Currently 38 active funded artist residencies open to applicants in the EU, across AI, arts, film, journalism, research, tech and cross-disciplinary practice. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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TaDA (Textile and Design Alliance) invites artists, designers, architects, writers, performers and interdisciplinary practitioners to a three-month residency in Arbon, Eastern Switzerland, developing new work through direct collaboration with regional textile companies and research institutions. Applicants do not need to identify as textile artists; the programme welcomes practitioners from multiple disciplines who want to work with textile technology, materials and know-how. Six residents are selected annually by jury for one of two 2027 periods (April-June or September-November). Residents develop a new project in cooperation with local textile companies, present their work publicly and organise workshops. SUPPORT: accommodation, travel expenses, contribution to living costs, workspace at the Kreativzentrum ZIK, and access to the expertise and infrastructure of 13 partner companies. Applicants should identify specific TaDA partners whose expertise contributes directly to the proposal. Apply via the online form. DEADLINE: 12 August 2026, 23:59 CEST; selection results announced early November 2026.
K3 in Hamburg is one of the better-funded choreography residencies in Europe, and it is aimed squarely at people who want research time rather than a production deadline. Three choreographers are selected for eight months at Kampnagel with a monthly scholarship, studio access, a production budget, and dramaturgical, technical and PR support, plus outreach work and a public presentation at the end. Selection runs in two stages. ELIGIBILITY: individual choreographers at an emerging to early mid-career stage who have already produced independent choreographic work outside an educational context. Open internationally; formal dance training is not required. Teams and ensembles are not eligible, only individuals. Applications close 12 August 2026 at 16:00 CEST.
NEW FEARS is a Berlin gallery set up as a hybrid space for artists working across choreography and visual art, with a focus on body-based practice, and this award extends that to artists working outside conventional theatre and institutional structures. A jury of Bryana Fritz, Jacopo Lanteri and Burcu Bilgic shortlists six projects, each of which performs live at the gallery on 16 or 17 October 2026; three winners are then chosen and celebrated at Panke Club on 18 October. The application is unusually light: name, email, an optional text of up to 500 words about your work, and up to six links to video documentation with passwords where needed. No CV, no written proposal, no budget, which means the video documentation carries the whole application, so lead with work that shows immediately how it operates live in a gallery. ELIGIBILITY: Berlin-based artists, duos and groups working across performance, choreography, visual art or body-based practice. You must be in Berlin for setup the week before and for the presentations on 16-17 October 2026, and be able to issue an invoice for the award payment. Existing or new work is fine, with no stated duration limits. AVAILABLE EQUIPMENT: sound system, speakers, mixer, LED lights, projector, wind machine, smoke machine, microphone and basic cables; check the venue PDF before proposing anything that depends on a particular room, access route or technical setup. NOTE: the organisers describe this as a DIY, near-zero-budget initiative. There is no production budget and nothing beyond the grant, so a group splitting EUR 1,300 should go in with eyes open. TIMELINE: applications close 15 August 2026 (no time or timezone given); shortlist announced 15 September 2026. Apply through the JotForm at form.jotform.com/261674665583066.
Launched in 2025, this research and creation residency explores the links between contemporary art, psychiatry and the human sciences. It is expressly not a therapeutic programme. It seeks artists whose practice resonates with the notion of the clinical, meaning a situated approach that works closely with lived narratives and specific contexts, and that engages with questions of care. The selected artist receives tailored support from Albertine de Galbert, a clinical psychologist and exhibition curator, including four to six working sessions, alongside networking and meeting time with programme partners. Outputs include an ongoing online journal, a mid-residency open studio, and a closing presentation (exhibition, public talk or publication) defined with the artist. Applications go by email as a single PDF of no more than 15 MB to residence@francoiseartmemo.fr, and require a two-page CV, a ten-page portfolio, a two-page statement of intent, and a letter of recommendation from an institution or a curator. A jury of four to six art and psychiatry specialists decides, with results announced in September 2026.
Fucina Futura is an artist residency in Marostica, a small town about an hour from Venice, offering a peaceful setting to develop research in close contact with nature and the local community. The project spans two locations: the home designed by internationally renowned illustrator Elena Xausa near the historic centre, and the atelier Fucina Ai Gorghi by beloved local painter Daniele Marcon, ideal for large-scale installations. Led by visual artist Lavinia and curator Sofia (Futura Association), the program invites residents to develop projects that engage with the community and the working location, and encourages artists of any discipline to make full use of the large atelier. The central goal is the 'restitution' to citizens, fostering cultural exchange and community inclusion: this final phase is tailored to each artist and can take the form of an exhibition, performance, workshop, screening, talk or informal sharing session, prioritising direct dialogue with the public and the contemporary renewal of local tradition. THREE residents are hosted together from 12 April to 12 May 2027 and share a spacious house; they receive a daily fee to cover living expenses, and travel expenses are also covered. Made possible by Culture Moves Europe. ELIGIBILITY: only artists residing in one of the Creative Europe countries EXCEPT ITALY may apply. Creative Europe covers the 27 EU member states (other than Italy), plus Albania, Armenia, Bosnia and Herzegovina, Georgia, Iceland, Kosovo, Liechtenstein, Moldova, Montenegro, North Macedonia, Norway, Serbia, Tunisia and Ukraine, and includes the EU's Overseas Countries and Territories and Outermost Regions (Greenland; French Guiana, French Polynesia, French Southern and Antarctic Territories, Guadeloupe, Martinique, Mayotte, New Caledonia, Reunion, Saint Barthelemy, Saint-Martin, St. Pierre and Miquelon, Wallis and Futuna; Azores, Madeira; Canary Islands; Aruba, Bonaire, Curacao, Saba, Sint Maarten, Sint Eustatius). TIMELINE: apply via the Google Form by 20 August 2026; selected artists informed by 30 August and must confirm participation by 8 September 2026.
Mondriaan Fund-supported working period at London's Delfina Foundation, one of the UK's best known artist-in-residence programmes, housed at 29-31 Catherine Place near Buckingham Palace with space for 6 to 8 international residents (own room, shared kitchen and facilities). Delfina promotes artistic exchange and experiment, offering visual artists and curators a platform to carry out research, develop ideas and position their practice within the global discourse, with introductions to the London art scene and Delfina's international network. The programme includes visits to museums, galleries and non-profit platforms, discussions with London-based artists, portfolio reviews with curators and regular networking lunches; residents are expected to take part. Applicants are not asked for a concrete project proposal but must submit a clear motivation: why they wish to take part, what research they want to conduct, and how it can contribute to Delfina's ongoing programme. WHO: visual artists and curators based in the Netherlands or the Caribbean part of the Kingdom; duo applications not possible; application must be in English. One work period available: 27 September to 17 December 2027. Selection by an advisory committee with a Delfina representative; processing may exceed three months. DEADLINE: Thursday 27 August 2026, before 16:00 Dutch time / 11:00 Caribbean time.
Mondriaan Fund-supported working period at Inside-Out Art Museum (IOAM) in Beijing, one of China's leading independent platforms for contemporary art and research. The museum combines exhibitions, critical inquiry and public programmes, giving residents room for in-depth research, experimentation and exchange within a Chinese art scene that is otherwise hard to access from Europe. The residency is framed as cultural exchange rather than production to deadline: IOAM works with a flexible model that takes the resident's other obligations into account and sets the exact start date in consultation with the selected candidate. WHO: visual artists, curators and critics based in the Netherlands or the Caribbean part of the Kingdom. Duos and collaborations may apply (two artists, two curators/critics, or a combination who structurally make work together, submitting a joint plan for the work period that leads to a single result, and who live and work together in the same space during the residency), but each individual must submit a separate application; the apartment is well suited to duos or partnerships. WORK PERIOD: one period of three months, 1 March to 30 May 2027, with room for one artist or duo; you can state a preference for the work period in the application form. Selection is by advisory committee; read the Mondriaan Fund Residency explanation for the conditions, assessment and checklist, plus the fund's general terms and conditions, before applying. DEADLINE: Thursday 27 August 2026, before 16:00 Dutch time / 10:00 Caribbean time.
The Mondriaan Fund's Residency grant supports professional visual artists, curators, and art observers who want to deepen their practice through a residency in the Netherlands or abroad. It contributes to the costs of a self-arranged residency that offers meaningful development for the applicant's work. WHO CAN APPLY: visual artists, curators, and art observers who have been professionally active for at least one year and are based in the Netherlands or the Caribbean part of the Kingdom. AMOUNT: the grant amount varies depending on the residency's location and duration; applicants must contribute at least 10% of the costs themselves, through personal investment, third-party contributions, an interest-free loan, or crowdfunding. APPLYING: submitted through the Mondriaan Fund's online application portal, which requires a pre-created account (allow several working days). DEADLINE: 27 August 2026, 16:00 Dutch time (11:00 Caribbean time).
The fifth iteration of transmediale's Digital Art Residency, run with the Swiss Arts Council Pro Helvetia, awarded to one individual or collective working in digital art practices at the intersection of media arts, performance, sound and moving image. THEME: the 2027 programme sits under transmediale's 40th-anniversary framework RFC 40, named after the early internet Request for Comments series, and treats the festival as a counter-infrastructure: the call asks how a network stays legible to itself while surrounding structures break down, and how technical paradigms can be reconfigured into new cultural protocols outside extractive logics, moving from critique to construction. Proposals should offer alternatives to how we understand, respond to and shape the technological conditions we inhabit. WHAT IS OFFERED: an artist fee of CHF 2,000 per month for two months; a CHF 15,000 production grant supporting a new work or the continuation of an existing project, open to all formats and building on the research begun during the residency (the project must be completed by December 2027 at the latest); travel and accommodation for the festival and the residency; a shared modular working space at transmediale studio; connections to Berlin institutions and stakeholders; a public presentation in transmediale's year-round studio programme; and the option of an online publication in transmediale's journal. STRUCTURE: kick-off with a presentation of the residency projects during transmediale 2027 (26 to 31 January 2027, attendance optional but strongly recommended); onboarding and the first hybrid stretch in May 2027; the mandatory on-site month in Berlin in June 2027; and a second hybrid stretch including reporting in July 2027. Availability for the festival week and for the whole of June in Berlin are treated as key prerequisites. TIMELINE: open call 16 July to 28 August 2026 (23:59 CEST); selected residents announced October 2026. Applications are only accepted via transmediale's submission forms. Contact: info[at]transmediale.de.
14th iteration of the residency collaboration between transmediale and the Vilem Flusser Archive at the Universitat der Kunste Berlin (UdK), awarded to one Berlin-based artist-researcher working in digital art and moving image practices, design, sound and media theory. Open to artists, researchers, practitioners, designers, filmmakers and sound artists across all formats. The two-month residency comes with an artist fee of EUR 1,500 per residency month; note there are NO funds for travel or housing. Duos and collectives are welcome but share the same fee. Part of transmediale's 2027 programme (40th anniversary, themed 'RFC 40'), seeking proposals that offer alternatives to how we understand, respond to and shape our technological conditions, moving from critique to construction. Deadline: 28 August 2026, 23:59 CEST.
A new pilot residency from Art and Media Culture Agency M-Cult in Helsinki and Arte artists' association / Titanik gallery in Turku, sitting at the intersection of art, media and sonic practice, funded by the Nordic-Baltic Mobility Programme for Culture from Nordic Culture Point. TWO ARTISTS will be selected. THE PREMISE: the programme treats technology as a situated practice and deliberately shifts attention away from the progress narratives promoted by large global technology companies, toward local, indigenous and community-oriented perspectives. It focuses on making vernacular and non-linear technological and sonic environments visible, foregrounding vibrant local histories and traditions across the Nordic and Baltic region, and asks what non-linear sonic and media practice might look like in the current social, political and cultural landscape. WHAT EACH ARTIST RECEIVES: EUR 3,500 artist fee; EUR 2,000 production budget; accommodation for two months divided between Helsinki and Turku, one month in each; travel costs for one return ticket from a Nordic-Baltic country; access to Titanik's residency studio space and a working desk at M-Cult's office during each stay; mentoring and curatorial support from both organisations' staff; and networking into the Finnish media art and contemporary art scenes. In return the artist develops in-depth or focused research and presents their practice and research at two public events, one in each city. WHO CAN APPLY: individual artists only, explicitly NOT collectives this round; artists from or based in Finland, Sweden, Norway, Denmark, Iceland, Aland, the Faroe Islands, Greenland, Estonia, Latvia or Lithuania; working in sound, media and/or digital arts, or the expanded field of vernacular technologies, all defined broadly by the organisers. Applicants must be available to travel to Finland for the full two-month period across February and March 2027. The organisers welcome applicants at all career stages and from all backgrounds. One submission per artist: if two are sent, only the later one is reviewed. HOW TO APPLY: submit via the form linked from the open call page with a brief letter of motivation including a research plan for the residency, how it connects with the programme's themes and what you would focus on (max 1-2 pages), your CV, and a link to your portfolio. Applications in English only. DEADLINE: 30 August 2026 at 23:59 UTC+3. Online interviews with shortlisted artists take place before 19 September 2026, and all applicants are notified by email by the end of September 2026. JURY: Jussi Koitela, Director of M-Cult, Helsinki, and Farbod Fakharzadeh, Director of Arte ry and Titanik, Turku. ACCOMMODATION AND ACCESSIBILITY: in Helsinki, the Vallila Residency hosted by M-Cult is a 30 sqm apartment in a small wooden house with one room, kitchen and bathroom with shower; it is NOT fully accessible, sitting on the first floor up stairs with no elevator (details from info@m-cult.org). In Turku, the Titanik A.i.R. apartment is 27 sqm on the top floor of a building with an elevator, but the space including the bathroom is not fully accessible (details from info@titanik.fi). A partner, friend or child may join, but their expenses are not covered. THE PARTNERS: M-Cult, founded in 2000, develops and presents art and media culture with a focus on the social and political dimensions of media and technology, working through art commissions, residencies and learning programmes. Titanik, established in Turku in 1988 by the artist-run organization Arte Ry, has since 2006 run Titanik A.i.R., the first artist residency in Finland with a focus on sound art and sonic practices. CONTACT: Jussi Koitela (jussi.koitela@m-cult.org) or Farbod Fakharzadeh (director@arte.fi).
Residency for writers and translators at the Jan Michalski Foundation in Montricher, Switzerland, set in seven distinctive 'cabin' modules hanging from an openwork canopy, offering conditions to start, continue or finish a writing project. Around forty authors from around the world (emerging to established) are hosted each year. Open to all kinds of writing and all languages, with priority given to literary writers and translators; other disciplines are welcome as long as literature is at the heart of the project. Residencies are for individuals or pairs working on a common project (e.g. a writer and a translator). A percentage of residencies are dedicated to nature writing. WHAT IS PROVIDED: a private cabin for independent living (a separate cabin per person for pairs; one accessible cabin for reduced mobility), travel costs to and from home, a weekly allowance of CHF 400, breakfast and lunch, electric bikes, and daytime library access. ELIGIBILITY: no age or nationality restrictions; beginners accepted; one application per year; former residents may not reapply (families, children and pets cannot be accommodated). Stays cannot be split into multiple periods. Selection is by a panel chaired by Vera Michalski-Hoffmann, assessing the literary quality of the project, the candidate's background, and whether the stay length matches the project scope. APPLICATION: online in English or French (work excerpts may be in any language); the 2027 form is open 2 June to 31 August 2026; selected candidates announced December 2026.
Stiftung Künstler*dorf Schöppingen offers residency fellowships for professional visual artists, authors and composers; since 2023 applications from collectives are also accepted. The call is open to people of all nationalities and ages, and accommodation for partners, family members or assistance can be arranged upon agreement and availability (for physical, cognitive or sensory disabilities, contact the foundation to explain any barriers). Fellows reside and work at the Künstler*dorf for a period of their choosing between two and six months, using the premises and infrastructure on-site. The stipend is EUR 1,500 per month, minus roughly EUR 100-200 for rent and operating expenses; for collectives it is EUR 1,000 per person up to a maximum of EUR 3,000 per month, minus rent and operating costs. Travel, insurance or material costs are covered only in exceptional cases on request. The fellowship is not designed as a production residency and there is no obligation to present results, though exhibition and presentation facilities are available and the voluntary co-organization of events (lectures, readings, workshops or similar) is welcomed. A willingness to participate in events and to engage in exchange with other fellows is a prerequisite. Selection is made by expert juries on the quality of previous work, the quality and plausibility of the project for Schöppingen, and program contributions (interaction / community building). Applications for 2027 can be submitted from 27 June to 31 August 2026 (midnight CET) via the online application portal.
DRIFT (Dance and Research In The Future Time) is a four-year Creative Europe cooperation between ten European organisations, led by Theatre de Liege and Maison de la danse. The distinguishing feature is that it funds artistic research rather than production: you are expected to arrive with questions, not a finished piece you already intend to make, and reviewers read every section of the application through that lens. STRUCTURE: each of the ten partner organisations selects one choreographer from its own country, forming a cohort of ten. Over the programme you get an Onboarding Lab, two weeks of residency with your national partner, three collaborative Online Labs, a Festival Lab in Tunis, individual artistic and curatorial mentoring, and a work-in-progress showcase at the Biennale de la danse in Lyon, all backed by a EUR 20,000 research budget that covers your fees, travel, accommodation and any collaborators. SECOND PHASE: after a further evaluation, five of the ten artists may receive co-production support and touring across the DRIFT network. That phase is separate from this application and is not guaranteed. ELIGIBILITY: professional choreographers in contemporary dance or performance, at a mid-career stage, meaning an established national practice but not yet fully established internationally. You must be based in Belgium, France, Germany (Berlin region only), Greece, Norway, Italy, Spain, Ukraine, Tunisia or Portugal, and you apply through the partner organisation representing your country of residence, not centrally. Good English and availability for all programme dates are required. The country list is strict, so check it before you start. TIMELINE: applications opened 1 July 2026 and close 31 August 2026; selection through September; results 9 October 2026; programme runs November 2026 to September 2027.
The Institute for Computer Music and Sound Technology (ICST) at the Zurich University of the Arts (ZHdK) invites applications for its 2027 Artists in Residence program, fostering artistic exchange in key areas of current research. Residencies are available in five themes: Spatial Audio; Klavierautomat (algorithmic composition); Moving Loudspeakers; Dance and Generative AI; and Object Performance. The program offers access to ICST's facilities and technical infrastructure, professional support from researchers, and per diems for meals and accommodation. Artists and musicians working with sound and sound media, whose practice reflects a strong interest in one of the listed research areas, are encouraged to apply. One selected project from the Spatial Audio Residency will be featured at the SONIC MATTER Festival 2028 as part of an ongoing partnership. PRACTICAL: residencies include use of facilities and technical infrastructure as specified in the thematic descriptions, plus technical support by ICST research staff. Participants receive a contribution toward travel to Zurich (up to CHF 300 for persons living in Europe, up to CHF 500 for persons living outside Europe) and a per diem to cover meals and accommodation in Zurich; participants organise their own travel and accommodation, with ICST assistance if required. Residency dates are defined individually. APPLICATION: submitted via the online form, uploading a concept sketch, composition idea or project draft (PDF, 2 pages, 10 MB max); a portfolio of three selected works relevant to the residency topic including links to external audio and video (PDF, 2 pages, 10 MB max); and a tabular CV covering education and career (PDF, 1 page, 10 MB max). The residencies are awarded by a jury of ICST researchers and project leaders. TIMELINE: deadline 1 September 2026 at 24:00 CET; candidates notified mid-October 2026. Selected candidates receive forms required for an invitation to Switzerland and must confirm participation and return completed forms within 10 days or the invitation may be withdrawn.
Pro Helvetia's Writing in Residency programme provides residency opportunities (for example Traduki in Southeast Europe or Art Omi) for authors and translators to develop or research projects. Applicants must have prior professionally published work. ELIGIBILITY: requires a connection to Switzerland (Swiss citizenship, or permanent residency with regular artistic activity in Switzerland); not open to practitioners without a Swiss connection. WHAT IS OFFERED: travel and accommodation costs (varying by destination), plus childcare support of up to CHF 1,000 per month for applicants with caregiving responsibilities. Submission deadline 1 September (23:59 CEST). Apply via the Pro Helvetia portal.
The National Gallery of Iceland announces an artist residency open call under its CUSP program, a European cooperation project funded through Creative Europe's Culture grant. Artists working in complex media or emerging technologies (e.g. generative AI, custom sensors, sound, software-based, blockchain, physical and digital hybrid) are invited to apply. This is the first of four residency stays offered to different artists through the program, one in each of the participating countries (Iceland, Norway, Czechia, and Ukraine), followed by two micro residencies in the Netherlands and Iceland. The programme brings together artists working in time-based media with museum professionals, conservators, and technology specialists developing preservation and conservation methodologies to ensure the long-term endurance of artworks. The selected artist will meet with a preservation specialist or conservator specializing in time-based media art for an in-depth artist interview addressing the preservation needs of their medium, and will present their body of work and working methods publicly during an open-lab masterclass designed in collaboration with the museum. RESIDENCY: up to four weeks in early 2027 in Reykjavik, exact dates arranged with the selected artist. WHAT IS PROVIDED: accommodation and working space; a travel and subsistence stipend; an artist fee for the open lab/masterclass; and possibly hardware and software depending on the artist's request and museum means. ELIGIBILITY: international artists based outside Iceland; applicants must be residents of any of the 27 EU member states or of non-EU countries with association agreements (EFTA/EEA members, acceding countries, candidate countries, and European Neighbourhood Policy countries). APPLICATION: complete the application form with full name, country of residence, gender identity, contact information, an artistic statement (max 2500 characters), a motivation letter (max 2500 characters), a draft idea of the public workshop or masterclass (max 1000 characters), links to social media/professional websites, and a CV and portfolio upload (max 10MB each). DEADLINE: 3 September 2026 at 23:59 GMT. ABOUT CUSP: Creative Understanding, Saving and Preserving Time-Based Media Art is a transnational cooperation project co-funded by the EU's Creative Europe Culture grant, led by the National Gallery of Iceland with Nasjonalmuseet (Norway), LI-MA (Netherlands), Vasulka Kitchen (Czechia), and Mystetskyi Art Arsenal (Ukraine), focused on preserving and presenting time-based media art. Inquiries: cusp.residency.is [at] gmail.com.
Scuola Piccola Zattere is an independent non-profit centre for continuous education and research in the expanded field of contemporary arts, running exhibitions, commissions, fellowships, workshops, seminars, performances and public discussions as one connected research ecosystem rather than separate strands. Two international fellowships are offered. The support is unusually solid for a research fellowship: EUR 5,000 as a grant, EUR 2,000 as a research budget, accommodation, travel and a study space for three months. SEASON THEME: the 2026-2027 cycle is titled Living Document, investigating archives, regulatory documents, collective rituals, games, performative instructions, and the relationship between bodies, architecture and social organisation. Fellows join that shared inquiry while continuing their own work, and are expected to keep an active presence in the institution and contribute to public events through workshops, seminars, presentations, screenings or performances. The fellowship overlaps with the run-up to and opening of the 2027 Architecture Biennale, which is a real advantage if your research benefits from that traffic. ELIGIBILITY: artists, curators, researchers, architects, choreographers, performers and writers of any nationality, as individuals, collectives or duos. Good English is required, and non-EU applicants need a valid passport for international travel. No age limit, but the organisers say it is especially intended for practitioners in the post-academic stage of their career, typically under 40. You must be prepared to spend the full period in Venice, so this is not a remote or partial-attendance fellowship. WHAT THEY WANT: an active research process that can develop through discussion and experimentation, tied to the Living Document theme, not a finished stand-alone project proposal. The motivation letter, portfolio and public programming proposal are read as one integrated application. Deadline 4 September 2026 at 10:00 CEST.
Prague performance venue Studio ALTA announces four residency open calls for 2027, all with a single deadline of 10 September 2026. RESEARCH HOUSE (19 to 28 April 2027): a shared residential laboratory for three art projects or individual artists in the early stages of exploration and experimentation, or reopening an existing finished work (performance, installation, object, video) to transform it into another form such as a workshop, text or performance-lecture. Includes a 10-day residency, a fee of CZK 12,000 per project, shared studio, individual workspace and facilitated exchange meetings; the research output must be shared publicly as a work-in-progress in a form based on participants' needs. REST HOUSE (March to November 2027): a five-day residential spa for overloaded colleagues from the arts sector, with no required output or activities; restricted to people working in production, dramaturgy, curation, PR, technical and other supporting artistic professions in the Czech independent sector. Two guests are chosen by lottery (fee CZK 6,000 per person); the public draw is announced 16 September 2026. HOUSE IN THE NEIGHBORHOOD (9 to 18 August 2027): for one performative art project created with the local community and designed or adapted for public space in Liben and its surroundings; this year's call focuses on the 55+ target group. Includes a fee of CZK 30,000 per project, rehearsal and indoor facilities (primarily outdoor spaces), dramaturgic, production, technical and PR consultation, connections to partner organisations, and 7 days of intensive production and technical support in the final phase. A public premiere or work-in-progress in public space at the end of the residency is required. HOUSE OF SWEAT (1 to 10 February 2027): for one performative art project designed or adapted for the specific environment of the Studio ALTA sauna and its immediate surroundings, seeking new ways of working with intimate space, proximity to the audience and non-traditional formats. Includes a fee of CZK 15,000 per project, a 10-day residency, sauna and rehearsal spaces, dramaturgic, production, technical and PR consultation, and 2 days of intensive final-phase support; a public work-in-progress or premiere in the sauna within the 9 to 12 February 2027 programme block is required. Projects at any stage of development can apply to the production calls, and selected projects may be included in Studio ALTA's year-round programme. TIMELINE: deadline 10 September 2026; results 3 weeks after the deadline (30 September 2026); a Q&A Zoom call takes place 10 August 2026 at 3:00 PM. Apply via the registration forms on the call page.
Stichting Stokroos funds a three-month reflective residency at Fundaziun Nairs in Scuol, Switzerland, for one selected visual artist, designer or craft practitioner (overlap possible). Both emerging and established makers may apply. Stokroos covers full accommodation and meals directly with Fundaziun Nairs and provides a discretionary EUR 7,000 budget for living, travel and production. The application should include a proposal that engages specifically with the residency, its Alpine surroundings and/or its historical and cultural context. Eligibility: you completed your first subject-specific (vocational or higher) programme in 2022 or earlier, or have an equivalent established practice, or started without formal training (first presentation marks the start of your practice); at least 21 years old; living and working in the Kingdom of the Netherlands (including its Caribbean parts) or Suriname for at least one year; not currently enrolled in a study or post-academic programme. Applications are individual only; duos and collectives cannot apply. Makers already selected by Fundaziun Nairs may still apply if they meet the criteria. You may submit only one application per year across all Stokroos grants, and must not have received a Seed Grant rejection in the previous calendar year. Apply via the online form (Dutch or English) with a portfolio PDF up to 20 pages, optional video up to 10 minutes total, CV up to 2 pages, and work/plan descriptions up to 2,500 characters each. Selection includes an introductory interview with up to three candidates; Stokroos aims to respond within 8 weeks. No appeal is possible. Application window: 1 to 11 September 2026. More information at nairs.ch.
The Martin Roth-Initiative is the German temporary-relocation programme for artists and cultural actors at risk, run jointly by the Goethe-Institut and ifa with Federal Foreign Office funding. Programme Line 1 relocates an artist to Germany for up to 15 months on a scholarship, with insurance, language courses, psychosocial support, counselling and visa assistance, plus personnel funding for the hosting organisation. ELIGIBILITY: artists and cultural practitioners anywhere in the world who are demonstrably committed through their work to an open society, freedom, peace and democracy; who face threats, persecution or unsafe living conditions; who have no access to a safe place to continue working; and who speak English or German. Applicants must still be active in their home country or have left it after 20 February 2026. Citizens of EU and EEA countries, Australia, Canada, Israel, New Zealand, Switzerland, the UK and the USA are excluded, as are residents of Gaza and previous MRI recipients. HOST REQUIREMENT: applications are submitted jointly with a non-profit host organisation in Germany (museum, theatre, festival, cultural collective, NGO) that is a legal entity able to handle the administrative and digital-security requirements. Note that the scholarship visa does not itself permit employment or self-employment in Germany. TIMELINE: applications 6 July to 11 September 2026; decisions end of November 2026; funding starts no earlier than 15 January 2027. Apply to apply@mri-application.de (encrypted email recommended); phone +49 30 284491-77.
MoTA (Museum of Transitory Art) in Ljubljana runs an annual open call for production residencies for media, sound and visual artists, curators and researchers. Production residencies offer full support including accommodation, technical support, production costs and an artist fee; the exact artist-fee amount is not published on the official or aggregator pages, so applicants should confirm the figure directly by email. Residencies run up to one month. Open internationally: artists of all nationalities and at all professional levels are encouraged to apply, as individuals or collectives. No application fee. The annual deadline is 15 September (for residencies the following year). Apply by email to mota.artists@gmail.com with the subject line Application for production residency. Note: the official motamuseum.com SSL certificate is currently expired, which may briefly affect link reliability.
The residencies at Q-O2 offer time and space for artistic research, reflection and creation in the field of experimental music and sound art. In 2027, Q-O2 will host 20 residencies, 10 for international artists and 10 for local artists living in Belgium, working with, on or around sound. The programme is open to artists, art workers and theorists who wish to pursue a research-oriented project; note that Q-O2 does not organise production-directed residencies and is not a rehearsal space. Duos are possible, and exceptionally small groups too. SUPPORT: a work studio and materials, a creative and communicative environment, and the possibility to present work to a public and/or propose a workshop; for international residents, accommodation in a shared apartment and a contribution to travel expenses of up to EUR 200; and a small subsistence budget reserved for artists who do not come with other funding. There is no artist fee. A final public presentation can be arranged if the artist wishes but is not expected; what Q-O2 requires are some traces of the residency in word, image and/or audio form. APPLY by 15 September 2026: email a concise project proposal of no more than one page plus a permanent link to your website or other secondary information (no temporary links) to info@q-o2.be with the subject 'Residency27 - your name'. State where you would travel from, how long you would like to stay (4 to 6 weeks), and your interest in Q-O2 as a working environment, and make sure you receive an email confirmation of receipt.
The American Academy in Berlin is an independent, nonprofit institute for advanced study in the arts, humanities, social sciences, law, journalism and public policy, whose primary mission is to strengthen the cultural and intellectual ties between the United States and Germany. Each year, after a rigorous selection process, the Academy awards roughly two dozen semester-long Berlin Prize fellowships to individuals who demonstrate excellence in their fields. DISCIPLINES: applications are welcome across the humanities, social sciences, law, journalism and various areas of public policy. The Academy generally encourages projects addressing pressing issues of the day, specifically naming democracy, security, technology and society (especially AI), energy including climate, and global order. Dedicated fellowships also support projects in Jewish studies, German studies, and public health and biotechnology. Project proposals need not focus on Germany, but candidates should explain how a residency in Berlin would enhance their work. NOT ACCEPTED: proposals in mathematics or the natural sciences. NOTE FOR ARTISTS: visual artists and composers are invited through separate, nomination-based competitions, so there is no open application route for them here. ELIGIBILITY: fellowships are restricted to citizens and permanent residents of the United States. Both emerging and established figures are eligible. PhD holders qualify as emerging scholars with a strong record of peer-reviewed work beyond the dissertation; candidates in non-academic fields such as journalism, filmmaking and policy need a significant record of publication or production; fiction and nonfiction writers must have published at least one book with a reputable press. WHAT FELLOWS DO: fellows present their work to audiences in and around Berlin through lectures, readings, public discussions, performances and film screenings, and should be willing to engage with relevant German institutions, organizations and the media; these activities are integral to the Academy's mission of fostering transatlantic dialogue. APPLICATION MATERIALS: a project proposal of 1,500 to 1,750 words plus a one-page bibliography; a curriculum vitae of up to 10 pages; two writing samples totalling no more than 60 pages; and three letters of recommendation, which are due 2 October 2026. DEADLINE: Friday 25 September 2026 at 12:00 noon Eastern Time (18:00 Central European Time). TIMELINE: all candidates are notified of the competition outcome by email in late March 2027; the 2027-28 Berlin Prize recipients are announced in May 2027.
ELIGIBILITY: two Researcher-in-Residence positions in 2027. Open to early-career researchers of any discipline (data science, social science, computer science, humanities) who are currently working on a PhD or within 5 years of their PhD end date. You must have, or be able to secure, an affiliation with a Dutch university or research institute willing to second you; external PhD students may use the funding to obtain such a contract. Your project must make use of one or more of the KB digital collections and you must be able to work with primarily Dutch data. You must be available at 0.5 FTE over 6 months and able to spend two days a week on-site at the KB in The Hague. COLLECTIONS: over 130 million digitized pages of newspapers, magazines, radio bulletins and books from 1470 onward (via Delpher and DBNL), a born-digital web collection of more than 23,000 websites, ground-truth and derived datasets on the KB Lab, and metadata including Linked Data. APPLY: use the official proposal template and submit a single PDF by 27 September 2026 to dh@kb.nl, after reading the call's terms and conditions; questions to dh@kb.nl. TIMELINE: deadline 27 September 2026; internal eligibility review followed by an external committee review; outcome notified November 2026; residencies start Q1 and Q3 2027. DISCIPLINES: digital humanities / data science / computational research with cultural-heritage collections. NOTE: the output is usually a dataset or tool prototype hosted on the KB Lab; you agree to share results via blog posts on the KB Lab and to publish resulting tools or data under an open license within 6 months of the residency. Proposals should align with the KB Research Agenda or the Cultural AI Lab.
Medialab Matadero in Madrid selects three projects for a research and creation residency bringing together contemporary art, design, science, technology and society, welcoming critical, experimental and collaborative work. Each project must connect clearly with one or more themes from Medialab's recent programs: LAB 1 Sentient Media, LAB 2 The Metabolic Sublime, LAB 3 Synthetic Minds, LAB 4 Weird Futures and LAB 5 The Mechanics of Truth. Open to individuals and collectives from any discipline (design, art, architecture, film, journalism, digital media, environmental science, philosophy, engineering, programming, activism and more). SUPPORT: EUR 10,000 per project (before taxes), individual workspace, access to the Fablab and technical materials, curatorial team guidance, and logistical and financial support for public activities; proposals must include public engagement plans and produce documentation. RESIDENCY: January to July 2027, in person in Madrid. DEADLINE: 27 September 2026. No application fee.
A fully funded art-science residency from Ars Electronica and Ceske Budejovice, European Capital of Culture 2028, exploring how art and science can collaborate on urgent environmental challenges: climate emergence, sustainable agriculture, geoengineering, permaculture, water resource management, and the broader ecological impacts on local communities. Selected residents work in direct collaboration with local scientists in Ceske Budejovice. WHO CAN APPLY: artists, designers, creatives and artist collectives with more than 5 years of professional creative practice and documented interdisciplinary work; experience in community engagement and science collaborations is essential; applicants must be 18+, of any nationality, and legally eligible to work and travel in the EU. WHAT YOU GET: a EUR 24,000 package (EUR 6,000 artist fee, up to EUR 15,000 production, up to EUR 3,000 travel and subsistence) plus one month of housing covered separately; two winners are selected. STRUCTURE: the residency runs January 2027 to April 2028, with a required on-site stay of up to one month in February/March 2027, an optional stay in August/September 2027, and a March 2028 stay for festival installation, exhibition and deinstallation. HOW TO APPLY: online form with project title, a written proposal of max 250 words, a scientific direction statement (max 100 words), artistic vision (max 100 words), community connection plan (max 100 words), a super short pitch (3 to 30 words), 3 to 7 images, an optional 1-minute video, a portfolio link and contact information. Two-round selection (online application then interview); winners notified by November 2026. Deadline 28 September 2026 at midnight CET.
La Résidence of the Festival de Cannes (part of Cinéma de Demain, formerly La Cinéfondation) invites 12 directors each year to write their screenplay in Paris. The programme provides a place of residence in the heart of Paris, a personalised programme accompanying the writing of their scripts, and a collective programme of forums with film industry professionals. The 12 directors from the two annual sessions present their projects at the CNC pavilion in Cannes, giving 10-minute presentations to an audience of professionals and a jury of three film industry personalities; the CNC then awards a EUR 5,000 grant to one director from each session, based on the project that most inspires the jury. The Cinef & Résidence offices serve as a hub where directors meet and schedule private meetings with potential producers. ELIGIBILITY: open to young filmmakers who have made one or several short films and no more than one feature film; candidates must NOT be residents or citizens of France. Selected filmmakers must stay at the Résidence in Paris for the full session. SESSIONS: two per year, each lasting four and a half months, the first running 15 March to 31 July and the second 1 October to 15 February. Artistic fields: film, writing, interdisciplinary. Deadline: 30 September 2026 at 16:00 UTC. Free to apply.
Founded by the artist and philanthropist Jerome Hill, the Camargo Foundation has run this residency in Cassis on the Mediterranean coast since 1971, and more than 1,500 fellows have been through it. Fourteen fellowships are awarded per cycle, split roughly seven artists and seven scholars or thinkers, which is the point: the interdisciplinary cohort is the programme, not a side effect. IMPORTANT: the Foundation has stated that this is the FINAL fellowship awarded through a public open call before it moves to a new selection process from 2027, so if you have been meaning to apply, this is the cycle. RESEARCH, NOT PRODUCTION: this is deliberately structured as a research residency. You propose a project or line of inquiry, which can be development of a new work, research preceding future creative work, or a broader investigation in your practice. Visual artists are explicitly reminded that research is prioritised over production, and the Foundation supplies no art materials, technical equipment or artwork shipping, so anything needing extensive fabrication is a poor fit. Fellows lead one resident session built around their own research or methodology, and attendance at these sessions is mandatory for everyone. Optional public Open Studios and introductions to organisations across the Aix-Marseille-Provence region are also part of it. ELIGIBILITY: professional artists, scholars and thinkers of any nationality. Artists should have at least five years of professional practice and a mature body of work evidenced by exhibitions, performances, publications, awards or grants. Performance artists, theatre directors, choreographers, multidisciplinary artists, writers, filmmakers, composers and visual artists are all eligible within their categories. Collaborative applications of up to three members are accepted. APPLICATION: four separate written responses covering the project, the research questions, why Camargo specifically, and why now in your career; reviewers are reading for a coherent research trajectory rather than a production proposal. An applicant webinar runs 1 September 2026. Deadline 1 October 2026 at 17:59 EST / 23:59 CET; notifications April 2027.
Residency programme run by the Institut francais de Paris with the Cite internationale des arts, one of France's largest international artist mobility programmes, supporting nearly seventy artists and cultural professionals each year. It offers furnished individual live-work studios in the Marais for 3, 6 or 9 months across four quarterly windows between April 2027 and April 2028 (arrivals 9 April 2027, 9 July 2027, 8 October 2027, or 7 January 2028), plus access to an auditorium, exhibition spaces, rehearsal studios and shared printmaking, screen-printing and ceramics workshops. The Institut francais covers the monthly cost of the studio; the artist's nominating partner organisation submits the application and must provide a stipend of at least EUR 1,100 per month plus international travel, insurance and visa fees. ELIGIBILITY: established artists and cultural professionals of any nationality who have lived outside France for at least 5 years, with an active professional practice, a clearly defined research or creative project, and professional-level French and/or English; open across disciplines (theatre, dance, performance, visual arts, music, literature, cinema, architecture, design, digital creation, photography, fashion, crafts, curating, and more). IMPORTANT: artists cannot apply directly - a partner organisation (French cultural network abroad, or a French or foreign cultural organisation) must nominate and support the applicant, committing financial and professional support before, during and after the residency. Applications open 1 July 2026; free to apply. Deadline: 8 October 2026, 11:59 PM CET.
Translators' residency at Uebersetzerhaus Looren in Wernetshausen near Zurich. Looren offers a free residency for literary translators with a current contract, including six competitive CHF 4,000 stipend grants per year tied to one-month residencies. The Pro Helvetia residency programme (separately funded) has a 2026-10-15 deadline for 2027 stays. The James Joyce Scholarship and Looren Residency 2027 closes 2026-10-31. General free residencies are accepted on a rolling basis throughout the year. ELIGIBILITY: literary translators with substantial published work and a current translation contract; any language combination is welcome. Apply via the application page on looren.net. No application fee.
The Creative Industries Fund NL (Stimuleringsfonds) runs this residency with Videotage, a Hong Kong-based non-profit media arts institution specialising in the promotion, presentation, creation and preservation of moving image and media art in all forms and languages. The Fund is recruiting one Netherlands-based designer, maker or observer working in digital culture to spend two or three months at Videotage's studio space in Hong Kong in 2027, conducting research, broadening their network, developing new work inspired by Hong Kong, and presenting their findings or completed works. The residency encourages crossovers and experimentation, giving the participant space to explore new methodologies, widen their creative practice and produce work that pushes the boundaries of digital culture, with a focus on social and urban dynamics. The 2027 edition takes the technological 'black box' phenomenon as its starting point and invites the resident to respond to that theme within the context of Videotage. ELIGIBILITY: you are an individual designer, maker or observer within the field of digital culture; you are established in the Netherlands, Aruba, Bonaire, Curacao, Saba, Sint Eustatius or Sint Maarten (Kingdom of the Netherlands); you are registered in the business register of the Dutch Chamber of Commerce (KvK) or another business register within the Kingdom of the Netherlands; and you have had a professional practice in the creative industry for at least four years. NOT open to duos, collectives or cooperative ventures, nor to designers and makers who receive a grant during the work period under the Talent Development Grant Scheme, the Open Call Self-taught Designer or the Open Call Emerging Design Practices ABCSSS. Note that accepting this open call means you cannot apply to those schemes and open calls in 2027. FUNDING: EUR 5,000 for two months or EUR 6,500 for three months, covering travel, insurance, living expenses, compensation for time invested and material and transport costs; accommodation, studio use and Videotage's facilitation are covered separately by the Fund. Submit your proposal to the Creative Industries Fund NL by 21 October 2026, 16:00 CEST.
The European Festivals Fund for Emerging Artists (EFFEA), an initiative of the European Festivals Association co-funded by the European Union, will open its fifth call from 1 September to 3 November 2026, with full guidelines and application details published on 1 September 2026. Call #5 will again support around 50 cross-border co-production residencies taking place in 2027, each bringing together at least three festivals from different eligible countries to accompany an emerging artist or collective. EFFEA is a co-production residency scheme: festivals join forces across borders to support an emerging artist through a process of creation and presentation, providing dedicated time, space, and tailored mentoring, exchange, and collaboration, moving beyond a single invitation toward a shared artistic development journey. Each supported project is built around one leading festival working with at least two partner festivals based in different eligible countries; one emerging artist or collective at the centre; a combination of artistic development, mentoring, exchange, and audience engagement based on the artist's needs; and presentations or outcomes shared across the partner festivals. Two residency formats are offered. DISCOVERY (EUR 8,000 grant): the proposal must include a workshop (live or online) hosted by the leading festival with at least one programmer from each partner festival, and a work-in-progress presentation at the leading festival. SPRINGBOARD (EUR 15,000 grant): the proposal must include final presentations or production results shown within each festival (minimum the leading festival plus two partners) and a live masterclass led by the artist(s) at each festival (minimum the leading festival plus two partners). WHO CAN APPLY: festivals that have existed for at least one edition and are registered on FestivalFinder.eu; the festivals apply on behalf of the residency project. Residency projects must fall within these artistic fields: architecture, ballet, contemporary dance, circus, design/applied arts, digital arts, film, folklore and folk arts, heritage, interdisciplinary, literature, music, opera, street art, theatre, photography/video, puppetry, sculpture, painting. A series of EFFEA info, networking, and Q&A sessions runs on Tuesdays 11:00-12:00 CEST (15 September, 29 September, 13 October, and 20 October 2026) to help applicants navigate the process and find partners. Across Calls #1 to #4, EFFEA has supported 619 festivals and 200 artists/collectives across Europe and beyond.
The European Media Art Platform (EMAP/EMARE) is a network of leading European media-art organisations offering fully funded two-month production residencies for artists working with digital media, including media art, bio art and robotic art. Each residency provides a EUR 4,000 grant to the applying artist (including subsistence), a EUR 4,000 project budget, host-provided accommodation, travel covered according to EU ceilings, and access to technical facilities and media labs; a collaborating artist receives an additional EUR 2,000 (EUR 6,000 total for a duo). Residencies take place at one of 15 host institutions across Austria, France, Slovakia, Portugal, Belgium, the Netherlands, Slovenia, Croatia, Spain, Italy, Cyprus, Greece, Latvia, Germany and Poland. ELIGIBILITY: applicants must be EU residents or taxpayers in an EU member state, or residents/taxpayers of one of the eligible non-EU countries (Netherlands-based artists qualify). Undergraduate and Master's students are not eligible; PhD candidates and emerging artists of any age and academic background may apply. IMPORTANT: applicants must apply as a duo or collective, or propose a collaborative project, rather than as a purely solo applicant. The 2027 open call runs from 3 September 2026 to 6 November 2026 at 14:00 CET. Apply online at call.emare.eu. No application fee.
Residency programme run by the Art Explora Foundation with the Cite internationale des arts at its Montmartre site, supporting work that engages scientific and technological exploration and the major social and environmental issues of the present. Residents receive a studio-apartment of around 50 sqm, a monthly living grant of EUR 1,000, a production grant of up to EUR 3,000, and a round-trip travel grant, plus access to production facilities and local networks. Two tracks are offered: a SOLO programme for artists and writers across visual arts, performance, digital practices, literary and other experimental disciplines, and a COLLECTIVE programme for duos or collectives working collaboratively on interdisciplinary, experimental or research-based projects, for which a single studio-apartment designed for collaborative work hosts two residents sharing a bed, and only one member should submit the application. Eligible artistic disciplines are visual arts, performance and live arts, digital arts, curatorial practices, and writing and literary practices; eligible research fields are humanities, social sciences, cultural studies and history, technological innovation, and ecology. No output is required at the end of the residency, but participation in the Open Studios is mandatory. ELIGIBILITY: artists, artist collectives, researchers, curators and writers of all nationalities, no age restriction, with a minimum of five years of professional activity and works or research exhibited at national or international level. The Cite lists 20 to 22 residencies per year on this programme. Deadline 6 November 2026, 23:59 Europe/Paris. Questions: residences@artexplora.org. FLAG: the grant figures above come from the open-call text supplied to the desk; neither the Cite nor Art Explora publishes amounts on the programme page, so confirm them, along with the exact deadline, before applying.
Visual Anthropology Center (VAC) in Belgrade invites filmmakers, visual anthropologists, artists, and researchers to apply for its residency programme. The residency specialises in visual anthropology but is also open to individual and collaborative projects in experimental ethnography, creative documentary film, and other artistic mediums. Residents may apply with a project aimed at a public showing, or use the time and space to reflect, research, or write without a specific outcome. WHAT IS PROVIDED: accommodation and studio space in central Belgrade; additional workspace and community connection through Community Center KROV (an independent creative hub hosting lectures, events, and exhibitions); project guidance and mentorship from film professionals, ethnomusicologists, producers, artists, curators, and anthropologists; connections to local cultural and academic institutions, archives, galleries, and exhibition spaces; access to camera equipment, translators for fieldwork or editing, fixers, and project-specific services or materials; opportunity to exhibit a final project as an exhibition, installation, screening, workshop, or lecture. Eligible projects may be promoted through VAC's platforms and partner networks, including the Vizantrop Film Festival, for regional and international visibility. ELIGIBILITY: filmmakers, visual anthropologists, artists, and researchers; individual and collaborative projects welcome. Applications accepted on a rolling basis.
The Basel House of Film, run by the Verein Filmhaus Basel und Umgebung, offers a three month residency for emerging artists working in film and television. Residents receive housing at the Filmhaus in the Basel old town plus a stipend to cover travel and living costs. There is no obligation to produce work, and residents can use the open schedule to write a script, prepare a film, draw storyboards, or edit. The facility includes a clubhouse, meeting room, office space, a small cinema with VR equipment, and an editing and grading suite. The program targets up and coming filmmakers, and both national and international applicants are welcome. Applications are accepted on a rolling basis through the online form, followed by a CV, motivation letter, and portfolio sent to the residency email.
Cill Rialaig Arts Centre offers free residencies in restored cottages on Bolus Head, County Kerry, for artists, filmmakers, composers, and writers; over 4,900 artists from many countries have attended. Apply by email to cillrialaigarts@gmail.com; there is no formal deadline cycle.