Currently 34 active paid cross-disciplinary and social impact grants, fellowships and residencies. Hand-curated and updated weekly. Almost every entry is funded; a few notable unpaid open calls and festival submissions are included as clearly flagged exceptions. Browse the list below, or use the interactive desk for filtering and shortlisting.
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The Harvard Radcliffe Institute Fellowship offers scientists, writers, scholars, public intellectuals, and artists a year to pursue ambitious projects in a vibrant interdisciplinary setting amid the resources of Harvard University. The Institute welcomes innovative work that confronts pressing social, scientific, and policy issues and seeks to engage audiences beyond academia. Reflecting Radcliffe's history, it welcomes (but does not limit eligibility to) proposals focused on women, gender, and society, or that draw on the Schlesinger Library's collections. It also invites proposals relevant to the Institute's 2024-2029 focus area, academic freedom and connecting across difference (intellectual virtues, free and open inquiry, diversity of thought, political polarization, peace and conflict, inequality, religious pluralism, and related higher-education policy issues), including work that constructively challenges disciplinary orthodoxies or advances transformative perspectives. SUPPORT: USD 78,000 stipend plus USD 5,000 for project expenses, with relocation, housing, and childcare funds available; fellows must reside in the Cambridge/Boston area from September through May. ELIGIBILITY: open to individuals across career stages; tenure is not required and applicants need not be academics. This is NOT a postdoctoral fellowship; those currently enrolled in a degree program are ineligible, as are former Harvard Radcliffe fellows (1999-present). Applicants must meet discipline-specific criteria. APPLY: register on the online portal and select an area (Humanities and Social Sciences; Creative Arts; Nonfiction and Journalism; or Science, Engineering, and Mathematics). Materials: application form, CV, 1,400-word project proposal (with bibliography when appropriate), a writing or work sample, and three references. DEADLINES: humanities, social sciences, creative arts, and nonfiction and journalism by 10 September 2026, 5pm ET; science, engineering, and mathematics by 1 October 2026, 5pm ET.
The UAL AKO Storytelling Institute, with the Power of Pop Fund, is recruiting six Storytelling Research Fellows to run independent research projects on how storytelling in popular culture shapes attitudes, behaviour and public discourse. Fellows work across media including television, film, gaming, podcasts and digital culture, are supported by the Institute's Head of Research and a peer cohort, and produce actionable findings for creative practitioners, funders and social-impact organisations, presented at a closing public symposium. ELIGIBILITY: experienced researchers with a PhD or equivalent research expertise gained academically, independently or through professional practice, with a track record of delivering high-quality research and working with external partners. Practice-based and non-academic researchers are explicitly in scope. APPLICATION: CV, record of publications, a research proposal of 1,000 to 1,200 words, and a supporting statement including at least one example of a research project you designed and delivered. Applications via the UAL jobs portal; closes 11 September 2026.
One residency for an artist, designer or maker working with sound, exploring spatial sound in relation to seismology, climate and discharge-related acoustics, run with the Royal Netherlands Meteorological Institute. THE PREMISE: climate change is making major landslides, ice-breakoff events from marine-terminating glaciers, and sound-producing ice movements more common. These generate infrasonic vibrations inaudible to humans that sometimes spread across the entire planet and into the atmosphere. The residency asks how immersive sound techniques can make these events tangible and build meaningful sonic narratives from them. WHAT YOU GET ACCESS TO: scientific data on seismological events, vibrations, infrasound and the movement of land and ice masses, with scientific expertise from KNMI (lead researcher Jelle Assink) and artistic guidance from the Futures of Listening team, relating local events to global impact. RESEARCH QUESTIONS to position your proposal against include how immersive sound can cultivate situated listening to ecological processes and more-than-human encounters, how artistic and scientific methods of working with environmental data can inform each other, and what is gained, lost or ethically at stake when environmental sounds are translated, interpreted or reconstructed through spatial and synthetic means. DELIVERABLE: residents are expected to create a final spatial sound production using the 4DSOUND system. Other outcomes may include immersive installations, data-driven sonic works, audiovisual pieces, software prototypes or reusable methodologies. Experience in art-science environments is welcome but not required; you may instead explain why working in one would benefit your practice. HARD ELIGIBILITY GATE: applicants must be based in the Netherlands AND registered as an artist with the Dutch Chamber of Commerce (KvK). This is not negotiable and rules out non-NL applicants. Futures of Listening is a Netherlands-based platform for spatial sound, immersive experience, performance and installation art, founded by FIBER Festival, 4DSOUND, Robin Koek and Art of Sound at the Royal Conservatoire The Hague, supported by CIIIC and Stimuleringsfonds.
One residency to research and develop an interactive listening experience built on non-linear sound narratives, experienced by navigating through a series of virtual spaces or layers. NO VISUALS: Worlding Narratives centres sound as the primary medium for immersion and intentionally removes dominant visual layers such as VR, AR, projection or video. THE DESIGN PROBLEM they want tackled is translation and adaptation, specifically the shift from one visitor in a headphone-mediated experience to rendering for a multi-speaker system for group interaction. That change in dynamics, reproduction and perspective is integral to the residency scope. RESEARCH QUESTIONS include how immersive sound can function as a primary narrative medium across speculative and non-fictional realities, what new narrative structures and dramaturgical methods become possible when the creative process originates from sound rather than adapting frameworks from other media, and how interactive sonic structures can create navigable listening experiences designed for and by multiple intelligences. Outcomes may include interactive sonic prototypes, spatial audio compositions, immersive listening experiences, narrative sound works or software prototypes. WORTH NOTING: your residency runs in tandem with resident Pinar Temiz, an expert in sound design for gaming environments, with the opportunity to work together. Lead researcher is Dr Angela McArthur of UCL, with research support from Dr meLe yamomo of the University of Amsterdam. WHO: media and sound artists, sound designers, musicians producing their own sonic work, field recordists, writers, composers and game sound designers. Experience with interactive audio, spatial sound tools or game-sound workflows is welcome but not required. HARD ELIGIBILITY GATE: applicants must be based in the Netherlands AND registered as an artist with the Dutch Chamber of Commerce (KvK). This is not negotiable and rules out non-NL applicants. Futures of Listening is a Netherlands-based platform for spatial sound, immersive experience, performance and installation art, founded by FIBER Festival, 4DSOUND, Robin Koek and Art of Sound at the Royal Conservatoire The Hague, supported by CIIIC and Stimuleringsfonds.
The inaugural Mycelia Fellowship by Social Resonance Lab, a collaborative research studio exploring how ethical storytelling fosters human connection, selects two practitioners advancing innovative projects at the intersection of ethical storytelling, arts, civic engagement, AI, or the digital landscape. TWO TRACKS: Arts as a Civic Tool (artistic practice for public engagement and social issues) and AI and the Digital Landscape (technology's influence on narratives and collective memory). Fellows receive a USD 2,000 stipend, direct advising and consultancy from the SRL team, a published piece on the SRL Substack, a guest spot on an upcoming ethical storytelling podcast, and co-lead a workshop presenting their work to practitioners and the public. The fellowship strengthens, documents, refines or scales EXISTING projects; do not pitch a completely new idea, and connect your work clearly to ethical storytelling and one of the two tracks. ELIGIBILITY: US residents only (including territories, must be able to file a W-9 and use a US bank account) with an existing project underway, intersectional practice awareness, and strong writing and research skills. Remote, 8 weeks, November to December 2026. No application fee. Deadline: 13 September 2026, 11:59 PM.
Open call from the Creative Industries Fund NL (Stimuleringsfonds) for projects within digital culture that provide insight into and reduce the ecological impact of digital technology. Data storage in the cloud, generative AI chatbots and other everyday digital habits carry major ecological consequences: the energy consumption of data centres, the raw materials used for hardware, and ever-growing e-waste. The Fund encourages projects that make the ecological (and therefore also social) impact of digital technologies and data consumption tangible, question it, and put alternative working methods into practice, around topics such as regenerative culture, degrowth, low-tech, the reuse of obsolete hardware, and responsibility for the technologies we use within digital culture. Applications may concern new projects or the reinterpretation or further development of existing initiatives that show scope for more depth or a changed approach. Collaborations in which designers, makers or researchers engage with sustainability from an intersectional perspective are explicitly encouraged. The grant may be used for artistic and substantive development, research, collaboration, knowledge sharing, presentation and documentation. ELIGIBILITY: individual makers, designers, researchers or collectives working on alternative ways of handling digital technology, registered with a Chamber of Commerce within the Kingdom of the Netherlands. Grant awards a maximum of EUR 30,000; maximum project duration one year. This call is open from 17 August 2026, 15:00 CEST until 14 September 2026, 16:00 CEST. No application fee. Questions: digitalecultuur@stimuleringsfonds.nl.
The Democracy Stories Lab, an initiative of People Powered (a global hub for participatory democracy) in partnership with the Democracy Narratives Alliance, invites creators worldwide to submit visual content -- short videos, illustrations, or graphics -- that tells a compelling story about democracy, voice, fairness, belonging, and community power. Content can be original or already published, as long as it is the applicant's own work and engages with narrative frameworks from the Democracy Narratives Alliance's research on 'How to Talk About Democracy.' Tone is open; serious and comedic approaches are both welcome. SUBMISSIONS: up to two finished visual content pieces per applicant, answering the prompt of what the future would look like if people had a real say in the decisions that shape their lives. FORMATS: primarily visual social media content, including short videos (under 3 minutes, vertically oriented) and illustrations; written or audio pieces are accepted if presented in a visual format, for example as a filmed performance. Each submission should build on one of five narrative types from the DNA research brief 'How to Talk About Democracy': outcome-oriented (how democracy shows results), intrinsic-value (why democracy is the best choice), collectivist (the importance of diverse voices), individual (how democracy is empowering) and process-oriented (showing democratic institutions work); a short creative brief gives further guidance. AWARDS: 4 winning entries receive USD $1,000 each; 5 honorable mentions receive USD $500 each; all winners receive amplification across People Powered and Democracy Narratives Alliance communications networks and are featured in a global screening event. WHO CAN APPLY: individual creators and small teams anywhere in the world; especially welcomes creators who reach audiences outside usual democracy circles, who come from communities traditionally with less of a say in public discourse, and who work in civic tech, advocacy, community organising, comedy, art, illustration, games, or lifestyle content. Applications opened 14 July 2026 and are submitted through the official form on the People Powered Democracy Narratives Alliance page. Submission deadline: 14 September 2026. Winners announced October-November 2026. Note: the initiative was itself voted into existence through People Powered's participatory budgeting process (PP Decides).
The Guggenheim Fellowship is awarded to mid-career individuals who have already demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts, giving them six to twelve months of funded time to work with as much creative freedom as possible. Around 175 to 200 fellows are chosen each year from a field of several thousand applicants (a success rate of roughly five percent), across more than 50 fields spanning the creative arts, the humanities, the natural sciences and the social sciences, including architecture, film, music, photography, fine arts, computer science and interdisciplinary work. ELIGIBILITY: citizens and permanent residents of the United States and Canada; applicants must be mid-career with a significant record of published or exhibited work, and current students and previous Guggenheim Fellows are not eligible. APPLICATION: through the Foundation's own portal, which opens in late summer 2026, so check the site if it is not yet live. The application deadline is 15 September 2026 with no late submissions accepted; work samples are due 29 September 2026 and reference letters 13 October 2026. Results are announced in late April 2027. No fee.
Kone Foundation is Finland's major private funder for academic research in the humanities, social sciences and environmental sciences, for professional artistic work across all disciplines, and specifically for multidisciplinary projects combining scholarly and artistic approaches, which is where digital culture, media arts and artistic research proposals land. Individuals, working groups and legal entities with a Finnish business ID may apply, and artistic groups and organisations can receive up to EUR 250,000. The Finland connection is the binding constraint: a non-Finnish applicant needs a Finnish institutional affiliation, Finland residence, or the work must happen in Finland, though international collaborators can join a group freely once one member is a Finnish citizen or Finland-based. Psychology, theology, law, business studies without an interdisciplinary element, and medical research are not funded, nor are master's studies, continuing education, building renovation, standalone equipment purchases or hobby activity. The annual call runs 1 to 15 September each year, closing 15 September 2026 at 16:00 EEST, with decisions announced in November and December. TIMING: funding is never retroactive and projects must begin in January or later, so a September 2026 application funds work starting January 2027 at the earliest. FLAG: Kone frames its funding around artistic work and research projects rather than festival or event hosting as such, so an event-led application needs to be framed as an artistic or research project.
Canon Foundation in Europe Research Fellowships support bilateral research exchange between Europe and Japan, awarding up to 15 fellowships annually. AMOUNT: up to EUR 30,000 per year (pro-rated for shorter stays), flexible — covers living costs, travel, insurance, research expenses, and books; fellows determine their own allocation. ELIGIBILITY: European nationals (including UK, Israel, Switzerland, Turkey, Balkan and Baltic countries) conducting research in Japan; or Japanese nationals conducting research in Europe. Applicants must have completed at least a Master's or PhD degree within the last 10 years (older qualifications may apply with supporting documentation). No restrictions on research field. Priority given to first-time applicants to Europe/Japan. Fellows arrange their own host institution and advisor. Up to 15 fellowships awarded annually. Deadline: 15 September 2026, 23:59 CET (for fellowships starting January-December 2027). Apply at https://portal.canonfoundation.org/. Contact: canon.foundation@canon-europe.com.
Annual scheme funding festival organisations in the creative industries (design, architecture, digital culture, fashion, e-culture, etc.) presenting a 2027 edition. Application window opens 25 August 2026 at 15:00 CEST and closes 23 September 2026 at 16:00 CEST. Supports both content programming and the organisational/curatorial running of a festival; applicants must be organisations rather than individuals, but the scheme is the natural home for any artist-led collective or platform that runs a critical-AI / digital-culture / surveillance-focused festival event. Note the wider 2026 context: Stimuleringsfonds is restructuring its grant offering for 2027, and several individual schemes (Design, Digital Culture) have been reduced to two rounds in 2026. The Festivals scheme is a separate annual track and one of the cleaner ways to access SCI funding for an event-format project.
The American Academy in Berlin is an independent, nonprofit institute for advanced study in the arts, humanities, social sciences, law, journalism and public policy, whose primary mission is to strengthen the cultural and intellectual ties between the United States and Germany. Each year, after a rigorous selection process, the Academy awards roughly two dozen semester-long Berlin Prize fellowships to individuals who demonstrate excellence in their fields. DISCIPLINES: applications are welcome across the humanities, social sciences, law, journalism and various areas of public policy. The Academy generally encourages projects addressing pressing issues of the day, specifically naming democracy, security, technology and society (especially AI), energy including climate, and global order. Dedicated fellowships also support projects in Jewish studies, German studies, and public health and biotechnology. Project proposals need not focus on Germany, but candidates should explain how a residency in Berlin would enhance their work. NOT ACCEPTED: proposals in mathematics or the natural sciences. NOTE FOR ARTISTS: visual artists and composers are invited through separate, nomination-based competitions, so there is no open application route for them here. ELIGIBILITY: fellowships are restricted to citizens and permanent residents of the United States. Both emerging and established figures are eligible. PhD holders qualify as emerging scholars with a strong record of peer-reviewed work beyond the dissertation; candidates in non-academic fields such as journalism, filmmaking and policy need a significant record of publication or production; fiction and nonfiction writers must have published at least one book with a reputable press. WHAT FELLOWS DO: fellows present their work to audiences in and around Berlin through lectures, readings, public discussions, performances and film screenings, and should be willing to engage with relevant German institutions, organizations and the media; these activities are integral to the Academy's mission of fostering transatlantic dialogue. APPLICATION MATERIALS: a project proposal of 1,500 to 1,750 words plus a one-page bibliography; a curriculum vitae of up to 10 pages; two writing samples totalling no more than 60 pages; and three letters of recommendation, which are due 2 October 2026. DEADLINE: Friday 25 September 2026 at 12:00 noon Eastern Time (18:00 Central European Time). TIMELINE: all candidates are notified of the competition outcome by email in late March 2027; the 2027-28 Berlin Prize recipients are announced in May 2027.
The Grey Space in the Middle in The Hague invites young transdisciplinary makers based in the Netherlands whose practices engage with the intersections of art, technology and society to submit an existing artwork for State of States, a thematic exhibition diptych unfolding across two group shows (27 November - 6 December 2026 and 7 - 17 January 2027). The exhibition explores how artists locate themselves within a state, political or holistic, informed by digital culture: statehood, belonging, digitalism, inclusion/exclusion, space-claiming and network-systems are the guiding keywords. Selected artists are divided into groups of five per exhibition; each receives a EUR 375 fee, and can earn up to EUR 725 more for co-organising and participating in a context programme developed collectively between selection and build-up. APPLY with a description of the artwork (max 500 words), up to 10 images, recordings for moving image or sound work, a portfolio and a link to socials/website. Deadline: 25 September 2026, midnight.
Medialab Matadero in Madrid selects three projects for a research and creation residency bringing together contemporary art, design, science, technology and society, welcoming critical, experimental and collaborative work. Each project must connect clearly with one or more themes from Medialab's recent programs: LAB 1 Sentient Media, LAB 2 The Metabolic Sublime, LAB 3 Synthetic Minds, LAB 4 Weird Futures and LAB 5 The Mechanics of Truth. Open to individuals and collectives from any discipline (design, art, architecture, film, journalism, digital media, environmental science, philosophy, engineering, programming, activism and more). SUPPORT: EUR 10,000 per project (before taxes), individual workspace, access to the Fablab and technical materials, curatorial team guidance, and logistical and financial support for public activities; proposals must include public engagement plans and produce documentation. RESIDENCY: January to July 2027, in person in Madrid. DEADLINE: 27 September 2026. No application fee.
A fully funded art-science residency from Ars Electronica and Ceske Budejovice, European Capital of Culture 2028, exploring how art and science can collaborate on urgent environmental challenges: climate emergence, sustainable agriculture, geoengineering, permaculture, water resource management, and the broader ecological impacts on local communities. Selected residents work in direct collaboration with local scientists in Ceske Budejovice. WHO CAN APPLY: artists, designers, creatives and artist collectives with more than 5 years of professional creative practice and documented interdisciplinary work; experience in community engagement and science collaborations is essential; applicants must be 18+, of any nationality, and legally eligible to work and travel in the EU. WHAT YOU GET: a EUR 24,000 package (EUR 6,000 artist fee, up to EUR 15,000 production, up to EUR 3,000 travel and subsistence) plus one month of housing covered separately; two winners are selected. STRUCTURE: the residency runs January 2027 to April 2028, with a required on-site stay of up to one month in February/March 2027, an optional stay in August/September 2027, and a March 2028 stay for festival installation, exhibition and deinstallation. HOW TO APPLY: online form with project title, a written proposal of max 250 words, a scientific direction statement (max 100 words), artistic vision (max 100 words), community connection plan (max 100 words), a super short pitch (3 to 30 words), 3 to 7 images, an optional 1-minute video, a portfolio link and contact information. Two-round selection (online application then interview); winners notified by November 2026. Deadline 28 September 2026 at midnight CET.
The Ernest Solvay Fund provides financial support for local-impact initiatives in three areas: scientific education (science, technology, engineering and mathematics), planet progress (environmental initiatives) and better life (community well-being). ELIGIBILITY: organisations submitting a project must implement it within a 100 km radius of a Solvay industrial, R&I or administrative site. FUNDING: up to EUR 10,000 per initiative; the Fund covers expenses incurred only after the results are announced (mid-December 2026) and will not reimburse expenses incurred beforehand. APPLY: create or log in to an account at https://candidate.kbs-frb.be and complete the online application form (it can be saved and completed in several stages). Applications are open 15 April 2026 to 30 September 2026; results announced mid-December 2026.
Columbia University's Institute for Ideas and Imagination brings a cohort of scholars and artists to Reid Hall in Paris for an academic year (September 2027 to May 2028), with a USD 75,000 stipend, housing, and research support. The creative-arts category explicitly includes visual and sound arts and film alongside writing and composition. ELIGIBILITY: any nationality, but artists must not be permanently residentent in the United States (Netherlands-based artists qualify). Deadline 30 September 2026.
Waag Futurelab invites artists, theatre makers, choreographers, dancers, game designers and other creative practitioners to engage directly with seven experimental generative AI Enablers being co-created with technologists and dance, theatre and gaming professionals. The call is an invitation into the development process: selected artists get access to the technologies, datasets, interfaces and assumptions that shape these systems while they are still being built. Rather than testing whether the systems work, artists are asked to interrogate why they work the way they do, who they are designed for, what forms of creativity they enable or constrain, and what assumptions about culture, intelligence, authorship, labour, bodies, audiences and society are embedded in them. Waag is looking for individuals and collectives willing to move beyond adoption into investigation, and welcomes proposals that are speculative, critical, poetic, provocative, humorous, performative, constructive or disruptive, including work that challenges, misuses, reimagines, hacks, subverts or plays with the tools, exposes hidden biases, questions environmental costs, or imagines alternative technological futures. THE SEVEN AI ENABLERS, each requiring an on-site visit to its technology partner: the Generic Procedural Content Generation Enabler (text-to-3D assets and avatars, CERTH, Greece); the Data-Driven Cultural Content Adaptation Enabler (audience-aware creative content ideation with ranked candidate ideas, CERTH, Greece); the Cross-Domain Audience Engagement Analytics Enabler (turning heterogeneous cultural participation data into interpretable engagement signals, The Audience Agency, Warrington, UK); the Dance Style Analysis and Generation Enabler (dance video into virtual 3D choreography, dissected into body, effort, shape and space components, Centre of Excellence for Research & Innovation, Cyprus); the Immersive Design Integration Enabler for Dance & Theatre (NLP-driven XR environments with speech-to-3D scene editing, Cyprus); the Music-to-Movement Translation Enabler (audio into a time-aligned feature set spanning genre classification, emotional valence-arousal analysis, rhythm extraction and latent-space projection, feeding motion generation, spatial audio and visual choreography, Aristotle University of Thessaloniki, Greece); and the Adaptive Narrative Enabler for Games & Theatre (an evolutionary AI trained on creator-written story elements that generates infinite story variations, explicitly rejecting LLMs because of their dependence on copyrighted or public-domain corpora that encode 19th and early 20th century sexism, racism and imperialism, CAUSA Creation, Austria). ELIGIBILITY: artists, designers, creative technologists, theatre makers, dancers, choreographers and game designers, as individuals or collectives; applicants must hold a European VAT number. An info session with live demonstrations of the AI Enablers runs 31 July 2026, 10:00 to 11:30 CEST (meeting ID 995 7016 2341). Applications go through Homerun using the official Application Template, uploaded as a PDF; read the Guide for Applicants, which contains the full Enabler descriptions, before applying. Questions: zoenie at waag dot org. The AI Enablers and this call are part of the Horizon Europe project HAMLET, which aims to make generative AI accessible to cultural organisations of all sizes. Closes 30 September 2026, 23:59 CEST. Free to apply.
The academic track of the ECF Fellowship Programme, which fosters new research engaging with the history of the European Cultural Foundation and the broader role of culture in European integration. The ECF was established in 1954 by figures including Denis de Rougemont, Robert Schuman, Hendrik Brugmans and Prince Bernhard of the Netherlands, on the belief that Europe will not be built by treaties alone. Over seventy years it has produced programmes, institutes, campaigns and collaborations, including a contribution to shaping and implementing the ERASMUS student mobility scheme. That legacy is now preserved at the Historical Archives of the European Union in Florence alongside the records of the EU's main institutions, a placement that itself recognises the Foundation's role in European integration. ELIGIBILITY for the Academic Research Fellowship: researchers in European studies, cultural studies, history and related fields across the humanities and social sciences, specifically PhD and postdoctoral researchers, early-career researchers within ten years of completing a master's or doctoral degree, and independent scholars with an active research profile. Fellows work at the HAEU embedded in the international scholarly community of the European University Institute, with the archives housed at Villa Salviati. Applications and all supporting documentation must be submitted in English through the online form. NOTE: this is the EUR 5,000 academic track. The EUR 10,000 Artistic Research Fellowship, open to professional creatives in visual arts, performing arts, film and audiovisual practices, podcasting and audio storytelling, documentary, journalism and literary practices, is listed separately on the desk and shares the same deadline.
The Interdisciplinary grant is a new joint scheme of the six Dutch national cultural funds (Mondriaan Fund, Performing Arts Fund NL, Fund for Cultural Participation, Netherlands Film Fund, Creative Industries Fund NL, and the Dutch Foundation for Literature), announced on 7 July 2026. It supports makers and organisations whose work genuinely crosses the boundaries of the individual funds' disciplines (visual art, design, film, literature, performing arts, and cultural participation) and cannot be contained within a single discipline. TWO TRACKS: an Individual track for professional makers with a demonstrable interdisciplinary practice (at least one year of experience; income cap EUR 55,000 including the grant; approximately EUR 24,900 for 12 months); and an Organisation track for organisations running multi-discipline projects. AMOUNT: EUR 12,500 to 50,000 per project. ELIGIBILITY: makers and organisations based in the Netherlands or the Caribbean part of the Kingdom. APPLYING: handled through the Mondriaan Fund's online application portal (info@mondriaanfonds.nl); an account is required in advance. DEADLINE: 1 October 2026, 16:00 Dutch time (single application round).
The Embassy of the Kingdom of the Netherlands in China, in partnership with artist-run space Making Space in Guangzhou, invites Netherlands-based artists, makers, curators, writers, researchers and other cultural practitioners to a six-week residency in spring 2027. Making Space (est. 2017) focuses on art and social practice with an emphasis on long-term research, local knowledge and care-driven collaboration. The residency is process-oriented with no obligation to produce finished work; the resident takes part in at least one public exchange (talk, workshop, reading group, screening, performance or open studio). SUPPORT: EUR 2,700 travel and artist fee subsidy (fixed per application; duos or collectives share the amount), accommodation in Guangzhou, shared studio space, curatorial and research support with access to local networks, and logistical support for public programming (extra funding may be considered for public programmes). The resident arranges their own China visa; Making Space provides an invitation letter. LOOKING FOR: practitioners engaging with alternative education, ecological justice, migration and labour, social practice, intergenerational narratives, diaspora and transdisciplinary collaboration; English communication required. APPLY by email (makingspace2017@gmail.com) with a 200-word bio, CV, 2-page project proposal and portfolio (max 20 pages) in a single PDF, in English. Result expected late November 2026. Deadline: 3 October 2026, 23:59 CST / 17:59 CEST.
Slamdance's DIG (Digital, Interactive and Gaming) showcase presents work at the edges of cinema and interactivity: interactive documentaries, VR/AR, experiential installations, and experimental games, a strong fit for interactive AI and data-driven work. Film categories run on similar deadline tiers. DIG deadlines: regular 10 August 2026 (USD 60), late 14 September 2026 (USD 70), extended 6 October 2026 (USD 90).
An open call for at least 10 short performances of maximum 15 minutes for the 12th edition of Teatri Riflessi in Zafferana Etnea, Sicily. THE FORMAT: the competition champions the short performance in its own right, not as a reduction of a longer work nor as a sketch for a full-evening adaptation; its strength is the artistic immediacy and urgency it carries. The framing connects ancient Greek theatre, conceived as an outdoor competition for a large audience, to the more provocative tendencies of happenings and performance art that lean on the beholder's desire to participate. STRUCTURE: semi-finalists perform on the evenings of Thursday 15 and Friday 16 July 2027; the Programmers' Panel and the Scholars' & Critics' Panel determine the finalists, who perform again in the final on Sunday 18 July. The panels bring together around 30 Italian and international artistic directors, curators, festival and theatre programmers, journalists, critics and performing arts scholars, many from the Teatri Riflessi Network and Anticorpi XL Network; the full list is published in June 2027. Past partner organisations include Antistatic Festival (Sofia), ATER Fondazione, BIG Festival, Cantieri Danza, Circuito CLAPS, COORPI, Dance ICONS (Washington DC), Danza Urbana, Derida Dance Centre, EN-KNAP and Spanski Borci (Ljubljana), Fabbrica Europa, Festival Ammutinamenti, Cluny Danse (France), Danza Canarias dentro y fuera (Tenerife), FIND Festival, Fondazione Armunia and Festival Inequilibrio, Fondazione Claudia Lombardi per il teatro (Lugano), Fondazione Sipario Toscana, Fondazione Toscana Spettacolo, Galway Dance (Ireland), Interplay Festival (Turin), L'Arboreto Teatro Dimora, La Piccionaia, Movimento Danza, New Dance For Asia International Festival (Daegu), Puglia Culture, Toplocentrala (Sofia) and Umbria Danza Festival. MONEY: each selected performance receives a gross fee of EUR 500 to EUR 1,100 depending on cast size, plus a possible travel contribution of up to EUR 250. Awards are Best Performance EUR 1,200 (from the combined weighted scores of both panels, the Jury of the Final, the Youth Jury and the Citizens' Jury), Best Dramaturgy EUR 500 and the Scholars' and Critics' Award EUR 500 (both from the Scholars' & Critics' Panel), Best Direction EUR 500 and Best Performer EUR 500 (both from the Programmers' Panel), the 'Valentina Nicosia' Fund of EUR 500 (joint decision of both panels), the 'Sandra Bressan' research fund of EUR 1,800 (awarded by the Citizens' Jury to reinvite a company to Sicily to work with the community), and the Youth Jury Award of EUR 300 to a semi-finalist, alongside the Audience Special Mention, the Companies' Choice Award and the Technical Crew Award. Fees, reimbursements and prizes are paid after the festival, provided all regulations and deadlines are met. FEES TO APPLY: none. Only selected companies pay a EUR 50 deposit on selection, fully refunded after the festival. RULES: performances should aim for 15 minutes, with total stage occupancy including set-up and dismantling capped at 20 minutes. Multiple entries are allowed but need a separate form each. No major changes are permitted after selection; minor adjustments, especially cast substitutions, must be communicated in advance and authorised by IterCulture APS. Works in languages other than Italian are welcome and are presented with Italian and English surtitles prepared by IterCulture APS. APPLICATION: a digital form linked in Article 5 of the open call regulations, with Annex A for dramaturgy (the complete script where one exists, or for dance, physical theatre and non-text work a short document on the dramaturgical research and choreographic structure) and a full video recording of the complete work; excerpts and teasers are not accepted, and for rehearsed readings, directorial notes on costumes, lighting and set design are mandatory. COMMITMENT: rehearsal attendance is compulsory, with the day assigned by the Competition Manager after selection; companies must arrive in Zafferana Etnea by their rehearsal day (rehearsals run 13 and 14 July 2027) and stay until the festival closes at 23:30 on Sunday 18 July. Rehearsals and public events run mainly in afternoons and evenings; the only compulsory morning commitment is the panel feedback session on Sunday 18 July. Online information sessions are held on Google Meet on Tuesday 22 September 2026, with the English session at 19:30 CEST. Deadline 15 October 2026 at 5pm CET.
The Societe des arts technologiques (SAT) in Montreal runs a research-creation residency program in arts and technologies for artists and collectives working in the performing arts and/or media arts. The residency funds a research-creation stage of a project in technological arts rather than the finalisation of a finished work, so the call weighs the exploration process and the innovation in it above a polished outcome. Each selected project receives a CAD 10,000 grant, whether the applicant is an individual artist or a collective, plus access to SAT spaces and equipment, technical and creative support from the SAT teams, mentoring and training activities, and documentation and archiving. Access to spaces and equipment is assessed against the project's needs and granted subject to availability. Travel, meal and accommodation costs beyond the grant are not covered. Open to professional artists and artistic collectives worldwide, at any level of experience and from any primary discipline, provided the profile and project suit immersive technologies; collectives must submit a joint portfolio showing they can carry out the project independently, particularly the visual and sound creation inside a dome. Each application must include a form and supporting documents setting out the concept, the technical solutions considered, and what will be explored during the residency. One application per project and per person; incomplete applications are not evaluated; use permanent, downloadable links rather than WeTransfer or similar temporary services. Accommodations and alternative support documents (large print and so on) are available on request at residences@sat.qc.ca. Deadline 18 October 2026. Apply through the Google Form linked from the SAT open-call page.
Humanity AI, an initiative of ten leading philanthropies, opens a USD 10 million call for community-led initiatives that shape how AI affects people's lives. ISSUE AREAS: Education (student and educator-centered work shaping AI's educational impact); Labor and Economy (worker-led efforts to ensure AI enhances rather than replaces employment); and Humanities, Arts, and Culture (artist and creator-focused work protecting cultural contributions). ELIGIBLE APPROACHES: shaping the rules for AI governance and deployment; building AI controlled by communities rather than corporations; and challenging misaligned AI deployments. Community-led means the affected community defines the goals and shapes the approach. Priority goes to open-weight and open-source AI models over proprietary ones. OUT OF SCOPE: AI literacy training, AI adoption promotion, and research-only work. GRANTS: three tiers from USD 75,000 to 1,000,000, up to three years. ELIGIBILITY: US-based 501(c)(3) organizations as lead applicants; individuals via fiscal sponsors or collaborations; Tribal governments treated as States under IRC Section 7871; for-profit entities only as collaborators, not leads; all proposals must serve US-based communities. TIMELINE: launched 10 September 2026; applicant webinar 14 September 2026; initial applications due 21 October 2026 at 4:59pm PT; finalists notified December 2026; awards announced early spring 2027. Apply via Submittable; an organizational readiness tool on the site helps assess eligibility first.
The Creative Industries Fund NL (Stimuleringsfonds) runs this residency with Videotage, a Hong Kong-based non-profit media arts institution specialising in the promotion, presentation, creation and preservation of moving image and media art in all forms and languages. The Fund is recruiting one Netherlands-based designer, maker or observer working in digital culture to spend two or three months at Videotage's studio space in Hong Kong in 2027, conducting research, broadening their network, developing new work inspired by Hong Kong, and presenting their findings or completed works. The residency encourages crossovers and experimentation, giving the participant space to explore new methodologies, widen their creative practice and produce work that pushes the boundaries of digital culture, with a focus on social and urban dynamics. The 2027 edition takes the technological 'black box' phenomenon as its starting point and invites the resident to respond to that theme within the context of Videotage. ELIGIBILITY: you are an individual designer, maker or observer within the field of digital culture; you are established in the Netherlands, Aruba, Bonaire, Curacao, Saba, Sint Eustatius or Sint Maarten (Kingdom of the Netherlands); you are registered in the business register of the Dutch Chamber of Commerce (KvK) or another business register within the Kingdom of the Netherlands; and you have had a professional practice in the creative industry for at least four years. NOT open to duos, collectives or cooperative ventures, nor to designers and makers who receive a grant during the work period under the Talent Development Grant Scheme, the Open Call Self-taught Designer or the Open Call Emerging Design Practices ABCSSS. Note that accepting this open call means you cannot apply to those schemes and open calls in 2027. FUNDING: EUR 5,000 for two months or EUR 6,500 for three months, covering travel, insurance, living expenses, compensation for time invested and material and transport costs; accommodation, studio use and Videotage's facilitation are covered separately by the Fund. Submit your proposal to the Creative Industries Fund NL by 21 October 2026, 16:00 CEST.
Open Interval is a Simons Foundation program that supports trios consisting of an artist, a scientist, and a representative from a 501(c)(3) arts organization to collaborate around a shared scientific theme. The current cycle centers on the theme of turbulence, a phenomenon at the edge of chaos and beauty. Awarded trios receive USD 30,000 to support a sustained period of thought partnership and exploration rather than the production of finished works or exhibitions. The program runs from April to December 2027 with a touchstone meeting in May 2027 and possible cohort convenings. Trio members must be regionally co-located anywhere in the United States so they can collaborate in person. The scientist should hold a Ph.D. and be conducting basic research, with priority given to fields such as astrophysics, neuroscience, quantum physics, biology, or mathematics. The application portal opens September 9, 2026, and all three trio members must submit for the application to be complete.
Travel voucher for Dutch-based professionals in design, architecture and/or digital culture who have been invited by a foreign party to give a presentation, lecture or workshop. To apply you must have submitted an application to the Fund in the past five years that was positively assessed (previous International Vouchers do not count). The inviting foreign party must cover a proportionate share of the costs. Covers hourly fees, travel and accommodation directly related to the activity. IMPORTANT TIMING RULE: applications are accepted from 5 months to a minimum of 7 weeks before the activity begins, and processing takes about 6 weeks. This lead time can rule out activities that fall shortly after a round opens. Round 2 (4 May to 22 June 2026) has closed. Round 3 runs 8 September 2026 15:00 CEST to 27 October 2026 16:00 CEST, with a budget of EUR 33,000; given the 7-week rule it effectively serves activities starting from late October 2026 onwards. IMPORTANT PREREQUISITE: you must already have had an application to the Fund positively assessed within the past five years, and a previous voucher does not satisfy this, so this is not a viable first approach to the Fund. The window runs 8 September 2026, 15:00 CEST to 27 October 2026, but closes early once 20 complete applications are received. Maximum one voucher per applicant per calendar year.
The MIT Museum seeks proposals for compelling digital content exploring humanity's relationship with the BRAIN, the museum's thematic focus from April to September 2027 bringing together art, science, technology and design on cognition, neurotechnology, brain-computer interfaces, mental health and the boundaries of ability. Selected proposals run as ambient content on the two-story digital screen (3840x3024, 80:63 aspect ratio, 20'3" x 16'2") in the museum's central Exchange amphitheater. The museum wants immersive, non-linear, experimental, non-didactic work, such as artful visualizations of data or scientific phenomena; interactivity (touchscreens, QR codes) is out of scope and content-critical audio is discouraged. Content must run on the museum's existing hardware (Windows PC with RTX 3090, NEC LED wall with Analog Way 4K system). WHO CAN APPLY: artists, scientists, engineers, designers and other creative practitioners, from MIT or the broader community. SUPPORT: flat honorarium of USD 2,500-5,000 per selected proposal; no additional development funding. Applications reviewed from 2 November, accepted list finalized January 2027. Deadline: 1 November 2026.
Believers funds the people, projects and programs creating the conditions for young people's creativity to flourish at scale. Creativity is meant in the broadest sense: artists are creative, but so are scientists, debaters, community builders and dancers, and a project can be anything from a summer camp to a robotics competition to a co-working holiday house for artists. Blackbird looks for inventive, dynamic experiments that encourage young people to be curious, to explore, to be lifelong learners, and to build community and become high-agency people, backing projects that are 0-1 (just starting) or 1-10 (scaling or iterating) rather than established groups. Examples: a neighbourhood community science lab, a hacker house, a hardware garage makerspace, a travelling STEM roadshow, or an after-school arts or coding club. ELIGIBILITY (no flexibility): individuals, groups or organisations established in Australia and/or New Zealand; projects taking place in AU/NZ; projects completed within 12 months; projects whose core focus is primarily creative outcomes; and organisations with less than AUD 1.5M in revenue. WHEN TO APPLY: Believers is open year-round, with EOIs and applications reviewed and progressed on a rolling basis; the program closes when all funds are disbursed or at the end of the FY27 period (30 June 2027), whichever comes first. Expressions of interest for Believers Fund III open on 30 June 2026.
Kaatsbaan Cultural Park offers subsidized residencies for artists of all genres to create, live, and collaborate on its 153-acre campus in the Hudson Valley near Tivoli, New York. Residencies are individually designed between the artist, Kaatsbaan, and partners to fit the needs of the artist or company, welcoming disciplines from dance, theater, music, and visual arts to writing, composition, design, and film. The program is generously subsidized and includes individual hotel-style rooms, healthy locally sourced meals, and access to professional studios with sprung floors and pianos, a 160-seat black box theater, and exhibition space. Applications are accepted on a rolling basis through an inquiry form, with early inquiries encouraged to secure preferred dates. Artists at any career stage worldwide may apply, individually or as collaborative teams. There is no application fee and no artist stipend.
Emergent Ventures funds entrepreneurs and thinkers worldwide with highly scalable, zero-to-one ideas for meaningfully improving society. It is aimed at individuals (applicants must be 13 or older) rather than institutions, and international and non-US applicants are eligible; grants are awarded to people around the world. Dedicated support is available for projects focused on India, Africa, the Caribbean or Ukraine. Grant amounts are not disclosed and are set per project. Applications are accepted on a rolling, continuous basis through an online form. The programme launched in 2018 and is administered by Tyler Cowen at the Mercatus Center.
Stichting DOEN, funded by the Dutch charity lotteries, supports pioneering initiatives within themes including the transformative power of imagination (art and culture), regenerative economy and solidarity economy. Applications are accepted year-round via the Mijn DOEN portal from legal entities only (no individuals) and must be received at least four months before the project starts; the assessment procedure takes about four months. Amateur art practice and standalone productions of films, books, CDs or websites are not supported. No application fee.
AFK is the City of Amsterdam's arts fund and the main route to project money for artists and organisations working in the city, and it was the significant gap in this desk's Dutch coverage. The Projectsubsidies 2026-2028 scheme funds art and culture projects across disciplines, split into four categories by scale and applicant type; requests up to EUR 7,500 in categories 1 and 2 are assigned to an assessment round by monthly draw, with published loting and gesprek dates. ELIGIBILITY: you must live or work in the municipality of Amsterdam or in Zaanstad, Oostzaan, Landsmeer, Waterland, Haarlemmermeer, Amstelveen, Ouder-Amstel or Diemen. Both individual makers and organisations can apply depending on category. NOTE: AFK periodically closes individual categories when demand outruns budget (categories 3 and 4 for professional art were temporarily shut in May 2026 and reopened on 1 July 2026), so check which categories are open before you start. Applications are in Dutch through the AFK portal. Phone 020 520 0520, weekdays 09:30-12:30 and 13:30-16:00.