2027, so the decision lag is roughly three months. Applications go exclusively through the kumasta online database. FIT CAVEAT: the programme targets children and young people aged 3 to 18 in situations of social, financial or educational disadvantage, so it suits a digital-arts programme with a youth participation core rather than a general public festival.
Artadia's open call for Atlanta, providing unrestricted $15,000 awards to three contemporary visual artists. Finalists receive an honorarium. ELIGIBLE COUNTIES: Barrow, Bartow, Butts, Carroll, Cherokee, Clayton, Cobb, Coweta, DeKalb, Douglas, Fayette, Forsyth, Fulton, Gwinnett, Hall, Henry, Morgan, Newton, Paulding, Pickens, Rockdale, Spalding, and Walton. Must reside in an eligible county for 2+ consecutive years prior to deadline, contemporary visual-arts practice, not a student, no prior Artadia award of $10,000+. Open call 1 September - 1 October 2026. Apply via Submittable only.
Funds the circulation and touring of artists, exhibitions and artistic works by artists, groups and organisations from Canada, nationally and internationally. Media arts, digital arts and new media, inter-arts, and music and sound art are all explicitly named as supported practices, so experimental sound and creative technology work is in scope. This component sits inside Arts Across Canada and Abroad, the merged programme introduced in 2025 that replaced the separate Arts Across Canada and Arts Abroad programmes; the old Digital Now programme is discontinued. IMPORTANT AND UNDERUSED: non-Canadian organisations are eligible via the Foreign arts festival, biennale or book fair profile, defined as an incorporated organisation headquartered outside Canada running an international media arts festival, an international literary or storytelling festival, an international book fair, or a major international visual arts biennial, triennial or quinquennial. That support is restricted to presenting Canadian media, literary or visual artists and their work, and it is not advertised on the programme page. For digital and media arts, requests must be for work independent of the commercial film, television and video game industries, and only the creator or director may apply, not producers or production companies. Deadlines run three times a year. The sister component Representation and Promotion has continuous rolling intake and the same foreign-festival eligibility.
The Aesthetica Art Prize accepts work in any discipline and theme, with video, installation, digital, and photography regularly shortlisted; past shortlists frequently feature critical-tech and surveillance-adjacent work, making it a strong venue for media art. Main Prize GBP 10,000 plus a group exhibition at York Art Gallery and editorial coverage. Standard deadline 11 October 2026 (GBP 25 for two works); late entries 12-18 October 2026 (GBP 35).
Supports reciprocal international exchange between Australian practitioners or organisations and confirmed overseas partners, which makes it the right instrument for co-hosted convenings, labs and cross-border programme partnerships rather than one-way touring. Supported activity types are creative collaboration and development, cultural exchange and knowledge sharing, and labs and practice-exchange models, mapping closely onto media arts residencies, art-and-science research exchanges and digital culture symposia. Eligible costs include artist fees, travel, accommodation, production expenses, marketing, access costs, and childcare or carer support. International organisations are eligible where the project benefits Australian artists or creative workers, and a confirmed international partner is mandatory and must confirm participation in writing. The reciprocity requirement is substantive: the strongest applications embed mutually beneficial exchange rather than simply presenting an Australian artist abroad. Creative Australia's published assessment feedback notes top-ranked applications foregrounded First Nations self-determined or diasporic-led activity and demonstrated sector-wide impact. It is competitive: 157 eligible applications in the March 2026 round yielded 33 grants, about a 21 percent success rate. Contemporary music practitioners are excluded and directed to Music Australia programmes. Closes 13 October 2026 at 3pm AEDT.
Funds activities that build connections between artists and diverse audiences and contribute to public appreciation and enjoyment of the arts in Canada. This is the closest Canada Council fit for running a public programme, a single festival edition, a talks series or audience-facing exhibition programming, as distinct from creating the artwork itself. It is open to arts festivals, presenters and event organisers under the Presenting organization profile, alongside Artistic organizations, Artistic groups and Arts supporting groups, and the profile explicitly includes visual arts festivals, biennials, triennials and quinquennials. Digital arts and new media, media arts, inter-arts, and music and sound art are named among funded practices, so experimental sound art and creative technology programming qualify. IMPORTANT: unlike the Circulation and Touring component, international organisations are NOT eligible for Public Outreach. The Council will not fund projects whose primary focus is educational, therapeutic, recreational or social service delivery, nor fundraising activities or prize and award ceremonies. Deadlines fall twice a year. The related Composite Activities component offers up to 3 years of support for bundled multi-project programmes and may suit a recurring festival arc better.
The Bando Ordinarie is Fondazione CRT's open, non-thematic route: organisations can request support for initiatives that fit the foundation's statutory aims but do not fall under any of its thematic calls, across three areas of which one is Arte, attivita e beni culturali (branded Meraviglia). It is the right door for public programmes, cultural projects, media and digital-culture initiatives and events that are not live performance, exhibitions, film festivals or restoration. READ THE EXCLUSION LIST CAREFULLY: live performance goes to NoteSipari or Orizzonti L.I.V.E., exhibition-format initiatives and film festivals go to Immagini e Prospettive, heritage restoration goes to BeST, and accessible territorial-showcase events go to Eventi for All, so Ordinarie is the residual arts route. Non-profit entities and institutions operating in the reference territory are eligible, and because the applicant does not need to be headquartered in Piedmont or Valle d'Aosta this is genuinely open to organisations based elsewhere, including non-EU and UK, that run a programme in those regions. The project route has two deadlines: the first was 30 April 2026 and the second session is open 1 July to 15 October 2026 at 15:00 Italian time. Organisations receiving an activity-support grant cannot also benefit from other CRT calls in the same calendar year. Applications are made through rol.fondazionecrt.it.
The larger of The Hague's two municipal project bands and the appropriate route for an organisation running a festival or substantial public programme in the city. Awards range from EUR 10,000 to 30,000 against an annual ceiling of EUR 600,000 for the whole strand. THE CO-FINANCING REQUIREMENT IS SEVERE and is the single most important planning constraint: the municipal culture budget may fund at most 30 percent of the total project budget, so an applicant seeking EUR 30,000 must already have roughly EUR 70,000 secured or plausibly projected elsewhere. Only legal entities may apply; individuals and informal collectives must use Category A instead (EUR 2,000 to 10,000, 70 percent coverage ceiling, next window 1 to 15 September 2026). Professional arts and culture organisations running public projects in music, theatre, dance, film, literature, visual arts or combinations are eligible. The next window opens 1 October and closes at 17:00 on 15 October 2026. TIMING: the decision term is 12 weeks after the window closes, so an October 2026 application is decided around early January 2027 and activity should be scheduled from 2027 onward. Applications are handled through the municipality's subsidy system, which migrated to Easyfunders in April 2026. This scheme is independent of Stroom Den Haag. The underlying regulation runs to 31 December 2028.
Lighthouse Works' Fellowship Program supports a diverse range of cultural producers working at the vanguard of their creative fields. Fellowships are six weeks in length, occur year-round, and provide fellows with housing, food, studio space, and USD 1,750 in financial support. Fellows enjoy a private bedroom and share a kitchen, bathrooms, and living space in a 3-story Victorian house; all dietary needs are accommodated, and on most nights Lighthouse Works staff cook for and eat dinner with the fellows. Studios are located about 1.5 miles (a 30-minute walk) from the fellowship house, are private and flooded with light, and face the ocean adjacent to Silver Eel Cove where the island ferry arrives. Lighthouse Works also maintains a wood and metal fabrication shop and a kiln. While in residence, a fellow's primary obligation is to pursue their own work, though every fellow participates in two events, an Artist Talk and Open Studio, that bookend the fellowship; the program's intimate size allows for conversation, critique, and collaboration. Artistic excellence is the primary criterion for acceptance. Artists at any stage of their career are encouraged to apply through the online Slideroom system. SELECTION: staff review applications for completeness, a jury of experts in each artist's field reviews complete applications and identifies finalists, interviews are scheduled in early January, and applicants are notified in mid-January. The program is supported in part by a grant from the Robert Rauschenberg Foundation. APPLICATION CALL: Lighthouse Works accepts applications each year from September to October (the 2026 portal was open 15 September to 15 October 2025). The deadline shown here is the anticipated close of the next annual call for the 2027 cycle; confirm exact dates on the Lighthouse Works site when the portal reopens. Apply at http://thelighthouseworks.slideroom.com.
Mondriaan Fund grant for written and/or spoken-word publications about contemporary visual art: article series, long reads, podcasts, video essays, social-content series, and similar formats published across magazines, newspapers, online platforms, public media or social media. Aimed at strengthening reflection on, criticism of, and journalism around visual art practice in the Netherlands and the Caribbean part of the Kingdom. Eligible applicants: existing or new platforms (online magazines, public media, podcast outlets, etc.) AND individuals working as curators, critics, social-content creators or journalists. New initiatives and collaborations may apply. Two cycles per year; the next deadline is 15 October 2026, 16:00 Dutch time / 10:00 Caribbean time (an earlier 2 April 2026 round has already closed). Grant covers up to 70% of eligible expenses, with two pricing structures: fixed €2,480/month for short 1-6 month work periods, or a flexible grant of up to 12 months for larger project plans (amount determined by submitted plan and budget). Round budget €229,000. Good fit for science-communicator / critical-tech / art-and-AI long-form writing, podcast series, or video essay projects. Applications submitted via the Mondriaan Fund online portal after creating an account; documents cannot be uploaded after the deadline. Free to apply.
Project funding from the Toronto Arts Council for professional media artists to create or complete independent film, video, audio, digital, VR/AR and multimedia works, with grants up to $15,000. ELIGIBILITY: Canadian citizens, permanent residents or Protected Persons who have lived in Toronto for at least one year, are professional media artists retaining full creative control, and are not students.
Perform Europe is the EU's dedicated cross-border touring scheme for the performing arts, run by a six-organisation consortium and co-funded by Creative Europe. It funds partnerships of at least three organisations from three different Creative Europe countries to tour a finished performing arts work in at least three countries, with an explicit emphasis on greener, more inclusive and more equitable touring practice. Eligible disciplines are circus, dance, outdoor arts, performance art, puppetry and theatre; LIVE MUSIC AND OPERA ARE EXCLUDED, and production costs for new creations are not covered since the work must already be finished before 1 March 2027. Applicants pick one of three grant tiers with no fixed criteria per tier, and may request up to EUR 5,000 in top-ups for accessibility and sustainability measures. Five percent of the total fund is ring-fenced for proposals involving Ukrainian partners or supporting the Ukrainian performing arts sector. All 41 Creative Europe countries are eligible, including Albania, Armenia, Bosnia and Herzegovina, Georgia, Iceland, Kosovo, Liechtenstein, Moldova, Montenegro, North Macedonia, Norway, Serbia, Tunisia and Ukraine, but the UK is not. TIMING: applications close 22 October 2026 at 23:59 CEST, selected partnerships are announced in January 2027, and activity may only start from 1 March 2027. A Matchmaking Platform with over 2,300 registered professionals is available for finding partners before applying.
The NORMA Fonds redistributes copyright remuneration collected by Stichting NORMA into cultural, social and professional projects involving performing artists, and is one of the few Dutch schemes with four intakes a year and a genuinely short cycle. Both arts-sector organisations and individual arts professionals may apply, though the applicant needs a bank account and legal footing and cannot be a BIS-funded institution. The project must centre on performing artists in the copyright sense, meaning people who perform a copyright-protected work: musicians, dancers, actors, voice actors. This fits live experimental music, sound performance and performative media-art work, but not object-based exhibitions or non-performative installation programmes. The maximum grant is EUR 10,000, the total project budget must stay under EUR 150,000, the applicant's annual budget under EUR 500,000, and at least a quarter of the project budget must be earned from audience income, so this is a top-up rather than a primary funding source. Budgets must honour NORMA's 2026 performer wage norms. Applications are submitted online during a one-month window each quarter; the next round runs 1 to 30 October 2026, closing at 23:59. TIMING RULE: decisions arrive no later than eight weeks after the deadline, and the premiere date must fall at least eight weeks after the application deadline. Organisations that already received a NORMA Fonds grant in 2024 or 2025 are excluded, and supporting staff may not exceed 2 FTE.
The Stichting Stokroos Seed Grant gives individual makers, duos and collectives time and space to focus on their artistic development, for example a focused working period for research and experiment, or the development of a prototype, new work or methodology. There are two application rounds in 2026: 15 May to 30 June 2026 (now full) and 1 September to 31 October 2026; Stokroos considers a maximum of 60 eligible applications per period (or closes once the budget is reached) and supports around 50 applications per year. Eligibility: active as a visual artist, designer and/or craft practitioner (overlap possible); living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; at least 21 years old; you completed your first subject-specific (vocational or higher) programme between 2018 and 2022, or started without formal training (first presentation marks the start of your practice); not currently enrolled in a study or post-academic programme. Duos and collectives may apply provided all participants meet the guidelines. The grant is a fixed amount with no budget required: EUR 5,000 (individual), EUR 7,500 (duo) or EUR 10,000 (collective). Plans can take place anywhere, start at least 10 weeks after submission and last a maximum of one year. You may apply for the Seed Grant once every two calendar years and receive it up to twice, and may submit only one application per year across all Stokroos grants. Apply via the online form (Dutch or English) with a portfolio PDF up to 20 pages/person, optional video up to 10 minutes total, CV up to 2 pages/person, and work/plan/collaboration descriptions up to 2,500 characters each. Stokroos aims to respond within 8 weeks; no appeal is possible. Next deadline: 31 October 2026.
The Studios at MASS MoCA is a year-round residency program on the museum's campus in North Adams, Massachusetts, hosting up to 10 artists at a time for stays of two or four weeks. It primarily welcomes visual artists across all media and writers in all literary disciplines, and applicants from around the world are encouraged to apply. Residents receive 24-hour access to a private furnished studio, lodging in nearby apartments, and several communal meals each week, plus museum membership benefits and access to The Clark Art Institute. The program offers need-based financial aid (artists typically pay between USD 0 and USD 450 per week) and fully funded fellowships that cover all residency fees for up to four weeks. General application deadlines fall on May 1 and November 1 each year, and the application is free to submit.
Artadia's open call for Houston, providing unrestricted $15,000 awards to three contemporary visual artists. Finalists receive an honorarium. Two-round jury (review + 45-minute virtual studio visits). ELIGIBILITY: living and working in Houston's eligible counties for at least 2 consecutive years prior to deadline; contemporary visual-arts practice; not currently enrolled in an art-related degree programme; no prior Artadia award of $10,000+. Open call 1 October - 1 November 2026. Apply via Submittable only.
Global art prize celebrating how art is made, open to artists worldwide working in any medium or art form. Instead of a traditional application form, artists submit a digital presence (website, portfolio or social profile) linked through a .ART domain that documents identity, process and work as one continuous record. PRIZES: Grand Prize (USD 15,000 cash); Artist Residency Award France (one month at Chateau du Fresne, near Paris); Artist Residency Award Spain (residency at Anfitrion, Marbella); Publication Award (editorial coverage in Whitewall Magazine, the campaign's media partner); .ART Domain Award (USD 10,000 premium .ART domain name). ELIGIBILITY: individual artists and artist collectives from all backgrounds (cultures, ethnicities, gender identities, abilities); 18 or older at time of submission; open to artists from all geographic regions with no restrictions on nationality or place of residence. Multiple entries permitted, as long as each submission (single artwork, series or overall practice) is presented on or linked to a SEPARATE .ART domain. NOTE: a .ART domain is required for submission; this is the de facto entry mechanism. ANNOUNCEMENT: winners revealed during Art Basel Miami on 3 December 2026. DEADLINE: 1 November 2026. APPLY via the .ART Award site.
The European Media Art Platform (EMAP/EMARE) is a network of leading European media-art organisations offering fully funded two-month production residencies for artists working with digital media, including media art, bio art and robotic art. Each residency provides a EUR 4,000 grant to the applying artist (including subsistence), a EUR 4,000 project budget, host-provided accommodation, travel covered according to EU ceilings, and access to technical facilities and media labs; a collaborating artist receives an additional EUR 2,000 (EUR 6,000 total for a duo). Residencies take place at one of 15 host institutions across Austria, France, Slovakia, Portugal, Belgium, the Netherlands, Slovenia, Croatia, Spain, Italy, Cyprus, Greece, Latvia, Germany and Poland. ELIGIBILITY: applicants must be EU residents or taxpayers in an EU member state, or residents/taxpayers of one of the eligible non-EU countries (Netherlands-based artists qualify). Undergraduate and Master's students are not eligible; PhD candidates and emerging artists of any age and academic background may apply. IMPORTANT: applicants must apply as a duo or collective, or propose a collaborative project, rather than as a purely solo applicant. The 2027 open call runs from 3 September 2026 to 6 November 2026 at 14:00 CET. Apply online at call.emare.eu. No application fee.
Residency programme run by the Art Explora Foundation with the Cite internationale des arts at its Montmartre site, supporting work that engages scientific and technological exploration and the major social and environmental issues of the present. Residents receive a studio-apartment of around 50 sqm, a monthly living grant of EUR 1,000, a production grant of up to EUR 3,000, and a round-trip travel grant, plus access to production facilities and local networks. Two tracks are offered: a SOLO programme for artists and writers across visual arts, performance, digital practices, literary and other experimental disciplines, and a COLLECTIVE programme for duos or collectives working collaboratively on interdisciplinary, experimental or research-based projects, for which a single studio-apartment designed for collaborative work hosts two residents sharing a bed, and only one member should submit the application. Eligible artistic disciplines are visual arts, performance and live arts, digital arts, curatorial practices, and writing and literary practices; eligible research fields are humanities, social sciences, cultural studies and history, technological innovation, and ecology. No output is required at the end of the residency, but participation in the Open Studios is mandatory. ELIGIBILITY: artists, artist collectives, researchers, curators and writers of all nationalities, no age restriction, with a minimum of five years of professional activity and works or research exhibited at national or international level. The Cite lists 20 to 22 residencies per year on this programme. Deadline 6 November 2026, 23:59 Europe/Paris. Questions: residences@artexplora.org. FLAG: the grant figures above come from the open-call text supplied to the desk; neither the Cite nor Art Explora publishes amounts on the programme page, so confirm them, along with the exact deadline, before applying.
Launched in 2024 to support young emerging artists, the Sixi International Artist-in-Residence Project (run by Sixi Museum in Nanjing, China) facilitates exchanges between artists from different backgrounds and helps them achieve creative breakthroughs and personal growth. The project calls for artists across all disciplines and cultural backgrounds who are ready to engage in dialogue with the city. TWO THEMES FOR 2027: 'Flux and Imprints: Contemporary Echoes of Migration History' and 'Folds of Text: Cross-Media Intertextuality and Intervention'. WHAT IS PROVIDED: living and working space (a city-centre apartment plus a loft studio in the outskirts to suit the research and production demands of different disciplines), financial support, hardware facilities and staff assistance, and help establishing contacts with the local art scene; by the end of the residency artists have the opportunity to showcase their outcomes in exhibitions. Nanjing combines traditional and contemporary Chinese culture, and the project positions itself as one of the few local art residency programmes contributing to international cultural exchange in the city and to the diversified development of contemporary Chinese art. ELIGIBILITY: open to artists across all disciplines and cultural backgrounds. Deadline: 15 November 2026. Apply via siximuseum.com.
Women's Studio Workshop (WSW) offers an eight- to ten-week residency for artists to produce a limited-edition artist's book. Working intensively in WSW's studios in Rosendale, NY, selected artists print and bind their own books; edition size must be between 50 and 100 copies. AMOUNT: $350/week stipend; up to $1,000 for materials; up to $250 for travel within the Continental US; free onsite housing; 24/7 studio access. WSW provides technical advice, training on new equipment, techniques, and materials, and production assistance. SALES CONTRACT: 20% of the edition goes to the artist; 20% (at least nine copies) stays with WSW for archival and institutional sales; 60% goes to general distribution and sale. If the artist sells through WSW, WSW takes a 30% commission plus 20% for marketing; the artist receives a 50% commission, paid annually around 30 June. WSW holds the right to sell distribution copies at a 20% discount to standing-order and repository institutions. WSW's books are held in over 450 collections worldwide, including the Library of Congress, Yale University, and Vassar College. An outside jury of artists and curators selects recipients. INDIGENOUS ARTISTS: applicants may check the appropriate box on the Submittable form to be considered for the BIMA Artist's Book Residency Grant for Indigenous Artists. APPLICATION MATERIALS (upload via Submittable): current resume; brief project description including media required (200-word maximum); materials budget form (Google Sheets, Excel, or PDF); up to ten images of recent work; image script (title, medium, dimensions, date). MAILED MATERIALS (to WSW at the address below): a physical book mock-up demonstrating how the book will be bound or function, actual size, with at least 1-2 fully realised spreads; and the shipping form (download and open the PDF locally). Mail to: Artist's Book Application, Women's Studio Workshop, PO Box 489, Rosendale, NY 12472. Applications open 1 August 2026; deadline 15 November 2026, 11:59pm EST; notification March 2027; residency runs September through June, one year after application. Apply via Submittable at https://wsworkshop.org/residencies/artists-book-residency-grant/.
The Rauschenberg Medical Emergency Grants, administered by the New York Foundation for the Arts on behalf of the Robert Rauschenberg Foundation, provide one-time grants of up to USD 5,000 to help artists in financial need cover recent unexpected medical, dental, and mental health emergencies. The program is open to generative visual and media artists and choreographers working in visual arts, film, video, electronic and digital arts, and choreography who live anywhere in the United States, the District of Columbia, a Tribal Nation, or a U.S. Territory. Applicants must be artists in financial need, with adjusted gross income at or below USD 80,000 for an individual or USD 160,000 for joint filers, and must not have received a Rauschenberg Medical or Dancer Emergency Grant in the past five years. Eligible expenses include emergency medical bills, diagnostics, consultations, therapy, prescription medications, emergency dental care, and transportation to appointments. The grant does not cover lost wages, general living expenses, or care for anyone other than the artist. Applications are accepted during defined cycles, with the current cycle running roughly from late October to mid November.
The Japan Foundation's flagship grant for organisations abroad mounting an exhibition introducing Japanese art and culture, explicitly covering overseas biennials and triennials that present Japanese artists. It is a partial-cost grant rather than a production budget: it pays toward shipping Japanese works, producing print or digital catalogues, and bringing Japanese artists, curators and specialists to the venue. That cost structure suits media arts, digital culture and art-and-science exhibitions well, where shipping technical work and hosting the artist for installation are the main cost drivers. It is explicitly designed for non-Japanese applicants: museums, galleries and comparable organisations outside Japan. Institutions only, so independent curators and artists cannot apply directly and must be hosted by an eligible institution. Exhibition content must introduce Japanese art and culture, so a Japanese artistic component is mandatory. Recent UK recipients include Tate Modern, the V&A and the Hayward Gallery, so the scheme skews toward established institutions. Applicants are asked to discuss eligibility with the relevant regional arts programme officer before applying. FLAG: full FY2027 guidelines were not yet published by Tokyo headquarters as of July 2026 and this deadline is the funder's own provisional date; reconfirm in autumn 2026.
Async Museum is an independent digital space dedicated to web art with a distinctive point of view, existing to discover artists who use the web as their primary medium and to recognise their work as a new aesthetic. Its core philosophy is that the web browser is a twenty-first century canvas. Async Museum is officially seeking submissions of web-based artworks, welcoming both established practitioners and emerging voices who are pushing the boundaries of what the next generation of art can be. NOTE: this is an exhibition opportunity for web-based art rather than a paid grant; no artist fee is stated. To share your practice and submit your work, visit https://asyncmuseum.com/submit. Deadline: 1 December 2026.
A Wrinkle in Thyme Farm is a small, women-owned diversified farm in Sumner, Maine that offers a six-month live-in fiber arts residency starting in May. The resident exchanges an average of 15 to 20 hours per week of farm work for a modest monthly stipend, free private rustic housing, community meals, farm-grown food, and access to the fiber studio. Residents receive solo studio time plus one day a week of learning and collaboration with fiber artist Marty Elkin, working with home-grown Maine wool through felting, dyeing, knitting and spinning. The program also includes training in flock management, animal husbandry and lamb care, with the option to add two months for lambing season. It is designed for emerging fiber artists who are single females able to lift 50 pounds and work around a farm. Applications open in November with a December 31 deadline and a non-refundable USD 25 application fee.
The Kala Fellowship Program supports international, national, and local artists producing innovative work in and across multiple media, with an emphasis on Kala's specialized printmaking, photography, and digital media equipment. The institute supports up to 6 artists per cycle with a USD 3,000 stipend, 24/7 access to its Berkeley facilities for 1 to 9 months, one month of housing for artists based outside the 9 Bay Area counties, a Kala class or workshop, and a culminating group show in the Kala Gallery. Applications are submitted through kala.slideroom.com and require a statement of interest, an artist CV, documentation of 5 to 10 recent works, and two references. Artists enrolled in a degree-granting program during the fellowship period are not eligible. The application opens in December with no fee through January 15, after which a USD 25 application fee applies through the March 1 deadline.
The Roswell Artist-in-Residence Program, established in 1967 and run by The RAiR Foundation, offers visual artists a year-long studio-based residency known as the Gift of Time. Each resident receives a private house and a studio on a fifty-acre complex, with rent, utilities, repairs, and maintenance covered by the program. Artists also receive a monthly stipend of USD 1,100 plus a USD 250 monthly materials stipend. The program is open to professional visual artists aged 21 and older working in painting, drawing, sculpture, printmaking, photography, video, digital media, and installation. It does not support performance art, writing, music, or production crafts. The application period for the next cycle runs from January 1 to March 15, 2027, and international applicants are accepted with visa support available.
The Jerwood Foundation makes grants to UK organisations for public-facing arts activity across theatre, music, dance, visual arts and literature, including artist development programmes, commissions, residencies and projects involving the Jerwood Collection. Awards have historically gone as high as GBP 200,000, though the Foundation states most grants are much smaller. Applications are single-stage: a written proposal of no more than 10 sides of A4 excluding financial statements, sent by email to info@jerwood.org or by post, and it must include a summary sheet giving location, amount requested, timeline and audience figures. Applications missing that summary sheet are rejected automatically. The March 2026 deadline has passed; the next round opens 3 February 2027 at 9am and closes 17 March 2027 at 2pm, with decisions on 28 April 2027 and all applicants notified by 11 May 2027. TIMING RULE: activity funded in that round must start or open to the public between 1 July 2027 and 30 June 2028, so there is a long lead time and retrospective funding is impossible. Grants to individuals are not made, so artists must be supported through a host organisation. Core costs and capital work are explicitly out of scope, which makes this a good fit for discrete festivals, exhibitions and public programmes.
Visual Anthropology Center (VAC) in Belgrade invites filmmakers, visual anthropologists, artists, and researchers to apply for its residency programme. The residency specialises in visual anthropology but is also open to individual and collaborative projects in experimental ethnography, creative documentary film, and other artistic mediums. Residents may apply with a project aimed at a public showing, or use the time and space to reflect, research, or write without a specific outcome. WHAT IS PROVIDED: accommodation and studio space in central Belgrade; additional workspace and community connection through Community Center KROV (an independent creative hub hosting lectures, events, and exhibitions); project guidance and mentorship from film professionals, ethnomusicologists, producers, artists, curators, and anthropologists; connections to local cultural and academic institutions, archives, galleries, and exhibition spaces; access to camera equipment, translators for fieldwork or editing, fixers, and project-specific services or materials; opportunity to exhibit a final project as an exhibition, installation, screening, workshop, or lecture. Eligible projects may be promoted through VAC's platforms and partner networks, including the Vizantrop Film Festival, for regional and international visibility. ELIGIBILITY: filmmakers, visual anthropologists, artists, and researchers; individual and collaborative projects welcome. Applications accepted on a rolling basis.
The closest thing the Netherlands has to a dedicated regional art-and-technology fund, being a public-private scheme co-financed by ASML and sited in the country's main technology region. It funds professional cultural projects of high quality with national or international reach, which in practice covers festivals, exhibitions and public programmes including media art and creative technology work. Private-law legal entities only (stichting, vereniging or BV); both new and existing cultural organisations qualify. Projects are assessed on societal impact (must address at least two of accessibility, inclusivity, diversity, social cohesion), cultural entrepreneurship and sustainability, alongside professional artistic quality. Applications are accepted all year round via a two-stage route: an intake where Brabant C scouts give an initial assessment, followed by a full application, pitch session and decision. TIMING RULES ARE STRICT and are the main planning constraint: the full application must be submitted a minimum of 12 weeks before the project starts, and the project may not begin until at least 12 weeks after a complete application has been approved. The internal clock runs roughly two weeks for a completeness check, about six weeks to the pitch session, and about four weeks from pitch to decision. Brabant C never covers more than half the budget, so a matched partner is required from the outset. A separate Brabant C matching scheme for impactful culture projects is open year-round through 31 December 2026 for Brabant-based organisations outside the Brainport region.
The National Lottery Open Fund for Organisations is Creative Scotland's main open-access grant for constituted arts, creative and cultural organisations, and it is genuinely rolling with no deadlines. It supports a specific one-off project or production, creative research and development, or a longer-term programme of work, and can also fund business sustainability and organisational development costs. Eligible organisations can apply for GBP 1,000 to 100,000 for projects lasting up to 18 months. TIMING RULES: decision lag is banded by request size, with GBP 1,000 to 20,000 decided within 10 weeks and GBP 20,000 to 100,000 within 14 weeks. The start date must be after the decision date, and the guidance recommends allowing a further 2 to 4 weeks for funding agreements and first payment. Critically for festivals, applicants are barred from starting activity, including advertising events or issuing calls for collaborators, before funding is confirmed, so a public programme should be planned to start roughly 12 to 18 weeks after submission. Only one application may be in assessment at any time. Non-UK organisations can be involved but cannot lead. Current Regularly Funded and Multi-Year Funded Organisations are excluded.
Community-led Art and Creativity sits within Esmee Fairbairn's Creative, Confident Communities aim and is one of the Foundation's two arts-related priorities. It funds work where local people and local artists lead the creative and cultural activity in a place, emphasising cross-sector collaboration that delivers social, environmental and economic benefit alongside artistic outcomes. Cited examples include the Migration Museum's People's Panel, B Arts in Stoke and WeCanMake's Festival of Making Together, which confirms festivals and public programmes are in scope where genuinely community-directed. Applications are rolling with no deadlines, starting with an eligibility quiz and an expression of interest. The minimum grant is GBP 30,000 with no upper limit, and most awards run three to five years covering core or project costs including salaries and overheads. Applicants need at least GBP 100,000 annual turnover in the latest accounts and a formal constitution, charitable or non-charitable so long as the work is charitable. This is highly competitive: in 2025 only around 5 percent of initial expressions of interest converted into funded grants, so long-term systems-change framing matters more than the individual event. Esmee's other arts priority, Arts and Creativity Making Change, is currently closed.
The Arts-based Learning Fund supports sustained partnerships between arts and cultural organisations and state-funded educational settings so that arts-based approaches become embedded in how young people learn. Grants run GBP 30,000 to 300,000 over one to four years, with a ceiling of GBP 100,000 in any single year, and can cover both project delivery and a fair share of the applicant's core costs. Applicants must be arts and cultural organisations (charities, community organisations, social enterprises, not-for-profits) applying in partnership with at least one state-funded educational setting. Applications are accepted on a rolling basis with no deadlines; an optional enquiry call with a grants manager is encouraged before applying. The process is two-stage: an initial online application, then, if shortlisted, further information plus a phone or video conversation, with a final decision by a grants panel. TIMING RULE: applicants should expect a response within about four months, and successful applicants should allow roughly six months from application to receiving funds, so projects should not be planned to start sooner than that. The Foundation explicitly encourages applications from organisations led by people most impacted by racism, ableism, classism, sexism, xenophobia, homophobia and transphobia. IMPORTANT: this is the only Paul Hamlyn arts route open to new applicants in 2026, since the main Arts Fund is suspended to new applications until at least April 2027.
Since 2025 Het Cultuurfonds runs a dedicated application route for individual makers and collectives, separate from its project grants for foundations and associations. The ontwikkelbijdrage awards up to EUR 5,000 for research, workshops, masterclasses, courses and training, experiments and equipment, and for the pre-phase of a project, giving makers room to test and develop an idea before it has to be fully executed. It is open to all disciplines: visual artists, theatre makers, spoken word artists, photographers, musicians, ceramicists, restorers and more. A separate matchfundingbijdrage of EUR 250 to EUR 1,500 supports crowdfunding campaigns for public-facing projects such as exhibitions or performances. The route is run with voordekunst. Applying is a two-step process: a short vooraanvraag (pre-application) answered within one week, then a full application answered within four weeks, with development funds paid out within two weeks of approval. Rolling intake, no application fee.
The Adolph and Esther Gottlieb Emergency Grant provides interim financial assistance to painters, sculptors, and printmakers facing an unforeseen, catastrophic event such as fire, flood, or a medical emergency. Applicants must have been engaged in a mature phase of their art for at least ten years and must have a current, urgent need that is beyond their means. The maximum award is USD 15,000, with USD 5,000 being typical, given as one-time assistance for a specific emergency. The program does not cover dental work, chronic situations, capital improvements, projects, general indebtedness, or lack of employment. There is no deadline; applications are reviewed on a rolling basis, usually within about four weeks, and within 24 to 48 hours in the most urgent cases.
CERF+ provides Emergency Relief Grants of USD 3,000 to craft artists in the United States who have experienced a recent and substantially disruptive career-threatening emergency or disaster. Eligible applicants are individual craft artists aged 18 or older who have lived and worked in the US or US Territories for the past two years and who make original three-dimensional visual art objects by hand, including folk and traditional art forms. The grant is a one-time non-taxable gift with no reporting required on how funds are used. Applications are accepted on a rolling basis, though the program will not fund applicants if too much time has passed since the qualifying event. There is no application fee. Artists may receive one grant per emergency, no more than one per calendar year, and up to four grants over their lifetime.
The Factory on Willow is a non-profit funded artist residency in Manchester, New Hampshire, housed in a 90,000 square foot mill building from 1904. The 12 week program supports amateur and emerging artists of any medium to develop their current projects and creative practice. Selected artists receive a furnished studio apartment with utilities and internet, a USD 350 travel stipend, and a USD 1600 stipend covering food and art supplies. The residency runs in three annual sessions (March to May, June to August, and September to November), with two artists selected per session. Each residency concludes with a public capstone showcase, and participants donate one work to the Factory's permanent collection. There is no application fee and applications are accepted on a rolling basis.
The Cloud House Residency, run by Dreamsong in the Northeast Arts District of Minneapolis, provides accommodation and support for individuals working in contemporary art who intend to develop, exhibit, or curate new work in Minnesota. Residents stay in a 700 square foot one-bedroom cottage on Dreamsong's compound and receive a prorated stipend of USD 300 per week, with possible studio space and travel or materials budgets considered on request. The program is open to emerging and mid-career visual artists, curators, and writers with a focus on contemporary art, and it hosts one individual or a two-person collaborative team at a time. The organizers arrange introductions to local artists, curators, writers, institutions, and galleries across the Twin Cities. Standard stays are 4 to 6 weeks, with occasional one-week options. Applications are reviewed on a rolling basis, and the program is currently booking residents for October through December 2026 and throughout 2027.
The Pollock-Krasner Foundation awards unrestricted grants to professional visual artists who are painters, sculptors, and artists working on paper, including printmakers. Grants range up to USD 50,000 over a one-year period and can be used for both professional and personal expenses such as art supplies, studio rent, and living costs. Applicants must demonstrate recognizable artistic merit and financial need, and must be actively exhibiting their current work in professional venues such as galleries and museums. The Foundation does not fund students, commercial or graphic art, video, performance, film, or generative and AI-generated work. Applications are accepted on a rolling, year-round basis with no deadline, and the review process typically takes nine months to a year. There is no application fee, and all applications must be submitted online.
Amarte Fonds is a private Dutch foundation that supports the arts, with rolling (continuous) contributions for visual artists and independent curators. There are two contribution types: a development contribution of up to EUR 2,750 and a project contribution of up to EUR 5,500. Up to 80 percent is paid in advance, with the remainder after the final report is approved. Applicants must be based in the Netherlands or the Caribbean part of the Kingdom (the ABC and SSS islands). The fund also supports work across theatre, film, music, literature and interdisciplinary projects through specific programmes. There is no fixed deadline and no application fee; decisions are relatively fast. Apply year-round via the online portal.
Commission artists to create new work in publicly accessible spaces such as hospitals or museums. Open to individuals and organisations. Continuous deadline.
Support for visual artists with 4+ years of experience to expand their portfolio, increase visibility or conduct research. Continuous deadline.
Funding for concrete artistic plans, research projects, or working periods in the Netherlands or abroad. Continuous deadline.
Support for visual artists at the beginning of their careers with plans for new work. Continuous deadline.
Support for owners and managers of objects registered as protected heritage. Continuous deadline.
Voucher to assist hiring artisans for artistic research or work production. Continuous deadline.
Voucher covering childcare costs for visual artists with dependents under compulsory school age. Continuous deadline.
Funding for developing and deepening artistic practice. Continuous deadline.
Quick-response voucher for visual artists, curators, art critics and art observers based in the Netherlands or the Caribbean part of the Kingdom who have been invited to take part in a public programme abroad. Eligible activities include giving a lecture, performance, book presentation or taking part in a panel at a contemporary visual art institution, venue, festival or symposium outside the Netherlands. Participation in an exhibition and commercial gallery or art fair contexts are not eligible. Visual artists need at least one year of professional practice; curators, critics and art observers need at least two years. Applicants cannot be enrolled full-time in a Bachelor's, Master's or postdoctoral programme. The voucher covers travel and accommodation up to EUR 2,500. Rolling intake, but the timing window is strict: applications are accepted a maximum of 4 months and a minimum of 5 weeks before the activity starts. No application fee.
Rolling general project funding for smaller media-art works, events and research. Covers interdisciplinary projects across music, theatre, dance, visual arts, literature, film, architecture, socioculture, intercultural and interreligious dialogue, and children's and youth culture. For artists, professionals, initiatives and institutions based in Karlsruhe (group applications must include at least one person/institution with first residence or registered office in Karlsruhe). Applied for via the City of Karlsruhe online application; selected by UCCoMA Office staff.
PAID 12-week online mentorship program from Belgrade Art Studio: each artist works one-on-one with a dedicated artist-mentor through weekly 1-hour Zoom/Google Meet sessions, aimed at artists at a turning point in their practice (stuck, seeking new directions, experimenting with unfamiliar media including AI). Hybrid seminar/workshop format supporting both physical and online presentation, plus curatorial thinking, writing, interviews, and documentation. Closes with an online viewing and moderated discussion of the works produced. ELIGIBILITY: open worldwide to artists and creatives across visual arts, music, theatre, dance, film, writing, design, photography, digital/interactive art, games, fashion, architecture, and curation. English-language program (ability to collaborate in English preferred but accommodations possible). EXPECTATIONS: artists must treat the program as they would an in-person residency (dedicated time for research/creation/reflection), submit in-progress material for social-media exposure, participate in an artist interview, and refrain from hate speech or discriminatory content. APPLY by emailing CV, summary, and portfolio (links accepted) to artlab@belgradeartstudio.com. Rolling intake (no deadline). Selected artists are announced and contacted by email. COST: EUR 675 to participate — this is a paid offering, not a funded residency.
The BFI Doc Society Features Production Fund (delivered via BFI with Doc Society as delegate partner) supports UK filmmakers producing non-fiction feature films intended for theatrical release. Two strands: Directions (first- or second-time directors) and Momentum (established talent). AMOUNT: up to £150,000 non-recoupable grant (the total Doc Society contribution per project cannot exceed £150,000). ELIGIBILITY: UK-based filmmakers, both emerging and established directors; experienced and debut producers eligible; projects must meet at least three of six stated priorities: equity/diversity, audience impact, talent development, creative risk, UK-wide access, and environmental sustainability. PROCESS: two-stage — submit an Expression of Interest, then a Full Application if invited. Rolling intake year-round. Opened May 2026. APPLY via BFI Doc Society website. Contact: hellobfi@docsociety.org.
Cill Rialaig Arts Centre offers free residencies in restored cottages on Bolus Head, County Kerry, for artists, filmmakers, composers, and writers; over 4,900 artists from many countries have attended. Apply by email to cillrialaigarts@gmail.com; there is no formal deadline cycle.
Hypha Studios matches artists with free meanwhile-use spaces across London and the UK. Speculative exhibition proposals are accepted on a rolling basis and kept on file until a suitable space opens. No geographic restriction is stated, but applicants practically need to be able to install and attend in the UK.
Marfa Open runs a gallery, an annual art festival (6th edition), and a 3-4 week live-in residency in its gallery space that ends in an exhibition; it has also mounted international shows. Historically free to propose and open to everyone including international artists. NOTE: there is no formal application portal; intake is by direct contact via the website (the old marfaopen.org application site is dead; the live site is marfaopen.art).
Fonds 21 supports professional, high-quality art and culture projects by Dutch non-profit organizations (foundations, associations and non-profit BVs/NVs), across performing arts, visual arts, film, literature and interdisciplinary work, with additional pillars for arts education and youth & society. The minimum request is EUR 10,000 with no stated maximum, and roughly EUR 11.5 million is available annually. Applications are accepted year-round via the online portal (after a short eligibility snelcheck) and must be submitted at least four months before the project start date. Free-of-charge events are generally not supported; the fund expects most programming to be paid-access. No application fee.
Het Cultuurfonds (formerly Prins Bernhard Cultuurfonds) invests over EUR 40 million per year in culture and nature in the Netherlands. Foundations and associations can apply year-round for project grants (typically EUR 15,000 to EUR 50,000 at national level), and since 2025 individual makers and collectives can apply for up to EUR 5,000. Provincial chapters run their own quarterly rounds for regional projects, and numerous themed funds (EUR 5,000 to EUR 25,000) cover specific disciplines. Rolling intake via the online application portal. No application fee.
VSBfonds supports cultural initiatives that make it possible for everyone in the Netherlands to take part in art and culture, spanning ten programme lines from professional performances to community arts. Applications are accepted year-round with no deadlines from foundations, associations and applicants without a formal legal form, and must be submitted at least four months before the initiative starts (two months for amateur arts). A two-minute online quickscan checks eligibility before the formal application. No fixed minimum or maximum amount; the request should be proportionate to other funding. No application fee.
The Fonds voor Cultuurparticipatie, one of the Dutch national cultural funds (annual budget around EUR 30 million), currently has several schemes open for applications: cultural education in vocational education (mbo, EUR 5,000-55,000), cultural education in vmbo/vso/pro (EUR 10,000-65,000), cultural education for the Caribbean parts of the Kingdom (EUR 5,000-50,000), an open call for design-based learning platforms (up to EUR 75,000) and an interdisciplinary scheme for professional makers (EUR 12,500-50,000). Most schemes target cultural institutions, in some cases in partnership with schools. See the subsidies overview for per-scheme conditions. No application fee.