Currently 22 active paid grants, fellowships and residencies open to applicants in the UK, across AI, arts, film, journalism, research, tech and cross-disciplinary practice. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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The UAL AKO Storytelling Institute, with the Power of Pop Fund, is recruiting six Storytelling Research Fellows to run independent research projects on how storytelling in popular culture shapes attitudes, behaviour and public discourse. Fellows work across media including television, film, gaming, podcasts and digital culture, are supported by the Institute's Head of Research and a peer cohort, and produce actionable findings for creative practitioners, funders and social-impact organisations, presented at a closing public symposium. ELIGIBILITY: experienced researchers with a PhD or equivalent research expertise gained academically, independently or through professional practice, with a track record of delivering high-quality research and working with external partners. Practice-based and non-academic researchers are explicitly in scope. APPLICATION: CV, record of publications, a research proposal of 1,000 to 1,200 words, and a supporting statement including at least one example of a research project you designed and delivered. Applications via the UAL jobs portal; closes 11 September 2026.
Paid in-person research fellowship in Cambridge for people who want to build expertise in AI safety or AI governance. Fellows develop and complete a research project on mitigating risks from frontier AI, working in one of three streams: technical safety, governance, or technical AI governance. WHAT YOU GET: a GBP 10,000 stipend for the 10-week programme, visa support, travel expense coverage, meals during working hours, expert mentorship from established researchers, dedicated research management support aimed at publishing in top venues, and immersion in Cambridge's AI safety research community with regular social and networking events. Top performers can be extended by 6 months or more through the Research Scholars programme. ELIGIBILITY: open to anyone 18 or older; the programme is talent-first with no formal credential requirement, welcoming researchers, students and professionals from technical, policy, security, legal, economic and other relevant backgrounds; prior formal research experience is not required. SELECTION: three stages, a written application of roughly 2 hours, Round 1 interviews in late September for the top 20 percent, and Round 2 interviews in early October. COHORT: starts 18 January 2027. Deadline 13 September 2026 at 23:59 Anywhere on Earth.
The British Open-ended Learning and Discovery (BOLD) Lab is a new UKRI-funded initiative establishing an AI research laboratory led from the University of Oxford, bringing more than 80 researchers from Oxford, UCL and Imperial College London under one vision. It carries an initial investment of around GBP 8 million with the potential for a further GBP 22 million extending the investment over six years, making it one of the UK's largest bets on fundamental AI research. The lab's remit is ambitious, high-risk work on the fundamental science of artificial intelligence, alongside training future leaders in the field. THE ROLE: up to 12 BOLD Fellows are being recruited across the three universities. Fellows are expected to operate with a high level of independence and responsibility, setting their own research direction, publishing at the highest level, and mentoring junior researchers and doctoral students. They also play a leading role in managing the lab and take responsibility for developing its strategic and scientific direction, with primary responsibility for a programme of independent funded research projects. The posting frames the draw as exceptional independence, direct collaboration with world-leading colleagues across the three institutions, access to substantial and rapidly growing compute, and real influence over the intellectual direction and culture of a major national lab. WHO SHOULD APPLY: senior researchers with an established, original research track record in AI or a closely related field, who are a recognised authority in their area. HOW TO APPLY: submit an online application with a covering letter or supporting statement, a CV, and details of two referees. Informal enquiries are welcomed beforehand to the BOLD Exec Team at boldexec-team@eng.ox.ac.uk. NOTE: this is a salaried fixed-term research post rather than a grant. Only applications received before midday on Tuesday 15 September 2026 can be considered.
LASR Labs is a 13-week full-time technical AI safety research programme in London: teams of 3 to 4 write a technical paper on loss-of-control risks under an experienced supervisor, with recent cohorts publishing at NeurIPS, ICLR and ICML workshops, and around 90 percent of alumni moving into AI safety or security roles. FUNDING: GBP 15,000 stipend plus food, office space, and flights/travel. ELIGIBILITY: technical machine-learning or quantitative background, from undergraduates to experienced engineers, with no hard requirements; international applicants get visa support via the UK Government Authorised Exchange programme. Hosted at the London Initiative for Safe AI. Runs 11 January to 9 April 2027. DEADLINE: 20 September 2026, 23:59 GMT.
The Creative Challenge Fund does not fund films directly. It funds the organisations that run project-development programmes for UK creatives working on narrative, documentary or animation features, or on narrative immersive media projects. The BFI's stated aim is to decentralise development away from a small number of London-centric gatekeepers and build a wider, more resilient ecosystem of talent-development providers across the UK, with a recently added emphasis on independent producers. ELIGIBILITY: only legally constituted UK-based organisations may apply. Individual filmmakers seeking development money should look to the BFI Filmmaking Fund's Development strand instead. TIMING: Round One closed in March 2026 and has made its first awards. Round Two closes Monday 21 September 2026, with funded programme activity required to begin between 1 January and 30 June 2027. NOTE: award amounts are not published on the fund page. Successful applicants must prominently credit BFI National Lottery support.
The ILIAD Fellowship is a 3-month mentored research fellowship producing concrete outputs in applied-mathematical AI alignment research, distinct from ILIAD's four-week taught Intensive. Fellows work in person in London or the SF Bay Area with a USD 6,000 per month travel-and-housing allowance. ELIGIBILITY: primarily PhD and postdoc researchers in mathematics, theoretical physics, theoretical computer science or related fields, though a degree is not a hard requirement given substantial research experience; limited remote flexibility. DEADLINES: 21 September 2026 for the November cohort (2 November 2026 to 5 February 2027); 19 October 2026 for the December cohort (1 December 2026 to 5 March 2027). A single common application at iliad.ac/apply covers the Fellowship and the Intensive.
The Centre for Democratic Resilience (CeDR) at the University of Oxford is hiring a Postdoctoral Research Fellow in Computational Social Science and Text Analysis to join an interdisciplinary team building a new computational research agenda on risks to academic freedom, institutional autonomy, and higher education governance. The fellow leads computational analysis of large collections of legal, regulatory, and political texts, developing innovative NLP methods to analyse legislation, policy documents, and political discourse, with particular attention to Germany. REQUIREMENTS: a doctorate (held or near completion) in political science or a related field, with expertise in computational social science and natural language processing. TERMS: full-time, fixed-term for three years, based in Oxford, salary GBP 39,424 to 51,983. APPLICATION: online via the University of Oxford job pages with CV and supporting statement (job reference 188420); online interviews the week of 5 October 2026. Start 1 November 2026 or soon after. NOTE: this is a salaried research job, not a grant. DEADLINE: 25 September 2026, 12 noon UK time.
Design Generators round two funds design-led research projects combining design interventions with arts and humanities methodologies to contribute to the green transition. Eligible activity includes design research prototyping, circular business model exploration, strengthening third-sector resilience, skills development, policy and strategy work, and public engagement programmes, so exhibition-style and public-facing outputs are in scope where they sit inside a research project. Awards are GBP 150,000 to 200,000 at 100 percent full economic cost with AHRC paying 80 percent, meaning the host organisation carries a 20 percent institutional contribution. The lead must be a postdoctoral-standing researcher at an AHRC-eligible UK research organisation, and every project must pair that lead with at least one non-academic co-lead from business, the public sector, the third sector or a community organisation, which is the practical entry point for an arts organisation. Freelancers and independent consultants cannot lead. The opportunity opened 21 July 2026 and closes 29 September 2026 at 4:00pm UK time. Decision lag is roughly three months from the deadline. IMPORTANT: this round explicitly excludes international stakeholders and international activity, so non-UK partners cannot be involved.
Waag Futurelab invites artists, theatre makers, choreographers, dancers, game designers and other creative practitioners to engage directly with seven experimental generative AI Enablers being co-created with technologists and dance, theatre and gaming professionals. The call is an invitation into the development process: selected artists get access to the technologies, datasets, interfaces and assumptions that shape these systems while they are still being built. Rather than testing whether the systems work, artists are asked to interrogate why they work the way they do, who they are designed for, what forms of creativity they enable or constrain, and what assumptions about culture, intelligence, authorship, labour, bodies, audiences and society are embedded in them. Waag is looking for individuals and collectives willing to move beyond adoption into investigation, and welcomes proposals that are speculative, critical, poetic, provocative, humorous, performative, constructive or disruptive, including work that challenges, misuses, reimagines, hacks, subverts or plays with the tools, exposes hidden biases, questions environmental costs, or imagines alternative technological futures. THE SEVEN AI ENABLERS, each requiring an on-site visit to its technology partner: the Generic Procedural Content Generation Enabler (text-to-3D assets and avatars, CERTH, Greece); the Data-Driven Cultural Content Adaptation Enabler (audience-aware creative content ideation with ranked candidate ideas, CERTH, Greece); the Cross-Domain Audience Engagement Analytics Enabler (turning heterogeneous cultural participation data into interpretable engagement signals, The Audience Agency, Warrington, UK); the Dance Style Analysis and Generation Enabler (dance video into virtual 3D choreography, dissected into body, effort, shape and space components, Centre of Excellence for Research & Innovation, Cyprus); the Immersive Design Integration Enabler for Dance & Theatre (NLP-driven XR environments with speech-to-3D scene editing, Cyprus); the Music-to-Movement Translation Enabler (audio into a time-aligned feature set spanning genre classification, emotional valence-arousal analysis, rhythm extraction and latent-space projection, feeding motion generation, spatial audio and visual choreography, Aristotle University of Thessaloniki, Greece); and the Adaptive Narrative Enabler for Games & Theatre (an evolutionary AI trained on creator-written story elements that generates infinite story variations, explicitly rejecting LLMs because of their dependence on copyrighted or public-domain corpora that encode 19th and early 20th century sexism, racism and imperialism, CAUSA Creation, Austria). ELIGIBILITY: artists, designers, creative technologists, theatre makers, dancers, choreographers and game designers, as individuals or collectives; applicants must hold a European VAT number. An info session with live demonstrations of the AI Enablers runs 31 July 2026, 10:00 to 11:30 CEST (meeting ID 995 7016 2341). Applications go through Homerun using the official Application Template, uploaded as a PDF; read the Guide for Applicants, which contains the full Enabler descriptions, before applying. Questions: zoenie at waag dot org. The AI Enablers and this call are part of the Horizon Europe project HAMLET, which aims to make generative AI accessible to cultural organisations of all sizes. Closes 30 September 2026, 23:59 CEST. Free to apply.
Tate, in collaboration with Delfina Foundation, invites applications for the thirteenth Brooks International Fellowship Programme: two 6-month fellowships in 2027 for international researchers based outside the UK, hosted in the Tate Britain Curatorial Division and complemented by activities and residency life at Delfina Foundation. FELLOWSHIP 1, Leonora Carrington: Art and the Theatre of Life: foundational research into the British-Mexican artist's interest in theatre, performance and performativity, locating, analysing and contextualising theatrical materials across archives, manuscripts, correspondence, photographs and ephemera, and situating them within Carrington's transnational career; a Fellow with knowledge of the Mexican social-political context, culture and performance histories of the second half of the twentieth century is particularly well placed. FELLOWSHIP 2, Artist Supported Studios: contributing to research and development of the 2028 Tate Britain Commission through the lens of artists who work with supported studios (organisations enabling disabled and neurodivergent artists to develop sustained professional practices), exploring how galleries, commissioned artists and supported studios can develop different forms of communication and ways of working through the commissioning process, how collaborative practices can be documented and interpreted while remaining attentive to artistic agency, and how the research can shape future institutional practice. Fellows live at Delfina Foundation with a desk in their room plus hot-desking, work at Tate Britain, collaborate across Tate sites, get access to Tate's collection, archive, staff and networks, and present their practice at Tate and Delfina events. APPLICATION: download and return the Word application form from the Tate jobs page (only returned Word forms are accepted; nothing is filled in online). DEADLINE: Wednesday 21 October 2026, 17:00 GMT.
The MATS Residency, announced in August 2026 as a new track alongside the seasonal MATS fellowship, funds 6 to 24 months of high-independence AI safety research for experienced researchers, whether already in AI safety or moving in from adjacent fields. COMPENSATION: USD 155,000 to 285,000 per year gross depending on location, seniority and experience, plus insurance, retirement plan, PTO (17 days US / 20 days UK), conference funding, catered meals, and up to USD 25,000 in relocation support. ELIGIBILITY: at least one substantial piece of research-caliber work; credentials are not required. Full-time (part-time case by case for academics on sabbatical), in person at MATS offices in Berkeley, London, or Washington DC, with visa support where required. TIMELINE: the Winter 2027 intake window runs 25 August to 31 October 2026 (AoE), with decisions by end of November and interviews plus a paid work test in the first week of December; three intake windows per year.
Whose Archive is it Anyway? is the first in a three-part series of events at The Photographers' Gallery exploring the future of archives and archiving. This one-day event on Friday 16 April 2027 kickstarts the conversation with commissioned talks addressing what it means to make an archive today, who decides what an archive consists of, who creates an archive, who an archive is for, and who has access. The gallery welcomes submissions of real-life experiences rather than academic papers that challenge or answer these or other points related to the future of archives. SUGGESTED TOPICS: artist and photographers' legacies; institutional archives; memory (forgotten or lost histories made visible again); truth within archives (who is telling the stories and how); ownership (who has the authority to tell stories, who owns the images and their stories); relationships between those who create archives and those who use them; radical, non-traditional archives that redesign how stories are gathered and held to safeguard living memories; family archives; reclaimed photographic archives; counter archives that question dominant historical narratives; grassroots archives; technologies that reduce barriers to archives while safeguarding material; digital preservation and digitisation; and dialogic archives. ELIGIBILITY: open to all, especially those with experience of working with archives and the stories within them; applicants must be 18 or older and available to attend The Photographers' Gallery in London on 16 April 2027 to speak at the event. Selected speakers receive a fee of GBP 200 and will be notified by 18 January 2027. Questions to archive@tpg.org.uk. Deadline 1 November 2026, 11:59pm GMT.
The 17th Open City Documentary Festival takes place at venues across London in April 2027, presenting international contemporary and retrospective non-fiction film, audio and cross-media work alongside filmmaker Q&As, panels, talks and workshops. The festival nurtures experimentation within the expanded field of non-fiction cinema, from artists' moving image to documentary, the essay film, audio and cross-media works; recent artists screened include Sky Hopinka, Onyeka Igwe, Luke Fowler, Ana Vaz, Jessica Sarah Rinland and Morgan Quaintance. ELIGIBILITY: non-fiction film and video, cross-platform projects and audio works completed after 1 January 2026; no strict premiere requirement, but works not yet publicly screened in London are prioritized. All selected filmmakers receive screening fees: GBP 275 for works over 60 minutes, GBP 140 for works over 40 minutes, GBP 70 for works under 40 minutes, GBP 100 for cross-platform projects (all incl. VAT). Submissions via FilmFreeway with tiered entry fees (lower before the early deadline). EARLY DEADLINE: 25 September 2026. FINAL DEADLINE: 27 November 2026; all entrants notified by 22 February 2027.
The British Council's standing Travel Grant Fund helps early to mid-career UK filmmakers and XR creatives represent their work abroad, build networks, reach new audiences and raise the international profile of new and emerging UK film and immersive talent. Supported by BFI National Lottery funding in partnership with BFI NETWORK and the BFI International Fund. WHAT IT FUNDS: travel to attend international film festivals, showcases, training and development labs, and co-production forums, across five strands: short film festival grants, feature film festival grants, interactive/XR grants (including VR, immersive storytelling experiences and installations), lab grants and co-production forum grants. AMOUNTS: short and feature festival grants GBP 150 to 1,500 (typically up to GBP 750); XR travel-only grants GBP 150 to 1,500; large XR grants GBP 1,500 to 5,000; lab grants up to GBP 6,000; co-production forum grants up to GBP 2,000. WHO CAN APPLY: UK residents or citizens aged 18+; applicants can be directors, producers or writers attached to the selected project. KEY CONDITIONS: the festival, lab or forum must appear on the British Council's Key Lists of eligible events, and the project must be registered on the British Council's UK Project Database. DEADLINE: rolling, no fixed deadlines; submit at least two weeks before the event starts (retrospective applications for past events are not accepted). Free to apply.
AIXI Labs is a small London-based non-profit doing AI safety research grounded in algorithmic information theory. Its stated position is that most AI research today is either mathematically clean but narrow, or practical but too opaque for rigorous safety analysis; the lab targets a third category, methods general enough to describe powerful agents and provable enough to support real safety claims, using AIXI (the theoretical model of unbounded artificial superintelligence) and then porting the strongest of those ideas to modern LLM-based agents. The fellowship is a quarterly, rolling programme for researchers who want to work on this agenda under close mentorship from the core team: Cole Wyeth (Founder and Executive Director), Marcus Hutter (Research Director) and Aram Ebtekar (Founding Research Scientist). Fellows pursue a focused research project over roughly a quarter and receive a monthly stipend plus a compute budget for machine-learning work. The fellowship is fully remote, so fellows may work from anywhere in the world or from the London base. RESPONSIBILITIES: pursue a self-directed research project aligned with the lab's algorithmic-information-theoretic approach to AI safety, spanning anything from foundational theory to empirical tests with LLM-based agents; shape the project direction around your own strengths and interests, as the lab supports a range of work within this framework; and contribute papers, blog posts or other written output communicating results to the broader AI safety and ML research communities. MINIMUM QUALIFICATIONS: a research background at the level of a current PhD student (for primarily empirical projects, a master's-level command of the relevant mathematics paired with substantial industry or applied research experience can also qualify); solid grounding in probability, statistics, information theory and reinforcement learning, sufficient to engage seriously with AIXI-style theoretical models (prior expertise in algorithmic information theory or AIXI is NOT required); strong verbal and written communication skills; genuine motivation to reduce existential risk from advanced AI and enthusiasm for the lab's kind of work. PREFERRED QUALIFICATIONS: publications at top ML, AI or theory venues such as NeurIPS, ICML, ICLR, ALT or COLT, though the lab values the strength of your best work over volume; background in algorithmic information theory, computability theory, learning theory or related theoretical computer science; experience fine-tuning, evaluating or red-teaming LLM-based and/or RL agents; prior engagement with the UAI/AIXI community or related fields, including members of the lab's online reading groups. APPLICATIONS are reviewed on a rolling basis and previous applicants remain eligible for later rounds.
Impact is the higher-budget production strand of the BFI Filmmaking Fund and carries the largest award available in the current BFI portfolio at up to GBP 1.25 million. It sits above the Discovery strand in scale, serving experienced directors with production budgets from GBP 1 million to GBP 15 million, and debut directors whose budgets exceed GBP 3.5 million. UNLIKE DISCOVERY, Impact accepts applications on a continuous rolling basis with no round structure and no published closing date, though applicants must submit at least 20 weeks before principal photography begins. SELECTION is explicitly criteria-driven: projects must address at least three of the BFI's stated aims, covering equity and inclusion, audience or cultural impact, talent development, creative risk, production activity across the UK nations and regions, and environmental sustainability. ELIGIBILITY: applications must come from a limited company registered and centrally managed in the UK, so individuals cannot apply. A dedicated producer is always required, though unlike Discovery the writer and director may be the same person. Directing credits must be evidenced. No explicit nationality or residency test for the director or writer is published. NOTE: the BFI cautions that maximum-level awards are rare, so realistic requests will typically fall well below the GBP 1.25 million ceiling.
Development Funding is the earliest-stage strand of the BFI Filmmaking Fund, supporting original live action and animated feature films through script and package development to the point where they are viable candidates for production finance. It is aimed at distinctive fiction projects from what the BFI calls 'adventurous storytellers', across a wide range of genres rather than a single house style. UNLIKE DISCOVERY, it does not operate in rounds: applications are accepted year-round, with the only fixed interruption being an annual closure through the month of April, plus occasional short pauses during periods of high demand or holidays. ELIGIBILITY: the application must be made by a producer through a limited company registered at Companies House, so unincorporated individuals are ineligible. Nationality and residency requirements are not published on the fund page. NOTE: award amounts are not published, so the ceiling should be treated as unknown rather than assumed. Successful applicants are required to publicly acknowledge National Lottery support in project credits and materials.
The Audience Projects Fund distributes GBP 19.7 million of National Lottery money over three years to widen UK audiences for film and immersive work, covering exhibition, distribution, festivals, touring programmes and sector-support initiatives. It reopened in November 2025 and runs continuously with no closing date, which makes it one of the more accessible large BFI pots for organisations working on the audience-facing rather than production side. AWARDS are tiered: small pilot projects receive GBP 10,000 to GBP 20,000, while full projects can receive GBP 20,000 to GBP 500,000 per year, with immersive projects permitted to include up to GBP 150,000 of production cost inside that envelope. ELIGIBILITY is strictly institutional. Applicants must be legally constituted organisations centrally managed in the UK and not more than 50% foreign-owned. Eligible types include limited companies (not classed as 'large' under the Companies Act 2006), community interest companies, LLPs, UK local or statutory authorities, and registered UK charities or trusts. Individual practitioners cannot apply. Applicants must evidence experience in marketing, festivals, distribution, immersive installations, cultural programming, touring or sector support. TIMING: there are no deadlines but lead times are enforced. Single-film distribution projects must apply at least 10 weeks before release; all other projects at least 16 weeks before the project starts.
The rare BFI stream that individuals can apply to directly. Individual Skills funding supports training and professional development for people working, or intending to work, in the UK screen heritage sector, the field concerned with preserving, digitising and widening public access to screen archive collections. ELIGIBILITY: applicants must be 18 or over, working or intending to work in the UK screen heritage sector, hold a UK bank account, and be eligible to work in the UK. TIMING: applications are rolling with no deadline, but must be submitted at least eight weeks before the training starts. All funded activity must be completed by 31 March 2029, the end of the current National Lottery funding plan period. CONTEXT: the wider Screen Heritage Fund has three strands. Project funding, open to legally constituted not-for-profit organisations operating a screen archive or collection network, runs year-round with a 16-week lead time and prioritises collections that better reflect the diversity of the UK. Resilience funding for the 2026-29 cycle closed on 31 March 2026 and is not currently accepting applications. NOTE: award ranges are not published on the fund overview page.
The BFI Doc Society Features Production Fund (delivered via BFI with Doc Society as delegate partner) supports UK filmmakers producing non-fiction feature films intended for theatrical release. Two strands: Directions (first- or second-time directors) and Momentum (established talent). AMOUNT: up to £150,000 non-recoupable grant (the total Doc Society contribution per project cannot exceed £150,000). ELIGIBILITY: UK-based filmmakers, both emerging and established directors; experienced and debut producers eligible; projects must meet at least three of six stated priorities: equity/diversity, audience impact, talent development, creative risk, UK-wide access, and environmental sustainability. PROCESS: two-stage — submit an Expression of Interest, then a Full Application if invited. Rolling intake year-round. Opened May 2026. APPLY via BFI Doc Society website. Contact: hellobfi@docsociety.org.
The ILIAD Intensive is a four-week, full-time, in-person program for mathematically strong researchers interested in foundational AI alignment, running in London (at LISA) and in Berkeley. It runs five days a week, 10am to 6pm, in cohorts of 15 to 30 participants. CURRICULUM, across five clusters: Alignment (decomposing the alignment problem, pretraining, post-training and deployment, reward learning); Learning (deep learning theory, singular learning theory, training dynamics); Abstractions, Representations and Interpretability (mechanistic interpretability, natural latents); Agency (reinforcement learning, decision theory, agent foundations); and Safety Guarantees (debate, steganography, the limits of interpretability). MONEY: no tuition is charged. Each participant receives a USD 5,000 travel and housing allowance, office space at the venue, and lunch and dinner five days a week. Participants book and pay for their own travel and accommodation out of the allowance. ELIGIBILITY: a strong mathematical background, typically graduate-level study or a completed degree in mathematics, physics or theoretical computer science, though mathematical maturity is weighted more heavily than specific credentials. Research experience, general competence and motivation are also assessed. Prior machine learning or alignment experience is not required. DEADLINE: no fixed closing date is published. A single application covers several upcoming programs and applicants indicate their preferred dates and locations; applications are being accepted for the October 2026 and November 2026 cohorts. HOW TO APPLY: through the application portal at iliad.ac/apply. Questions to contact@iliad.ac.
The Anthropic Fellows Program is a four-month, fully funded research fellowship with direct mentorship from Anthropic researchers. Fellows work on empirical projects aligned with Anthropic's research priorities using external infrastructure, aiming to produce public outputs such as papers. Five workstreams: AI Safety, AI Security, ML Systems and Performance, Reinforcement Learning, and Economics and Policy; safety topics include scalable oversight, adversarial robustness, mechanistic interpretability, and model organisms. FUNDING: a weekly stipend of USD 3,850 (GBP 2,310 / CAD 4,300), around USD 15,000 per month in compute funding, and other research expenses. ELIGIBILITY: fluent Python; available full-time for four months; strong technical background in computer science, mathematics, or physics; work authorization in the US, UK, or Canada (no visa sponsorship). Locations: San Francisco, London, Ontario, or remote within those countries. APPLICATION: rolling, via the Constellation portal; the process includes an initial application, reference checks, technical assessments, interviews, and a research discussion. The next cohort is expected to start in January 2027, so apply well before the end of 2026.