Currently 172 active paid grants, fellowships and residencies open to applicants in the EU, across AI, arts, film, research, tech and cross-disciplinary practice. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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Open call for ZAMEK Culture Centre's 2027 Artist-in-Residence programme in Poznan. Supports artists working across visual arts, performance, choreography, dance, music, sound art, architecture and filmmaking (literature is excluded). Two formats: a Conceptual Residency (creative stay, no requirement to complete or present a final work, with public meetings at least every two weeks) and an Operational Residency (concluding with an artistic event such as an exhibition, concert or screening, plus regular public meetings). Selected artists receive accommodation in the former imperial residence, a studio, a fee of PLN 6,000 gross per month, a production budget of PLN 5,000 to 15,000 gross, curatorial support and publicity. Residencies run 4 to 8 weeks in 2027. ZAMEK is particularly interested in projects that engage changing realities, the current moment and the future (climate and migration crises, the war in Ukraine, social and political issues) or the context, history and architecture of the Castle; project scale must fit the programme budget, and projects should not rely on external co-financing. Download the Terms & Conditions on the ZAMEK site to apply. Deadline: 27 July 2026.
Supports independent investigative journalism across Europe, well-suited to surveillance, AI, platform governance and data-driven investigations. Cross-border team requirement: at least two professional journalists (freelance or staff) from at least two different countries; at least 80% of the budget must go to journalists/media from EU member states. The next round closes 30 July 2026 at 1 pm CET.
The Mondriaan Fund's Publication grant supports the production of special publications about living visual artists from the Netherlands or the Caribbean part of the Kingdom. It funds books and other publications that give substantial, high-quality attention to an artist's work and practice. WHO CAN APPLY: visual artists and publishers, individually or jointly; the featured artist(s) must be professional and have been active for at least one year, based in the Netherlands or the Caribbean part of the Kingdom. AMOUNT: the Mondriaan Fund contributes a maximum of 35% of the eligible expenses; the available budget for this round is EUR 205,000. APPLYING: submitted through the Mondriaan Fund's online application portal, which requires a pre-created account (allow several working days to set up). DEADLINE: 30 July 2026, 16:00 Dutch time (10:00 Caribbean time).
Germany's flagship open, non-thematic federal project line, and one of the largest European funders that will back a festival, exhibition programme or multi-partner convening run by an organisation rather than an individual artist. It funds large innovative projects across all artistic fields, explicitly including New Media alongside visual and performing arts, music, film, photography and architecture. There is no published maximum, but the EUR 50,000 minimum total project cost sets the scale, and at least 20 percent co-financing is mandatory. Deadlines are twice yearly at 12:00 CET: 31 July 2026 and 31 January 2027. TIMING RULE: decisions are made by an external jury meeting in May and November, and no project may start before its jury date, so plan four to six months of lead time. Non-German organisations are genuinely eligible, which is unusual at this scale, provided the project is visible in Germany and has an international dimension. Two practical barriers: the application form must be completed in German, and project communications must include a German-language version.
The UK-IRL Culture Connects Grant 2026/27 is a British Council Ireland initiative delivered in association with Arts Council Ireland, supporting the early stages of artistic collaboration between Ireland and the four UK nations through in-person exchange. It prioritises creative development over final outputs: research and development of new ideas, mentorship, exploring collaborative pathways with producers or partners, experimenting with new technologies or practices, and developing initiatives that support creative exchange. WHO: applications are made by individual artists or creative practitioners working as a bilateral partnership of one individual based in Ireland and one based in England, Northern Ireland, Scotland or Wales; applicants must be resident in Ireland or the UK for the project duration, have a proven professional track record, be at an early or developing career stage, and not be in full-time education. One application per collaboration. FUNDING: up to EUR 3,000 covering artist and collaborator fees, travel and accommodation, studio hire, materials, and access costs. Activities must involve in-person collaboration (fully remote projects are not eligible) and take place between October 2026 and 31 March 2027. Apply via the British Council GoodGrants platform; an information webinar recording and overview document are on the programme page. DEADLINE: 31 July 2026.
Page Not Found announces the third edition of the NEU Commission, which intends to support the emergence of alternative voices within contemporary art. It targets a group currently under-represented in Europe: art students with limited financial means who are required to provide a guarantee for their visa and to pay high non-EU tuition fees, economical barriers to their participation in art and knowledge production in The Netherlands. Page Not Found will commission three art students from non-European countries to each write an essay or a free-form text in English. Each selected writer receives EUR 2,000 for the commission, provided as an advance payment in September 2026; the commissioned texts are published at a later date. OPEN CALL: only students enrolled in Dutch art academies who are NOT nationals of the European Economic Area are eligible. The commissioned text does not need to be submitted when answering the open call; the jury selects recipients based on their previous writing and financial need. Review the Rules of the Open Call and the FAQ before applying. Deadline: Friday 31 July 2026, 23:59 CEST (Amsterdam).
Stichting Stokroos Maker Initiatives supports established visual artists, designers and craft practitioners (overlap possible), including duos and collectives, in developing and realising a multivocal artistic project or programme centred on a common concern, in collaboration with other makers or communities. There is one application round per year and Stokroos can support 4 to 6 proposals; a maximum of 40 eligible applications are considered per period. Eligibility: you completed your first subject-specific (vocational or higher) programme in 2020 or earlier, or have an equivalent established track record, or started without formal training (first presentation marks the start of your practice); at least 21 years old; living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; not currently enrolled in a study or post-academic programme. You must apply together with an artistic or creative partner (from professional makers to communities); duos and collectives must also have an external partner. You may submit only one application per year across all Stokroos grants, and must not have received a Seed Grant rejection in the previous calendar year. The grant is a fixed contribution of EUR 25,000 or EUR 40,000 depending on need. Plans can take place anywhere, start in the next calendar year and last a maximum of two years. Applications are submitted via the online form in Dutch or English (portfolio PDF up to 20 pages/person, optional video up to 10 minutes total, CV up to 2 pages/person, budget up to 3 pages, work/plan/collaboration descriptions up to 2,500 characters each). Stokroos aims to respond within 10 weeks; no appeal is possible. Application window: 20 to 31 July 2026. Questions: mail@stokroos.nl.
The Simone Veil Prize, administered by the European Commission, recognises outstanding projects preserving and promoting European Jewish cultural heritage. It is awarded across five categories: Shared Histories, Heritage for Dialogue, Living Heritage, Cross-border Cooperation and Shared Narratives, and Next Generation/Youth Engagement and Education. AWARD: €10,000 per Grand Prix winner (one per category, five in total); up to 25 finalists receive recognition. ELIGIBILITY: legal or natural persons (individuals or organisations) registered in EU Member States or third countries associated to the Creative Europe programme; projects must have been completed between January 2023 and January 2026. DEADLINE: 31 July 2026 at 23:59 CET. APPLY by submitting the completed application form by email to applications@simoneveilprize.eu.
The Krzyzowa Foundation's Konrad and Pawel Jarodzki Artist-in-Residence Programme hosts an artist for six weeks (21 September to 31 October 2026) at the historic Krzyzowa estate in Lower Silesia, providing accommodation, financial support, and a production budget (amounts not published on the call page). ELIGIBILITY: residents of Creative Europe countries other than Poland. Deadline 31 July 2026.
The Fundacion Camila Caneque, with BAR project, hosts a six-week international residency (8 October to 20 November 2026) titled In the meantime nothing happens, in the Emporda region of Catalonia. Open to artists, curators, researchers, and interdisciplinary practitioners; the residency covers a EUR 2,000 gross stipend, accommodation, meals, utilities, round-trip travel, insurance, and curatorial support. Individuals only. Deadline 31 July 2026.
AVISTAVULCÃO opens a call for a one-month artist-in-residence programme focused on research and creation, taking place in March 2027 and intended for an artist or artistic duo. Located on the island of Faial near the Capelinhos Volcano (Azores, Portugal), the residency offers immersion in a territory shaped by geology, insularity, and the interplay between nature and human presence, with the Azores treated as living material for creation. Artists are invited to develop projects engaging with landscape, memory, local history, and the contemporary challenges facing peripheral regions; suggested starting points include geological time, transformation, resilience, isolation, mobility, and the relationships between communities and the environment. Context-sensitive proposals that prioritise observation, listening and a relationship with the place are valued. Residents meet local stakeholders and share moments with the community, culminating in a public presentation of the process or results. SUPPORT (in-person mobility): EUR 1,350 allowance per resident, travel allowance of EUR 400 to 800, green mobility top-up of EUR 400, visa top-up of EUR 120 per resident, outermost regions top-up of EUR 175 per resident, family top-up of EUR 200 per child, and accessibility support. ELIGIBILITY: individual artists and duos (cross-disciplinary welcome) from countries eligible for the Creative Europe programme. DEADLINE: 1 August 2026.
Hypha etc. hosts a six-week EU-funded residency (1 October to 10 November 2026) in Campu Cetatii, Transylvania, on the theme Night as Commons and the Dark Side of Light: night, darkness, and light pollution, a strong fit for media and installation practices. Support: EUR 30/day allowance, accommodation, travel allowance (EUR 400 under 5,000 km, EUR 800 over), plus green mobility, family, and accessibility top-ups. ELIGIBILITY: artists based in Creative Europe countries except Romania. Deadline 1 August 2026.
Best of Poland is the Digital Cultures Festival's showcase for work at the intersection of art and technology. Open to anyone working creatively in digital media (artists, filmmakers, game developers, UX designers, programmers, curators, students and more) with projects that show how technology fosters genuine human connection and addresses contemporary social change. Eligible formats include VR, AR, interactive film, games, net art and cross-media works; both completed and in-progress projects qualify. Selected creators present 7-minute live pitches on 24 September 2026 in Warsaw; the jury's top pick receives the Best of Poland Pitch Award, a career development grant of up to PLN 5,000 funded by the Adam Mickiewicz Institute to support participation in a European industry event, and up to 10 creators receive pitch coaching with festival director Anna Szylar and expert feedback. Free to apply via the form on the festival site. Deadline: 1 August 2026.
MOVIDA is a Creative Europe co-funded consortium pairing academic institutions with dance centres across four European cities. Sixteen duos, each made up of one dancer and one creative technologist, are selected across four themed labs: AI and accessibility in Bucharest, AI and AR/VR in Dusseldorf, AI and robotics in Lisbon, and AI and mental health in Tallinn. Applicants are assessed on demonstrated capability in integrating technology with live performance, computational creativity, and audience interaction. Participants selected for the labs receive fast-track consideration for the MOVIDA residencies running in 2027 and 2028.
The Digital Media and Arts Research Centre (DMARC) and CMC Ireland announce the second year of the Sonic Arts Residency Programme at the University of Limerick Electronic Music Studio for 2026/27. The residency offers Irish and international composers and sound artists an opportunity to develop their creative practice and experiment using UL's facilities. FACILITIES: the Electronic Music Studio (EMS) featuring both digital and analogue workflows, including a bespoke Buchla 200e; a 32-channel immersive sound lab (SpADE); a makerspace supporting electronics and fabrication; and a range of well-equipped recording studios with a wide selection of microphones and production hardware and software. DMARC is based in the Computer Science and Information Systems Department at UL and has a long history supporting digital arts, electronic music, and computer-aided composition (hosting the 2022 International Computer Music Conference and 2020 International Conference on Live Coding, the Diffusion Prize with RTE Lyric FM, and partnering with Light Moves Festival). PROGRAMME: each residency lasts 10 working days within one of two windows, September-December 2026 or January-March 2027. Support includes a EUR 1,000 honorarium from CMC, a travel bursary up to EUR 350, and an accommodation bursary up to EUR 1,400 (ten nights), with DMARC helping identify accommodation. There is an outreach/presentation element: a one-hour talk/performance for the DMARC community of students and researchers, and required documentation of the process (photo, video, recordings, and/or written reflections) that may be published by CMC on social media; artists may also be invited to contribute to CMC's amplify podcast series or online features at cmc.ie/features. The programme runs 2025-27 with support for six artists (4 Irish, 2 international). ASSESSMENT: candidates apply via an online form submitting a CV, work samples, an outline of the residency project (including technical requirements), how they propose to engage with the facilities, and how the residency would benefit their practice. Criteria: artistic quality of the proposal including development of work using either the SpADE system or Buchla 200e; how the opportunity supports the candidate's current career stage and artistic goals; demonstrated technical capacity to engage with the facilities; and balanced representation of genres, gender, and geographical regions. TO APPLY: complete the online application form linked from the opportunity page. Closing date: 11am (IST), 5 August 2026; late applications will not be accepted. Questions: jurgen.simpson@ul.ie or kfennell@cmc.ie. Applications are jointly assessed by DMARC and the Contemporary Music Centre.
The Fondazione Prada Film Fund is an annual initiative supporting independent cinema, with an annual endowment of EUR 1.5 million backing up to 14 feature film projects across development, production, and post-production. The Fund imposes NO restrictions on geography, theme, genre, or language and does not participate as a co-producer, guaranteeing complete artistic freedom to filmmakers. It supports both established authors and new talents, as well as research projects. SELECTION is based exclusively on quality, originality, vision, and the strength and reliability of the applicant structure; projects are evaluated by independent readers and external consultants, with final selection and grant amounts determined by a committee appointed by Fondazione Prada. ELIGIBILITY: applications may be submitted only by a production company involved in the project (the applicant company remains solely responsible for meeting all requirements); open worldwide. DEADLINES (2026 call opened 30 June 2026): projects in production 6 August 2026; projects in development and post-production 10 September 2026 (this card uses the earliest deadline). Post-production projects may submit a rough cut until 20 November 2026. Selected projects announced February 2027. Application documents are on the Fondazione Prada Film Fund page; questions to filmfund@fondazioneprada.org.
Pee Workshop is looking for 16 performers to take part in a two-day research practice led by Nica Roses and Eris Kyriakides as part of the dance and performance event Matter Out of Place. The workshop uses drinking, holding, and releasing liquid as a starting point for choreographic research, paying attention to the body's internal timing: what we consume, how liquid moves through the body, what the bladder signals, and how the organs produce movements that often go unnoticed. This cycle becomes the structure of the research, opening into dance, somatic exercises, choreographic tasks, group compositions, and experiments with collective energy. The material develops through urination but also through the shared experience of moving, waiting, responding, and performing together. Performers, dancers, movement practitioners, and artists interested in somatic research, experimental choreography, and collective performance-making are welcome; professional dance training is not required, but applicants should feel comfortable working physically and collaboratively. All exercises are approached through clear consent, respect for personal boundaries, and collective care. The workshop takes place Monday 17 and Tuesday 18 August 2026 from 10:00 to 17:00 at The Dirty Art Foundation, culminating in an optional 60-minute public showing on Wednesday 19 August. Each performer receives a fee of EUR 200. To apply, send a short introduction about yourself, your movement or performance experience, and why you are interested in the workshop to nicaxroses@gmail.com by 10 August 2026.
TaDA (Textile and Design Alliance) invites artists, designers, architects, writers, performers and interdisciplinary practitioners to a three-month residency in Arbon, Eastern Switzerland, developing new work through direct collaboration with regional textile companies and research institutions. Applicants do not need to identify as textile artists; the programme welcomes practitioners from multiple disciplines who want to work with textile technology, materials and know-how. Six residents are selected annually by jury for one of two 2027 periods (April-June or September-November). Residents develop a new project in cooperation with local textile companies, present their work publicly and organise workshops. SUPPORT: accommodation, travel expenses, contribution to living costs, workspace at the Kreativzentrum ZIK, and access to the expertise and infrastructure of 13 partner companies. Applicants should identify specific TaDA partners whose expertise contributes directly to the proposal. Apply via the online form. DEADLINE: 12 August 2026, 23:59 CEST; selection results announced early November 2026.
Project subsidies from the Nederlands Letterenfonds for advanced literary translators with a current publishing contract for a translation from or into Dutch. The next round closes 15 August 2026; decisions are made approximately four months after the deadline (December). ELIGIBILITY: literary translators with a substantial published portfolio and a contracted translation project; primary income must be below EUR 52,500.
QueerCineMad (formerly LesGaiCineMad), organized by Fundacion Triangulo in Madrid, is a Goya- and Feroz-qualifying LGBTI+ film festival offering prizes up to EUR 2,500. International submissions close 15 August 2026 via Festhome or FilmFreeway (platform fees vary).
Open call to participate in LPM (Live Performers Meeting), described as the biggest worldwide event dedicated to audiovisual performing arts, returning to Rome for its 27th edition. Artists can take part with AV performances, VJ sets and live mapping (a 30-minute slot to perform); workshops, lectures and project showcases; interactive AV installations; and the Live Immersive Contest (competing for prizes from technical partners). NOTE: this is a participation call rather than a funding opportunity - it requires a paid subscription (EUR 20 as artist or guest) which includes a festival pass, a 30-minute slot, a T-shirt and a daily drink, plus a 20% discount on workshops; there is also a volunteer option. Deadline to submit a proposal is 16 August 2026. Enquiries: subscriptions@liveperformersmeeting.net.
Launched in 2025, this research and creation residency explores the links between contemporary art, psychiatry and the human sciences. It is expressly not a therapeutic programme. It seeks artists whose practice resonates with the notion of the clinical, meaning a situated approach that works closely with lived narratives and specific contexts, and that engages with questions of care. The selected artist receives tailored support from Albertine de Galbert, a clinical psychologist and exhibition curator, including four to six working sessions, alongside networking and meeting time with programme partners. Outputs include an ongoing online journal, a mid-residency open studio, and a closing presentation (exhibition, public talk or publication) defined with the artist. Applications go by email as a single PDF of no more than 15 MB to residence@francoiseartmemo.fr, and require a two-page CV, a ten-page portfolio, a two-page statement of intent, and a letter of recommendation from an institution or a curator. A jury of four to six art and psychiatry specialists decides, with results announced in September 2026.
The Stimuleringsfonds Digital Culture Grant Scheme (Deelregeling Digitale cultuur) supports projects by makers, researchers, design studios and cultural institutions positioned professionally in digital culture. Solo projects can receive EUR 10,000-25,000; collaborative projects with partners can receive up to EUR 50,000. At least 20 percent of total project costs must be covered by co-financing. Applicants must be registered with the Dutch Chamber of Commerce (KvK). The 2026 application window for this round runs 12-19 August 2026 (opens 12 August 15:00, closes 19 August 16:00 CEST); in 2026 the scheme runs only two rounds and this is the last. No application fee. Apply via the official scheme page.
The Stimuleringsfonds Design Grant Scheme (Deelregeling Vormgeving) supports projects by designers, design agencies, observers and cultural institutions working across product, graphic, spatial, fashion, textile and social design. Solo projects receive EUR 10,000-25,000; projects with partners up to EUR 50,000, with at least 20 percent co-financing. From 2026 the scheme runs two rounds per year rather than three, and this round opens 12 August 2026 at 15:00 CEST and closes 19 August 2026 at 16:00 CEST. The procedure is two-phase and applications are ordered by lottery draw rather than by submission time, so submitting early confers no advantage. Applicants must be registered with the Dutch Chamber of Commerce (KvK).
The Stimuleringsfonds Architecture Grant Scheme supports architects, observers, design agencies and cultural institutions on projects across the broad field of architecture, including design research, reflection and public debate as well as built work. Solo projects receive EUR 10,000-25,000, projects with partners up to EUR 50,000, with at least 20 percent co-financing. This round opens 13 August 2026 at 15:00 CEST and closes 19 August 2026 at 16:00 CEST. From 2026 the scheme allocates places by notary-supervised lottery draw rather than by order of submission. Applicants must be registered with the Dutch Chamber of Commerce (KvK).
Fucina Futura is an artist residency in Marostica, a small town about an hour from Venice, offering a peaceful setting to develop research in close contact with nature and the local community. The project spans two locations: the home designed by internationally renowned illustrator Elena Xausa near the historic centre, and the atelier Fucina Ai Gorghi by beloved local painter Daniele Marcon, ideal for large-scale installations. Led by visual artist Lavinia and curator Sofia (Futura Association), the program invites residents to develop projects that engage with the community and the working location, and encourages artists of any discipline to make full use of the large atelier. The central goal is the 'restitution' to citizens, fostering cultural exchange and community inclusion: this final phase is tailored to each artist and can take the form of an exhibition, performance, workshop, screening, talk or informal sharing session, prioritising direct dialogue with the public and the contemporary renewal of local tradition. THREE residents are hosted together from 12 April to 12 May 2027 and share a spacious house; they receive a daily fee to cover living expenses, and travel expenses are also covered. Made possible by Culture Moves Europe. ELIGIBILITY: only artists residing in one of the Creative Europe countries EXCEPT ITALY may apply. Creative Europe covers the 27 EU member states (other than Italy), plus Albania, Armenia, Bosnia and Herzegovina, Georgia, Iceland, Kosovo, Liechtenstein, Moldova, Montenegro, North Macedonia, Norway, Serbia, Tunisia and Ukraine, and includes the EU's Overseas Countries and Territories and Outermost Regions (Greenland; French Guiana, French Polynesia, French Southern and Antarctic Territories, Guadeloupe, Martinique, Mayotte, New Caledonia, Reunion, Saint Barthelemy, Saint-Martin, St. Pierre and Miquelon, Wallis and Futuna; Azores, Madeira; Canary Islands; Aruba, Bonaire, Curacao, Saba, Sint Maarten, Sint Eustatius). TIMELINE: apply via the Google Form by 20 August 2026; selected artists informed by 30 August and must confirm participation by 8 September 2026.
Immerse\Interact is a joint grant scheme of the Stimuleringsfonds Creatieve Industrie and the Netherlands Film Fund for immersive and interactive media projects (VR, MR, AR and other interactive storytelling). It supports artistic projects with a supporting cinematic component, in which fiction or non-fiction storytelling in relation to interactive (web-based/mobile) or immersive technologies (XR, room-scale projections) is central. It funds both development and realisation. Development support is EUR 15,000 for individual makers (plus up to EUR 5,000 coaching, capped at EUR 20,000 total) or EUR 25,000 for producers (plus up to EUR 5,000 coaching); the coaching contribution requires a motivation from both applicant and coach plus the coach's CV, and the development phase must result in a usable prototype. A maximum of six development contributions are awarded per round, to keep the development and realisation budgets in balance. Realisation support is up to EUR 35,000 for individual makers or up to EUR 125,000 for producers (the Fund covers a maximum of 85 percent of the production budget); note that at realisation stage the producer may not also be the director, screenwriter or designer. A separate Presentation Procedure offers presentation grants for projects previously supported by Immerse\Interact after 1 January 2022. EUR 600,000 is available per Fund in 2026. Open to professional makers, collectives and producers with a demonstrable track record in immersive or interactive media; applicants must be registered with the Dutch Chamber of Commerce (KvK). The second 2026 round runs 24 June to 25 August 2026 (opens 24 June 15:00, closes 25 August 16:00 CEST). No application fee. Questions: immerseinteract@stimuleringsfonds.nl.
Open call from the Creative Industries Fund NL (Stimuleringsfonds) for cross-sector collaboration projects that offer new perspectives on current challenges such as climate, housing, polarisation, migration or inequality of opportunity. The procedure runs in two phases. In Phase 1, the applicant and partner use the period to prepare and kick off the project, further explore the theme, intended end product and collaboration, and investigate possibilities (including working on a prototype or proof of concept), concluding with a project plan, budget and collaboration agreement. Phase 2, open only to projects selected and fully completed in Phase 1, focuses on implementation and requires both a written application and a presentation to the advisory committee; projects may deliver various end products (an activity, intervention, event, publication, service, product or process) accompanied by a suitable form of knowledge sharing such as a presentation, symposium or publication. ELIGIBILITY: applicants working with at least one partner in cross-sector collaboration; see the fund's open-call page for full eligibility details. The Phase 1 application window runs from 19 May 2026, 15:00 CEST to 25 August 2026, 16:00 CEST.
Mondriaan Fund-supported working period at London's Delfina Foundation, one of the UK's best known artist-in-residence programmes, housed at 29-31 Catherine Place near Buckingham Palace with space for 6 to 8 international residents (own room, shared kitchen and facilities). Delfina promotes artistic exchange and experiment, offering visual artists and curators a platform to carry out research, develop ideas and position their practice within the global discourse, with introductions to the London art scene and Delfina's international network. The programme includes visits to museums, galleries and non-profit platforms, discussions with London-based artists, portfolio reviews with curators and regular networking lunches; residents are expected to take part. Applicants are not asked for a concrete project proposal but must submit a clear motivation: why they wish to take part, what research they want to conduct, and how it can contribute to Delfina's ongoing programme. WHO: visual artists and curators based in the Netherlands or the Caribbean part of the Kingdom; duo applications not possible; application must be in English. One work period available: 27 September to 17 December 2027. Selection by an advisory committee with a Delfina representative; processing may exceed three months. DEADLINE: Thursday 27 August 2026, before 16:00 Dutch time / 11:00 Caribbean time.
The Mondriaan Fund's Residency grant supports professional visual artists, curators, and art observers who want to deepen their practice through a residency in the Netherlands or abroad. It contributes to the costs of a self-arranged residency that offers meaningful development for the applicant's work. WHO CAN APPLY: visual artists, curators, and art observers who have been professionally active for at least one year and are based in the Netherlands or the Caribbean part of the Kingdom. AMOUNT: the grant amount varies depending on the residency's location and duration; applicants must contribute at least 10% of the costs themselves, through personal investment, third-party contributions, an interest-free loan, or crowdfunding. APPLYING: submitted through the Mondriaan Fund's online application portal, which requires a pre-created account (allow several working days). DEADLINE: 27 August 2026, 16:00 Dutch time (11:00 Caribbean time).
Fifth iteration of transmediale's Digital Art Residency, in cooperation with the Swiss Arts Council Pro Helvetia, awarded to one individual or collective working in digital art practices at the intersection of media arts, performance, sound and moving image. The two-month residency comes with an artist fee of CHF 2,000 per month, a CHF 15,000 production grant to develop a new work or continue an existing project (open to all formats, building on the residency research), and travel and accommodation for the festival and residency; the project must be completed by December 2027. The 2027 programme (transmediale's 40th anniversary, themed 'RFC 40' after the early-internet Request for Comments documents) seeks proposals offering alternatives to how we understand, respond to and shape our technological conditions, moving from critique to construction outside extractive logics. ELIGIBILITY: applicants must have Swiss nationality or permanent residence in Switzerland, be firmly established in the Swiss cultural scene, and meet Pro Helvetia's general requirements; duos and collectives welcome (fee and grant shared). Deadline: 28 August 2026, 23:59 CEST.
14th iteration of the residency collaboration between transmediale and the Vilem Flusser Archive at the Universitat der Kunste Berlin (UdK), awarded to one Berlin-based artist-researcher working in digital art and moving image practices, design, sound and media theory. Open to artists, researchers, practitioners, designers, filmmakers and sound artists across all formats. The two-month residency comes with an artist fee of EUR 1,500 per residency month; note there are NO funds for travel or housing. Duos and collectives are welcome but share the same fee. Part of transmediale's 2027 programme (40th anniversary, themed 'RFC 40'), seeking proposals that offer alternatives to how we understand, respond to and shape our technological conditions, moving from critique to construction. Deadline: 28 August 2026, 23:59 CEST.
Eighth edition of RTM Pitch, IFFR's open call for Rotterdam film talent. Submit a plan for a film between 5 and 20 minutes long; a jury of film experts and IFFR programmers selects one filmmaker to receive EUR 25,000 to realise the film (with coaching and an IFFR 2028 premiere) and a runner-up to receive a EUR 5,000 development budget co-funded by QISSA. All filmmakers are welcome; this edition especially encourages genre films (horror, science fiction, thriller, fantasy) that use genre conventions for a distinctive personal vision. Submit a written film plan (story, setting, team, budget and financing, cinematography vision, with optional supporting material) or a video pitch of no more than three minutes (Vimeo or YouTube link) via the application form. Deadline: Sunday 30 August 2026, 23:59 CEST.
The European AI & Society Fund is launching Building Narrative Power, a EUR 2 million funding and learning programme to counter Big Tech's dominance over how AI is understood, and to help people and communities shape new ways of thinking and talking about the technology they want. The Fund's strategy is to build the power of the public interest community to shape the direction of AI in Europe; narratives are central to creating the conditions for a greater say over how AI is adopted and used. THREE THEMES where research shows the public already feels strongly: (1) DATA CENTRES: as the EU aims to triple data centre numbers in the next five to seven years, pollution, energy prices and compromised grid access have mobilised communities across the political spectrum; proposals should explore narrative questions that move communities beyond resistance towards engagement in shaping data centre expansion. (2) AI AND JOBS: 57% of the public in a recent study expressed concern about how AI will change employment, more pronounced among lower-income people, and the concern is not only displacement but the quality and nature of work, autonomy and dignity; proposals should move the debate from generalised anxiety into a mobilising issue that shapes the future of work. (3) YOUNG PEOPLE: beyond the strident social media ban debate, young people encounter AI in education, friendships and future careers, and their wider views are rarely heard; proposals should build narratives that help young people shape the technologies that will influence their lives. LEARNING PROGRAMME: grantees join a community of practice, sharing experiences across issues and places, supporting each other through delivery and reflecting on which strategies and stories have most salience, with findings feeding back to the Fund and other funders. Deadline for first-stage applications is 31 August 2026.
AIxDESIGN and the KB (Koninklijke Bibliotheek, the National Library of the Netherlands) are building an exhibition and public programme about AI, made from the national collection, at the KB in The Hague. Nadia Piet is Creative Lead with the AIxDESIGN community, co-presented with the KB. The premise: long before neural nets, libraries were the machines we built to organise human knowledge, and the show uses the KB's collection to look at what AI is, where it comes from, and how it connects to the older story of how we store, sort, and search what we know. Part of the show lives in the KB Atelier, with talks, workshops, and screenings alongside, intended as AI literacy you can wander into. WHAT THEY WANT: work that engages AI in some way (critical, creative, hands-on, or playful); bonus if it also speaks to archives, libraries, or how we store and sort knowledge, though you do not need to touch the KB's collection to take part. You may pitch to more than one track: (A) SOMETHING FOR THE OPENING NIGHT, a performance, talk, screening, tour, ritual, booth, game, or other experience for the November 2026 opening, fee EUR 1,500 to 2,000; (B) A SESSION IN THE EVENTS PROGRAMME, a workshop or other session once during the three-month run, around 2.5 to 4 hours, fee EUR 2,000 to 2,500; (C) AN (ART)WORK FOR THE EXHIBITION, existing work in any format (installation, sculpture, zine stand, a corner of your own) sturdy enough for a public area with daily traffic, honorarium EUR 200 to 400 including licensing and production; (D) SOMETHING ELSE ENTIRELY, pitch it anyway. WHO: artists, designers, researchers, technologists, performers, musicians, archivists, or educators working around AI, data, libraries, or cultural heritage; no finished idea or polished CV needed, just a clear, specific pitch. You can be based anywhere and they especially welcome people outside the Netherlands; the show is in-person in The Hague and the fee stays the same wherever you are coming from. HOW TO APPLY: send a short pitch through the form (which track, your idea in a paragraph or two, roughly what it would need, and a link to your work); takes about five minutes, no full application required. Deadline: end of August 2026. Questions to hello@aixdesign.co.
Musikfonds Small Project Funding supports new, experimental and contemporary music projects with grants of up to EUR 3,000, prioritising projects in rural and structurally weaker regions of Germany. A minimum 10 percent co-financing is required and the artist fee must be at least EUR 350 per concert. Applicants and projects must be based in Germany. Application windows close 31 August 2026 and 30 November 2026. NOTE: research-sourced; confirm current figures and window dates on the Musikfonds site before applying.
Residency for writers and translators at the Jan Michalski Foundation in Montricher, Switzerland, set in seven distinctive 'cabin' modules hanging from an openwork canopy, offering conditions to start, continue or finish a writing project. Around forty authors from around the world (emerging to established) are hosted each year. Open to all kinds of writing and all languages, with priority given to literary writers and translators; other disciplines are welcome as long as literature is at the heart of the project. Residencies are for individuals or pairs working on a common project (e.g. a writer and a translator). A percentage of residencies are dedicated to nature writing. WHAT IS PROVIDED: a private cabin for independent living (a separate cabin per person for pairs; one accessible cabin for reduced mobility), travel costs to and from home, a weekly allowance of CHF 400, breakfast and lunch, electric bikes, and daytime library access. ELIGIBILITY: no age or nationality restrictions; beginners accepted; one application per year; former residents may not reapply (families, children and pets cannot be accommodated). Stays cannot be split into multiple periods. Selection is by a panel chaired by Vera Michalski-Hoffmann, assessing the literary quality of the project, the candidate's background, and whether the stay length matches the project scope. APPLICATION: online in English or French (work excerpts may be in any language); the 2027 form is open 2 June to 31 August 2026; selected candidates announced December 2026.
Stiftung Künstler*dorf Schöppingen offers residency fellowships for professional visual artists, authors and composers; since 2023 applications from collectives are also accepted. The call is open to people of all nationalities and ages, and accommodation for partners, family members or assistance can be arranged upon agreement and availability (for physical, cognitive or sensory disabilities, contact the foundation to explain any barriers). Fellows reside and work at the Künstler*dorf for a period of their choosing between two and six months, using the premises and infrastructure on-site. The stipend is EUR 1,500 per month, minus roughly EUR 100-200 for rent and operating expenses; for collectives it is EUR 1,000 per person up to a maximum of EUR 3,000 per month, minus rent and operating costs. Travel, insurance or material costs are covered only in exceptional cases on request. The fellowship is not designed as a production residency and there is no obligation to present results, though exhibition and presentation facilities are available and the voluntary co-organization of events (lectures, readings, workshops or similar) is welcomed. A willingness to participate in events and to engage in exchange with other fellows is a prerequisite. Selection is made by expert juries on the quality of previous work, the quality and plausibility of the project for Schöppingen, and program contributions (interaction / community building). Applications for 2027 can be submitted from 27 June to 31 August 2026 (midnight CET) via the online application portal.
Cheries-Cheris, France's largest LGBTQIA+ film festival, screens at MK2 cinemas across Paris. Films must have an LGBTQIA+ theme or perspective. Regular deadline 31 August 2026 (USD 8 shorts / USD 20 features); late deadline 20 September 2026 at higher fees.
Rotterdam's standing project fund for one-off artistic and cultural activity, and the most accessible municipal route for festivals, exhibitions and public programmes in the city. The discipline list names e-culture outright alongside moving image and artistic film, design and fashion, visual arts and photography, architecture, spoken word and all hybrid forms, so media-art and creative-technology programming is squarely in scope. Both non-profit legal entities and natural persons may apply, so individual artists are eligible. There is no published maximum per application; the real constraint is the EUR 272,000 available per round against roughly 130 competing applications. Six rounds run every year with fixed closing dates on the first of January, March, May, July, September and November. TIMING RULE: the activity may not start until eight weeks after the closing date of the round applied in, so a 1 September 2026 application supports activity from late October 2026 onward. Decisions normally arrive within eight weeks of the round deadline, extendable to 20 weeks. Associations and foundations apply via eHerkenning, individuals via DigiD. Organisations already receiving Rotterdamse Culturele Basis, Cultuurplan, Impulsregeling, national BIS, Lokale Culturele Programmering or a CBK Rotterdam practice contribution are excluded.
This is the Groningen scheme that actually funds festivals, and the correct counterpart to the Kunstraad's Projectenregeling, which explicitly excludes festivals and recurring programmes and redirects them here. It supports coherent, continuous public activity across 2027 and 2028 in all arts and heritage disciplines, naming recurring production series, festivals and programme lines as eligible, with no exclusion of media art, digital culture or experimental sound work. Annually recurring festivals with a year-round paid organisation are explicitly named as eligible applicants. Awards run from EUR 5,000 to 40,000 per year against an annual pot of EUR 325,000, capped at one third of total project costs, so two thirds must come from municipal funds, national funds, box office or own contribution. Unusually, the money may also be used to strengthen the organisation itself on the business side, not only to pay for programme content. The application window is 1 July to 1 September 2026, closing at 23:59, and only applications received on time are processed. Applications must be submitted in Dutch via the Mijn Kunstraad portal with fair-pay standards applied in the budget. Funding covers nothing before 1 January 2027. Professional non-profit organisations only; amateur associations and individual artists are directed elsewhere. Material investments, equipment purchases and housing costs are excluded.
The Digital Democracy Centre (DDC) at the University of Southern Denmark, with support from TrygFonden, is calling for applications for its 2027 fellowship cohort. The program fosters collaboration between researchers, journalists, and policymakers exploring the impact of digital technology and AI on media, politics, and democracy. Fellows collaborate with a self-selected DDC mentor to generate new knowledge, contribute to public debate, develop networks, and produce tangible outreach outputs such as policy briefs, educational packages, and talks. THREE FELLOWSHIP TYPES: (1) academic fellows researching digital technologies and democracy; (2) journalist fellows covering digital technology and democracy; (3) policy fellows contributing to the regulatory debate. Target group: researchers, journalism graduates, and policymakers in research/educational institutions, media organizations, ministries, NGOs, etc. PRIORITIES: projects with clear relevance to Denmark or Danish society (including comparative/international projects yielding insights relevant to a Danish context); in 2027, projects related to DDC's Hybrid Warfare Initiative (societal resilience to new forms of international conflict, with a focus on digital technologies and AI) are also prioritized. EXPECTATIONS: applicants must secure confirmation of mentorship from their desired DDC mentor BEFORE applying (applications without a confirmed mentor are automatically rejected; PhD students and research assistants are generally not eligible as mentors, and Sten Schaumburg-Muller is unavailable as a mentor for the 2027 call); applicants must also coordinate support from their current supervisors/managers. Fellows engage in DDC activities, seminars/workshops, and public outreach, and submit a short report within two months of finishing. APPLICATION (in English): preliminary project title, fellowship type, brief project description (max 1000 chars), detailed description and timeline (max 2400 chars, including duration, confirmed mentor, and remote/in-office work plan), description of activities and collaboration with external practice partners (max 1000 chars), expected product/impact/output (max 500 chars), a CV (max 5 pages), and an overview of the posts for which financial support is sought. Submit the application form (PDF or Word) plus CV as PDFs to ddc@sdu.dk with subject line 'DDC / TrygFonden Fellowship application'. Deadline 1 September 2026; decisions communicated no later than 1 October 2026.
The Institute for Computer Music and Sound Technology (ICST) at the Zurich University of the Arts (ZHdK) invites applications for its 2027 Artists in Residence program, fostering artistic exchange in key areas of current research. Residencies are available in five themes: Spatial Audio; Klavierautomat (algorithmic composition); Moving Loudspeakers; Dance and Generative AI; and Object Performance. The program offers access to ICST's facilities and technical infrastructure, professional support from researchers, and per diems for meals and accommodation. Artists and musicians working with sound and sound media, whose practice reflects a strong interest in one of the listed research areas, are encouraged to apply. One selected project from the Spatial Audio Residency will be featured at the SONIC MATTER Festival 2028 as part of an ongoing partnership. PRACTICAL: residencies include use of facilities and technical infrastructure as specified in the thematic descriptions, plus technical support by ICST research staff. Participants receive a contribution toward travel to Zurich (up to CHF 300 for persons living in Europe, up to CHF 500 for persons living outside Europe) and a per diem to cover meals and accommodation in Zurich; participants organise their own travel and accommodation, with ICST assistance if required. Residency dates are defined individually. APPLICATION: submitted via the online form, uploading a concept sketch, composition idea or project draft (PDF, 2 pages, 10 MB max); a portfolio of three selected works relevant to the residency topic including links to external audio and video (PDF, 2 pages, 10 MB max); and a tabular CV covering education and career (PDF, 1 page, 10 MB max). The residencies are awarded by a jury of ICST researchers and project leaders. TIMELINE: deadline 1 September 2026 at 24:00 CET; candidates notified mid-October 2026. Selected candidates receive forms required for an invitation to Switzerland and must confirm participation and return completed forms within 10 days or the invitation may be withdrawn.
Pro Helvetia's Emerging Talents concept grant supports the early-stage concept development of design projects before a prototype is created. Emerging Talents are professional designers whose design-relevant training or business registration (self-employed, sole proprietorship, or company) dates back less than seven years. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. At least 50 percent of participants must be Swiss citizens or permanent residents whose place of work is in Switzerland. AMOUNT: up to CHF 10,000, plus possible individual coaching. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Emerging Talents prototype development grant supports the creation of prototypes, pilot production runs, or sample collections for marketable design projects. Emerging Talents are professional designers whose training or business registration dates back less than seven years. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. At least 50 percent of participants must be Swiss citizens or permanent residents whose place of work is in Switzerland. AMOUNT: up to CHF 20,000, plus possible individual coaching. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Emerging Talents production grant supports the production of design projects based on completed prototypes or sample collections. Emerging Talents are professional designers whose training or business registration dates back less than seven years. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. At least 50 percent of participants must be Swiss citizens or permanent residents whose place of work is in Switzerland. AMOUNT: up to CHF 50,000, on condition that own or third-party funding is available. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Emerging Talents project extension grant supports extending advanced-stage design projects toward market success, for example through marketing, digital presence, and distribution. Emerging Talents are professional designers whose training or business registration dates back less than seven years. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. At least 50 percent of participants must be Swiss citizens or permanent residents whose place of work is in Switzerland. AMOUNT: up to CHF 20,000, plus possible individual coaching. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Emerging Talents matchmaking event is a one-day event in Switzerland where emerging designers network with industry professionals, receive feedback, and take part in exclusive online pitch training. Emerging Talents are professional designers whose training or business registration dates back less than seven years. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. Open to Swiss citizens, permanent residents, or people working for Switzerland-based institutions. This is not a cash grant. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Game Design Emerging Talents pre-production grant supports early-career game designers in developing playable prototypes for digital games. Emerging Talents are game developers or studios whose game-design education or company foundation dates back less than seven years. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. At least 50 percent of participants must be Swiss citizens or permanent residents whose place of work is in Switzerland. AMOUNT: up to CHF 20,000, plus possible additional coaching. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Game Design Emerging Talents production grant funds the production of digital games based on advanced prototypes or vertical slices. Emerging Talents are studios whose game-design education or company foundation dates back less than seven years. Applicants must be legal entities (sole proprietorships accepted if willing to convert). ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. At least 50 percent of participants must be Swiss citizens or permanent residents whose place of work is in Switzerland. AMOUNT: up to CHF 50,000, requiring a matching grant of equal value from own or third-party funding. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Game Design Emerging Talents post-production grant funds the dissemination and marketing of advanced game-design projects. Emerging Talents are studios whose game-design education or company foundation dates back less than seven years. Applicants must be legal entities (sole proprietorships accepted if willing to convert). ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. At least 50 percent of participants must be Swiss citizens or permanent residents whose place of work is in Switzerland. AMOUNT: up to CHF 20,000, plus potential individual coaching. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
She Got Game is a Pro Helvetia mentoring programme promoting equal opportunities for women in the Swiss and international game industry, supporting the representation of women in management positions through dialogue with experienced international experts. This is the variant for professional game designers FROM Switzerland who identify as women (a separate variant exists for practitioners in the liaison-office regions). Emerging Talents are developers or studios whose relevant training or registration dates back less than seven years. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. WHAT IS OFFERED: individual coaching on project development, business strategy, finances, marketing, PR, and pitch training; a growing community of female game developers; potential access to international trade fairs; CHF 3,000 toward a prototype or demo; and up to CHF 250 per week toward childcare or children's travel when attending trade fairs. Roughly 30 hours over six months. Submission deadline 1 September 2026 (23:59 CEST); notification November 2026. Apply via the Pro Helvetia portal.
Pro Helvetia's comic creation grant supports the development of comic projects intended for publication, including digital formats. Applicants must have published at least one independent work with a professional publisher or the equivalent in magazines. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Frankfurter Seilschaften is a Pro Helvetia mentoring initiative pairing emerging Swiss literary practitioners with established authors during the Frankfurt Book Fair. To be eligible as an emerging author, applicants must have completed their artistic training or presented their work publicly for the first time within the last five years; the call also includes professional writers who identify as FINTA. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. WHAT IS OFFERED: hotel and travel expenses, per diems, and trade fair passes. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's literary creation grant supports the development of literary projects intended for publication, including fiction, children's and youth literature, poetry, drama, and spoken word. Applicants must have prior published work, a premiere, or professional performances. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: up to CHF 25,000 for writing, CHF 18,000 for theatre texts, or CHF 15,000 for performative literary projects. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's Writing in Residency programme provides residency opportunities (for example Traduki in Southeast Europe or Art Omi) for authors and translators to develop or research projects. Applicants must have prior professionally published work. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. WHAT IS OFFERED: travel and accommodation costs (varying by destination), plus childcare support of up to CHF 1,000 per month for applicants with caregiving responsibilities. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's international promotion grant (Switzerland-based institutions variant) funds the international promotion of contemporary Swiss literature through book fairs, group publisher appearances, and literary festivals. Open to event organizers, publishing houses, professional associations, and digital platforms based in Switzerland with regular artistic activity there. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Fast Forward is a two-year Pro Helvetia programme offering mentoring, management support, and content-creation funding to help mid-career musicians build international careers, spanning pop, rock, jazz, electronic, experimental, global sounds, and hip-hop. Applicants must be mid-career music professionals established in Switzerland's music scene with regular presence across language regions. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: CHF 25,000 per year (maximum CHF 5,000 for mentoring and CHF 10,000 for musician fees). Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Feat. is a Pro Helvetia grant supporting first-time collaborative projects between hip-hop and/or clubbing artists to produce a joint release. Open to DJs, beatmakers, rappers, and producers with at least one prior EP or album on a recognized label. Applicants must have a verifiable connection to Switzerland (citizenship, permanent residency, or an institutional base with regular artistic activity). AMOUNT: up to CHF 10,000. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's creation and production grant for pop, jazz, and global music supports the creation and production of new musical works (repertoire, recordings, performances) by established artists working in pop, rock, jazz, electronic, experimental, global, and hip-hop styles. Applicants must be nationally established music professionals or bands. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's creation and production grant for contemporary music supports the creation and production of new musical works, including commissioned compositions, music theatre, sound installations, and contemporary productions. Open to nationally established music professionals and ensembles from Switzerland working in contemporary music, music theatre, sound art, or contemporary folk music, with prior Pro Helvetia support. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000, depending on overall project size. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's new production grant funds new performing arts productions, including digital and hybrid formats, by Switzerland-based artists and companies with confirmed venue bookings and co-financing in place. Open to Swiss citizens, permanent residents active in Switzerland, or independent groups and cultural institutions based in Switzerland. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. The grant amount is not specified on the call page and depends on the project. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Focus Photo is a Pro Helvetia grant supporting new artistic, documentary, or applied photography projects, whether analogue, digital, or post-photographic. Open to Swiss citizens, permanent residents active in Switzerland, or Swiss-based groups and institutions. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's visual arts production grant supports the creation of new works by established visual artists, photographers, and architects with a cross-regional exhibition track record beyond their own language region. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Pro Helvetia's grant for production with presentation funds newly created visual artworks that are being presented publicly for the first time. Open to cross-regionally established artists, photographers, and architects (and collectives) with institutional experience and exhibition activity beyond their own language region. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. AMOUNT: maximum CHF 25,000. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Reflection is a Pro Helvetia grant supporting collective mediation projects that use innovative formats to foster critical reflection on artistic practice and cultural transformation, across all supported disciplines (design, literature, music, performing arts, visual arts, and innovation and society). Open to collectives comprising at least two cultural practitioners (artists, creatives, cultural practitioners, or art educators); solo projects are excluded. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. For international collaborations, at least 50 percent of practitioners must be from Switzerland. AMOUNT: maximum CHF 25,000, and no more than 50 percent of the total budget. Deadlines twice a year: 1 March (23:59 CET) and 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
Klang, Copenhagen's avantgarde music festival, is seeking one to three projects at the intersection of experimental music and movement, dance or choreography for its 2027 edition at Dansehallerne. Important constraint: the call is explicitly for ready-to-go projects, not commissions or works in progress, so the work must already be finished and production-ready. Submission is a one-page PDF covering artistic description, budget overview, bios, duration and media links, emailed to opencall@klang.dk with 'Open Call 2027' in the subject line. The submission window runs 1 July to 1 September 2026. The toaspern|moeller duo together with Klang Festival review feasible submissions in September 2026, with notification in October 2026.
Berlinale Talents is the Berlin International Film Festival's talent-development program: a week of workshops, the Talents Lab and the Talent Project Market during the February 2027 Berlinale, plus access to the festival's industry network. ELIGIBILITY: international working film professionals with at least 1 feature, 2 shorts, or a widely screened or streamed series, across 15+ disciplines including directing, sound design, editing, production, cinematography and screenwriting. Participation itself is free; there is a EUR 15 application service fee (EUR 10 early bird before 19 August 2026) and travel and accommodation are not covered. Deadline 2 September 2026, 12:00 CEST. Apply via the Berlinale Talents portal.
The Berlin Senate's work stipends for visual artists fund 8 or 12 months of artistic work during 2027 at EUR 2,000 per month. The program explicitly covers digital art and media art, sound art, artistic film and video (shown in a visual-arts exhibition context) and installation, alongside classical visual-arts disciplines. ELIGIBILITY: professional visual artists who live, work and are registered in Berlin; not open to applicants based elsewhere. The application window runs 6 July to 2 September 2026, 11:00 CEST, via the Senate's online portal.
The National Gallery of Iceland announces an artist residency open call under its CUSP program, a European cooperation project funded through Creative Europe's Culture grant. Artists working in complex media or emerging technologies (e.g. generative AI, custom sensors, sound, software-based, blockchain, physical and digital hybrid) are invited to apply. This is the first of four residency stays offered to different artists through the program, one in each of the participating countries (Iceland, Norway, Czechia, and Ukraine), followed by two micro residencies in the Netherlands and Iceland. The programme brings together artists working in time-based media with museum professionals, conservators, and technology specialists developing preservation and conservation methodologies to ensure the long-term endurance of artworks. The selected artist will meet with a preservation specialist or conservator specializing in time-based media art for an in-depth artist interview addressing the preservation needs of their medium, and will present their body of work and working methods publicly during an open-lab masterclass designed in collaboration with the museum. RESIDENCY: up to four weeks in early 2027 in Reykjavik, exact dates arranged with the selected artist. WHAT IS PROVIDED: accommodation and working space; a travel and subsistence stipend; an artist fee for the open lab/masterclass; and possibly hardware and software depending on the artist's request and museum means. ELIGIBILITY: international artists based outside Iceland; applicants must be residents of any of the 27 EU member states or of non-EU countries with association agreements (EFTA/EEA members, acceding countries, candidate countries, and European Neighbourhood Policy countries). APPLICATION: complete the application form with full name, country of residence, gender identity, contact information, an artistic statement (max 2500 characters), a motivation letter (max 2500 characters), a draft idea of the public workshop or masterclass (max 1000 characters), links to social media/professional websites, and a CV and portfolio upload (max 10MB each). DEADLINE: 3 September 2026 at 23:59 GMT. ABOUT CUSP: Creative Understanding, Saving and Preserving Time-Based Media Art is a transnational cooperation project co-funded by the EU's Creative Europe Culture grant, led by the National Gallery of Iceland with Nasjonalmuseet (Norway), LI-MA (Netherlands), Vasulka Kitchen (Czechia), and Mystetskyi Art Arsenal (Ukraine), focused on preserving and presenting time-based media art. Inquiries: cusp.residency.is [at] gmail.com.
Supports organisations building new cross-border professional networks, funding joint meetings, workshops, staff exchanges and collaborative platforms among artists and cultural practitioners. It is designed for the convening and infrastructure-building side of festival work rather than artistic production, and it explicitly excludes artistic productions and public events, so it is used to assemble festival partners rather than to stage the festival itself. Grants run up to EUR 20,000 for networks of a year or less, with Nordic Culture Point covering at most 70 percent of the budget and a hard 85 percent ceiling on combined pan-Nordic public funding. The autumn 2026 window is 10 August to 4 September 2026, closing 15:59 UTC+3. TIMING RULE: activity may not begin until at least eight weeks after the deadline. IMPORTANT ELIGIBILITY DIFFERENCE from the Culture and Art Programme: the applicant must be resident in a Nordic or Baltic country and must be a professional with documented training or experience in art and culture, so non-Nordic and non-Baltic lead applicants are not eligible. A strong fit for a media-arts or sound-art organisation assembling a regional partner consortium ahead of a larger application.
In Listening is the renamed successor to the CTM Radio Lab, after more than a decade of collaboration between CTM Festival and Germany's public radio Deutschlandfunk Kultur, with support from Austria's ORF, zeroing in on sound-focused experiences. This open call is for works strongly grounded in experimental sound practices and audio art and driven by conceptual approaches or sonic narratives, exploring the blurred edges between sound, noise, music, storytelling, poetry, and documenting, where sound is the main medium. Works should respond to the CTM 2027 theme 'Process...ing', with active listening informing the proposals. Applications should describe how the work could be developed for two complementary outputs: a LIVE EVENT at CTM 2027 and a RADIO BROADCAST on Deutschlandfunk Kultur and Oe1/ORF. At CTM, works are presented in the silent green Kuppelhalle with an intimate setup, the audience seated around the performer(s) and surrounded by a 6.1-channel PA (creative use of fewer channels, stereo, or mono is welcome; minimal lighting and scenography or performances in the dark are suitable, but video and complex scenography are out of scope). For radio/podcast, proposals should consider the individual listening experience (a recording of the performance is not sufficient); the broadcast is a 40-55 minute piece aired in a late-night slot to a largely German-speaking, non-specialist audience. Works premiere at CTM 2027 (22-31 January 2027, Berlin), are broadcast in Deutschlandfunk Kultur's Klangkunst programme in Spring 2027, and presented via ORF (Oe1 Zeit-Ton or Blaue Stunde / Kunstradio) and/or ORF musikprotokoll im steirischen herbst in Graz (Autumn 2027), then available for streaming for at least one year. BUDGET: two selected works each receive EUR 6,000; winners give up to two performances at CTM. Group proposals are possible but should keep a modest travel budget. JURY: Jan Rohlf (CTM), Marcus Gammel (Deutschlandfunk Kultur), Anna Soucek (ORF Oe1), and one independent artist. TIMELINE: deadline 6 September 2026 at 23:59 Berlin time; winners announced mid-October 2026; remote production late October 2026 to January 2027. APPLY (in English, PDF, max 20MB) with a project description including rough budget (max 4 pages), technical requirements, and CV; questions to in_listening@ctm-festival.de. No application fee.
PICE Visitantes is the inbound mirror of PICE Movilidad: a Spanish festival, biennial, fair, museum or platform applies for AC/E to fund bringing international programmers, curators, producers and cultural professionals to its event in Spain, so that they meet Spanish artists and go on to programme them abroad. It is direct money to an organisation to enrich a festival or public programme it is already hosting. The same ten thematic areas apply as in Movilidad, including Artes visuales, Musica y creacion sonora, Podcast and Videojuego y animacion, giving good coverage for media-arts, sound-art and creative-technology events. Covered costs are travel, accommodation, travel insurance, internal transport, text translation and simultaneous or consecutive interpretation for the invited visitors, with the exact list varying slightly by thematic area. Only entities constituted in Spain may apply; natural persons are barred. Invited guests may come from any country including non-EU and the UK. TIMING: Phase 3 closes 7 September 2026, provisional list 21 October, definitive list 30 October, and visits may not start before 1 November 2026. Applications go through the AC/E PICE online system in Spanish or English with no fee.
Since 2020 the Prototype Fund Switzerland has strengthened the common good with open-source, public-interest technology, supporting interdisciplinary teams to develop and test early-stage projects that show how open source, data and digital technologies such as AI can create real societal value. The 2026-2027 edition focuses on Responsible and Sustainable AI: building the path toward a more responsible and sustainable AI, tech and digitalization landscape, open source and beyond. THIS YEAR'S FOCUS: projects that reduce resource use, energy consumption or emissions; strengthen accountability, transparency and governance; and contribute to resilient and trustworthy digital systems, including sustainable digitalization and digital sufficiency, public-interest AI and data infrastructures, and tools for governance, oversight or digital sovereignty. PUBLIC INTEREST TECH areas span sustainability and climate, participation and civic tech, education and literacy, health and inclusion, and open knowledge and data. WHO THEY FUND: individuals and small teams open to open source, AI and iterative experimentation, eager to combine technical capability with societal and political awareness, willing to share learnings, motivated to work on pressing societal problems through technology, with an early-stage but well-thought-out concept, and eligible to work in Switzerland. SUPPORT: up to CHF 50,000 in funding, a 4-month prototyping phase, coaching, mentoring and workshops, and access to a strong network across tech, policy and society. Teams are strongly encouraged (though not required) to publish code, data or components under open-source licenses and to document their approach. TIMELINE: applications 21 July to 7 September 2026; rolling jury selection August-September 2026; prototyping mid-October 2026 to mid-February 2027; outputs and learnings November 2026 to July 2027. Questions: info@prototypefund.ch.
Híbrides is a biennial of artistic research co-organised by the Axolot.cat collective and the DARTS (Design, Art, Technology and Society) research group at the UOC in Barcelona. The second edition, "Small Embodied Data," centres on the concept of classification -- approached through machine learning, data science, algorithmic systems, and questions of who designs classifiers, under what ethical codes, and to what end. The biennial brings classification into dialogue with its previous themes of Small Data (community-defined, intentional data collection and analysis) and Embodiment (bodily experience as a foundation of situated, sensory knowledge). Both academic and non-academic contributions are welcome. FORMATS ACCEPTED: Oral Presentations (20 minutes; artistic practice, artistic research, or academic research projects; may be video-recorded for a public archive and developed into short papers); Performances (20-30 minutes; must engage with the physical body, stage, and technology; complete works, including previously presented work; takes place in a multipurpose space with technical support). SUBMISSION REQUIREMENTS: online form with abstract (max 1,000 characters), professional biography (max 1,000 characters), and link to representative materials (3-5 images; video and technical rider required for performances). HONORARIA: oral presentations €100; performances €400; invoice required in both cases. Participants must follow the event's code of conduct. Event runs 26-28 November 2026 at UOC Poblenou campus and Convent de Sant Agustí, Barcelona. Deadline: 7 September 2026. Submit at https://hibrides.axolot.cat/opencall.html.
MSCA Postdoctoral Fellowships support researchers holding a PhD who wish to carry out research abroad, acquire new skills, develop their careers and have international mobility. Open to excellent researchers of any nationality. The 2026 call opened 9 April 2026 and closes 9 September 2026 at 17:00 CEST; notification of call results expected February 2027; grant agreement signature April 2027. Two strands: European Postdoctoral Fellowships (12 to 24 months in Europe) and Global Postdoctoral Fellowships (12 to 24 months outside Europe + 12-month return phase in Europe). The project must take place in a country different from where the researcher has worked or studied. Approximately 1,600 projects funded. Apply via the EU Funding & Tenders Opportunities Portal; submission is by the fellow plus host institution. Eligibility: researcher must have a PhD at the call deadline (or have submitted thesis with all requirements met), maximum 8 years full-time-equivalent research experience post-PhD, must comply with the mobility rule (no more than 12 months in the host country in the 36 months before the deadline).
Nordic Culture Point's main project line, funding Nordic collaborative arts and culture projects across all phases: preliminary work, production, presentation and dissemination. Eligible activity explicitly includes creative productions, workshops, knowledge development and spaces for artists to meet publics, which covers festivals, public programmes and convenings when framed as new collaborations. The tiered co-financing model is the standout feature: EUR 7,000 with no match at all, rising to EUR 100,000 at a 50 percent match, and in-kind contributions count. NOTABLE: applicants do not need Nordic residency or citizenship provided the three-country and two-Nordic partner structure is met, so a non-Nordic organisation can lead the project. The autumn window runs 10 August to 10 September 2026, closing 15:59 UTC+3. TIMING RULE: decisions arrive ten weeks after the deadline and no project may start before notification, so budget for a roughly three-month lag. The programme will not finance existing tours, institutional running costs, ongoing festival core financing, solo performances, film, TV or gaming production, or book publishing, so a recurring festival must present a distinct new collaborative strand rather than seek operating support.
The Prisma Art Prize is an international award for painting and two-dimensional artistic research based in Rome. The 20th edition selects emerging and established artists working in painting, drawing, illustration, printmaking, and traditional mixed media for a group exhibition at Palazzo Merulana, opening November 5, 2026. Winners share an annual cash fund of EUR 2,000 distributed across quarterly calls and receive inclusion in the collective catalogue plus artist interviews. Additional opportunities include solo exhibition prizes and fully funded placements at partner art residencies. The prize is open internationally to all living artists regardless of age, gender, nationality, or educational background. The submission deadline for this edition is September 10, 2026.
Eurostars (part of the Eureka network, the Eurostars-3 programme co-funded by Horizon Europe) supports collaborative international R&D projects led by innovative SMEs. Each country funds its own participants, so amounts vary; for the Dutch share, RVO funds up to EUR 500,000 per project at a 50 percent reimbursement rate on eligible R&D costs. Projects require an international consortium of at least two independent organisations from at least two Eurostars countries, led by an innovative SME, with the SME budget at least 50 percent of the total and no single participant exceeding 70 percent. Projects must run no longer than 36 months and be civil (non-defence) in purpose. Call 11 opens 9 July 2026 and closes 10 September 2026, 14:00 CEST. No application fee. Submit via the Eureka project platform (myeurekaproject.org); Dutch national information at RVO.
Stichting Stokroos funds a three-month reflective residency at Fundaziun Nairs in Scuol, Switzerland, for one selected visual artist, designer or craft practitioner (overlap possible). Both emerging and established makers may apply. Stokroos covers full accommodation and meals directly with Fundaziun Nairs and provides a discretionary EUR 7,000 budget for living, travel and production. The application should include a proposal that engages specifically with the residency, its Alpine surroundings and/or its historical and cultural context. Eligibility: you completed your first subject-specific (vocational or higher) programme in 2022 or earlier, or have an equivalent established practice, or started without formal training (first presentation marks the start of your practice); at least 21 years old; living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; not currently enrolled in a study or post-academic programme. Applications are individual only; duos and collectives cannot apply. Makers already selected by Fundaziun Nairs may still apply if they meet the criteria. You may submit only one application per year across all Stokroos grants, and must not have received a Seed Grant rejection in the previous calendar year. Apply via the online form (Dutch or English) with a portfolio PDF up to 20 pages, optional video up to 10 minutes total, CV up to 2 pages, and work/plan descriptions up to 2,500 characters each. Selection includes an introductory interview with up to three candidates; Stokroos aims to respond within 8 weeks. No appeal is possible. Application window: 1 to 11 September 2026. More information at nairs.ch.
Second strand of the ZMINA: Resilience project (run by IZOLYATSIA Foundation (UA) and Malý Berlín (SK) with Trans Europe Halles (SE)), funding the international showcasing and public presentation of artistic works CO-CREATED by Ukrainian and other Creative Europe cultural organisations. Where the co-creation strand funds making the work, this strand funds bringing finished co-creations to wider audiences through showcasing and presentation events in Ukraine and across other Creative Europe countries. Projects are expected to adapt works to new audiences through active partner cooperation, for example by contextualising works, providing translation, involving local artists, experts and communities, and running parallel programmes. All creative and cultural sectors are eligible except audiovisual. ELIGIBILITY: organisations active in the arts and culture sectors, registered in a Creative Europe country (EU and non-EU); Ukrainian partners must be registered in territory under the effective control of the Ukrainian government. Proposals are submitted by a single lead applicant but the project must include at least two partner organisations from at least two countries, one of which is Ukraine, with a genuine balance of roles and value across partners. FUNDING: total pool €950,000; grants up to €50,000 covering up to 90% of project costs, with the remaining 10% provided by applicants as a monetary (not in-kind) own contribution; 19 to 25 grants expected. ROLLING CALL with five rounds: Round 1 deadline 14 September 2026, Round 2 14 December 2026, Round 3 15 March 2027, Round 4 14 June 2027, Round 5 (final) 14 October 2027, all 23:59 Kyiv time. Eligible countries (Creative Europe): Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Ukraine.
Guardian Documentaries and arte.tv have opened a short documentary film fund on the theme 'Democracy at Stake in Europe', supporting the development and production of a character-led documentary short exploring threats, pressures and challenges facing democratic societies across Europe. The aim is to amplify personal stories that help audiences understand democracy in Europe today and to stimulate public debate; suggested areas of focus include press freedom, civic trust and democratic participation. AWARD: one project receives GBP 10,000 in production support; alongside the financial award, the selected filmmaker receives editorial and creative input from the partners, with distribution through Guardian and arte.tv platforms. The funding can be used for work linked to the film's development and production, such as research, filming and post-production, subject to the applicant's proposed budget and plan. ELIGIBILITY: open to European filmmakers aged 18 or over; the call is focused on a single short documentary and is intended for projects where individual experience and perspective are central to telling a wider story about democratic life in Europe. Deadline 14 September 2026.
Open call from the Creative Industries Fund NL (Stimuleringsfonds) for projects within digital culture that provide insight into and reduce the ecological impact of digital technology. Data storage in the cloud, generative AI chatbots and other everyday digital habits carry major ecological consequences: the energy consumption of data centres, the raw materials used for hardware, and ever-growing e-waste. The Fund encourages projects that make the ecological (and therefore also social) impact of digital technologies and data consumption tangible, question it, and put alternative working methods into practice, around topics such as regenerative culture, degrowth, low-tech, the reuse of obsolete hardware, and responsibility for the technologies we use within digital culture. Applications may concern new projects or the reinterpretation or further development of existing initiatives that show scope for more depth or a changed approach. Collaborations in which designers, makers or researchers engage with sustainability from an intersectional perspective are explicitly encouraged. The grant may be used for artistic and substantive development, research, collaboration, knowledge sharing, presentation and documentation. ELIGIBILITY: individual makers, designers, researchers or collectives working on alternative ways of handling digital technology, registered with a Chamber of Commerce within the Kingdom of the Netherlands. Grant awards a maximum of EUR 30,000; maximum project duration one year. This call is open from 17 August 2026, 15:00 CEST until 14 September 2026, 16:00 CEST. No application fee. Questions: digitalecultuur@stimuleringsfonds.nl.
Orizzonti L.I.V.E. is Fondazione CRT's flagship thematic call for organisations that programme live performance as a driver of territorial transformation. The acronym stands for Luoghi, Impatto, Visioni, Energia, and stated priorities are strengthening organisations rooted in their territory, audience development reaching new publics, social inclusion and access for economically or socially fragile audiences, professional engagement of young musicians, actors and dancers, audience engagement aimed at under-25s, stable networks and strategic partnerships, and environmental sustainability aligned with Agenda 2030. This is festival and season funding at meaningful scale: the maximum request is EUR 100,000 and the overall project budget must itself be at least EUR 100,000, with co-financing covering at least 70 percent of eligible costs, so the applicant must bring roughly EUR 70,000 from other sources. The 2026 call runs in two sessions: the first closed 27 February 2026, and the second closes 15 September 2026 at 15:00 Italian time. Applications go through rol.fondazionecrt.it. SCOPE CAVEAT: this is broad live-performance funding rather than a media-arts line, so it fits experimental performance, sound art and hybrid live work but also covers conventional music and theatre. Non-EU and UK organisations can realistically only participate as project partners, not as lead applicants.
Kulturdirektoratet's main scheme for multi-artistic and cross-disciplinary events, organisers and venues, and the natural Norwegian route for a festival or biennial that does not sit inside a single artform committee. It funds single events, event series, festivals and seminars with cross-disciplinary relevance, plus year-round operation of organisations with a multi-artistic profile, which covers media arts, digital culture and experimental sound programming presented alongside other forms. Art production itself, closed workshops, infrastructure investment and activity already completed before the deadline are not funded. Two application rounds run in 2026: 8 April 2026 (project grants, closed) and 15 September 2026 at 13:00 (project grants plus activity grants for the 2027 operating year). Project grants accept individuals, private and public institutions, and organisations, while activity grants require an organisation number or a named, separately budgeted activity within a larger entity, existing for at least one year and not already receiving permanent annual state funding. The scheme never fully finances a project, so a credible co-financing plan is expected. FLAG: decision dates and foreign-applicant eligibility are not published on the scheme page; award notifications arrive via the application portal.
This scheme gives operating and programme support to visual art organisers in Norway, covering exhibition and event programming, content production, salaries, artist fees, venue costs including rent, utilities and internet, and administrative expenses. Because it funds the organiser rather than a single artwork, it is the relevant route for an artist-run space, biennial organisation or media-arts venue running a recurring public programme. Applicants must demonstrate artistic and cultural expertise, innovation and distinctiveness. Eligibility is limited to bodies with their own registration number, or a separately named and budgeted activity within a larger organisation, existing for at least one year prior to application, and organisations already receiving permanent annual state funding are excluded. The 2026 application deadline is 15 September 2026 at 13:00. Kulturdirektoratet explicitly warns that applicants often receive less than requested or are rejected despite quality proposals, so co-financing is necessary. FLAG: amounts, decision lag and foreign-applicant eligibility are not published on the funder's page; results arrive through the application portal with an acceptance deadline in the decision letter.
Kone Foundation is Finland's major private funder for academic research in the humanities, social sciences and environmental sciences, for professional artistic work across all disciplines, and specifically for multidisciplinary projects combining scholarly and artistic approaches, which is where digital culture, media arts and artistic research proposals land. Individuals, working groups and legal entities with a Finnish business ID may apply, and artistic groups and organisations can receive up to EUR 250,000. The Finland connection is the binding constraint: a non-Finnish applicant needs a Finnish institutional affiliation, Finland residence, or the work must happen in Finland, though international collaborators can join a group freely once one member is a Finnish citizen or Finland-based. Psychology, theology, law, business studies without an interdisciplinary element, and medical research are not funded, nor are master's studies, continuing education, building renovation, standalone equipment purchases or hobby activity. The annual call runs 1 to 15 September each year, closing 15 September 2026 at 16:00 EEST, with decisions announced in November and December. TIMING: funding is never retroactive and projects must begin in January or later, so a September 2026 application funds work starting January 2027 at the earliest. FLAG: Kone frames its funding around artistic work and research projects rather than festival or event hosting as such, so an event-led application needs to be framed as an artistic or research project.
The MIT R&D Collaboration Projects scheme (MIT R&D-samenwerkingsprojecten, part of MKB Innovatiestimulering Topsectoren) funds joint R&D projects by Dutch SMEs within the national Top Sectors and Mission-driven Innovation policy. The grant covers 35 percent of eligible costs: small projects of EUR 50,000-200,000 and large projects of EUR 200,000-350,000 (with per-participant ranges of EUR 25,000-100,000 for small and EUR 25,000-175,000 for large). Eligible applicants are consortia of at least two collaborating SMEs, with no single participant carrying more than 70 percent of costs. The national RVO round runs 9 June to 15 September 2026 (closes 17:00) and is a ranked tender, not first-come-first-served; some provinces run separate regional MIT windows. No application fee. Apply via RVO.
MoTA (Museum of Transitory Art) in Ljubljana runs an annual open call for production residencies for media, sound and visual artists, curators and researchers. Production residencies offer full support including accommodation, technical support, production costs and an artist fee; the exact artist-fee amount is not published on the official or aggregator pages, so applicants should confirm the figure directly by email. Residencies run up to one month. Open internationally: artists of all nationalities and at all professional levels are encouraged to apply, as individuals or collectives. No application fee. The annual deadline is 15 September (for residencies the following year). Apply by email to mota.artists@gmail.com with the subject line Application for production residency. Note: the official motamuseum.com SSL certificate is currently expired, which may briefly affect link reliability.
The residencies at Q-O2 offer time and space for artistic research, reflection and creation in the field of experimental music and sound art. In 2027, Q-O2 will host 20 residencies, 10 for international artists and 10 for local artists living in Belgium, working with, on or around sound. The programme is open to artists, art workers and theorists who wish to pursue a research-oriented project; note that Q-O2 does not organise production-directed residencies and is not a rehearsal space. Duos are possible, and exceptionally small groups too. SUPPORT: a work studio and materials, a creative and communicative environment, and the possibility to present work to a public and/or propose a workshop; for international residents, accommodation in a shared apartment and a contribution to travel expenses of up to EUR 200; and a small subsistence budget reserved for artists who do not come with other funding. There is no artist fee. A final public presentation can be arranged if the artist wishes but is not expected; what Q-O2 requires are some traces of the residency in word, image and/or audio form. APPLY by 15 September 2026: email a concise project proposal of no more than one page plus a permanent link to your website or other secondary information (no temporary links) to info@q-o2.be with the subject 'Residency27 - your name'. State where you would travel from, how long you would like to stay (4 to 6 weeks), and your interest in Q-O2 as a working environment, and make sure you receive an email confirmation of receipt.
Small curiosity-driven research grants in the social sciences and humanities, awarded by the Dutch Research Council (NWO). Round 3 of the 2026 SSH Open Competition XS closes 15 September 2026, 14:00 CEST. Up to EUR 50,000 per project to enable researchers to pursue novel, exploratory and high-risk ideas without the constraints of larger themed calls. ELIGIBILITY: academic researchers with an institutional affiliation at a Dutch university or recognised Dutch knowledge institute. Proposals are assessed on scientific quality and the potential for renewal of social-sciences and humanities research. Round 3 details and the dedicated application page will be published by NWO closer to the deadline; the linked page is the most recent SSH XS round, which is the same scheme.
Canon Foundation in Europe Research Fellowships support bilateral research exchange between Europe and Japan, awarding up to 15 fellowships annually. AMOUNT: up to EUR 30,000 per year (pro-rated for shorter stays), flexible — covers living costs, travel, insurance, research expenses, and books; fellows determine their own allocation. ELIGIBILITY: European nationals (including UK, Israel, Switzerland, Turkey, Balkan and Baltic countries) conducting research in Japan; or Japanese nationals conducting research in Europe. Applicants must have completed at least a Master's or PhD degree within the last 10 years (older qualifications may apply with supporting documentation). No restrictions on research field. Priority given to first-time applicants to Europe/Japan. Fellows arrange their own host institution and advisor. Up to 15 fellowships awarded annually. Deadline: 15 September 2026, 23:59 CET (for fellowships starting January-December 2027). Apply at https://portal.canonfoundation.org/. Contact: canon.foundation@canon-europe.com.
THE ONE International Digital Art Biennial, organized by Pinata Group in Torun and Wloclawek, Poland, accepts digital art internationally with free entry; prizes are PLN 3,000, 2,000, and 1,000, plus exhibition and an ISBN catalog. IMPORTANT CAVEAT: submitted works may not be AI-generated. NOTE: the 15 September 2026 deadline is from a listing site and is not stated on the organizer page; verify before submitting.
Open call from the Creative Industries Fund NL supporting designers in deepening and professionalising their own practice rather than delivering an external client project. It funds practice development across design, architecture, digital culture and the crossovers between them, and the Fund explicitly names digital storytellers and sound designers among eligible practitioners, which makes it one of the more accessible routes for a maker working between technology and art. ELIGIBILITY: designers with an independent practice of at least four years, established in the Netherlands or the Caribbean part of the Kingdom. Temporary collectives may apply with one lead applicant. Grants run from EUR 8,250 to EUR 28,250. The window runs 19 August 2026, 15:00 CEST to 17 September 2026, 16:00 CEST.
Subsidy supporting in-depth activities or innovative impulses within the artistic practice of Rotterdam-based visual artists, with a clearly defined artistic question or objective. Applicants must be registered with Art Office (artoffice.info) with an up-to-date artist page. The 2026 Round 2 deadline is 21 September 2026, 11:00 (form opens 10 August 2026); results by 16 November 2026. Round 1 (deadline 2 March 2026) has already closed. Decisions made by the director of CBK Rotterdam on advice from an expert committee.
The Royal Conservatoire Antwerp (AP University of the Arts) invites applications for artistic research projects starting 20 September 2027, in three types: start projects, one-year projects, and two-year research projects. Applications are embedded in one or more of the Conservatoire's four research groups, supervised by a supervisor, and must align with the Conservatoire's mission and vision. FOCAL POINTS across disciplines: research into improvisation and intuitive creation and performance practices; new dramaturgical and scenographic approaches in cross-over projects; methodologies for interdisciplinary creation processes; sustainable relationships between artists and urban communities; the possibilities and limitations of inclusion in education and/or on stage; and well-being and resilience in music and performing arts. FUNDING (salaried research position): start projects, 20% employment for 12 months plus EUR 1,000 operating resources; one-year projects, 55% employment for 12 months plus EUR 1,000; two-year projects, 55% employment for 24 months plus EUR 2,000. PRECONDITIONS: the applicant holds a relevant master's degree and conducts research situated in or arising from their own artistic practice with the capacity for discursivity; the proposal must align with the Conservatoire's mission/vision; the applicant must be able to enter contractual employment with the Royal Conservatoire Antwerp/AP University of the Arts for the duration of the project (international applicants must hold a valid Belgian work permit); proposals may be submitted only in Dutch or English. PROCEDURE (two steps): STEP 1, submit an expression of interest by 21 September 2026, 12:00 noon (applicants informed by the week of 5 October whether they may develop a full proposal with a research group); STEP 2, submit the full project dossier by 1 December 2026, 12:00 noon. Evaluation by an independent reading committee aims to conclude in March 2027. Contact: Kevin Voets, Head of Research, kevin.voets@ap.be.
This scheme funds international activity by the Dutch design, architecture and digital culture sectors, covering projects that take place mainly abroad and require at least one international partner. Open to professional makers, observers, design agencies and cultural institutions. Grants run EUR 10,000 to EUR 50,000 with at least 20 percent co-financing. The round runs 25 August 2026, 15:00 CEST to 22 September 2026, 16:00 CEST. From 2026 places are allocated by lottery draw rather than order of submission. Activities in countries under a code-red travel advisory or subject to sanctions are excluded. Applicants must be registered with the Dutch Chamber of Commerce (KvK).
Fonds Podiumkunsten's route for Dutch festivals and venues bringing in exceptional foreign performing arts and concerts that Dutch audiences would otherwise not see. The applicant must be a Netherlands-registered legal entity running a venue or festival and carrying artistic and financial responsibility for its own programme, so individuals and sole traders cannot apply. Grants are calculated from travel and transport costs of the incoming artists, at a maximum of EUR 25,000 per production and EUR 75,000 per applicant across several productions. The core test is that the foreign work is rarely or never seen in the Netherlands and substantially enriches the existing Dutch offer, which favours experimental, non-canonical and cross-disciplinary programming over mainstream touring. Experimental music and sound-art programming is not excluded; the selection criterion is rarity and added value, not genre. Applications go through the Mijn Fonds portal and there is no fee. Four rounds run each year. TIMING: because the scheme competes against a shared EUR 267,500 per-round pot and assessment takes several weeks after the deadline, organisers should apply at least one full round ahead of the performance date and must not have the activity already underway. Success rate in 2025 was 60 percent of 33 applications.
Annual scheme funding festival organisations in the creative industries (design, architecture, digital culture, fashion, e-culture, etc.) presenting a 2027 edition. Application window opens 25 August 2026 at 15:00 CEST and closes 23 September 2026 at 16:00 CEST. Supports both content programming and the organisational/curatorial running of a festival; applicants must be organisations rather than individuals, but the scheme is the natural home for any artist-led collective or platform that runs a critical-AI / digital-culture / surveillance-focused festival event. Note the wider 2026 context: Stimuleringsfonds is restructuring its grant offering for 2027, and several individual schemes (Design, Digital Culture) have been reduced to two rounds in 2026. The Festivals scheme is a separate annual track and one of the cleaner ways to access SCI funding for an event-format project.
Horizon Europe Cluster 2 funds research on culture, creativity, and inclusive society. The 2026 call (HORIZON-CL2-2026-01-HERITAGE, launched May 12, 2026) covers 7 topics with an indicative budget of €85.5 million. Topic HERITAGE-04 is explicitly titled 'Towards a fair and transparent market for cultural and creative content in the era of generative AI,' covering: impacts of generative AI on creative industries employment; upskilling needs for creative workers; policy and regulatory frameworks; fair remuneration and transparency. Highly relevant for research into AI and cultural/creative industries, artists' rights in the AI era, and sociotechnical studies of AI and culture. ELIGIBILITY: consortium-based applications (minimum 3 organisations from 3 different EU/associated countries are typical for Horizon RIA grants; check call conditions on the Funding & Tenders portal for specific requirements). Deadline: 23 September 2026. Apply via the EU Funding & Tenders portal (ec.europa.eu/info/funding-tenders).
Joint open call from the Creative Industries Fund NL and the Cultural Participation Fund supporting platforms that develop design-based learning, covering product design, textile and fashion, spatial design and creative coding. Maximum EUR 75,000 per application from a EUR 720,000 pool, with regional quotas including the Caribbean part of the Kingdom. ELIGIBILITY IS NARROW: only foundations (stichtingen) may apply. Educational institutions and organisations already receiving four-year BIS funding are excluded, and individuals cannot apply. Deadline 23 September 2026, 16:00 CEST.
The Danish Arts Foundation's Production and Exhibitions programme funds the production, dissemination and exhibition of contemporary art in Denmark and abroad, and it is one of the few Nordic national schemes a foreign organisation can apply to directly. Eligible costs include creating new works where an exhibition agreement is in place, exhibition costs, exhibition programming featuring Danish or international artists, promotion tied to an exhibition, and honorariums covering artists' work and installation time, which lets a festival or biennial cover commission and artist-fee lines. THE KEY CONDITION for non-Danish applicants is that the exhibition must feature Danish artists; Danish artists and venues face no such restriction. No minimum or maximum grant is published since the committee decides case by case, and previous award levels are visible on the site. Two 2026 deadlines apply: 26 March 2026 (closed) and 24 September 2026 at 14:00, with the application form opening one month before each deadline. TIMING: applicants receive a response no later than twelve weeks after the deadline, so expect a decision by mid-December 2026. Applications must go through the Danish digital subsidy portal; submissions outside it are rejected except in very special circumstances. FLAG: earliest-start-date rules are not specified on the funder's page.
Utrecht's main project fund for cultural activity with a public presentation in the city, covering all art forms including experimental and cross-disciplinary work. Individuals, foundations, associations and companies are all eligible. Two bands apply: Category A of EUR 1,000 to 5,000 assessed on artistic importance and entrepreneurship, and Category B of EUR 5,000 to 20,000 which adds meaning for the city as a third criterion. The activity must be exceptional or innovative, or otherwise of value to the city, its residents or the Utrecht cultural sector; professional projects and amateur, education or participation projects both qualify. Three rounds run each year and the next closes 25 September 2026 at 17:00 CET. TIMING RULE, which catches applicants out: for professional arts applications the presentation may not take place earlier than 13 weeks after the round's closing date, and for participatory applications the project may not start earlier than 13 weeks after that date, so a 25 September 2026 application supports activity from late December 2026 onward. Decisions are issued no later than 13 weeks after the closing date, following review by an independent Adviescommissie Projectsubsidies. Documentation is capped at 15 pages, or 5 pages if a video is included. Applications go through mijnsubsidie.utrecht.nl with DigiD or eHerkenning. Utrecht also runs a rolling Impulssubsidie Cultuur of up to EUR 2,500 for first-time applicants only, open through 31 December 2026.
BNG Cultuurfonds funds arts and culture projects that add value for Dutch municipalities and their inhabitants, explicitly including temporary exhibitions, public programmes and festivals developed by professional makers. Media art, digital culture and cross-disciplinary work qualify as long as a professional maker's artistic vision leads the project. Only stichtingen (foundations) may apply: no sole traders, associations, individuals, or foundations in formation. Applications go by email to aanvraag.cultuurfonds@bngbank.nl with a signed form, a project plan of at most 3,500 words, a specified budget and coverage plan, current statutes and a recent KvK extract. The grant is EUR 5,000 to 15,000 and can cover no more than 35 percent of the budget. TIMING IS THE MAIN TRAP: for the 27 September 2026 deadline, feedback comes at the end of December 2026 and the project may not start before 1 January 2027, with applications for earlier-starting projects rejected outright with no exceptions. Missing documents are flagged up to one week before the deadline, so anything submitted in the final week cannot be corrected. Plan for roughly four months of lead time. Excluded: amateur art, talent development, education-focused projects, semi-permanent public art, publications, building or renovation, and regular operating costs. Further rounds: 3 January 2027, 28 March 2027, 27 June 2027, 3 October 2027 and 2 January 2028.
ELIGIBILITY: two Researcher-in-Residence positions in 2027. Open to early-career researchers of any discipline (data science, social science, computer science, humanities) who are currently working on a PhD or within 5 years of their PhD end date. You must have, or be able to secure, an affiliation with a Dutch university or research institute willing to second you; external PhD students may use the funding to obtain such a contract. Your project must make use of one or more of the KB digital collections and you must be able to work with primarily Dutch data. You must be available at 0.5 FTE over 6 months and able to spend two days a week on-site at the KB in The Hague. COLLECTIONS: over 130 million digitized pages of newspapers, magazines, radio bulletins and books from 1470 onward (via Delpher and DBNL), a born-digital web collection of more than 23,000 websites, ground-truth and derived datasets on the KB Lab, and metadata including Linked Data. APPLY: use the official proposal template and submit a single PDF by 27 September 2026 to dh@kb.nl, after reading the call's terms and conditions; questions to dh@kb.nl. TIMELINE: deadline 27 September 2026; internal eligibility review followed by an external committee review; outcome notified November 2026; residencies start Q1 and Q3 2027. DISCIPLINES: digital humanities / data science / computational research with cultural-heritage collections. NOTE: the output is usually a dataset or tool prototype hosted on the KB Lab; you agree to share results via blog posts on the KB Lab and to publish resulting tools or data under an open license within 6 months of the residency. Proposals should align with the KB Research Agenda or the Cultural AI Lab.
Medialab Matadero in Madrid selects three projects for a research and creation residency bringing together contemporary art, design, science, technology and society, welcoming critical, experimental and collaborative work. Each project must connect clearly with one or more themes from Medialab's recent programs: LAB 1 Sentient Media, LAB 2 The Metabolic Sublime, LAB 3 Synthetic Minds, LAB 4 Weird Futures and LAB 5 The Mechanics of Truth. Open to individuals and collectives from any discipline (design, art, architecture, film, journalism, digital media, environmental science, philosophy, engineering, programming, activism and more). SUPPORT: EUR 10,000 per project (before taxes), individual workspace, access to the Fablab and technical materials, curatorial team guidance, and logistical and financial support for public activities; proposals must include public engagement plans and produce documentation. RESIDENCY: January to July 2027, in person in Madrid. DEADLINE: 27 September 2026. No application fee.
La Résidence of the Festival de Cannes (part of Cinéma de Demain, formerly La Cinéfondation) invites 12 directors each year to write their screenplay in Paris. The programme provides a place of residence in the heart of Paris, a personalised programme accompanying the writing of their scripts, and a collective programme of forums with film industry professionals. The 12 directors from the two annual sessions present their projects at the CNC pavilion in Cannes, giving 10-minute presentations to an audience of professionals and a jury of three film industry personalities; the CNC then awards a EUR 5,000 grant to one director from each session, based on the project that most inspires the jury. The Cinef & Résidence offices serve as a hub where directors meet and schedule private meetings with potential producers. ELIGIBILITY: open to young filmmakers who have made one or several short films and no more than one feature film; candidates must NOT be residents or citizens of France. Selected filmmakers must stay at the Résidence in Paris for the full session. SESSIONS: two per year, each lasting four and a half months, the first running 15 March to 31 July and the second 1 October to 15 February. Artistic fields: film, writing, interdisciplinary. Deadline: 30 September 2026 at 16:00 UTC. Free to apply.
The mid-size project strand of Stichting Cultuur Eindhoven, the arm's-length body that distributes the city's culture budget, and the main municipal route for an Eindhoven organisation to fund a festival, exhibition or public programme. Awards go up to EUR 35,000 and cover a maximum of 80 percent of eligible costs, so at least a fifth of the budget must come from elsewhere. Unlike the Snelgeld strand this route is closed to individuals: only private-law legal entities established in Eindhoven may apply. Rounds run three times a year in fixed windows; the next opens 1 September and closes at 17:00 on 30 September 2026, which is round 1 of the 2027 cycle. TIMING: the decision lag is long by municipal standards at up to 13 weeks after the submission window closes, so a September 2026 application is decided around the end of December 2026 and activity should be planned for 2027. Given Eindhoven's design and technology profile, media-art, design and creative-technology programming fits the remit particularly well. The parallel Snelgeld strand offers up to EUR 5,000 on rolling intake, reopening 1 September 2026 and running until 31 December 2026 or until the tranche budget is exhausted, whichever comes first.
Musikfonds Large Project Funding supports new, experimental and contemporary music projects with grants of up to EUR 50,000. A minimum 10 percent co-financing is required and the artist fee must be at least EUR 300 per concert. Applicants and projects must be based in Germany; pure audio or video productions, university projects and amateur-only projects are excluded. The application window runs 1 to 30 September 2026. NOTE: research-sourced; confirm current figures and window dates on the Musikfonds site before applying.
Call for short films (1-10 minutes) involving human/AI hybrid creation, from the We Are Human Foundation in Paris. Three cash awards: Grand Prix EUR 5,000, Best Screenplay EUR 3,000, and an Ethics Award EUR 2,000. ELIGIBILITY: international, applicants 18+; films must have been completed after 1 June 2025 and involve human/AI hybrid creation; a mandatory Ethics Notebook accompanies each submission. No submission fee. Festival screening at Forum des images, Paris, on 24 November 2026. Apply via FilmFreeway; deadline 30 September 2026.
Created in 2025, the Phenomenon Grant is a yearly program that supports art projects in Greece with grants of EUR 5,000 to EUR 10,000 for individuals, collectives, and non-profit organizations engaged with queer, feminist, anti-colonial, and other emancipatory art practices. The grant aims to support critical phases of artistic development, enabling experimentation, research, collaboration, and the realization of new and ongoing projects. In a context marked by rising authoritarianism, genocidal forces and the dismantling of social justice advancements, the program seeks to support voices that critically and ethically engage with these issues, create spaces of resistance, reimagine futures beyond exclusion, persecution, and domination, and open pathways toward collective liberation. Particular attention is paid to collaborative endeavours rooted in Greece that are built on connections with the Global Majority, promoting networks of translocal solidarity and interconnected struggles. Organized and supported by Kerenidis Pepe, which has pledged a total budget of EUR 60,000 over 2025-2027, the amount awarded is based on the application's actual funding needs. In 2025 the program received 193 applications and awarded three grants of EUR 8,500 each to Athens Museum of Queer Arts (AMOQA), Forensic Architecture Initiative Athens (FAIA) and Theo Panagopoulos. The 2026 selection committee is composed of Athena Athanasiou, Dora Garcia, Christina Li, VASKOS, and chaired by Aggelika Mitsiou. The submission period runs from 1 September to 30 September 2026, with selected projects announced in November 2026.
Columbia University's Institute for Ideas and Imagination brings a cohort of scholars and artists to Reid Hall in Paris for an academic year (September 2027 to May 2028), with a USD 75,000 stipend, housing, and research support. The creative-arts category explicitly includes visual and sound arts and film alongside writing and composition. ELIGIBILITY: any nationality, but artists must not be permanently residentent in the United States (Netherlands-based artists qualify). Deadline 30 September 2026.
The European Cultural Foundation invites artists to research its historical archives, held at the Historical Archives of the European Union in Florence, through a new Artistic Research Fellowship with a EUR 10,000 grant covering travel, accommodation, and living costs; the artistic output is delivered within two years. A strong fit for archive-driven, research-based, and critical data practices. Deadline 30 September 2026, 17:00 CET.
The digital-space strand of the Fonds Darstellende Kuenste GLOBAL VILLAGE KIDS programme, funding format-open and results-open artistic projects and artist-participatory approaches in digital and hybrid performing arts. Eligible artistic fields explicitly include digital performing arts alongside performance, theatre, dance, musical theatre, puppet theatre and contemporary circus, which makes it usable for hybrid or online public programmes. The applicant must be a coalition of at least three legally constituted organisations spanning arts and culture, education and civil society, all German-based, so this is genuinely institution-facing rather than artist-facing; individual artists cannot apply, and schools and kindergartens may participate as partners but cannot be the applying organisation. Two tiers exist: laboratory projects at EUR 5,000 to 15,000 requiring a minimum 30 hours of work, and process projects at EUR 15,000 to 40,000 requiring a minimum 60 hours, both inclusive of a 7 percent administrative fee. FULL FINANCING is available with no matching requirement, which is unusual and valuable. TIMING: the deadline is 1 October 2026 with the earliest permitted project start on 1 January 2027, so the decision lag is roughly three months. Applications go exclusively through the kumasta online database. FIT CAVEAT: the programme targets children and young people aged 3 to 18 in situations of social, financial or educational disadvantage, so it suits a digital-arts programme with a youth participation core rather than a general public festival.
One of the largest private funders of contemporary and new music in Europe, and it funds the organising side of the field rather than individual artists, which makes it directly usable by festivals. Eligible activity includes festivals, world premieres and revivals, composition commissions, events, academies and workshops, education projects, symposia and musicological publications. Experimental and contemporary sound programming is the core remit; this is not a classical-repertoire fund. There are two annual deadlines: 1 October at 14:00 CEST for projects starting the following year with decisions by year-end, and 1 March for projects starting in July or later with decisions by end of June. Grant sizes are not published, and the Foundation aims funding at artistic rather than overhead costs. Only the organising institution may apply and only legal entities qualify: cultural institutions, orchestra managers, festival organisers and ensembles. Self-applications and applications from individuals are explicitly refused. VOLUME LIMITS are strict and worth planning around: each institution may submit one application per deadline, may be supported for only one project per year, and may be supported for a maximum of three projects across three consecutive years.
Work stipends for women film and video artists under the Berlin Senate's Kuenstlerinnenfoerderung (women artists' funding program). ELIGIBILITY: women film and video artists based in Berlin. Deadline 1 October 2026, 11:00 CEST, per the Senate's official deadline calendar. NOTE: research-sourced from the Senate deadline calendar; the stipend amount was not published there, so confirm details on the Senate funding pages before applying.
Fondation Camargo's 10-week residency for writers, scholars and artists on the Mediterranean coast in Cassis, France. About 14 fellows per cycle. Open to writers across genres (poetry, fiction, nonfiction, translation), as well as scholars and artists pursuing serious research, writing or creative projects in the humanities, social sciences and arts. ELIGIBILITY: international writers, scholars and artists; no nationality restriction.
The Interdisciplinary grant is a new joint scheme of the six Dutch national cultural funds (Mondriaan Fund, Performing Arts Fund NL, Fund for Cultural Participation, Netherlands Film Fund, Creative Industries Fund NL, and the Dutch Foundation for Literature), announced on 7 July 2026. It supports makers and organisations whose work genuinely crosses the boundaries of the individual funds' disciplines (visual art, design, film, literature, performing arts, and cultural participation) and cannot be contained within a single discipline. TWO TRACKS: an Individual track for professional makers with a demonstrable interdisciplinary practice (at least one year of experience; income cap EUR 55,000 including the grant; approximately EUR 24,900 for 12 months); and an Organisation track for organisations running multi-discipline projects. AMOUNT: EUR 12,500 to 50,000 per project. ELIGIBILITY: makers and organisations based in the Netherlands or the Caribbean part of the Kingdom. APPLYING: handled through the Mondriaan Fund's online application portal (info@mondriaanfonds.nl); an account is required in advance. DEADLINE: 1 October 2026, 16:00 Dutch time (single application round).
Kick-start grant for architecture practitioners to develop early-stage projects. The grant period opens 6 May 2026 15:00 CEST and closes 13 May 2026 16:00 CEST. A maximum of 35 applications are considered per period; once the window closes all applications are ranked in random order via a draw system before processing begins. Round budget €167,000; maximum grant request €10,000.
Residency programme run by the Institut francais de Paris with the Cite internationale des arts, one of France's largest international artist mobility programmes, supporting nearly seventy artists and cultural professionals each year. It offers furnished individual live-work studios in the Marais for 3, 6 or 9 months across four quarterly windows between April 2027 and April 2028 (arrivals 9 April 2027, 9 July 2027, 8 October 2027, or 7 January 2028), plus access to an auditorium, exhibition spaces, rehearsal studios and shared printmaking, screen-printing and ceramics workshops. The Institut francais covers the monthly cost of the studio; the artist's nominating partner organisation submits the application and must provide a stipend of at least EUR 1,100 per month plus international travel, insurance and visa fees. ELIGIBILITY: established artists and cultural professionals of any nationality who have lived outside France for at least 5 years, with an active professional practice, a clearly defined research or creative project, and professional-level French and/or English; open across disciplines (theatre, dance, performance, visual arts, music, literature, cinema, architecture, design, digital creation, photography, fashion, crafts, curating, and more). IMPORTANT: artists cannot apply directly - a partner organisation (French cultural network abroad, or a French or foreign cultural organisation) must nominate and support the applicant, committing financial and professional support before, during and after the residency. Applications open 1 July 2026; free to apply. Deadline: 8 October 2026, 11:59 PM CET.
The Bando Ordinarie is Fondazione CRT's open, non-thematic route: organisations can request support for initiatives that fit the foundation's statutory aims but do not fall under any of its thematic calls, across three areas of which one is Arte, attivita e beni culturali (branded Meraviglia). It is the right door for public programmes, cultural projects, media and digital-culture initiatives and events that are not live performance, exhibitions, film festivals or restoration. READ THE EXCLUSION LIST CAREFULLY: live performance goes to NoteSipari or Orizzonti L.I.V.E., exhibition-format initiatives and film festivals go to Immagini e Prospettive, heritage restoration goes to BeST, and accessible territorial-showcase events go to Eventi for All, so Ordinarie is the residual arts route. Non-profit entities and institutions operating in the reference territory are eligible, and because the applicant does not need to be headquartered in Piedmont or Valle d'Aosta this is genuinely open to organisations based elsewhere, including non-EU and UK, that run a programme in those regions. The project route has two deadlines: the first was 30 April 2026 and the second session is open 1 July to 15 October 2026 at 15:00 Italian time. Organisations receiving an activity-support grant cannot also benefit from other CRT calls in the same calendar year. Applications are made through rol.fondazionecrt.it.
The larger of The Hague's two municipal project bands and the appropriate route for an organisation running a festival or substantial public programme in the city. Awards range from EUR 10,000 to 30,000 against an annual ceiling of EUR 600,000 for the whole strand. THE CO-FINANCING REQUIREMENT IS SEVERE and is the single most important planning constraint: the municipal culture budget may fund at most 30 percent of the total project budget, so an applicant seeking EUR 30,000 must already have roughly EUR 70,000 secured or plausibly projected elsewhere. Only legal entities may apply; individuals and informal collectives must use Category A instead (EUR 2,000 to 10,000, 70 percent coverage ceiling, next window 1 to 15 September 2026). Professional arts and culture organisations running public projects in music, theatre, dance, film, literature, visual arts or combinations are eligible. The next window opens 1 October and closes at 17:00 on 15 October 2026. TIMING: the decision term is 12 weeks after the window closes, so an October 2026 application is decided around early January 2027 and activity should be scheduled from 2027 onward. Applications are handled through the municipality's subsidy system, which migrated to Easyfunders in April 2026. This scheme is independent of Stroom Den Haag. The underlying regulation runs to 31 December 2028.
Translators' residency at Uebersetzerhaus Looren in Wernetshausen near Zurich. Looren offers a free residency for literary translators with a current contract, including six competitive CHF 4,000 stipend grants per year tied to one-month residencies. The Pro Helvetia residency programme (separately funded) has a 2026-10-15 deadline for 2027 stays. The James Joyce Scholarship and Looren Residency 2027 closes 2026-10-31. General free residencies are accepted on a rolling basis throughout the year. ELIGIBILITY: literary translators with substantial published work and a current translation contract; any language combination is welcome. Apply via the application page on looren.net. No application fee.
Mondriaan Fund grant for written and/or spoken-word publications about contemporary visual art: article series, long reads, podcasts, video essays, social-content series, and similar formats published across magazines, newspapers, online platforms, public media or social media. Aimed at strengthening reflection on, criticism of, and journalism around visual art practice in the Netherlands and the Caribbean part of the Kingdom. Eligible applicants: existing or new platforms (online magazines, public media, podcast outlets, etc.) AND individuals working as curators, critics, social-content creators or journalists. New initiatives and collaborations may apply. Two cycles per year; the next deadline is 15 October 2026, 16:00 Dutch time / 10:00 Caribbean time (an earlier 2 April 2026 round has already closed). Grant covers up to 70% of eligible expenses, with two pricing structures: fixed €2,480/month for short 1-6 month work periods, or a flexible grant of up to 12 months for larger project plans (amount determined by submitted plan and budget). Round budget €229,000. Good fit for science-communicator / critical-tech / art-and-AI long-form writing, podcast series, or video essay projects. Applications submitted via the Mondriaan Fund online portal after creating an account; documents cannot be uploaded after the deadline. Free to apply.
Ettijahat's Zad programme is a support framework promoting mobility and communication for artists from the Arab region residing in Europe, designed to develop their artistic and professional path in collaboration with peers and across artistic spaces and platforms, while helping them reach diverse audiences and contribute to public life in their cities/countries of residence. SUPPORTED ACTIVITIES (examples): presenting theatrical works and live artistic performances; concerts at music festivals; streaming films in cities/places where they have not previously been shown; organising or joining literary readings; organising and relocating art exhibitions; sharing the outcomes of artist residencies. DISCIPLINES: all artistic and literary specialisations; open to artists of all ages. ELIGIBILITY: individual or group artists from the Arab region regardless of ethnic background who have relocated to Europe since 2015. PRIORITY for artists who moved from Syria, Palestine, Lebanon, Iraq, Jordan, Egypt, Yemen, Sudan, and Libya. The programme encourages environmental and economic solutions when planning travel. DEADLINE: this card is for the 16 October 2026 cut-off (other cut-offs each have their own card). APPLY via the Ettijahat Zad page.
Perform Europe is the EU's dedicated cross-border touring scheme for the performing arts, run by a six-organisation consortium and co-funded by Creative Europe. It funds partnerships of at least three organisations from three different Creative Europe countries to tour a finished performing arts work in at least three countries, with an explicit emphasis on greener, more inclusive and more equitable touring practice. Eligible disciplines are circus, dance, outdoor arts, performance art, puppetry and theatre; LIVE MUSIC AND OPERA ARE EXCLUDED, and production costs for new creations are not covered since the work must already be finished before 1 March 2027. Applicants pick one of three grant tiers with no fixed criteria per tier, and may request up to EUR 5,000 in top-ups for accessibility and sustainability measures. Five percent of the total fund is ring-fenced for proposals involving Ukrainian partners or supporting the Ukrainian performing arts sector. All 41 Creative Europe countries are eligible, including Albania, Armenia, Bosnia and Herzegovina, Georgia, Iceland, Kosovo, Liechtenstein, Moldova, Montenegro, North Macedonia, Norway, Serbia, Tunisia and Ukraine, but the UK is not. TIMING: applications close 22 October 2026 at 23:59 CEST, selected partnerships are announced in January 2027, and activity may only start from 1 March 2027. A Matchmaking Platform with over 2,300 registered professionals is available for finding partners before applying.
The Research Networking Day (RND) is an exchange platform for graduate or postgraduate students and independent artists conducting self-guided research traversing audio, arts, media, design, and related theoretical disciplines. The RND 2027 open call seeks innovative and critical submissions from all areas of study addressing the CTM 2027 festival theme 'Process...ing'. Nine selected candidates give short ten-minute presentations within different modules, linked by discussion rounds at the end of each module, offering an international platform to exchange with colleagues and researchers working on related ideas; research is also shared via audio/video after the festival on CTM's YouTube and SoundCloud channels. This edition takes place in collaboration with the Design Academy Eindhoven, Universitat der Kunste Berlin (UdK), and Leuphana University Luneburg. CONDITIONS: presentations take place on-site within the festival's Discourse programme, in English; applications are for individual (solo) presentations only (no duos or groups). As in previous years, no funding is available for travel and accommodation; participants receive a CTM 2027 festival pass, a catered lunch on the day, and a group dinner. Entrance to the event is free. KEY DATES: application deadline 25 October 2026 at 23:59 CET; programme announced mid to late November 2026; RND 2027 event Sunday 24 January 2027; CTM 2027 runs 22 to 31 January 2027.
Medienboard's Immersive strand funds the development and production of immersive and innovative audiovisual content: virtual, augmented and mixed-reality experiences plus multi-platform and cross-media projects, and it also supports festival presentation of XR and innovative audiovisual work. This is the most directly creative-technology-facing German regional fund open to organisations. The applicant must be a developer or independent producer with a registered company seat in Berlin-Brandenburg or elsewhere in Germany, which rules out individual artists without a company; international partners can participate as co-producers but cannot lead. THE PROCESS IS GATED: applicants submit a one-page project summary roughly six weeks before the deadline, then must hold an application meeting with a funding executive about two weeks before the deadline, and only after that meeting is portal access granted. Plan backwards from the deadline accordingly. The 2026 rounds closed on 3 February, 28 April and 21 July 2026; the next live deadline is 27 October 2026, feeding the first committee of 2027 with decisions announced in week 5 of 2027, a decision lag of about three months. The DIGI.TALE sub-strand is restricted to students of Film University Babelsberg KONRAD WOLF and DFFB.
Travel voucher for Dutch-based professionals in design, architecture and/or digital culture who have been invited by a foreign party to give a presentation, lecture or workshop. To apply you must have submitted an application to the Fund in the past five years that was positively assessed (previous International Vouchers do not count). The inviting foreign party must cover a proportionate share of the costs. Covers hourly fees, travel and accommodation directly related to the activity. IMPORTANT TIMING RULE: applications are accepted from 5 months to a minimum of 7 weeks before the activity begins, and processing takes about 6 weeks. This lead time can rule out activities that fall shortly after a round opens. Round 2 (4 May to 22 June 2026) has closed. Round 3 runs 8 September 2026 15:00 CEST to 27 October 2026 16:00 CEST, with a budget of EUR 33,000; given the 7-week rule it effectively serves activities starting from late October 2026 onwards. IMPORTANT PREREQUISITE: you must already have had an application to the Fund positively assessed within the past five years, and a previous voucher does not satisfy this, so this is not a viable first approach to the Fund. The window runs 8 September 2026, 15:00 CEST to 27 October 2026, but closes early once 20 complete applications are received. Maximum one voucher per applicant per calendar year.
Outer Ear is Musikfonds' dedicated special programme for participatory projects in experimental music, and the strand that most cleanly matches an experimental and sound-art public-programme brief rather than concert-series funding. It emphasises the creative process and audience participation over finished works, explicitly targeting audiences for experimental music, which makes it suitable for workshop-plus-presentation formats, listening programmes and process-led sound art events. Application windows run twice yearly: 1 to 30 April 2026 (closed) and 1 to 30 October 2026, the next live deadline. THE FIRST OUTER EAR ROUND WAS HIGHLY COMPETITIVE, with 14 projects approved at an 8.6 percent success rate, so treat it as a long shot. As with all Musikfonds strands, the applicant must be based in Germany, projects abroad are ineligible, and double-funding with BKM or with projects run by permanently institutionally supported bodies is excluded. Note that Musikfonds' Small and Large Project Funding strands are listed separately in the Grant Desk; Outer Ear is a distinct programme with its own window.
The NORMA Fonds redistributes copyright remuneration collected by Stichting NORMA into cultural, social and professional projects involving performing artists, and is one of the few Dutch schemes with four intakes a year and a genuinely short cycle. Both arts-sector organisations and individual arts professionals may apply, though the applicant needs a bank account and legal footing and cannot be a BIS-funded institution. The project must centre on performing artists in the copyright sense, meaning people who perform a copyright-protected work: musicians, dancers, actors, voice actors. This fits live experimental music, sound performance and performative media-art work, but not object-based exhibitions or non-performative installation programmes. The maximum grant is EUR 10,000, the total project budget must stay under EUR 150,000, the applicant's annual budget under EUR 500,000, and at least a quarter of the project budget must be earned from audience income, so this is a top-up rather than a primary funding source. Budgets must honour NORMA's 2026 performer wage norms. Applications are submitted online during a one-month window each quarter; the next round runs 1 to 30 October 2026, closing at 23:59. TIMING RULE: decisions arrive no later than eight weeks after the deadline, and the premiere date must fall at least eight weeks after the application deadline. Organisations that already received a NORMA Fonds grant in 2024 or 2025 are excluded, and supporting staff may not exceed 2 FTE.
The Stichting Stokroos Seed Grant gives individual makers, duos and collectives time and space to focus on their artistic development, for example a focused working period for research and experiment, or the development of a prototype, new work or methodology. There are two application rounds in 2026: 15 May to 30 June 2026 (now full) and 1 September to 31 October 2026; Stokroos considers a maximum of 60 eligible applications per period (or closes once the budget is reached) and supports around 50 applications per year. Eligibility: active as a visual artist, designer and/or craft practitioner (overlap possible); living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; at least 21 years old; you completed your first subject-specific (vocational or higher) programme between 2018 and 2022, or started without formal training (first presentation marks the start of your practice); not currently enrolled in a study or post-academic programme. Duos and collectives may apply provided all participants meet the guidelines. The grant is a fixed amount with no budget required: EUR 5,000 (individual), EUR 7,500 (duo) or EUR 10,000 (collective). Plans can take place anywhere, start at least 10 weeks after submission and last a maximum of one year. You may apply for the Seed Grant once every two calendar years and receive it up to twice, and may submit only one application per year across all Stokroos grants. Apply via the online form (Dutch or English) with a portfolio PDF up to 20 pages/person, optional video up to 10 minutes total, CV up to 2 pages/person, and work/plan/collaboration descriptions up to 2,500 characters each. Stokroos aims to respond within 8 weeks; no appeal is possible. Next deadline: 31 October 2026.
A one-off 2026 call letting Dutch cultural institutions reuse and adapt digital technology that other institutions have already built and published in the open DigitALL Toolkit, for example translation software shared between theatres or a streaming platform adapted for a new venue. Grants run up to EUR 30,000 and cover technical modification, integration, production and deployment costs. Eligible applicants are museums, theatres, music venues, festivals, film theatres and professional performing arts producers. Applications are submitted online and assessed in order of receipt rather than comparatively, with a decision within ten weeks. The deadline was extended from 31 May 2026 to 1 November 2026 after high demand. IMPORTANT RESTRICTION: this route cannot be used to further develop your own pilot internally; it exists specifically to spread another institution's working technology across the sector. For developing something new, use the DigitALL pilot contribution instead.
The European Festivals Fund for Emerging Artists (EFFEA), an initiative of the European Festivals Association co-funded by the European Union, will open its fifth call from 1 September to 3 November 2026, with full guidelines and application details published on 1 September 2026. Call #5 will again support around 50 cross-border co-production residencies taking place in 2027, each bringing together at least three festivals from different eligible countries to accompany an emerging artist or collective. EFFEA is a co-production residency scheme: festivals join forces across borders to support an emerging artist through a process of creation and presentation, providing dedicated time, space, and tailored mentoring, exchange, and collaboration, moving beyond a single invitation toward a shared artistic development journey. Each supported project is built around one leading festival working with at least two partner festivals based in different eligible countries; one emerging artist or collective at the centre; a combination of artistic development, mentoring, exchange, and audience engagement based on the artist's needs; and presentations or outcomes shared across the partner festivals. Two residency formats are offered. DISCOVERY (EUR 8,000 grant): the proposal must include a workshop (live or online) hosted by the leading festival with at least one programmer from each partner festival, and a work-in-progress presentation at the leading festival. SPRINGBOARD (EUR 15,000 grant): the proposal must include final presentations or production results shown within each festival (minimum the leading festival plus two partners) and a live masterclass led by the artist(s) at each festival (minimum the leading festival plus two partners). WHO CAN APPLY: festivals that have existed for at least one edition and are registered on FestivalFinder.eu; the festivals apply on behalf of the residency project. Residency projects must fall within these artistic fields: architecture, ballet, contemporary dance, circus, design/applied arts, digital arts, film, folklore and folk arts, heritage, interdisciplinary, literature, music, opera, street art, theatre, photography/video, puppetry, sculpture, painting. A series of EFFEA info, networking, and Q&A sessions runs on Tuesdays 11:00-12:00 CEST (15 September, 29 September, 13 October, and 20 October 2026) to help applicants navigate the process and find partners. Across Calls #1 to #4, EFFEA has supported 619 festivals and 200 artists/collectives across Europe and beyond.
The Royal Academy of Fine Arts Antwerp (AP University of Applied Sciences and Arts) invites applications for two-year artistic research projects starting 20 September 2027. Two-year research projects provide 55% employment for the research assignment over 24 months (as a contractual project staff member) plus EUR 2,000 in operating funds (EUR 1,000 per project year). Proposals are developed in collaboration with the Academy's research groups and must align with, endorse, and further develop the mission and vision of the Royal Academy of Fine Arts Antwerp. PRECONDITIONS: the proposal must be in line with the Academy's mission/vision; the applicant must be legally employable by the Royal Academy of Fine Arts Antwerp/AP Hogeschool on a contractual basis; and, at the time of application, the applicant must hold a Master's degree in Visual Arts awarded by a Belgian higher education institution (a non-Belgian degree is possible only if validated or recognised through the NARIC procedure, with proof included or a declared willingness to undergo it). PROCEDURE (two steps): STEP 1, apply via the Expression of Interest form sent to research_royalacademyantwerp@ap.be before 3 November 2026, 12:00 noon (applicants informed no later than end November 2026 whether they may develop a full dossier); STEP 2, submit the full dossier via the two-year project application form before 1 February 2027, 12:00 noon. Evaluation by an independent reading committee aims to conclude in May 2027. Contact: research_royalacademyantwerp@ap.be.
The European Media Art Platform (EMAP/EMARE) is a network of leading European media-art organisations offering fully funded two-month production residencies for artists working with digital media, including media art, bio art and robotic art. Each residency provides a EUR 4,000 grant to the applying artist (including subsistence), a EUR 4,000 project budget, host-provided accommodation, travel covered according to EU ceilings, and access to technical facilities and media labs; a collaborating artist receives an additional EUR 2,000 (EUR 6,000 total for a duo). Residencies take place at one of 15 host institutions across Austria, France, Slovakia, Portugal, Belgium, the Netherlands, Slovenia, Croatia, Spain, Italy, Cyprus, Greece, Latvia, Germany and Poland. ELIGIBILITY: applicants must be EU residents or taxpayers in an EU member state, or residents/taxpayers of one of the eligible non-EU countries (Netherlands-based artists qualify). Undergraduate and Master's students are not eligible; PhD candidates and emerging artists of any age and academic background may apply. IMPORTANT: applicants must apply as a duo or collective, or propose a collaborative project, rather than as a purely solo applicant. The 2027 open call runs from 3 September 2026 to 6 November 2026 at 14:00 CET. Apply online at call.emare.eu. No application fee.
Residency programme run by the Art Explora Foundation with the Cite internationale des arts at its Montmartre site, supporting work that engages scientific and technological exploration and the major social and environmental issues of the present. Residents receive a studio-apartment of around 50 sqm, a monthly living grant of EUR 1,000, a production grant of up to EUR 3,000, and a round-trip travel grant, plus access to production facilities and local networks. Two tracks are offered: a SOLO programme for artists and writers across visual arts, performance, digital practices, literary and other experimental disciplines, and a COLLECTIVE programme for duos or collectives working collaboratively on interdisciplinary, experimental or research-based projects, for which a single studio-apartment designed for collaborative work hosts two residents sharing a bed, and only one member should submit the application. Eligible artistic disciplines are visual arts, performance and live arts, digital arts, curatorial practices, and writing and literary practices; eligible research fields are humanities, social sciences, cultural studies and history, technological innovation, and ecology. No output is required at the end of the residency, but participation in the Open Studios is mandatory. ELIGIBILITY: artists, artist collectives, researchers, curators and writers of all nationalities, no age restriction, with a minimum of five years of professional activity and works or research exhibited at national or international level. The Cite lists 20 to 22 residencies per year on this programme. Deadline 6 November 2026, 23:59 Europe/Paris. Questions: residences@artexplora.org. FLAG: the grant figures above come from the open-call text supplied to the desk; neither the Cite nor Art Explora publishes amounts on the programme page, so confirm them, along with the exact deadline, before applying.
Leading Irish literary magazine that publishes and pays for creative nonfiction (as well as fiction and poetry), with a stated particular interest in promoting new and emerging writers. A clean, no-fee, internationally-open outlet for a standalone critical/creative-nonfiction piece. ELIGIBILITY: Irish and international writers; debut-friendly, no published-book requirement. Submissions are accepted in specific windows; the next nonfiction window runs Monday 9 November to Monday 23 November 2026 (closes 5pm Irish time) for the Summer 2027 issue.
Prototype Fund supports the development of socially relevant open-source software, offering low-threshold funding and coaching to individual developers and small teams. ELIGIBILITY: individual developers or teams of up to four; funded members must reside in the EU and the lead entity must be based in Germany. Application window 1 October to 30 November 2026. Apply via the Prototype Fund application page.
Visual Anthropology Center (VAC) in Belgrade invites filmmakers, visual anthropologists, artists, and researchers to apply for its residency programme. The residency specialises in visual anthropology but is also open to individual and collaborative projects in experimental ethnography, creative documentary film, and other artistic mediums. Residents may apply with a project aimed at a public showing, or use the time and space to reflect, research, or write without a specific outcome. WHAT IS PROVIDED: accommodation and studio space in central Belgrade; additional workspace and community connection through Community Center KROV (an independent creative hub hosting lectures, events, and exhibitions); project guidance and mentorship from film professionals, ethnomusicologists, producers, artists, curators, and anthropologists; connections to local cultural and academic institutions, archives, galleries, and exhibition spaces; access to camera equipment, translators for fieldwork or editing, fixers, and project-specific services or materials; opportunity to exhibit a final project as an exhibition, installation, screening, workshop, or lecture. Eligible projects may be promoted through VAC's platforms and partner networks, including the Vizantrop Film Festival, for regional and international visibility. ELIGIBILITY: filmmakers, visual anthropologists, artists, and researchers; individual and collaborative projects welcome. Applications accepted on a rolling basis.
Cultuurloket DigitALL funds the digital innovation of the Dutch cultural sector and is the strongest dedicated digital-culture route currently open to Dutch cultural organisations. It is the successor to the discontinued Kickstart Cultuurfonds, backed by the VandenEnde Foundation, VSBfonds, Ammodo, Het Cultuurfonds and others. The pilot contribution of up to EUR 75,000 supports developing and running a first pilot, prototype or live version of a digital tool, which covers a wide range of creative-technology work embedded in festivals, exhibitions and public programmes. Eligible applicants are theatres, music venues, film theatres, museums, festivals and professional performing arts producers, with collaborations between institutions given priority. The pilot must be tested with the intended public audience, not only with experts, and funding cannot be used exclusively for hardware acquisition. Applications go through an online portal with no deadline and are handled in order of receipt. TIMING: a decision follows within ten weeks of submission, so plan roughly three months of lead time between applying and project start. Training and knowledge development through partner organisations is only covered when included in the submitted budget, so build it in from the outset.
The closest thing the Netherlands has to a dedicated regional art-and-technology fund, being a public-private scheme co-financed by ASML and sited in the country's main technology region. It funds professional cultural projects of high quality with national or international reach, which in practice covers festivals, exhibitions and public programmes including media art and creative technology work. Private-law legal entities only (stichting, vereniging or BV); both new and existing cultural organisations qualify. Projects are assessed on societal impact (must address at least two of accessibility, inclusivity, diversity, social cohesion), cultural entrepreneurship and sustainability, alongside professional artistic quality. Applications are accepted all year round via a two-stage route: an intake where Brabant C scouts give an initial assessment, followed by a full application, pitch session and decision. TIMING RULES ARE STRICT and are the main planning constraint: the full application must be submitted a minimum of 12 weeks before the project starts, and the project may not begin until at least 12 weeks after a complete application has been approved. The internal clock runs roughly two weeks for a completeness check, about six weeks to the pitch session, and about four weeks from pitch to decision. Brabant C never covers more than half the budget, so a matched partner is required from the outset. A separate Brabant C matching scheme for impactful culture projects is open year-round through 31 December 2026 for Brabant-based organisations outside the Brainport region.
Since 2025 Het Cultuurfonds runs a dedicated application route for individual makers and collectives, separate from its project grants for foundations and associations. The ontwikkelbijdrage awards up to EUR 5,000 for research, workshops, masterclasses, courses and training, experiments and equipment, and for the pre-phase of a project, giving makers room to test and develop an idea before it has to be fully executed. It is open to all disciplines: visual artists, theatre makers, spoken word artists, photographers, musicians, ceramicists, restorers and more. A separate matchfundingbijdrage of EUR 250 to EUR 1,500 supports crowdfunding campaigns for public-facing projects such as exhibitions or performances. The route is run with voordekunst. Applying is a two-step process: a short vooraanvraag (pre-application) answered within one week, then a full application answered within four weeks, with development funds paid out within two weeks of approval. Rolling intake, no application fee.
The Basel House of Film, run by the Verein Filmhaus Basel und Umgebung, offers a three month residency for emerging artists working in film and television. Residents receive housing at the Filmhaus in the Basel old town plus a stipend to cover travel and living costs. There is no obligation to produce work, and residents can use the open schedule to write a script, prepare a film, draw storyboards, or edit. The facility includes a clubhouse, meeting room, office space, a small cinema with VR equipment, and an editing and grading suite. The program targets up and coming filmmakers, and both national and international applicants are welcome. Applications are accepted on a rolling basis through the online form, followed by a CV, motivation letter, and portfolio sent to the residency email.
Amarte Fonds is a private Dutch foundation that supports the arts, with rolling (continuous) contributions for visual artists and independent curators. There are two contribution types: a development contribution of up to EUR 2,750 and a project contribution of up to EUR 5,500. Up to 80 percent is paid in advance, with the remainder after the final report is approved. Applicants must be based in the Netherlands or the Caribbean part of the Kingdom (the ABC and SSS islands). The fund also supports work across theatre, film, music, literature and interdisciplinary projects through specific programmes. There is no fixed deadline and no application fee; decisions are relatively fast. Apply year-round via the online portal.
UNIIQ is a proof-of-concept investment fund for the earliest, riskiest phase of company building in Zuid-Holland (South Holland). It invests around EUR 300,000 per company as a convertible loan (for example redeemed over about three years or converted at a follow-on valuation), drawn from a EUR 50 million fund. It is an investment, not a grant. Eligible companies are early-stage, research-driven startups based in Zuid-Holland, typically in life sciences, deep tech and high tech. Intake is continuous via an orientation meeting followed by a funding application. No application fee.
ROM InWest is the regional development company for Noord-Holland (North Holland). It finances startups, scale-ups and innovative SMEs working on food, energy, healthcare and circular-economy transitions, providing EUR 300,000 to EUR 5,000,000 as loans, equity participations or a combination (explicitly not a gift), and not exceeding 49.9 percent of a financing round. It is an investment, not a grant. Companies must be based in Noord-Holland. Intake is continuous, starting with a quick-scan tool. No application fee.
The WBSO (Wet Bevordering Speur- en Ontwikkelingswerk) is the Dutch R&D tax credit administered by RVO. It reduces payroll/wage tax for companies with R&D staff and provides an income-tax deduction for self-employed people doing R&D; it is a tax credit, not a cash grant. For 2026 the benefit is 36 percent of the first EUR 380,000 of R&D wage and other costs (50 percent for qualifying startups) and 16 percent above that; self-employed receive a fixed deduction (and need at least 500 R&D hours per year). Eligible applicants are Dutch companies and self-employed people paying payroll or income tax who carry out qualifying R&D in the EU. Applications are made in advance via Mijn RVO and cannot be retroactive; for coverage of the final three months of a year the deadline is 30 September. Time-keeping and project administration are required. No application fee.
The Cultuurlening from Cultuur+Ondernemen is a low-interest loan (not a grant) for creative and cultural professionals and organisations in the Netherlands, to invest in their practice or business. Loans run up to EUR 500,000, with interest of 2 percent up to EUR 50,000 and 2-5 percent (risk-based) above EUR 50,000, and a term of up to 10 years. The loan must be repaid. Eligible applicants reside and work in the Netherlands and are either art-school graduates or have at least three years of professional practice (others can apply with a motivation and reference). Applications are accepted on a rolling basis with no fixed deadline. No application fee. Note: separate regional products exist (for example the Rotterdam and Amsterdam Cultuurlening) with different rates and caps.
Development grants from the Nederlands Letterenfonds (Dutch Foundation for Literature) for starting and advanced Dutch literary creators - writers, illustrators and translators - to fund training, coaching, editorial support, or travel and research abroad linked to a literary project. EUR 500 to EUR 2,500 per grant. ELIGIBILITY: Dutch-language literary creators (Dutch or Flemish-speaking world); see funder's application page for full eligibility criteria. CYCLE: applications are reviewed on a ROLLING basis (the scheme has been open since February 2026 and there is no fixed deadline). No application fee.
Commission artists to create new work in publicly accessible spaces such as hospitals or museums. Open to individuals and organisations. Continuous deadline.
Support for visual artists with 4+ years of experience to expand their portfolio, increase visibility or conduct research. Continuous deadline.
Funding for concrete artistic plans, research projects, or working periods in the Netherlands or abroad. Continuous deadline.
Support for visual artists at the beginning of their careers with plans for new work. Continuous deadline.
Funding for preliminary research into exhibitions, events, articles or presentations. For curators. Continuous deadline.
Support for owners and managers of objects registered as protected heritage. Continuous deadline.
Voucher to assist hiring artisans for artistic research or work production. Continuous deadline.
Voucher covering childcare costs for visual artists with dependents under compulsory school age. Continuous deadline.
Funding for developing and deepening artistic practice. Continuous deadline.
Quick-response voucher for visual artists, curators, art critics and art observers based in the Netherlands or the Caribbean part of the Kingdom who have been invited to take part in a public programme abroad. Eligible activities include giving a lecture, performance, book presentation or taking part in a panel at a contemporary visual art institution, venue, festival or symposium outside the Netherlands. Participation in an exhibition and commercial gallery or art fair contexts are not eligible. Visual artists need at least one year of professional practice; curators, critics and art observers need at least two years. Applicants cannot be enrolled full-time in a Bachelor's, Master's or postdoctoral programme. The voucher covers travel and accommodation up to EUR 2,500. Rolling intake, but the timing window is strict: applications are accepted a maximum of 4 months and a minimum of 5 weeks before the activity starts. No application fee.
Rolling general project funding for smaller media-art works, events and research. Covers interdisciplinary projects across music, theatre, dance, visual arts, literature, film, architecture, socioculture, intercultural and interreligious dialogue, and children's and youth culture. For artists, professionals, initiatives and institutions based in Karlsruhe (group applications must include at least one person/institution with first residence or registered office in Karlsruhe). Applied for via the City of Karlsruhe online application; selected by UCCoMA Office staff.
The microagi Research Fellowship (Cohort 01) provides researchers with frontier-lab resources and the freedom to work on hard problems in robotics, embodied AI, and the systems around them. Fellows work in residence for six months at microagi's offices in Munich or Zurich. AMOUNT: up to $2,000,000 in compute; $10,000/month stipend. RESEARCH AREAS: (1) Long Horizon Dexterous Manipulation -- end-to-end models for complex multi-stage tasks with dexterous hands, natural language instruction following, memory across long task sequences, fine-grained physical control in unstructured environments; (2) Cross Embodiment Learning; (3) On Device Physical Intelligence; (4) Safe and Reliable Deployment. microagi's model is to deploy embodied intelligence into physical-world operations and turn what it learns there into compounding research. REFERRAL: $10,000 bonus for referring a candidate who is accepted into the cohort. No application deadline publicly stated as of June 2026 -- one cohort only, apply as soon as possible via https://www.microagi.ai/fellowship.
Cill Rialaig Arts Centre offers free residencies in restored cottages on Bolus Head, County Kerry, for artists, filmmakers, composers, and writers; over 4,900 artists from many countries have attended. Apply by email to cillrialaigarts@gmail.com; there is no formal deadline cycle.
Pink Screens, Brussels' queer film festival run by Genres d'a cote, accepts international films completed 2024 or later that were not previously submitted. Submissions are free via the festival's own form on pinkscreens.org (the FilmFreeway route may charge). No exact deadline is published, but the call is in its late phase, so submit soon.
TranScreen, Europe's largest transgender film festival, held in Amsterdam, accepts screeners on a rolling basis for its next edition. Films about trans and gender-diverse lives, international, no fee stated.
Fonds 21 supports professional, high-quality art and culture projects by Dutch non-profit organizations (foundations, associations and non-profit BVs/NVs), across performing arts, visual arts, film, literature and interdisciplinary work, with additional pillars for arts education and youth & society. The minimum request is EUR 10,000 with no stated maximum, and roughly EUR 11.5 million is available annually. Applications are accepted year-round via the online portal (after a short eligibility snelcheck) and must be submitted at least four months before the project start date. Free-of-charge events are generally not supported; the fund expects most programming to be paid-access. No application fee.
Het Cultuurfonds (formerly Prins Bernhard Cultuurfonds) invests over EUR 40 million per year in culture and nature in the Netherlands. Foundations and associations can apply year-round for project grants (typically EUR 15,000 to EUR 50,000 at national level), and since 2025 individual makers and collectives can apply for up to EUR 5,000. Provincial chapters run their own quarterly rounds for regional projects, and numerous themed funds (EUR 5,000 to EUR 25,000) cover specific disciplines. Rolling intake via the online application portal. No application fee.
VSBfonds supports cultural initiatives that make it possible for everyone in the Netherlands to take part in art and culture, spanning ten programme lines from professional performances to community arts. Applications are accepted year-round with no deadlines from foundations, associations and applicants without a formal legal form, and must be submitted at least four months before the initiative starts (two months for amateur arts). A two-minute online quickscan checks eligibility before the formal application. No fixed minimum or maximum amount; the request should be proportionate to other funding. No application fee.
SIDN fonds (the foundation behind the .nl domain registry) invests in daring projects with societal added value that contribute to a strong internet and strong internet users. The Pioneers track is continuously open and awards up to EUR 10,000 to develop an innovative idea into a demo, pilot or experimental design; it is open to both individuals and legal entities. Larger projects are funded through theme calls issued once or twice a year (legal entities only). Projects must show innovation and public value and share their results openly; plain website or app building and purely B2B proposals are excluded. No application fee.
Stichting DOEN, funded by the Dutch charity lotteries, supports pioneering initiatives within themes including the transformative power of imagination (art and culture), regenerative economy and solidarity economy. Applications are accepted year-round via the Mijn DOEN portal from legal entities only (no individuals) and must be received at least four months before the project starts; the assessment procedure takes about four months. Amateur art practice and standalone productions of films, books, CDs or websites are not supported. No application fee.
The Fonds voor Cultuurparticipatie, one of the Dutch national cultural funds (annual budget around EUR 30 million), currently has several schemes open for applications: cultural education in vocational education (mbo, EUR 5,000-55,000), cultural education in vmbo/vso/pro (EUR 10,000-65,000), cultural education for the Caribbean parts of the Kingdom (EUR 5,000-50,000), an open call for design-based learning platforms (up to EUR 75,000) and an interdisciplinary scheme for professional makers (EUR 12,500-50,000). Most schemes target cultural institutions, in some cases in partnership with schools. See the subsidies overview for per-scheme conditions. No application fee.
House of Europe is an EU-funded programme (implemented by the Goethe-Institut) supporting cultural professionals, educators and organisations across Ukraine and the EU, with particular focus on war-response initiatives and creative-industries development. It runs several grant lines relevant to the culture, creative and media sectors, including joint artistic Residency grants (up to EUR 16,000), Cultural Institutes Cooperation grants that pair Ukrainian organisations with EU cultural institutes (up to EUR 20,000), and infrastructure grants for Ukrainian culture organisations (up to EUR 20,000). ELIGIBILITY: primarily Ukrainian legal entities (organisations), often in tandem with EU partners; sectors include culture and creative industries, media, education and youth work, and social entrepreneurship. Deadlines are ROLLING on a monthly cycle (typically the last day of the month, 15:00 Kyiv time), with individual grant lines opening and closing over time; check the House of Europe opportunities catalogue for the currently open calls and exact amounts. No application fee.