Currently 43 active funded artist residencies, across AI, arts, film, journalism, research, tech and cross-disciplinary practice. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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Can Serrat is a long-running international residency in a former winery in El Bruc, at the foot of the Montserrat massif about an hour from Barcelona. Its 2027 visual art open call is aimed at visual and multidisciplinary artists of all career levels and nationalities, with the residency window running 2 August to 12 December 2027. THE FUNDED PLACES: one full grant with honoraries, comprising a EUR 2,000 honorarium (subject to public funding) and a private room at Can Serrat for six consecutive weeks from 2 August 2027; and one full grant with shared accommodation for one month in October 2027. Both full grants include two weekly communal dinners and basic food supplies (coffee, tea, condiments, select dry goods). ALL RESIDENTS additionally get studio and workspace access, shared facilities, monthly public presentations, an unlimited public transport pass, publication of the project in Can Serrat's digital archive and visibility through its channels. POST-RESIDENCY: a EUR 3,000 visual arts production grant and return grants (one-month return stays) are available to 2027 residents in December 2027. NOTE ON THE REST OF THE CALL: the same application also allocates around 20 partial grants, where residents pay EUR 1,130 per month for a shared room or EUR 1,745 per month for a private room (both with the dinners and basics included), or EUR 305 per month for studio-only without accommodation; only the two full grants are fully funded. APPLICATIONS: window 1 to 23 September 2026 via the open call page. No application fee stated.
The American Academy in Berlin is an independent, nonprofit institute for advanced study in the arts, humanities, social sciences, law, journalism and public policy, whose primary mission is to strengthen the cultural and intellectual ties between the United States and Germany. Each year, after a rigorous selection process, the Academy awards roughly two dozen semester-long Berlin Prize fellowships to individuals who demonstrate excellence in their fields. DISCIPLINES: applications are welcome across the humanities, social sciences, law, journalism and various areas of public policy. The Academy generally encourages projects addressing pressing issues of the day, specifically naming democracy, security, technology and society (especially AI), energy including climate, and global order. Dedicated fellowships also support projects in Jewish studies, German studies, and public health and biotechnology. Project proposals need not focus on Germany, but candidates should explain how a residency in Berlin would enhance their work. NOT ACCEPTED: proposals in mathematics or the natural sciences. NOTE FOR ARTISTS: visual artists and composers are invited through separate, nomination-based competitions, so there is no open application route for them here. ELIGIBILITY: fellowships are restricted to citizens and permanent residents of the United States. Both emerging and established figures are eligible. PhD holders qualify as emerging scholars with a strong record of peer-reviewed work beyond the dissertation; candidates in non-academic fields such as journalism, filmmaking and policy need a significant record of publication or production; fiction and nonfiction writers must have published at least one book with a reputable press. WHAT FELLOWS DO: fellows present their work to audiences in and around Berlin through lectures, readings, public discussions, performances and film screenings, and should be willing to engage with relevant German institutions, organizations and the media; these activities are integral to the Academy's mission of fostering transatlantic dialogue. APPLICATION MATERIALS: a project proposal of 1,500 to 1,750 words plus a one-page bibliography; a curriculum vitae of up to 10 pages; two writing samples totalling no more than 60 pages; and three letters of recommendation, which are due 2 October 2026. DEADLINE: Friday 25 September 2026 at 12:00 noon Eastern Time (18:00 Central European Time). TIMELINE: all candidates are notified of the competition outcome by email in late March 2027; the 2027-28 Berlin Prize recipients are announced in May 2027.
ELIGIBILITY: two Researcher-in-Residence positions in 2027. Open to early-career researchers of any discipline (data science, social science, computer science, humanities) who are currently working on a PhD or within 5 years of their PhD end date. You must have, or be able to secure, an affiliation with a Dutch university or research institute willing to second you; external PhD students may use the funding to obtain such a contract. Your project must make use of one or more of the KB digital collections and you must be able to work with primarily Dutch data. You must be available at 0.5 FTE over 6 months and able to spend two days a week on-site at the KB in The Hague. COLLECTIONS: over 130 million digitized pages of newspapers, magazines, radio bulletins and books from 1470 onward (via Delpher and DBNL), a born-digital web collection of more than 23,000 websites, ground-truth and derived datasets on the KB Lab, and metadata including Linked Data. APPLY: use the official proposal template and submit a single PDF by 27 September 2026 to dh@kb.nl, after reading the call's terms and conditions; questions to dh@kb.nl. TIMELINE: deadline 27 September 2026; internal eligibility review followed by an external committee review; outcome notified November 2026; residencies start Q1 and Q3 2027. DISCIPLINES: digital humanities / data science / computational research with cultural-heritage collections. NOTE: the output is usually a dataset or tool prototype hosted on the KB Lab; you agree to share results via blog posts on the KB Lab and to publish resulting tools or data under an open license within 6 months of the residency. Proposals should align with the KB Research Agenda or the Cultural AI Lab.
Medialab Matadero in Madrid selects three projects for a research and creation residency bringing together contemporary art, design, science, technology and society, welcoming critical, experimental and collaborative work. Each project must connect clearly with one or more themes from Medialab's recent programs: LAB 1 Sentient Media, LAB 2 The Metabolic Sublime, LAB 3 Synthetic Minds, LAB 4 Weird Futures and LAB 5 The Mechanics of Truth. Open to individuals and collectives from any discipline (design, art, architecture, film, journalism, digital media, environmental science, philosophy, engineering, programming, activism and more). SUPPORT: EUR 10,000 per project (before taxes), individual workspace, access to the Fablab and technical materials, curatorial team guidance, and logistical and financial support for public activities; proposals must include public engagement plans and produce documentation. RESIDENCY: January to July 2027, in person in Madrid. DEADLINE: 27 September 2026. No application fee.
Resynthesising the Traditional is CTM Festival's long-term initiative co-curated by Stas Sharifulla, taking resynthesis (the computer-music method of analysing a sound to extract its components) as a metaphor for critically engaging with tradition and heritage, against conservative views of culture as frozen and untouchable. The artistic lab at its heart is an open toolbox for artists connecting to the traditional outside exoticisation, cultural essentialism and uneven power dynamics. THEME, AT THE EXTREME: this edition invites artists and practice-based researchers whose work examines the ethical, aesthetic and political implications of traditions entangled with extremity: intensity, transgression, transformation, marginality, outsiderness, endurance, conflict and excess. The call explicitly looks past the usual noise, violence and loud-popular-music tropes and past masculine codings of the extreme, toward current queer and feminist reframings, treating extremity as a relational condition, chosen or imposed, produced between majoritarian centres and their minoritarian outsides. Guiding questions include what it means to follow a tradition to its extreme consequences, who is allowed to push tradition to its limits and whose practices get framed as inauthentic or dangerous, what it means to practise tradition under war, displacement, repression or ecological crisis, and how traditions might offer ways of inhabiting extreme times. Preference goes to work engaging technological, bodily, aesthetic and theoretical forms at that intersection, especially in unexpected or rarely recognised ways. WHAT HAPPENS: theory and practice workshops from the co-hosts with individual and group exercises, closed 15 to 20 minute oral presentations by each participant, a solo public performance or presentation (15 to 20 minutes) at a free-entry event, inputs from specialists such as artists, researchers and technologists, guided individual and group sonic improvisations, field trips and site visits, and feedback sessions with the co-hosts and curators. AFTERWARDS: participants may propose new artistic work or research, solo or in collaborations formed at the lab, to the artistic team; selected works are shortlisted, and up to two are commissioned and presented at CTM in January/February 2028. ELIGIBILITY: an existing practice tied to (re)connecting with traditional ideas and sounds through a contemporary lens and how that overlaps with the extreme, plus clear ideas or questions about the next step you want to take. Approaches may be technological, instrument-focused, compositional, aesthetic, research-oriented or otherwise. Working knowledge of English is recommended, and any concerns about that can be flagged in the form. Up to six participants are selected by co-hosts Karina Utomo (extreme metal vocalist, composer and collaborative artist) and Luigi Monteanni (sound researcher and ethnomusicologist completing a PhD at SOAS on extreme metal in Bandung). The lab is a time-intensive full-day commitment and participants must agree to give the short public performance. APPLY through the form with a portfolio link (PDF, max 10 pages, public access, works from the last five years, text kept minimal) and a link to a specific audio track or section (max five minutes) that best represents your current practice. CTM asks that AI support rather than replace your own voice in the application. TIMELINE: deadline 28 September 2026; participants announced mid to late October 2026. Questions to resynth@ctm-festival.de.
A fully funded art-science residency from Ars Electronica and Ceske Budejovice, European Capital of Culture 2028, exploring how art and science can collaborate on urgent environmental challenges: climate emergence, sustainable agriculture, geoengineering, permaculture, water resource management, and the broader ecological impacts on local communities. Selected residents work in direct collaboration with local scientists in Ceske Budejovice. WHO CAN APPLY: artists, designers, creatives and artist collectives with more than 5 years of professional creative practice and documented interdisciplinary work; experience in community engagement and science collaborations is essential; applicants must be 18+, of any nationality, and legally eligible to work and travel in the EU. WHAT YOU GET: a EUR 24,000 package (EUR 6,000 artist fee, up to EUR 15,000 production, up to EUR 3,000 travel and subsistence) plus one month of housing covered separately; two winners are selected. STRUCTURE: the residency runs January 2027 to April 2028, with a required on-site stay of up to one month in February/March 2027, an optional stay in August/September 2027, and a March 2028 stay for festival installation, exhibition and deinstallation. HOW TO APPLY: online form with project title, a written proposal of max 250 words, a scientific direction statement (max 100 words), artistic vision (max 100 words), community connection plan (max 100 words), a super short pitch (3 to 30 words), 3 to 7 images, an optional 1-minute video, a portfolio link and contact information. Two-round selection (online application then interview); winners notified by November 2026. Deadline 28 September 2026 at midnight CET.
PACT Zollverein, the choreographic centre and arts venue on the Zollverein World Heritage site in Essen, hosts residencies for artists and cultural professionals working in performing arts, inter- and transdisciplinary artistic practices, film and moving image, artistic practice engaging with digital technologies, and socially engaged arts. Residencies are working periods without presentation obligation. WHAT YOU GET: a weekly grant allowance of EUR 400 per project participant (up to 4 people), studio space from 69 to 173 sqm (one studio barrier-free), local accommodation for up to 4 people (barrier-free and family-friendly options by arrangement), travel costs for one journey per participant to and from PACT (low-emission transport preferred), and technical equipment and professional support by arrangement. WHO IS ELIGIBLE: professional artists and groups from anywhere in the world across the five fields above. DEADLINE: 28 September 2026, 23:59 CET, for residencies taking place January to July 2027; decisions by the end of November 2026. TO APPLY: via the online form on the PACT Zollverein website. Free to apply.
Graner, Barcelona's centre for dance and live arts creation within the city council's Creative Factories Network, managed by Mercat de les Flors with the Catalan dance professionals' associations APDC and ACPDC, opens its 2027 call for residency grants supporting creation and research projects taking place between January and December 2027. EIGHT CATEGORIES: Associated Artist (1 place, EUR 6,000 per year for 2027 and 2028, for Catalonia-based artists who associate with the centre for two years, with a creative residency of up to six weeks); Creation (3 places, EUR 6,000, local and national artists developing projects leading to a production, up to five weeks); Barcelona Crea Research (2 places, EUR 6,000, local researchers and artists in the initial stages of artistic research with body, movement and choreographic thinking as its axes); Barcelona Crea Critical Thinking (1 place, EUR 6,000, theoretical, critical or discursive projects on dance and the live arts); International (1 place, EUR 3,000, for researchers, artists and collectives based outside Spain without a direct connection to the Catalan or Spanish context, two to four weeks; applying here excludes all other categories); Stage Research (1 place, EUR 3,000, research centred on lighting, sound, video or scenography, with technical studio time and support sessions); Emerging Artists (2 places, EUR 3,000, endowment topped up with EUR 1,700 contributed by Can Gassol in Mataro, where part of the residency takes place); and Practical Methodologies (1 place, EUR 3,000). WHAT YOU GET: on top of the grant, a workspace agreed per project, possible technical residency, shared desk and facilities, artistic support and possible specialised mentoring, participation in Graner's labs, workshops and seminars, communication support, and covered national and European travel to the two annual APLEC gatherings. ELIGIBILITY: natural persons, legal persons and groups with or without legal personality; applicants may apply to at most two categories (International is mutually exclusive) and can receive only one grant. Barcelona Crea categories require a demonstrated connection to Barcelona or its metropolitan area and carry municipal-grant incompatibility rules. NOTE: structural renovation works run at Graner throughout 2027 and may affect studio use. APPLICATION: free, via the category-specific forms on the Mercat de les Flors website; an English-language bases PDF details each category. DEADLINE: 29 September 2026 at 14:00 Catalan time (12:00 UTC).
La Résidence of the Festival de Cannes (part of Cinéma de Demain, formerly La Cinéfondation) invites 12 directors each year to write their screenplay in Paris. The programme provides a place of residence in the heart of Paris, a personalised programme accompanying the writing of their scripts, and a collective programme of forums with film industry professionals. The 12 directors from the two annual sessions present their projects at the CNC pavilion in Cannes, giving 10-minute presentations to an audience of professionals and a jury of three film industry personalities; the CNC then awards a EUR 5,000 grant to one director from each session, based on the project that most inspires the jury. The Cinef & Résidence offices serve as a hub where directors meet and schedule private meetings with potential producers. ELIGIBILITY: open to young filmmakers who have made one or several short films and no more than one feature film; candidates must NOT be residents or citizens of France. Selected filmmakers must stay at the Résidence in Paris for the full session. SESSIONS: two per year, each lasting four and a half months, the first running 15 March to 31 July and the second 1 October to 15 February. Artistic fields: film, writing, interdisciplinary. Deadline: 30 September 2026 at 16:00 UTC. Free to apply.
Cultural Horizons strengthens the cultural sector in Ukraine by promoting joint EU-Ukrainian cultural initiatives and expanding access for Ukrainians affected by the war to European cultural and artistic networks. The Residencies strand provides subgrants for EU-based institutions to implement (a) residency placements and/or (b) education projects organised on the basis of residencies, for and with Ukrainian artistic and cultural professionals in 2027. WHO CAN APPLY: artistic and cultural organisations and initiatives registered within the EU; consortia designate one lead organisation to submit and manage funding. Applicants must demonstrate the ability to host Ukrainian artistic and cultural professionals in 2027 and complete projects between January and August 2027, confirm the absence of ties with the Russian Federation (no working partnerships with Russia or Russian organisations, no visits to Russian-occupied territories after 2014), commit to refraining from glorification of Russian imperialism, comply with the EU sanctions regime, and demonstrate a commitment to diversity, equity and inclusion. NGOs and public sector institutions working with displaced and vulnerable groups are prioritised. WHO IT SUPPORTS: Ukrainian artists and cultural practitioners (independent and employed professionals, early-career specialists, debut artists, cultural managers, researchers, analysts, conservators), vulnerable groups from Ukraine including internally displaced persons, young artists and communities in frontline and conflict-affected areas, and Ukrainian cultural organisations with a focus on small communities, local initiatives, independent cultural spaces and NGOs. TIMELINE: applications 29 June to 30 September 2026; evaluation October to November 2026; implementation 1 January to 30 July 2027. The programme runs 2026-2027 and also builds a Europe-wide network of cultural expert mentors. Queries: culturalhorizons[at]culturalvistas.eu.
Ses12naus, a non-profit founded in 2016 to strengthen the cultural and artistic fabric of Ibiza and develop the island as an international reference for contemporary artistic creation, is launching a two-phase residency for visual artists and curators at any career stage. Four projects are selected for the 2026-2027 edition: two by artists or curators based in the Balearic Islands, one from the rest of Spain and one from another European country. STRUCTURE: Phase 1 (21 November to 13 December 2026) is dedicated to research and exploration of the territory and an in-depth understanding of the local context, with a required public activity linked to the process; between phases the Foundation's team actively follows up on the conceptualisation and formalisation of the proposal; in Phase 2 (17 May to 7 June 2027) residents return to produce and present: artists produce their works, curators continue their research, and both present results. The format supports developing a new project or giving continuity to an ongoing one, in dialogue with Ibiza and its communities. FUNDING: EUR 1,800 honorarium plus EUR 300 public-activity fee per resident; travel up to EUR 330 (Spain) or EUR 770 (Europe) booked by the Foundation (no travel between phases is financed); production up to EUR 3,000 for artists plus EUR 500 installation and EUR 200 public-activity costs (curators: EUR 500 plus EUR 200). RESOURCES: private bedroom and bathroom with shared kitchen and living room, a workspace at La Carpinteria sized to the project with projectors, speakers, machinery and tools (specific materials not in the inventory come from the production budget), production assistance, a shared car for the duration (valid driving licence required) and airport transfers. APPLICATION: online form, deadline 30 September 2026, 23:59 CET.
Social Dive is the Tokyo Biennale 2027 open call for art projects and artist-in-residence proposals developed through research and engagement with local communities across Tokyo. Participants immerse themselves in the city's neighborhoods, from temples and historic wooden buildings to business districts, train stations and shopping streets. Selected projects are developed at 11 designated sites: Toeizan Kaneiji Temple, Yushima Seido, Otemachi/Marunouchi/Yurakucho, Kyobashi, Nihonbashi, Yaesu, Kanda, Ueno Station, Tokyo Dome City, Akihabara Electric Town, and Bakurocho/Higashi-Kanda. Proposals must respond to the biennale theme From Me to Us and be presented during Tokyo Biennale 2027 (1 October to 11 December 2027). WHAT YOU GET: JPY 100,000 honorarium, round-trip travel up to JPY 300,000, accommodation in Tokyo, project development support up to JPY 200,000, venue coordination, interpretation and translation support, and an invitation letter. WHO IS ELIGIBLE: artists, curators, researchers, collectives and practitioners in related fields, aged 18 or older, from anywhere in the world; must be available for on-site research, collaboration and implementation in Tokyo with a residency of at least one month including the opening; one proposal per applicant. SELECTION: two-stage evaluation on theme responsiveness, originality, feasibility and community collaboration. DEADLINE: 30 September 2026, 23:59 JST. TO APPLY: via the online form with profile photo, personal statement (150 words), two key visuals, project summary and background, detailed description (400 words), budget breakdown and schedule, and CV or portfolio (max 5 pages). Free to apply.
The Camargo Foundation invites artists, scholars and thinkers to its flagship Core Fellowship: a ten-week self-directed residency on its clifftop campus overlooking the Mediterranean in Cassis, France, dedicated to research, experimentation and interdisciplinary exchange. Curators apply under the Thinkers category, which covers accomplished professionals and practitioners in cultural and creative fields who are professionally engaged in critical thought, including curators, critics and journalists; projects should engage theoretical, artistic or societal questions. WHAT YOU GET: a stipend of EUR 350 per week (EUR 3,500 total), basic transportation funding, and a furnished apartment with an equipped kitchen on campus. Fourteen fellowships are awarded per year: seven for artists and seven for scholars and thinkers. RESIDENCY PERIODS: Fall 2027 (8 September to 17 November 2027) or Spring 2028 (23 February to 4 May 2028). ELIGIBILITY: artists in visual arts, performance, writing, film, music or multidisciplinary work with at least 5 years of professional practice; scholars holding or pursuing a PhD focused on French and Francophone cultures or cross-cultural Mediterranean studies; and thinkers as described above. APPLICATION: via Submittable with a 100-word proposal summary, a 1,200-word proposal narrative, a 300-word rationale for Camargo, a 300-word career-stage rationale, a CV (max 3 pages), work samples and two references. NOTE: the foundation has announced that this is the final Fellowship selected through a public open call until further notice; a new selection process begins in July 2027, making this the last chance to apply directly.
The SÍM Residency in Reykjavík announces its January to February 2027 funded residency for four artists from the Nordic-Baltic region. The two-month program invites multidisciplinary artists interested in artistic research and production addressing sustainability, ecology, social equality and Nordic cultural narratives; artists from visual arts, performance, sound, digital media and research are encouraged to apply. Participants develop individual projects while engaging in studio visits with a curator, discussions, public open studios and talks, closing with an exhibition or public presentation at Seljavegur 32. WHAT YOU GET: EUR 2,000 stipend, EUR 600 travel, EUR 500 materials, accommodation with a private bedroom, a private studio, orientation, presentation on the SÍM website and social media, and connections to local workshops (sound recording, Fab Lab, ceramics, textile, darkroom). Funded by the Nordic-Baltic Mobility Programme for Culture; artists are encouraged to seek top-up funding from their home arts councils if needed. ELIGIBILITY: a permanent address in the Nordic countries (Denmark, Finland, the Faroe Islands, Greenland, Norway, Sweden, Åland) or Baltic states (Estonia, Latvia, Lithuania), any nationality; artists living in Iceland are excluded. A BA in visual arts or a similar field is required, or equivalent professional experience; candidates without one may apply with a letter of recommendation from a curator, museum or gallery. Candidates must commit to the full 3 January to 28 February 2027 period, communicate in English, attend all meetings and events, participate in the final exhibition, and have their project documented on the SÍM website. APPLICATION: a 400-word project proposal toward the theme, stating specific interests, why the residency matters for the applicant's career now, openness to collaboration, and environmentally responsible methods and material choices. CONDITIONS: no overnight guests in the residency apartment and no pets; artists are not required to leave artwork behind. DEADLINE: 1 October 2026.
CATS+ (Collaborative Art + Technology Situation) is a local residency program at The Museum of Human Achievement in Austin for artists and tech wizards, grounded in hands-on experimentation, critical thought and community-building in media art and live AV production. Cohorts take part in weekly gatherings to learn and share on a broad range of resident-driven topics, build troubleshooting and collaboration skills, co-create projects, and contribute work to MoHA's media art exhibition during the Austin Studio Tour in November and/or MoHA's Holiday Show in December. WHAT YOU GET: a USD 1,500 honorarium and access to MoHA equipment and workspaces. WHO IS ELIGIBLE: applicants of all skill levels and fields are welcome, especially those experiencing barriers to media and tech community, knowledge and tools; must be in the Austin area, 18 or older, not a full-time student and not a CATS+ alum. DEADLINE: 1 October 2026. Info session at MoHA on 28 September 2026, 7 to 9pm (RSVP via the application page). TO APPLY: via the application and info page on the MoHA wiki.
The Embassy of the Kingdom of the Netherlands in China, in partnership with artist-run space Making Space in Guangzhou, invites Netherlands-based artists, makers, curators, writers, researchers and other cultural practitioners to a six-week residency in spring 2027. Making Space (est. 2017) focuses on art and social practice with an emphasis on long-term research, local knowledge and care-driven collaboration. The residency is process-oriented with no obligation to produce finished work; the resident takes part in at least one public exchange (talk, workshop, reading group, screening, performance or open studio). SUPPORT: EUR 2,700 travel and artist fee subsidy (fixed per application; duos or collectives share the amount), accommodation in Guangzhou, shared studio space, curatorial and research support with access to local networks, and logistical support for public programming (extra funding may be considered for public programmes). The resident arranges their own China visa; Making Space provides an invitation letter. LOOKING FOR: practitioners engaging with alternative education, ecological justice, migration and labour, social practice, intergenerational narratives, diaspora and transdisciplinary collaboration; English communication required. APPLY by email (makingspace2017@gmail.com) with a 200-word bio, CV, 2-page project proposal and portfolio (max 20 pages) in a single PDF, in English. Result expected late November 2026. Deadline: 3 October 2026, 23:59 CST / 17:59 CEST.
In partnership with the Calouste Gulbenkian Foundation (UK Branch), Delfina Foundation welcomes applications from contemporary visual artists from Portugal, Angola, Mozambique, Guinea-Bissau, Cape Verde and Sao Tome and Principe for a London residency from 28 June to 17 September 2027, during Delfina's open summer season dedicated to independent research. ELIGIBILITY: applicants must be born in one of the six eligible countries (individuals currently based in the UK are not eligible); be seeking to develop their practice through research; be able to explain how an international residency may benefit their career development and local networks; and be proficient in English (the interview is conducted in English). Collectives and duos are advised to put forth one member to be in residence. THE PROGRAMME: alongside time and space to develop their work, residents get guided visits to museums, galleries, non-profits, artist-run spaces and studios, plus trips to institutions outside London; opportunities to meet artists, curators, academics and researchers through organised presentations, studio visits, events and meals; professional development including presentations and crits, portfolio reviews and mentoring; and collaborative exchange between residents through informal gatherings and meals. APPLY via the online application form (Cognito Forms, save-and-resume supported); Delfina strongly recommends reading the Guidance Notes document carefully before starting. All applicants notified by mid-November 2026. Deadline Sunday 4 October 2026, 23:59 BST.
Peripheral Acts is an experimental, artist-led residency programme supporting artistic production alongside dialogue, exchange and site-responsive experimentation, rooted in everyday urban life in the UAE. The second edition, Leaning Out, takes residential balconies as its site: suspended between private life and public view, the balcony becomes a stage for negotiations between host and guest, inhabitant and observer, framing questions of privacy, voyeurism, belonging and ownership. STRUCTURE: three commissioned artists take part in two phases. Phase 1 is four in-person gatherings hosted by residency programmer Shazia Salam in Dubai and Abu Dhabi (1, 7, 14 and 21 November 2026, roughly two hours each; attendance at all four is expected). Phase 2 is a one-month balcony takeover per artist (January, February or March 2027), during which each resident also hosts one (semi-)public event sharing their practice and process. There is no fixed formula for what can happen on the site; interventions are shaped by its conditions, permissions and chance encounters, carefully testing the possibilities and boundaries of informal public intervention in the UAE. FUNDING: AED 1,000 commission fee plus AED 1,500 production budget per artist. ELIGIBILITY: artists currently based in the UAE with easy, ongoing access to a residential balcony (their own or one belonging to a friend or family member). Questions: shaziasalam.92@gmail.com. APPLY via the Google Form. DEADLINE: 4 October 2026.
With Braunschweig Projects, HBK Braunschweig (one of Germany's largest art academies, with fine arts, art education, performing arts, design, visual communication, art history and media studies) offers 7 artistic fellowships on behalf of the State of Lower Saxony for 2027/28: 5 in fine arts and 2 in sound art. The programme promotes young artists and internationalisation, and is aimed at artists who want to work on a project in the immediate vicinity of HBK; proposals should make a significant contribution to the further development of forms of artistic practice. Each fellow is assigned a self-chosen mentor from the fine arts professors, all professors of the fine arts department are available for artistic discourse, and fellows can present their project's progress within the university. Fellows are expected to participate in the Welcome Weeks (19 to 30 April 2027) and a joint final presentation in January/February 2028, and must reside at HBK for at least 8 months during the summer and winter semester lecture periods. FUNDING: EUR 1,600 per month for 12 months from 1 April 2027, a rent-free one-person studio apartment (EUR 250 per month contribution to incidental costs), and an allowance for project and travel costs; a short final report (about 1 page) is due at the end. ELIGIBILITY: a successfully completed art degree, with the most recent studies completed after 31 March 2016 and before 1 April 2023; proof of extensive artistic practice and exhibition participation; no regular third-party benefits (salary, work scholarships or state subsidy) during the funding period. APPLICATION: in German or English by email to application-bsprojects[at]hbk-bs.de, addressed to President Prof. Dr. Ana Dimke, with the completed and signed application form, an artistic profile (one file, max 15MB: name, website and social media, artist statement max 350 words, project description max 350 words, portfolio of 10 to 15 works, short CV, links to 3 password-free video/audio files) and the diploma of the most recent degree (PDF, max 1MB). DEADLINE: 4 October 2026. A separate Braunschweig Projects curatorial fellowship for 2027/28 runs in parallel.
Cas-co and Kunsthal Mechelen invite Belgium-based emerging curators, writers, critics, researchers, art historians and research-based practitioners to apply for the Ernest Albert Invitational 2027, a four-month Reflective Residency at Cas-co in Leuven within the Off the Grid programme. The Reflective Resident joins the four artists of Cas-co's Artistic Development Residency from 14 January to 14 May 2027, developing an independent research trajectory while closely following the questions, processes and conversations emerging within the group. Reflection is understood as an active practice: creating connections, introducing perspectives, asking questions and generating new contexts around artistic work. The residency culminates in a Reflective contribution to the public programme of the group exhibition at Kunsthal Mechelen, 4 June to 29 August 2027, curated by Jessica Meuleman (Kunsthal Mechelen), Zuzanna Rachowska and Arthur Cordier (Cas-co). SUPPORT: EUR 1,100 artist fee per month, EUR 120 transportation allowance per month, and a one-time production budget of EUR 600 (EUR 5,480 total including VAT). ELIGIBILITY: Belgium-based; priority goes to applicants early in their careers, with limited institutional access, or developing interdisciplinary research practices around contemporary art. HOW TO APPLY: one PDF (max 10 MB) with a description of your practice, a proposal, CV and portfolio, via the online application form (Google Form linked from the call page). Jury meets 26 October 2026; selection announced 4 November 2026. Queries to arthur[at]cas-co.be. Deadline 14 October 2026 at 23:59 CET.
ANAT's flagship Synapse program embeds an Australian artist in an Australian research organisation for 16 weeks of self-guided creative research with no required outcome; one residency is on offer in 2027. The artist identifies their own host and submits a joint application led by the artist, so hosts can span any science or technology field, from medical research institutes and digital health labs to engineering and environmental science; Synapse has a long history of art-science pairings across disciplines. WHAT YOU GET: a total artist fee of AUD 19,250 ex GST plus 12% superannuation, and up to AUD 3,500 toward other project expenses. ELIGIBILITY: Australian citizens or permanent residents based in Australia; tertiary students including PhD candidates are ineligible, as are past Synapse recipients within 10 years; the fee covers one artist, artist groups are ineligible. ASSESSMENT: by an independent art-science panel, with notification in late November 2026. DEADLINE: 14 October 2026 at 3 pm ACDT. Residency takes place between February and October 2027.
Pedantic Arts Residency opens applications for its Summer 2027 and Fall 2027 programmes in Pittsburgh: two four-week residency cohorts and two research grants. THE RESIDENCY houses three creatives at a time (a visual artist, an organizer and a writer) in a collective four-week programme that emphasizes exploration, exchange and community connection over production. Residents get free furnished housing in a shared apartment, a USD 2,000 stipend to cover living expenses (half on arrival, half on completion), a Pittsburgh-based guide working in their field, tickets and institutional passes, and introductions across the city's creative community. THE RESEARCH GRANT invites an individual visual artist, curator or writer for a one- to two-week independent stay to conduct Pittsburgh-related research, with a free private bedroom at the Pedantic Apartment, a USD 500 or USD 1,000 honorarium usable at the grantee's discretion, and help establishing relevant connections. ELIGIBILITY: applicants must be 18 or older and not Pittsburgh residents at the time of application; travel costs are the participant's own. Residency attendance and staying in the provided housing are required. APPLICATION: applications are free until 28 September 2026 at 23:59 EST; a USD 20 fee applies from then until the final deadline of 15 October 2026 at 23:59 EST.
Welcome to my Homepage is an international online residency hosted by The Museum of Human Achievement in Austin, Texas, offering artists a low-stakes opportunity to experiment, explore the web as a site for creative production, and reach new audiences with net art (artwork created on and experienced exclusively through the internet). Founded in 2014, it has hosted over 150 artists. THIS ROUND (Oulu Edition) is open only to applicants in the Oulu, Finland area, as a collaboration between the UNESCO Cities of Media Arts Oulu and Austin, and especially seeks proposals that consider digital culture from a northern perspective, bring an Arctic point of view, or take inspiration from the edges rather than the center. Selected residents (3 per cycle) receive a EUR 500 stipend, the mmm.page drag-and-drop web builder (no coding needed; hosting on your own domain is also fine), virtual studio visits, mentor conversations and promotion. Projects are shown online at welcometomyhomepage.net and in person at pop-up exhibitions alongside 3 Austin artists at the Frozen People Festival in Oulu and at MoHA in Austin. WHO IT IS FOR: all types of creative folks, no coding necessary and no need to be a net or digital artist (past residents include performers, poets, puppeteers, filmmakers, healthcare workers and musicians); the programme especially welcomes people who have not had an opportunity like this before, would benefit from a flexible online residency, or want time to experiment. Collectives can apply via a primary contact. NOT ELIGIBLE: applicants outside the Oulu area (this round only), under-18s, undergrad or grad students enrolled in an art, design or media programme during the residency, and full-time university faculty in such programmes. Jurors look for thoughtful, interesting, fun or challenging proposals achievable within the 3-week online residency; proposals for existing creative projects, promotional pages (portfolio or band sites) or projects relying heavily on visitor submissions are less successful, and the work should be experienceable fully from the browser. APPLICATION: statement of interest or residency proposal (max 300 words), artist statement (max 200 words), bio (max 200 words), and work samples (up to 4 links and/or a PDF of up to 10 images); brief and honest is preferred over fancy and academic. Selection is by a jury of Oulu Urban Culture staff, an Oulu artist, MoHA staff and a past resident, led by Residency Director Rachel Stuckey. Applicant info session online on 1 October 2026, 5pm EEST. Notification by late October 2026. Deadline 15 October 2026, 23:59 EEST. The next call open to applicants from anywhere is expected in early 2027.
Stage IX is a practice-based research residency for immersive art, technology and science, run by Ruimtetijd at Fort Penningsveer with NXT Museum, 4DSOUND, the Amsterdam University of the Arts (AHK), CWI and POPKRAFT, and funded through CIIIC/Stimuleringsfonds. Round 2 opened 15 September 2026 and offers four positions: two on the Emerging track (2 to 4 years of professional practice) and two on the Established track (5 or more years). Residents pursue eight months of supported research from January 2027 (extendable to ten) in practice areas including spatial sound, VR/XR/AR, gamified and interactive media, kinetic and light-based installation, scenography and immersive theatre, with access to the partners' studios, technology and mentorship. Open to Netherlands-based artists only. An online info session ran 23 September 2026; details at stage-ix.com. TO APPLY: submit via the Tally application form. DEADLINE: 16 October 2026.
The Societe des arts technologiques (SAT) in Montreal runs a research-creation residency program in arts and technologies for artists and collectives working in the performing arts and/or media arts. The residency funds a research-creation stage of a project in technological arts rather than the finalisation of a finished work, so the call weighs the exploration process and the innovation in it above a polished outcome. Each selected project receives a CAD 10,000 grant, whether the applicant is an individual artist or a collective, plus access to SAT spaces and equipment, technical and creative support from the SAT teams, mentoring and training activities, and documentation and archiving. Access to spaces and equipment is assessed against the project's needs and granted subject to availability. Travel, meal and accommodation costs beyond the grant are not covered. Open to professional artists and artistic collectives worldwide, at any level of experience and from any primary discipline, provided the profile and project suit immersive technologies; collectives must submit a joint portfolio showing they can carry out the project independently, particularly the visual and sound creation inside a dome. Each application must include a form and supporting documents setting out the concept, the technical solutions considered, and what will be explored during the residency. One application per project and per person; incomplete applications are not evaluated; use permanent, downloadable links rather than WeTransfer or similar temporary services. Accommodations and alternative support documents (large print and so on) are available on request at residences@sat.qc.ca. Deadline 18 October 2026. Apply through the Google Form linked from the SAT open-call page.
La Nueva Fabrica (LNF), a nonprofit contemporary art space in Antigua, Guatemala, invites applications for its 2027-2028 residency. The residency is research-focused rather than production-focused: no final artwork is required, and residents are supported in developing their practice in dialogue with the local context. FUNDING: a USD 2,000 stipend, free housing in an equipped house on-site, airport transfers from Guatemala City's La Aurora International Airport, curatorial and logistical support, and access to community programming; travel to Guatemala is the resident's own responsibility. ELIGIBILITY: open to people 18 and over of any nationality, with no formal academic requirements; applicants should demonstrate a direct connection to LNF's context and genuine interest in community engagement. Duo applications are accepted; five residents are selected annually by an independent jury, with finalist interviews via Zoom on 16 December 2026 and results announced 18 January 2027. STAY: 4-8 weeks between 1 September 2027 and 30 June 2028. APPLY: online form, in English or Spanish. DEADLINE: 18 October 2026, 6:00 PM Guatemala time.
Struts Gallery, an artist-run centre in Sackville, New Brunswick (a rural community of roughly 6,000 people on the unceded territory of the Mi'kmaq People in Mi'kma'ki), welcomes applications from professional visual and media artists at all stages of their careers for its annual Open Studio Residency Program. The program supports experimentation without the pressure to present a resolved body of work: artists may continue their practice, develop a new project or create site-specific work. The residency is artist-driven and independent, with staff assistance for community outreach and technical and logistical support. Residents are asked to creatively engage the community through at least one public event (artist talk, workshop or another artist-initiated event). WHAT YOU GET: CAD 3,250 artist fee, CAD 30 per diem (CAD 750 for 25 working days), travel up to CAD 800, CAD 200 for public-event materials, 24-hour access to an approx. 400 sq ft studio in the gallery (open to the public during operating hours), a private furnished two-bedroom apartment above the gallery, and access to extensive media arts equipment and facilities. ELIGIBILITY: professional artists at all career levels; currently enrolled students are not eligible. SELECTION: staff eligibility review, shortlisting by a committee of Struts members and artists, then Zoom interviews; the program is highly competitive (over 130 applications for 4 residencies in a typical year) and results are usually decided by 20 December. APPLICATION: bio (200 words), CV, one-sentence project synopsis, project proposal (250 words), artist statement (250 words), why Struts, technical requirements, up to 10 work samples (links for time-based work), and a public engagement description (100 words); alternative submission formats including video and audio are accommodated on request. Questions: admin@strutsgallery.ca. DEADLINE: 19 October 2026, 11:59pm ADT.
The Creative Industries Fund NL (Stimuleringsfonds) runs this residency with Videotage, a Hong Kong-based non-profit media arts institution specialising in the promotion, presentation, creation and preservation of moving image and media art in all forms and languages. The Fund is recruiting one Netherlands-based designer, maker or observer working in digital culture to spend two or three months at Videotage's studio space in Hong Kong in 2027, conducting research, broadening their network, developing new work inspired by Hong Kong, and presenting their findings or completed works. The residency encourages crossovers and experimentation, giving the participant space to explore new methodologies, widen their creative practice and produce work that pushes the boundaries of digital culture, with a focus on social and urban dynamics. The 2027 edition takes the technological 'black box' phenomenon as its starting point and invites the resident to respond to that theme within the context of Videotage. ELIGIBILITY: you are an individual designer, maker or observer within the field of digital culture; you are established in the Netherlands, Aruba, Bonaire, Curacao, Saba, Sint Eustatius or Sint Maarten (Kingdom of the Netherlands); you are registered in the business register of the Dutch Chamber of Commerce (KvK) or another business register within the Kingdom of the Netherlands; and you have had a professional practice in the creative industry for at least four years. NOT open to duos, collectives or cooperative ventures, nor to designers and makers who receive a grant during the work period under the Talent Development Grant Scheme, the Open Call Self-taught Designer or the Open Call Emerging Design Practices ABCSSS. Note that accepting this open call means you cannot apply to those schemes and open calls in 2027. FUNDING: EUR 5,000 for two months or EUR 6,500 for three months, covering travel, insurance, living expenses, compensation for time invested and material and transport costs; accommodation, studio use and Videotage's facilitation are covered separately by the Fund. Submit your proposal to the Creative Industries Fund NL by 21 October 2026, 16:00 CEST.
Open Interval is a Simons Foundation program that supports trios consisting of an artist, a scientist, and a representative from a 501(c)(3) arts organization to collaborate around a shared scientific theme. The current cycle centers on the theme of turbulence, a phenomenon at the edge of chaos and beauty. Awarded trios receive USD 30,000 to support a sustained period of thought partnership and exploration rather than the production of finished works or exhibitions. The program runs from April to December 2027 with a touchstone meeting in May 2027 and possible cohort convenings. Trio members must be regionally co-located anywhere in the United States so they can collaborate in person. The scientist should hold a Ph.D. and be conducting basic research, with priority given to fields such as astrophysics, neuroscience, quantum physics, biology, or mathematics. The application portal opens September 9, 2026, and all three trio members must submit for the application to be complete.
The Creative Industries Fund NL (Stimuleringsfonds) is recruiting one Netherlands-based designer, architect or spatial practitioner for a two-month residency in 2027 at Jatiwangi art Factory (JaF), an internationally recognised artistic collective based in a former roof tile factory in West Java, Indonesia. Jatiwangi's history is closely bound up with the colonial history of Indonesia: the Dutch government built large roof tile factories in the region in the early twentieth century, turning it into the most important centre of roof tile production in Southeast Asia. Now that this industry has largely disappeared, JaF develops new visions for the changing rural area with clay and community empowerment at their heart. The residency is part of Tahun Tanah, a recurring programme on the relationship between the people of Jatiwangi and the region's history of clay and terracotta civilisation; the 2027 theme is Elmu Ning Tanah (Learning from the Earth). As resident you explore with the local community what tanah (earth) means in this area, not only as a material for the terracotta industry but also as a carrier of history, memory and culture, and you help shape a future for the terracotta industry rooted in local knowledge, traditions and the needs of the community. ELIGIBILITY: you are an individual designer, architect or spatial practitioner; you are established in the Netherlands, Aruba, Bonaire, Curacao, Saba, Sint Eustatius or Sint Maarten (Kingdom of the Netherlands); you are registered in the business register of the Dutch Chamber of Commerce (KvK) or another business register within the Kingdom of the Netherlands; and you have had a professional practice in the creative industry for at least four years. NOT open to duos, collectives or cooperative ventures, nor to designers and makers who receive a grant during the work period under the Talent Development Grant Scheme, the Open Call Self-taught Designer or the Open Call Emerging Design Practices ABCSSS; accepting this open call means you cannot apply to those schemes and open calls in 2027. FUNDING: EUR 4,500 subsidy for the two-month residency; accommodation at JaF is a small private container house with two single beds and a bathroom/toilet. Assessment takes the form of a tender: an external advisory committee ranks proposals on the artistic quality of the work, the quality of the proposed project and the motivation in relation to the goals of the residency, and the highest-scoring proposals are awarded. Decision within eight weeks of the closing date. Submit via the Creative Industries Fund NL by 21 October 2026, 16:00 CEST.
The Creative Industries Fund NL (Stimuleringsfonds) is recruiting one Netherlands-based designer, architect or interdisciplinary maker for a three-month residency in 2027 across three locations in Suriname: Paramaribo, Moengo and Frederiksdorp, each with its own cultural, historical and social context. The residency is inspired by the Surinamese notion of alakondre (literally 'all countries'), which symbolises living together in cultural diversity and emphasises the power of coexisting differences. Rather than simply promoting harmony, alakondre acknowledges historical inequalities, cultural sensitivities and tensions ensuing from colonial and socio-economic realities, which demands openness and critical awareness of your position as a creative practitioner; personal stories, whether family history or questions of identity, can provide powerful entry points. A network of local partners supports the residency, and at each location a local maker selected by Surinamese partner organisations works alongside you, creating natural opportunities for creative exchange and dialogue. ELIGIBILITY: you are an individual designer, architect or spatial practitioner; you are established in the Kingdom of the Netherlands (the Netherlands, Aruba, Bonaire, Curacao, Saba, Sint Eustatius or Sint Maarten); you are registered in the register of the Dutch Chamber of Commerce (KvK) or another business register within the Kingdom of the Netherlands; and you have run a professional practice within the creative industries for at least four years. NOT open to duos, collectives or collaborative partnerships, nor to current recipients of the Talent Development Grant Scheme, the Open Call Self-taught Designer or the Open Call Emerging Design Practices ABCSSS; accepting this open call means you cannot apply to those schemes and open calls in 2027. FUNDING: EUR 8,500 subsidy for the three-month residency; one position is awarded. Assessment takes the form of a tender: an external advisory committee ranks proposals on the artistic quality of the work, the quality of the development plan and the motivation in relation to the residency's objective, and the highest-scoring proposal is awarded. Decision within eight weeks of the closing date. Submit via the Creative Industries Fund NL by 21 October 2026, 16:00 CEST.
The Creative Industries Fund NL (Stimuleringsfonds) is recruiting one Netherlands-based designer, architect, spatial practitioner or maker for a two-month residency in 2027 at Think Tanger, a multidisciplinary cultural platform dedicated to stimulating culture, creativity, innovation and exchange in Tangier, Morocco. Founded in 2016, Think Tanger unites artists, designers, researchers, entrepreneurs and local communities to explore the urban and cultural dynamics of a city in transformation and to promote understanding and dialogue, working through alternative education, creative entrepreneurship, art production and participatory research. The residency was set up with the Fund to stimulate crossovers and experiments, initiate exchanges and learn from other people's perspectives, knowledge and ideas. It offers the opportunity to carry out research, expand your network and develop new work with a focus on design, urbanism and socio-spatial dynamics, creatively researching existing presuppositions and social issues in Tangier's unique urban context. ELIGIBILITY: you are an individual designer, architect, spatial practitioner or maker; you are established in the Netherlands, Aruba, Bonaire, Curacao, Saba, Sint Eustatius or Sint Maarten (Kingdom of the Netherlands); you are registered in the business register of the Dutch Chamber of Commerce (KvK) or another business register within the Kingdom of the Netherlands; and you have had a professional practice in the creative industry for at least two years (note: a lower bar than the four years required by the Fund's other 2027 residencies). NOT open to duos, collectives or cooperative ventures, nor to designers and makers who receive a grant during the work period under the Talent Development Grant Scheme, the Open Call Self-taught Designer or the Open Call Emerging Design Practices ABCSSS; accepting this open call means you cannot apply to those schemes and open calls in 2027. FUNDING: EUR 5,500 subsidy for the two-month residency. Assessment takes the form of a tender: an external advisory committee ranks proposals on the artistic quality of the work, the quality of the proposed project and the motivation in relation to the goals of the residency, and the highest-scoring proposal is awarded. Decision within eight weeks of the closing date. Submit via the Creative Industries Fund NL by 21 October 2026, 16:00 CEST.
The 7th call of the Art Explora residency programme at the Cité internationale des arts opened 21 September 2026. The programme supports projects exploring the crossovers of art with science, technology and ecology, which makes it one of the stronger art-science fits in Europe. Residents receive a furnished live-work studio of around 50 m2 in Paris, EUR 1,000 per month living stipend, up to EUR 3,000 production budget, round-trip travel and mentoring, with residencies of 3 or 6 months for solo artists and 3 months for duos of an artist with a researcher, curator or writer. Open to visual, performing and digital artists of all nationalities and ages with at least 5 years of professional experience and an international exhibition record. Programme details at artexplora.org. TO APPLY: submit via the Art Explora application platform. DEADLINE: 30 October 2026, 11:59 PM Paris time.
The MATS Residency, announced in August 2026 as a new track alongside the seasonal MATS fellowship, funds 6 to 24 months of high-independence AI safety research for experienced researchers, whether already in AI safety or moving in from adjacent fields. COMPENSATION: USD 155,000 to 285,000 per year gross depending on location, seniority and experience, plus insurance, retirement plan, PTO (17 days US / 20 days UK), conference funding, catered meals, and up to USD 25,000 in relocation support. ELIGIBILITY: at least one substantial piece of research-caliber work; credentials are not required. Full-time (part-time case by case for academics on sabbatical), in person at MATS offices in Berkeley, London, or Washington DC, with visa support where required. TIMELINE: the Winter 2027 intake window runs 25 August to 31 October 2026 (AoE), with decisions by end of November and interviews plus a paid work test in the first week of December; three intake windows per year.
The SURF Artist-in-Residence program invites artists to create work inspired by the Sanford Underground Research Facility in Lead, South Dakota. At 4,850 feet deep, SURF is the deepest underground laboratory in the United States, housed in the former Homestake Gold Mine, and hosts experiments in physics, biology, geology and engineering. The residency is modeled after programs run by the National Park Service, CERN and Fermilab, and aims to create awareness of the science and encourage interdisciplinary work. STRUCTURE: a four-week on-site visit in summer 2027 (between 22 May and 31 July, timed to the artist's schedule) with studio time, guided underground visits, tours of Lead and the surrounding Black Hills sites, and dinners with scientists; then a one-week visit in October 2027 to install an art exhibition, give up to two lectures based on the proposal, and run promotional or outreach events in the local community (which may include schools, universities, interviews or documentation of the residency). FUNDING: a USD 5,000 stipend paid in two installments; the artist may apply for up to USD 5,000 in additional funds for creating the artwork; transportation, housing and per diem for both visits; and return shipping covered up to USD 7,000. CONDITIONS: each artist donates at least one artwork, selected by a SURF representative, to SURF's permanent art collection, and is responsible for installation and de-installation in coordination with SURF and the exhibition space. A timeline and expectations are agreed in an MOU before the residency begins. PHYSICAL REQUIREMENTS: working underground requires being comfortable in dark spaces, following all safety protocols, walking on uneven surfaces for at least a mile at a time, and negotiating wet, slippery conditions and an elevator ride in the dark; safety training and loaned personal protective equipment are mandatory, and a SURF guide accompanies the artist at all times. DEADLINE: 1 November 2026, via the SURF AiR application portal.
The European Festivals Fund for Emerging Artists (EFFEA), an initiative of the European Festivals Association co-funded by the European Union, opens its fifth call: 50 residencies for 50 emerging artists (individuals, groups or collectives) hosted by partnerships of around 150 festivals, each led by one leading festival with a minimum of two partner festivals from different eligible countries. TWO CATEGORIES: EFFEA Discovery, 40 grants of EUR 8,000 for artists at the early stages of their careers with strong potential to break through internationally; and EFFEA Springboard, 10 grants of EUR 15,000 for artists already established in their own country and ready to develop their careers internationally. A Discovery residency includes a work-in-progress presentation at the leading festival, a workshop with programmers from each partner festival, a short film about the residency, and participation in the EFFEA Intake and Outtake Seminars; a Springboard residency includes at least three presentations of the production result (leading festival plus each partner festival) and a live masterclass by the artist in at least three countries. DISCIPLINES: architecture, ballet, contemporary dance, circus, design and applied arts, digital arts, film, folklore and folk arts, heritage, interdisciplinary, literature, music, opera, street art, theatre, photography and video, puppetry, sculpture, painting. WHO APPLIES: the leading festival submits the application online via the EFFEA website and proposes the artists; festivals must be registered on FestivalFinder.eu and have held at least one edition. Artists may be of any age and must have nationality or legal residence in an eligible country. Emerging is defined by novelty to programmers and audiences, not by age. FINANCES: minimum 80 percent of the grant goes to artist costs; own contributions of EUR 1,000 (Discovery) or EUR 2,000 (Springboard) are deducted from the grant; in-kind costs are capped at 10 percent. TIMELINE: evaluation in November 2026, results by email in December 2026, residencies between 1 January and 31 December 2027 (Intake Seminar 26 January 2027, Outtake Seminar 21 September 2027). Deadline 3 November 2026 at 23:59 CET.
The European Media Art Platform (EMAP/EMARE) is a network of leading European media-art organisations offering fully funded two-month production residencies for artists working with digital media, including media art, bio art and robotic art. Each residency provides a EUR 4,000 grant to the applying artist (including subsistence), a EUR 4,000 project budget, host-provided accommodation, travel covered according to EU ceilings, and access to technical facilities and media labs; a collaborating artist receives an additional EUR 2,000 (EUR 6,000 total for a duo). Residencies take place at one of 15 host institutions across Austria, France, Slovakia, Portugal, Belgium, the Netherlands, Slovenia, Croatia, Spain, Italy, Cyprus, Greece, Latvia, Germany and Poland. ELIGIBILITY: applicants must be EU residents or taxpayers in an EU member state, or residents/taxpayers of one of the eligible non-EU countries (Netherlands-based artists qualify). Undergraduate and Master's students are not eligible; PhD candidates and emerging artists of any age and academic background may apply. IMPORTANT: applicants must apply as a duo or collective, or propose a collaborative project, rather than as a purely solo applicant. The 2027 open call runs from 3 September 2026 to 6 November 2026 at 14:00 CET. Apply online at call.emare.eu. No application fee.
Est-Nord-Est offers eight-week residencies in Saint-Jean-Port-Joli, Quebec, welcoming professional visual artists, whether established or emerging, from Quebec, Canada and other countries, with four artists per season. FUNDING: a CAD 2,080 residency honorarium, an individual studio-workshop that also serves as lodging, access to specialized equipment for wood, metal and ceramics, a documentation center, technical, artistic and logistical support, and seasonal bicycle access. Materials, travel and additional living expenses are the resident's responsibility. SESSIONS: Spring (19 April - 11 June 2027), Summer (5 July - 27 August 2027; a curated session with priority consideration for artists of African descent), Fall (27 September - 19 November 2027) and Winter (24 January - 18 March 2028). APPLY online with a CV (max 2 pages), artist statement and research intentions (max 1 page), and a portfolio of 10-15 images with descriptions; virtual mentoring sessions and alternative submission formats available on request. DEADLINE: 8 November 2026, 11:59 PM.
Wave Farm, the Warhol Foundation-backed transmission arts center in Acra, NY, opens one application covering all its 2027 opportunities: the Transmission Art Residency, the Spatial Sound Residency, and two Radio Art Fellowship tracks (Research, and Community Engagement) connected to Wave Farm's WGXC radio station. WHAT YOU GET: a USD 1,000 stipend for each 10-day residency and USD 2,000 for each two-month fellowship, with access to Wave Farm's research library, transmitter and receiver equipment, and on-site staff support to develop a new transmission artwork. ELIGIBILITY: international; collaborations allowed; full-time students are ineligible except rare post-graduate cases; past residents and fellows may reapply; applicants may apply to as many opportunities as they wish but will be offered at most one; DJ sets are explicitly ineligible. A strong fit for signal-based, broadcast, spatial sound and radio-adjacent work. DEADLINE: 1 December 2026 at 11:59 pm EST. Finalists are interviewed by Zoom, with notifications in late February 2027 and residencies during 2027.
The A4 Residency Art Center in Chengdu, the residency platform of the A4 Art Museum in Luxelakes Eco-City, opens its full-year 2028 recruitment. The interdisciplinary, open and collaborative platform fosters creative exchange among artists, scientists, writers and other professionals, with residents initiating participatory local activities that connect them with the city and community; A4 also organises group activities, sharing sessions, media promotion and exhibition opportunities. CYCLES: Spring 2028 (April to June) and Autumn 2028 (July to October), each approximately eight weeks. WHAT YOU GET (International Residency Fellowship, fully funded): private studio and accommodation, round-trip economy airfare or second-class train within a set budget, a production grant of RMB 10,000 per person or team for materials and production (excluding living expenses), community engagement and cultural experiences, media promotion and networking. ELIGIBILITY: multidisciplinary creators worldwide, including visual and performing artists, musicians, filmmakers, architects, curators, designers and creatives with interdisciplinary backgrounds bridging art, business and culture. APPLICATION: free; submit a photo, portfolio, CV and project proposal in English and Chinese to a4residency@a4am.cn, with the subject line specifying the programme tier and preferred cycle. DEADLINE: 31 December 2026 for the 2028 full-year recruitment. A parallel self-funded light track exists; this listing covers the funded fellowship only.
The Basel House of Film, run by the Verein Filmhaus Basel und Umgebung, offers a three month residency for emerging artists working in film and television. Residents receive housing at the Filmhaus in the Basel old town plus a stipend to cover travel and living costs. There is no obligation to produce work, and residents can use the open schedule to write a script, prepare a film, draw storyboards, or edit. The facility includes a clubhouse, meeting room, office space, a small cinema with VR equipment, and an editing and grading suite. The program targets up and coming filmmakers, and both national and international applicants are welcome. Applications are accepted on a rolling basis through the online form, followed by a CV, motivation letter, and portfolio sent to the residency email.
Kaatsbaan Cultural Park offers subsidized residencies for artists of all genres to create, live, and collaborate on its 153-acre campus in the Hudson Valley near Tivoli, New York. Residencies are individually designed between the artist, Kaatsbaan, and partners to fit the needs of the artist or company, welcoming disciplines from dance, theater, music, and visual arts to writing, composition, design, and film. The program is generously subsidized and includes individual hotel-style rooms, healthy locally sourced meals, and access to professional studios with sprung floors and pianos, a 160-seat black box theater, and exhibition space. Applications are accepted on a rolling basis through an inquiry form, with early inquiries encouraged to secure preferred dates. Artists at any career stage worldwide may apply, individually or as collaborative teams. There is no application fee and no artist stipend.
The Good Life Residents Program is a six-month Roosevelt Institute initiative that develops new leaders and elevates bold ideas across six economic policy priorities under its Good Life Agenda. Each topic area hosts a cohort of 3 to 4 residents plus 1 to 2 senior Topic Advisors (academics, policy leaders, organizers or government practitioners) who provide strategic and intellectual mentorship and moderate the closing event. Residents write a roughly 1,500-word original policy essay advancing a people-centered policy vision against a topic-specific prompt, take part in structured dialogue with peers, Topic Advisors and Roosevelt Think Tank directors, help prepare and appear at a culminating public event, contribute to press opportunities such as op-eds and reporter calls where applicable, and act as ambassadors for the Good Life Agenda in their professional and public networks. The current round, the AI and Finance Residents Program, is run in partnership with Data & Society and asks for bold ideas on how to shape, redirect, interrupt or make more visible and contestable the flows of capital into generative AI. Framing: breakneck investment in generative AI technology and infrastructure is distorting the stock market, profit measures, bond issuance, the pace and composition of growth, job creation and trade policy, with seven tech companies accounting for more than a third of S&P 500 market capitalisation and complex, sometimes circular financial arrangements obscuring risk. Suggested lines of inquiry include what government interventions could improve public oversight, risk allocation and direction-setting in private markets; how other investments could be coordinated and scaled if AI spending is crowding them out; what role public spending or new institutions could play in catalysing technology R&D designed to support workers, sustainability and supply chains; what democratic input mechanisms would keep state influence over capital flows less vulnerable to corruption; and how federal AI policy should address public hostility to data centre investments alongside national security and competitiveness. Compensation is USD 3,000 plus travel and accommodation for the culminating event. FLAG: Roosevelt does not publish an application deadline for the AI and Finance round on the programme page, and earlier rounds (Social Security financing, Federal Reserve powers, housing) each ran their own short application window. Check the Formstack application form linked from the programme page for the current closing date before applying.