Currently 34 active funded artist residencies open to applicants in the US, across AI, arts, film, journalism, research, tech and cross-disciplinary practice. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
Subscribe: RSS feed · Calendar (.ics)
Wave Hill, in partnership with AnkhLave Arts Alliance, invites NYC-based artists who identify as BIPOC to apply for the 2027 Van Lier Fellowship as part of the 9th Annual AnkhLave Garden Project at Wave Hill Public Garden and Cultural Center in the Bronx. The project supports artists who draw on research, scholarship and lived knowledge to present site-responsive work at the intersection of nature, culture and place, engaging with Wave Hill's plant collections, history, design and architecture. The Van Lier Fellowship (funded by the Edward and Sally Van Lier Fund through the New York Community Trust) will be awarded to two NYC-based visual artists aged 30 or younger. FELLOWSHIP: participation in the Winter Workspace residency (23 February - 18 April 2027); a $10,435 stipend including an $8,000 honorarium and transportation stipend; a solo exhibition in the Sunroom or Sun Porch (15 May - 4 July 2027); public engagement through Winter Workspace programming and a Meet the Artist program; mentorship with Wave Hill curatorial staff, working artists and arts professionals; and AnkhLave Alumni Network benefits. ELIGIBILITY: emerging artists 30 or younger (born 1997 or after) from historically underrepresented communities; live in one of the five NYC boroughs; demonstrate financial need; have completed college and not be enrolled in a degree-granting program during the residency; not represented by a commercial gallery; available for both programs; cannot have been a Van Lier Fellow elsewhere or have previously done a Winter Workspace residency or exhibited at Wave Hill or with AnkhLave. Works may not include nudity, depictions of violence or profanity. Artists may apply to only one of the two 2027 AnkhLave Garden Project opportunities. Questions: visualarts@wavehill.org with '2027 Van Lier-Ankhlave' in the subject. DEADLINE: 10 August 2026. Apply via SlideRoom.
The Wassaic Project is holding its annual Open Call for the 2027 Summer Exhibition, for artists of all mediums, including 2D work, sculpture, video, new media, site-specific installation, performance, text, poems, essays, and publication-specific work. Selected work is showcased alongside a diverse range of pieces and performances in and around historic Wassaic and Maxon Mills; the 2027 Summer Exhibition will be free and open to the public every weekend from 1 May to 12 September 2027. In an effort toward W.A.G.E. certification, all accepted artists receive a modest honorarium to participate. Artists interested in creating a site-specific installation are also eligible for an Exhibitions Fellowship to help realize their work; Fellows are offered a no-fee residency for 1-4 weeks in April or May 2027 (artists interested in making site-specific work should still apply regardless of whether they are interested in or able to be in residence). The Wassaic Project cultivates and supports community for emerging and professional contemporary artists, writers, and other creatives, with a residency program housed in historic landmark buildings that hosts 10 artists each month in the heart of a rural community. APPLICATION: requires application forms, a CV, and an artwork/portfolio; submitted via SlideRoom. Application fee: USD 25 (no participation fee or additional fees). Deadline 10 August 2026.
Residency for Minnesota-based BIPOC artists (Native American/American Indian/Native Alaskan, Asian, Black/African American, Hispanic/Latino/Chicano/Latinx, Middle Eastern/North African, Native Hawaiian/Pacific Islander, SWANA) and their families, run by Lanesboro Arts in rural southeastern MN. NO OUTPUT OR PRODUCT REQUIRED: the residency provides whatever the artist needs (restoration, family getaway, connection to nature, access to rural community, artistic practice) within the context of the community; only one community share-back event is required (workshop, school visit, small gathering, or blog post; arranged with Lanesboro Arts staff after selection). HOUSING: private bedroom + bath in either the St. Mane Theatre Artist Residency Center (sleeps 1-4) or the Art Loft above the Gallery (sleeps 1-5); kitchenette/full kitchen, studio space, laundry, Wi-Fi; neither space is currently ADA-accessible. COHORT OPTION: solo, OR apply with a specific BIPOC artist collaborator, OR apply open to being matched with another BIPOC resident at the same time (both receive the stipend; lodging split between St. Mane and the Art Loft). Spouses/partners only get a stipend if they themselves are applying as artists in the cohort model. SELECTION: lottery process (no traditional artistic-merit gatekeeping); 6-12 residents chosen depending on session lengths; lottery is recorded and shared with applicants for transparency. ELIGIBILITY: BIPOC artists currently based in Minnesota. APPLY via the Lanesboro Arts website. TIMELINE: initial deadline 11:59pm Monday 10 August 2026; lottery the week of 10 August 2026; rolling applications thereafter if slots remain, until 1 April 2027 or until full. Lanesboro Liaison (staff or vetted community member) optionally available for tours, grocery delivery, and outdoor recreation (biking, kayaking, hiking, state parks, etc.).
The MAK Center for Art and Architecture awards Artists and Architects in Residence scholarships (the MAK Schindler Scholarship) to independent projects exploring the relation between art and architecture. Projects are chosen for their ability to critically examine current trends in art, architecture and society; to make a compelling connection with Los Angeles as the place of implementing or continuing the applicant's own work; and to demonstrate a conceptual and experimental approach. Emphasis is placed on the L.A. location, and residents' projects often reflect, incorporate and address specific facets of the city and its social fabric. Recipients are encouraged to take part in the MAK Center's activities and to attend meetings, workshops and project discussions with other artists and students. ELIGIBILITY: freelance artists; fine arts or architecture students at a university who have completed the '2. Studienabschnitt'; or architects or artists who have recently graduated. Teams of up to three are eligible if all members practice together as an artist group or collective of architects, are all present in L.A. for the six months, and name a contact responsible for the team. HOUSING: the Mackey Apartments are made available to scholarship holders only; family members, relatives and friends may be accommodated for a maximum of two weeks during the term, permitted in advance by Beth Stryker, Director of the MAK Center. Eligibility is excluded if the applicant has been or will be granted another scholarship in the USA immediately before or after the MAK scholarship, or if the data form is incomplete or the required portfolio is missing. Residency terms run October to March and April to September. Deadline 12 August 2026. Apply: https://www.makcenter.org/apply-mackey
CPR's year-long Artist-in-Residence programme supports six New York City-based artists working across contemporary dance, performance and time-based art. The organisation values experimental approaches to content, form and aesthetics and explicitly encourages risk-taking, interdisciplinarity and the unexpected, so process-led and hard-to-categorise work is in scope rather than a liability. WHAT RESIDENTS RECEIVE: a $2,000 stipend; 20 free hours of rehearsal space plus up to 150 further subsidised hours in CPR's two studios, with priority and advance calendar access; participation in OPEN LAB (facilitated embodied workshops and feedback showings) and OPEN AiR (solo or shared presentations of current work); and access to technical equipment and production support. ELIGIBILITY: artists must be based in New York City and remain so throughout the cycle (no visa sponsorship); must have had work publicly presented before; must not have held a CPR residency in the last five years; and current undergraduates are not eligible. Individuals, companies, collaboratives and collectives may all apply, each counting as a single residency. CPR strongly encourages applications from BIPOC, LGBTQ+, immigrant and disabled artists and from artists across generations. APPLICATION: a Google Form with narrative answers on the artist's central research focus and its alignment with CPR's values; drafting answers in a separate document first is recommended. Selection is by an independent panel of artists, curators and arts leaders. Deadline: Monday 24 August 2026 at 5pm ET; late submissions are not accepted. Notifications November 2026. Questions: applications@cprnyc.org.
The James Castle House in Boise, Idaho (the preserved home of self-taught artist James Castle) opens applications for its 2027 residency terms from 16 July to 28 August 2026. TWO-MONTH RESIDENCY: an immersive focus on a project or body of work responding to the history and legacy of James Castle or the site; open to artists, scholars, creators and professionals in any field; $4,000 stipend; residents share their practice through public events (workshops, open studios, presentations) and donate a selected piece to the City of Boise collection. Terms: 1 March - 30 April, 1 June - 31 July, or 1 September - 31 October 2027. TWO-WEEK RESIDENCY: time and space for a single site-responsive project; $1,000 stipend; one public event. Terms: 11-25 January or 1-15 December 2027. A rolling PROJECT RESIDENCY also considers proposals case by case (email jamescastlehouse@cityofboise.org). ELIGIBILITY: 18+, legally able to work in the United States, able to pass a background check; emerging and mid-career practitioners in any field, though the property cannot accommodate loud or especially messy processes. Residents live alone on site. Selection by committee on strength of proposal, application, work samples and references. Virtual information session 21 July 2026, 1pm MT. Applicants notified September 2026. DEADLINE: 28 August 2026.
Surel's Place is a residency in Garden City, Idaho with a two-fold mission: to give artists the time, shelter and professional support their work deserves, and to give the public accessible art experiences including performances, readings, exhibits and workshops. In exchange for the residency, artists offer art experiences back to the community. OPEN TO professional visual, literary and performance artists: painters, writers, musicians, architects, filmmakers, choreographers, any artist who needs a place to focus. LIMITS: because of the property's constraints and proximity to neighbours, it cannot accommodate loud or very messy processes such as welding or blacksmithing. The organisers also note that predominantly conceptual work, work that must be explained to attract a viewer, may not be met with as much enthusiasm by the jurors, and that they welcome artists who want to connect with an audience. Each cycle, one of the five residencies includes outreach to local schools through the PARTNER Schools Program. REQUIREMENTS: maintain residence at the home and studio (no studio-use-only residencies); use the residency in a focused way towards a stated goal with no other employment or work happening simultaneously; visual artists give a show of and/or lecture about their residency work, writers give a reading and discussion session; all artists offer at least one public workshop (2 to 3 hours, minimal lecturing); visual artists donate one piece of art to Surel's Place for future fundraising; writers allow Surel's Place to publish a free-standing excerpt of their residency work in books, broadsides, posters or similar. SALES COMMISSION applies as set out in the funding notes. HOUSE RULES: the non-smoking requirement is non-negotiable and any evidence of smoking is grounds for early termination. Partners are welcome but children and pets cannot be accommodated, no more than two adults may live there during a residency, and partners wanting concurrent residencies must apply and be accepted separately. ELIGIBILITY: applicants must be 25 or older and non-smokers. APPLY by email to info@surelsplace.org with the online Artist in Residence application plus, for VISUAL ARTISTS, a cover letter introducing yourself and saying why you want to be at Surel's Place specifically, a proposal including a workshop outline, a CV, electronic images of 4 to 6 pieces of work and an image list (title, size, medium, year); for LITERARY applicants, cover letter, proposal with workshop outline, CV and PDF work samples with your name and page number in the top right corner (fiction, prose or script no more than 10 typed double-spaced pages; poetry no more than six poems and no more than 10 pages); for OTHER MEDIUMS, cover letter, proposal with workshop outline, CV and electronic samples (contact Surel's Place to discuss sample requirements for your medium). Applications are reviewed by juries of accomplished artists, writers and fine arts professionals, and all applicants are notified by email.
The LATITUDE Artist in Residence program (started in 2013) is a one-month production residency where 8-10 artists are granted full access to LATITUDE's facilities and community to develop their practice. Its focus is supporting artists who want to use LATITUDE's printing and scanning services to expand their practice, regardless of medium or experience; past residents include photographers, painters, performance artists, new media artists, and sculptors. WHAT RESIDENTS RECEIVE: a $1,000 printing stipend, unlimited scanning, a personal studio with a calibrated workstation and 24/7 access, training and guidance on tech from staff, an organised public event to present new work, and lifetime free lab access. LATITUDE does not offer a housing stipend but will help schedule studio visits during the month. PUBLIC PROGRAMMING: during the residency each artist puts on one community programming event (past examples include panel discussions, artist talks, performances, workshops, and critiques; a gallery space is available for curation) and is asked to act as a mentor to the community, sharing insights and creative methods. WHO SHOULD APPLY: artists interested in production, education, and tech experimentation; no prior printing experience, art education, or media specificity is required, though professionalism and communication are expected. 2027 PANEL COMMITTEE: Yechen Zhao, B. Ingrid Olson, Teri Carson. TIMELINE: applications open 1 August 2026 (free before 16 August, a $20 donation thereafter) and close 1 September 2026 at 12pm (noon) CST; the selection committee reviews in September, meets to decide finalists in October, and acceptances are sent early November 2026. Apply at latitudechicago.org/artist-in-residence.
The Kimmel Harding Nelson Center for the Arts (KHN) in Nebraska City supports established and emerging writers, visual artists, and composers/musicians by providing living and studio space that allows uninterrupted time for work, reflection, and creative growth. Residencies run 2 to 8 weeks and include free living and studio space plus a USD 175/week stipend. KHN awards approximately 30-38 residencies per session, of which roughly 8-12 go to visual artists working in various media. Categories: Writers & Poets, Visual Artists, Composers & Musicians, and Interdisciplinary Artists. Visual artists work in one of three studios (two approximately 425 sq ft and one 258 sq ft) outfitted with work tables, running water, and storage shelves; donated hand tools, a bandsaw, miter saw, and painting easels are available. Upon request, artists with previous printing experience may access the onsite Harry Duncan Letterpress Studio (SP15 Vandercook Proof Press, a 16x12 inch boxcar base for adhesive plates, furniture, fonts, and a small inventory of printmaking tools). Open internationally. Applications are reviewed twice a year (deadlines 1 March and 1 September); the 2027 1st Session (deadline 1 September 2026) is for awards scheduled 4 January to 25 June 2027. All applications must be submitted online via SlideRoom; mailed or emailed applications are not considered. A $35 application fee is collected through the portal.
Bloedel Reserve's residency programme exists to foster creative thinking inspired by nature and to explore the connection between humans and the environment. It is open to professional and emerging artists, composers, writers, botanists, landscape architects, researchers and others working on themes of nature and human connection to it. Residents get a three-week stay at a 140-acre internationally recognised public garden and forest preserve, housed in a small home hidden in the woods off the main paths. Note for non-US applicants: the funding is structured as expense reimbursement rather than a stipend, capped at USD 1,000, which for transatlantic applicants is unlikely to cover airfare plus meals over three weeks.
The Erie Canal Museum, in partnership with the New York State Canal Corporation, is appointing two Erie Canal Artists-in-Residence for a one-year, year-long creative inquiry into the New York State Canal System, including the historic Erie Canal: reflecting on its past, contemplating its current condition, and considering its future. The 2027 residencies are dedicated to projects that reflect upon the Canal's physical, environmental and social condition and history, its materiality and its context, and the project must directly address the Canal. Applicants propose a specific creative visual project that must be exhibitable in a gallery setting, identify their target audiences and explain how the work will be shared with them and with the public at large. Studies of Canal communities are encouraged, but the Canal and its context must be central. Projects may focus on key areas or on the entire system, and applicants are told to weigh that scale: 524 miles of navigable waterways and 365 miles of multi-use trails. ELIGIBILITY: all artists are encouraged to apply, and special consideration goes to artists with ancestral ties to the Haudenosaunee Confederacy and/or the Mohican Nation and to artists who have lived or worked in Canal communities. Only individual artists or artist collectives may apply; artists representing nonprofit or for-profit organisations may not. Artists must be 18 or older and may not be currently enrolled in school full time. For collectives, only one USD 10,000 stipend is awarded to the group. APPLICATION: a statement of interest and proposal (up to 500 words) covering why the residency interests you, your proposed project and how it meets the three residency goals (engage with the Canal, adjacent Canalway Trails, Canal Corp. and Museum staff, Canal facilities, communities and visitors; reflect directly on the Canal's physical, environmental and social condition and history; consider a fuller, more complete account of the Canal's past, present and future), which geographic section you will focus on, how you would share work publicly during the residency, your proposed final project, and how your previous work and public engagement relate; an artist's statement (up to 300 words); a resume or CV (max three pages); two professional references with phone and email; and ten examples of recent work (written work limited to three pages each) with a list giving title, date, materials and size plus short descriptions. EVALUATION covers clarity and relevance of the proposal, the scope, feasibility and clarity of the plan to reach the intended audience, the plan for public engagement including at least one public-facing event during the residency, a final project usable in an exhibit and catalogue, and the quality and relevance of prior work. Applications are reviewed by a panel of Erie Canal Museum and Canal Corporation representatives plus invited arts professionals (the 2026 panel included Elizabeth Dubben of Collar Works, artist and educator Dennis RedMoon Darkeem, and Garth Johnson, Curator of Ceramics at the Everson Museum of Art); finalists interview with the panel. SUBMIT application packages as PDFs by email to Natalie Stetson, Executive Director, at employment@eriecanalmuseum.org with 'Erie Canal Artist-in-Residence' in the subject line, by 11:59 pm on Sunday 6 September 2026. The RFP is at eriecanalmuseum.org/about/careers/.
Located in the heart of Savannah's Starland District at ARTS Southeast, the fully-funded ON::View Artist Residency provides a free, high-visibility studio space, lodging, and a $500 stipend for an artist or curator to complete a new project, continue an in-progress endeavour, or conduct research. The studio's large east-facing street-level windows look onto Bull Street, allowing the resident's work to be on view to the community 24/7 as visitors and passersby witness the process from concept to final execution. It is the only residency of its kind in Savannah and welcomes creatives from around the globe working in all media. STUDIO: 12 x 12 feet just off the ARTS Southeast lobby, with 24-hour access; residents must work during public open hours (Thursday to Sunday, 12 to 5PM) a minimum of one day per week, and must be present during the First Friday Program Finale. Restrictions: no aerosol or toxic/high-VOC materials, no ongoing or repetitive loud noise (occasional hand and power tool use is allowed); accepted applicants provide their own materials and supplies. LODGING: the 5th Dimension Apartment a few blocks away, a cozy studio with full kitchen and bath, private gated entrance and garden, wifi and TV, queen bed; houses up to 2 people (larger teams should arrange additional housing). No smoking or pets. ENGAGEMENT: residents do an Instagram takeover via @onviewresidency, are encouraged to give a public lecture, workshop, or interactive event, and may participate in an annual group exhibition in February 2028. ELIGIBILITY: creatives in all media; collaborative teams are eligible (one proposal per team); current Studio Members or those who were Studio Members in the last 6 months are not eligible. Creatives may seek additional funding from other organisations, and ARTS Southeast will provide a letter of support to accepted residents seeking grants. KEY DATES: deadline Monday 7 September 2026 by 11:59PM; first-round notifications 18 September 2026; interviews 21 to 25 September 2026; final notifications 12 October 2026. APPLICATION: pay the $50 application fee (waivable at ARTS Southeast's discretion for undue burden), then complete the online application. Supported in part by the Georgia Council for the Arts, the National Endowment for the Arts, and the City of Savannah.
Residency for artists across seven disciplines (architecture, film/video, interdisciplinary, literature, music composition, theatre, visual arts). Sole selection criterion is artistic excellence. Applications open 15 August 2026. February deadline of the following year covers the Fall/Winter cycle.
Edward Albee founded this foundation in 1962 with the proceeds from Who's Afraid of Virginia Woolf?, and it has run The Barn in Montauk for close to sixty years as a place for writers and visual artists to get uninterrupted time. The house sits on a secluded knoll and takes four residents at a time, usually two writers and two visual artists, each with an en-suite bedroom and a separate studio. The environment is deliberately simple and communal: residents share responsibility for the space and are expected to work seriously and keep it quiet for everyone else. ELIGIBILITY: any creative person over 18, any nationality, students included; selection uses talent and need as the only criteria. There are no fees at all, to apply or to stay. Domestic Fellows get a USD 2,500 stipend on completing the residency; international Fellows get expenses reimbursed up to USD 2,500. DATES: this cycle covers residencies from January to June 2027. Applications open at 08:00 on 17 August 2026 and close on 14 September 2026, through apply.albeefoundation.org. The next cycle (July-November 2027) opens 11 January 2027 and closes 15 February 2027. The Barn is closed every December. Contact apply@albeefoundation.org or (212) 226-2020.
The Jentel Artist Residency offers approximately three-week residencies in the foothills of the Bighorn Mountains near Banner, Wyoming, giving artists, writers, and composers dedicated time for creative work. Sessions run from mid-January through early December, hosting six residents at a time. It is open to visual artists in any medium, writers of fiction, creative nonfiction, or poetry, and composers across musical genres. Residents receive a private bedroom, a separate studio, shared living and kitchen space, and a USD 100 weekly stipend to help cover food and personal expenses. Applicants must be at least 25 years old and be U.S. citizens or foreign nationals whose primary residence is in the U.S. during the application year, and may not be enrolled full-time in a degree program. There is a USD 30 non-refundable application fee, with deadlines of September 15 for Winter and Spring sessions and January 15 for Summer and Fall sessions.
The Fulbright-Iméra Mediterranean Studies Award supports US faculty to conduct research at the Iméra Institute for Advanced Study at Aix Marseille Université. ELIGIBILITY: mid-career, senior, or community college faculty affiliated with a US institution of higher education; US citizens residing outside France (permanent residents of France are ineligible); any discipline relating to Mediterranean studies; English sufficient (French desirable). 1 or 2 grants awarded. PROVIDED: €2,400/month stipend; fully equipped apartment with linens; office in co-working space; visa fees waived; academic event organisation expenses covered; school placement assistance for dependents. DURATION: 5 or 10 months (September 2027 – June 2028, flexible). DEADLINE: 15 September 2026. Apply via the Fulbright Scholar Program at https://fulbrightscholars.org/award/fulbright-imera-mediterranean-studies-award-aix-marseille-university.
Monson Arts hosts residencies for artists and writers in Monson, Maine, providing housing, all meals, private studios, and a USD 500 stipend (USD 250 for two-week stays). The application window for Winter 2027 runs 1 August to 15 September 2026.
The American Academy in Berlin is an independent, nonprofit institute for advanced study in the arts, humanities, social sciences, law, journalism and public policy, whose primary mission is to strengthen the cultural and intellectual ties between the United States and Germany. Each year, after a rigorous selection process, the Academy awards roughly two dozen semester-long Berlin Prize fellowships to individuals who demonstrate excellence in their fields. DISCIPLINES: applications are welcome across the humanities, social sciences, law, journalism and various areas of public policy. The Academy generally encourages projects addressing pressing issues of the day, specifically naming democracy, security, technology and society (especially AI), energy including climate, and global order. Dedicated fellowships also support projects in Jewish studies, German studies, and public health and biotechnology. Project proposals need not focus on Germany, but candidates should explain how a residency in Berlin would enhance their work. NOT ACCEPTED: proposals in mathematics or the natural sciences. NOTE FOR ARTISTS: visual artists and composers are invited through separate, nomination-based competitions, so there is no open application route for them here. ELIGIBILITY: fellowships are restricted to citizens and permanent residents of the United States. Both emerging and established figures are eligible. PhD holders qualify as emerging scholars with a strong record of peer-reviewed work beyond the dissertation; candidates in non-academic fields such as journalism, filmmaking and policy need a significant record of publication or production; fiction and nonfiction writers must have published at least one book with a reputable press. WHAT FELLOWS DO: fellows present their work to audiences in and around Berlin through lectures, readings, public discussions, performances and film screenings, and should be willing to engage with relevant German institutions, organizations and the media; these activities are integral to the Academy's mission of fostering transatlantic dialogue. APPLICATION MATERIALS: a project proposal of 1,500 to 1,750 words plus a one-page bibliography; a curriculum vitae of up to 10 pages; two writing samples totalling no more than 60 pages; and three letters of recommendation, which are due 2 October 2026. DEADLINE: Friday 25 September 2026 at 12:00 noon Eastern Time (18:00 Central European Time). TIMELINE: all candidates are notified of the competition outcome by email in late March 2027; the 2027-28 Berlin Prize recipients are announced in May 2027.
The Elizabeth Murray Artist Residency gives emerging, underrepresented and established artists an immersive, communal atmosphere for art-making and dialogue on a 77-acre farm in Granville, New York, the classic farmhouse where the late Elizabeth Murray spent more than two decades of summers and kept her studio in the large, cathedral-like dairy barn. Murray, who died in 2007, won a Skowhegan Medal in Painting in 1986, a MacArthur grant in 1999 and a MoMA career retrospective in 2005; her husband Bob Holman is a poet and arts activist who founded the Bowery Poetry Club. In 2017 the Murray-Holman family partnered with Collar Works, a nonprofit contemporary arts organisation in Troy, New York, to build a summer residency carrying the legacy forward. EMAR is explicitly designed around the critical needs of emerging and underrepresented artists and of artists with children, with an active commitment to diversity, equity, accessibility and inclusion, and describes itself as a safe space for creative risk-taking, personal growth and respite. Work is primarily in visual and literary arts, though the programme supports new contemporary work across many art forms. TWO TRACKS: the INDIVIDUAL RESIDENCY takes up to five artists per session (including onsite artist-staff) for two weeks, with 24-hour access to semi-private studios in the barn, a private bedroom in the farmhouse, shared bathrooms, communal living room, kitchen and a library holding Elizabeth Murray's personal art book collection. The FAMILY RESIDENCY invites three to four artists and their families for one week, with a private bedroom (families may need to room together), a semi-private studio in the same barn, and full-day childcare running as a parallel creative residency for children aged 5 to 12, focused on art and nature programming: while parent artists get uninterrupted studio time, children work in their own EMAR Kids Art Studio, explore outside through guided activities, play, swim, read and take guided field trips to local farms and museums. Partners are welcome to join and help with childcare, but the programme is committed to fully supporting artists who want or need to attend solo with their children, and Collar Works works case by case with each artist to put the necessary support and equipment in place before arrival given the rural setting. APPLICATION requires artist information, a statement of intent (250 to 500 words), an artist biography (250 words), ten examples of recent work (visual arts as JPEGs up to 2MB each, with a PDF of links or a curated URL page for video and media works including any passwords; literary arts as up to three poems totalling max six pages, or max ten pages of prose) and a list of works with title, medium, date and size. Applications go through Submittable and close 1 October 2026 (the Submittable listing shows a 2 October 2026 06:00 close in its own timezone). Questions and technical assistance: info@collarworks.org.
Lighthouse Works' Fellowship Program supports a diverse range of cultural producers working at the vanguard of their creative fields. Fellowships are six weeks in length, occur year-round, and provide fellows with housing, food, studio space, and USD 1,750 in financial support. Fellows enjoy a private bedroom and share a kitchen, bathrooms, and living space in a 3-story Victorian house; all dietary needs are accommodated, and on most nights Lighthouse Works staff cook for and eat dinner with the fellows. Studios are located about 1.5 miles (a 30-minute walk) from the fellowship house, are private and flooded with light, and face the ocean adjacent to Silver Eel Cove where the island ferry arrives. Lighthouse Works also maintains a wood and metal fabrication shop and a kiln. While in residence, a fellow's primary obligation is to pursue their own work, though every fellow participates in two events, an Artist Talk and Open Studio, that bookend the fellowship; the program's intimate size allows for conversation, critique, and collaboration. Artistic excellence is the primary criterion for acceptance. Artists at any stage of their career are encouraged to apply through the online Slideroom system. SELECTION: staff review applications for completeness, a jury of experts in each artist's field reviews complete applications and identifies finalists, interviews are scheduled in early January, and applicants are notified in mid-January. The program is supported in part by a grant from the Robert Rauschenberg Foundation. APPLICATION CALL: Lighthouse Works accepts applications each year from September to October (the 2026 portal was open 15 September to 15 October 2025). The deadline shown here is the anticipated close of the next annual call for the 2027 cycle; confirm exact dates on the Lighthouse Works site when the portal reopens. Apply at http://thelighthouseworks.slideroom.com.
Open Interval is a Simons Foundation program that supports trios consisting of an artist, a scientist, and a representative from a 501(c)(3) arts organization to collaborate around a shared scientific theme. The current cycle centers on the theme of turbulence, a phenomenon at the edge of chaos and beauty. Awarded trios receive USD 30,000 to support a sustained period of thought partnership and exploration rather than the production of finished works or exhibitions. The program runs from April to December 2027 with a touchstone meeting in May 2027 and possible cohort convenings. Trio members must be regionally co-located anywhere in the United States so they can collaborate in person. The scientist should hold a Ph.D. and be conducting basic research, with priority given to fields such as astrophysics, neuroscience, quantum physics, biology, or mathematics. The application portal opens September 9, 2026, and all three trio members must submit for the application to be complete.
The Studios at MASS MoCA is a year-round residency program on the museum's campus in North Adams, Massachusetts, hosting up to 10 artists at a time for stays of two or four weeks. It primarily welcomes visual artists across all media and writers in all literary disciplines, and applicants from around the world are encouraged to apply. Residents receive 24-hour access to a private furnished studio, lodging in nearby apartments, and several communal meals each week, plus museum membership benefits and access to The Clark Art Institute. The program offers need-based financial aid (artists typically pay between USD 0 and USD 450 per week) and fully funded fellowships that cover all residency fees for up to four weeks. General application deadlines fall on May 1 and November 1 each year, and the application is free to submit.
Women's Studio Workshop (WSW) offers an eight- to ten-week residency for artists to produce a limited-edition artist's book. Working intensively in WSW's studios in Rosendale, NY, selected artists print and bind their own books; edition size must be between 50 and 100 copies. AMOUNT: $350/week stipend; up to $1,000 for materials; up to $250 for travel within the Continental US; free onsite housing; 24/7 studio access. WSW provides technical advice, training on new equipment, techniques, and materials, and production assistance. SALES CONTRACT: 20% of the edition goes to the artist; 20% (at least nine copies) stays with WSW for archival and institutional sales; 60% goes to general distribution and sale. If the artist sells through WSW, WSW takes a 30% commission plus 20% for marketing; the artist receives a 50% commission, paid annually around 30 June. WSW holds the right to sell distribution copies at a 20% discount to standing-order and repository institutions. WSW's books are held in over 450 collections worldwide, including the Library of Congress, Yale University, and Vassar College. An outside jury of artists and curators selects recipients. INDIGENOUS ARTISTS: applicants may check the appropriate box on the Submittable form to be considered for the BIMA Artist's Book Residency Grant for Indigenous Artists. APPLICATION MATERIALS (upload via Submittable): current resume; brief project description including media required (200-word maximum); materials budget form (Google Sheets, Excel, or PDF); up to ten images of recent work; image script (title, medium, dimensions, date). MAILED MATERIALS (to WSW at the address below): a physical book mock-up demonstrating how the book will be bound or function, actual size, with at least 1-2 fully realised spreads; and the shipping form (download and open the PDF locally). Mail to: Artist's Book Application, Women's Studio Workshop, PO Box 489, Rosendale, NY 12472. Applications open 1 August 2026; deadline 15 November 2026, 11:59pm EST; notification March 2027; residency runs September through June, one year after application. Apply via Submittable at https://wsworkshop.org/residencies/artists-book-residency-grant/.
A Wrinkle in Thyme Farm is a small, women-owned diversified farm in Sumner, Maine that offers a six-month live-in fiber arts residency starting in May. The resident exchanges an average of 15 to 20 hours per week of farm work for a modest monthly stipend, free private rustic housing, community meals, farm-grown food, and access to the fiber studio. Residents receive solo studio time plus one day a week of learning and collaboration with fiber artist Marty Elkin, working with home-grown Maine wool through felting, dyeing, knitting and spinning. The program also includes training in flock management, animal husbandry and lamb care, with the option to add two months for lambing season. It is designed for emerging fiber artists who are single females able to lift 50 pounds and work around a farm. Applications open in November with a December 31 deadline and a non-refundable USD 25 application fee.
The Helene Wurlitzer Foundation of New Mexico runs one of the oldest artist residency programs in the United States, established in 1954, on a 15-acre campus in Taos, New Mexico. The residency is open to visual artists, literary artists, and music composers, including painters, sculptors, photographers, filmmakers, writers, poets, playwrights, screenwriters, and songwriters. Selected grantees receive rent-free and utility-paid housing in a furnished casita for a session of 10 to 12 weeks, with access to a Commons House offering WiFi, a library, and bicycles. No stipend is provided in most cases, and residents cover their own food and transportation. Applications are open to creative artists worldwide regardless of age, experience, or nationality, and the annual deadline is January 18 for residencies the following calendar year. There is a non-waivable USD 30 application fee.
The Kala Fellowship Program supports international, national, and local artists producing innovative work in and across multiple media, with an emphasis on Kala's specialized printmaking, photography, and digital media equipment. The institute supports up to 6 artists per cycle with a USD 3,000 stipend, 24/7 access to its Berkeley facilities for 1 to 9 months, one month of housing for artists based outside the 9 Bay Area counties, a Kala class or workshop, and a culminating group show in the Kala Gallery. Applications are submitted through kala.slideroom.com and require a statement of interest, an artist CV, documentation of 5 to 10 recent works, and two references. Artists enrolled in a degree-granting program during the fellowship period are not eligible. The application opens in December with no fee through January 15, after which a USD 25 application fee applies through the March 1 deadline.
The Roswell Artist-in-Residence Program, established in 1967 and run by The RAiR Foundation, offers visual artists a year-long studio-based residency known as the Gift of Time. Each resident receives a private house and a studio on a fifty-acre complex, with rent, utilities, repairs, and maintenance covered by the program. Artists also receive a monthly stipend of USD 1,100 plus a USD 250 monthly materials stipend. The program is open to professional visual artists aged 21 and older working in painting, drawing, sculpture, printmaking, photography, video, digital media, and installation. It does not support performance art, writing, music, or production crafts. The application period for the next cycle runs from January 1 to March 15, 2027, and international applicants are accepted with visa support available.
The Artist Response Fund (ARF) is an emergency relief program from the Artist Communities Alliance (ACA) for artists who experience threats to their safety or mental health during a residency and must leave before completing their term. Qualifying situations include assault, harassment, or systemic harm where the artist has attempted to address the issue without success. Grants of up to USD 1,500 help cover relocation costs such as transportation home, temporary lodging, supplies or basic needs, and rent upon returning. Eligible applicants are individual artists currently at, or having attended within the past 12 months, an ACA Organizational Member residency. There is no application fee, and the fund operates on a rolling basis with applications typically processed within one week. Artists apply directly through an online form and can also contact ACA staff with questions.
Kaatsbaan Cultural Park offers subsidized residencies for artists of all genres to create, live, and collaborate on its 153-acre campus in the Hudson Valley near Tivoli, New York. Residencies are individually designed between the artist, Kaatsbaan, and partners to fit the needs of the artist or company, welcoming disciplines from dance, theater, music, and visual arts to writing, composition, design, and film. The program is generously subsidized and includes individual hotel-style rooms, healthy locally sourced meals, and access to professional studios with sprung floors and pianos, a 160-seat black box theater, and exhibition space. Applications are accepted on a rolling basis through an inquiry form, with early inquiries encouraged to secure preferred dates. Artists at any career stage worldwide may apply, individually or as collaborative teams. There is no application fee and no artist stipend.
The Factory on Willow is a non-profit funded artist residency in Manchester, New Hampshire, housed in a 90,000 square foot mill building from 1904. The 12 week program supports amateur and emerging artists of any medium to develop their current projects and creative practice. Selected artists receive a furnished studio apartment with utilities and internet, a USD 350 travel stipend, and a USD 1600 stipend covering food and art supplies. The residency runs in three annual sessions (March to May, June to August, and September to November), with two artists selected per session. Each residency concludes with a public capstone showcase, and participants donate one work to the Factory's permanent collection. There is no application fee and applications are accepted on a rolling basis.
The Cloud House Residency, run by Dreamsong in the Northeast Arts District of Minneapolis, provides accommodation and support for individuals working in contemporary art who intend to develop, exhibit, or curate new work in Minnesota. Residents stay in a 700 square foot one-bedroom cottage on Dreamsong's compound and receive a prorated stipend of USD 300 per week, with possible studio space and travel or materials budgets considered on request. The program is open to emerging and mid-career visual artists, curators, and writers with a focus on contemporary art, and it hosts one individual or a two-person collaborative team at a time. The organizers arrange introductions to local artists, curators, writers, institutions, and galleries across the Twin Cities. Standard stays are 4 to 6 weeks, with occasional one-week options. Applications are reviewed on a rolling basis, and the program is currently booking residents for October through December 2026 and throughout 2027.
Research residency at Perplexity for exceptional researchers, engineers and analysts from any quantitative or analytical discipline (physics, cognitive science, quantitative finance, theoretical mathematics, etc.) to apply their expertise to AI research challenges including agentic systems and human-AI interaction. ELIGIBILITY: no PhD or deep-learning-framework experience required; instead, strong mathematical foundations, demonstrated technical depth in a rigorous quantitative field, curiosity-driven research practice and clear communication skills. FORMAT: in-person residency paired with senior researcher mentors, with access to compute, research tools and proprietary datasets; residents are encouraged to publish at top-tier conferences and contribute to open source. Rolling start within ~8 weeks of acceptance. Applications via the Perplexity portal: resume/CV or portfolio plus a cover letter describing your interest in AI research at Perplexity; an optional research statement of project ideas is welcomed.
Marfa Open runs a gallery, an annual art festival (6th edition), and a 3-4 week live-in residency in its gallery space that ends in an exhibition; it has also mounted international shows. Historically free to propose and open to everyone including international artists. NOTE: there is no formal application portal; intake is by direct contact via the website (the old marfaopen.org application site is dead; the live site is marfaopen.art).
The Good Life Residents Program is a six-month Roosevelt Institute initiative that develops new leaders and elevates bold ideas across six economic policy priorities under its Good Life Agenda. Each topic area hosts a cohort of 3 to 4 residents plus 1 to 2 senior Topic Advisors (academics, policy leaders, organizers or government practitioners) who provide strategic and intellectual mentorship and moderate the closing event. Residents write a roughly 1,500-word original policy essay advancing a people-centered policy vision against a topic-specific prompt, take part in structured dialogue with peers, Topic Advisors and Roosevelt Think Tank directors, help prepare and appear at a culminating public event, contribute to press opportunities such as op-eds and reporter calls where applicable, and act as ambassadors for the Good Life Agenda in their professional and public networks. The current round, the AI and Finance Residents Program, is run in partnership with Data & Society and asks for bold ideas on how to shape, redirect, interrupt or make more visible and contestable the flows of capital into generative AI. Framing: breakneck investment in generative AI technology and infrastructure is distorting the stock market, profit measures, bond issuance, the pace and composition of growth, job creation and trade policy, with seven tech companies accounting for more than a third of S&P 500 market capitalisation and complex, sometimes circular financial arrangements obscuring risk. Suggested lines of inquiry include what government interventions could improve public oversight, risk allocation and direction-setting in private markets; how other investments could be coordinated and scaled if AI spending is crowding them out; what role public spending or new institutions could play in catalysing technology R&D designed to support workers, sustainability and supply chains; what democratic input mechanisms would keep state influence over capital flows less vulnerable to corruption; and how federal AI policy should address public hostility to data centre investments alongside national security and competitiveness. Compensation is USD 3,000 plus travel and accommodation for the culminating event. FLAG: Roosevelt does not publish an application deadline for the AI and Finance round on the programme page, and earlier rounds (Social Security financing, Federal Reserve powers, housing) each ran their own short application window. Check the Formstack application form linked from the programme page for the current closing date before applying.